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matjuse - Monster Expedition - Fourth Journey: Monster Sightings #0151 to #0200 - Activity and coloring book - With Illustrations by Mathias Jüsche -

matjuse - Monster Expedition - Fourth Journey: Monster Sightings #0151 to #0200 - Activity and coloring book - With Illustrations by Mathias Jüsche -

Mathias Jüsche

Independently Published
2019
nidottu
Monster Expedition Fourth journey Monster sightings #0151 to #0200 Hello Monster Expert, During our last expedition we discovered fifty new monsters. Unfortunately some records have been lost. But our monster archive needs all data, we need your fantasy: Determine what each monster should be called. What do they eat? - Stones, toys, smelly socks or even healthy fruit? Where do they sleep? - Under your bed, in your wardrobe or in the keyhole? How's the monster? Is it happy or sad, content or furious. Use your imagination With illustrations by Mathias J sche For children and big kids starting from 10 years. For children from 10 years Ideal for on the go Ideal souvenir for Halloween Many colouring pictures 212 pages content
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Mathias Spahlinger

Mathias Spahlinger

Neil T. Smith

Intellect Books
2021
sidottu
The first book-length study in English of composer Mathias Spahlinger, one of Germany’s leading practitioners of contemporary music. One of the most stimulating and provocative figures on the new music scene on Germany, he has long been a touchstone for leftist, ‘critical’ composition there, yet his work has received very little attention in Anglophone scholarship until now. Born in 1944, Spahlinger has risen only gradually to prominence in his native Germany and for many years was considered an outsider within the contemporary music scene. Yet, his position as one of the most venerable exponents of post-WWII modernism in his homeland is now undeniable: his music is regularly performed, he has received commissions from many of the major orchestras and new music groups in Germany, and in 2014 he received the Großen Berliner Kunstpreis (Berlin Art Prize – Grand Prize) from the city’s Akademie der Künste (Academy of Arts). Spahlinger is, however, becoming increasingly known as a significant figure within later twentieth-century music – in 2015, a festival in Chicago focused exclusively on his music, and he was a keynote speaker at a conference on Compositional Aesthetics and the Political at Goldsmiths, University of London. This new book provides an essential reference for scholars of new music and twentieth-century modernism. There are no other book-length studies of Spahlinger in English, though there is a monograph and a book of essays in German, and books of interviews. This original work promises a more critical perspective upon the composer and his aesthetics and political ideas compared to previous publications. The illustrations include musical examples. Its primary market will be a specialist musicological readership, including academics, researchers and composers, but the writing style such that it could be accessible also to undergraduates interested in the field. The discussion of aesthetic debates in post-war Germany, and the interesting reading of the work of Jacques Rancière, means that it could also have significant appeal across the disciplines of philosophy and critical theory.
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Mathias Spahlinger

Mathias Spahlinger

Neil T. Smith

INTELLECT
2023
nidottu
The first book-length study in English of composer Mathias Spahlinger, one of Germany’s leading practitioners of contemporary music. One of the most stimulating and provocative figures on the new music scene on Germany, he has long been a touchstone for leftist, ‘critical’ composition there, yet his work has received very little attention in Anglophone scholarship until now. Born in 1944, Spahlinger has risen only gradually to prominence in his native Germany and for many years was considered an outsider within the contemporary music scene. Yet, his position as one of the most venerable exponents of post-WWII modernism in his homeland is now undeniable: his music is regularly performed, he has received commissions from many of the major orchestras and new music groups in Germany, and in 2014 he received the Großen Berliner Kunstpreis (Berlin Art Prize – Grand Prize) from the city’s Akademie der Künste (Academy of Arts). Spahlinger is, however, becoming increasingly known as a significant figure within later twentieth-century music – in 2015, a festival in Chicago focused exclusively on his music, and he was a keynote speaker at a conference on Compositional Aesthetics and the Political at Goldsmiths, University of London. This new book provides an essential reference for scholars of new music and twentieth-century modernism. There are no other book-length studies of Spahlinger in English, though there is a monograph and a book of essays in German, and books of interviews. This original work promises a more critical perspective upon the composer and his aesthetics and political ideas compared to previous publications. The illustrations include musical examples. Its primary market will be a specialist musicological readership, including academics, researchers and composers, but the writing style such that it could be accessible also to undergraduates interested in the field. The discussion of aesthetic debates in post-war Germany, and the interesting reading of the work of Jacques Rancière, means that it could also have significant appeal across the disciplines of philosophy and critical theory.
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Mathias Sandorf

Mathias Sandorf

Jules Verne

Createspace Independent Publishing Platform
2018
nidottu
Je vous d die ce livre en le d diant aussi la m moire du conteur de g nie que fut Alexandre Dumas, votre p re. Dans cet ouvrage, j'ai essay de faire de Mathias Sandorf le Monte-Cristo des VOYAGES EXTRAORDINAIRES. Je vous prie d'en accepter la d dicace comme un t moignage de ma profonde amiti . JULES VERNE. R PONSE DE M. A. DUMAS 23 juin 1885 Cher ami, Je suis tr s touch de la bonne pens e que vous avez eue de me d dier Mathias Sandorf, dont je vais commencer la lecture d s mon retour, vendredi ou samedi. Vous avez eu raison, dans votre d dicace, d'associer la m moire du p re l'amiti du fils. Personne n'e t t plus charm que l'auteur de Monte-Cristo, par la lecture de vos fantaisies lumineuses, originales, entra nantes. Il y a entre vous et lui une parent litt raire si vidente que, litt rairement parlant, vous tes plus son fils que moi.
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Mathias Sandorf

Mathias Sandorf

Jules Verne

Createspace Independent Publishing Platform
2017
nidottu
Mathias Sandorf est un roman d'aventures de Jules Verne, paru en 1885. Le roman est d di titre posthume Alexandre Dumas p re, l'auteur du Comte de Monte-Cristo en 1844. Les deux romans ont des points communs, m me s'ils sont bien diff rents: dans Mathias Sandorf, le nationaliste hongrois ponyme, condamn mort la suite d'une tentative de coup d' tat rat e, s' vade d'une prison autrichienne, devient riche et se venge des tra tres qui l'ont d nonc .
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Mathias Kneißl

Mathias Kneißl

Manfred Böckl

Independently Published
2018
pokkari
In seinem Roman erz hlt der renommierte Schriftsteller Manfred B ckl die dramatische Lebensgeschichte des 1902 auf dem Schafott hingerichteten letzten gro en bayerischen R ubers und Wildsch tzen Mathias Knei l. Meisterlich schildert der Autor das kurze, wilde Leben des s ddeutschen Renegaten, und zugleich beschreibt er sehr treffend die Atmosph re im K nigreich Bayern des ausgehenden 19. und fr hen 20. Jahrhunderts.
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