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416 tulosta hakusanalla Ovidia Yu

Shakespeare's Erotic Mythology and Ovidian Renaissance Culture

Shakespeare's Erotic Mythology and Ovidian Renaissance Culture

Routledge
2017
nidottu
Taking cross-disciplinary and comparative approaches to the volume’s subject, this exciting collection of essays offers a reassessment of Shakespeare’s erotic and Ovidian mythology within classical and continental aesthetic contexts. Through extensive examination of mythological visual and textual material, scholars explore the transmission and reinvention of Ovidian eroticism in Shakespeare’s plays to show how early modern artists and audiences collectively engaged in redefining ways of thinking pleasure. Within the collection’s broad-ranging investigation of erotic mythology in Renaissance culture, each chapter analyses specific instances of textual and pictorial transmission, reception, and adaptation. Through various critical strategies, contributors trace Shakespeare’s use of erotic material to map out the politics and aesthetics of pleasure, unravelling the ways in which mythology informs artistic creation. Received acceptions of neo-platonic love and the Petrarchan tensions of unattainable love are revisited, with a focus on parodic and darker strains of erotic desire, such as Priapic and Dionysian energies, lustful fantasy and violent eros. The dynamics of interacting tales is explored through their structural ability to adapt to the stage. Myth in Renaissance culture ultimately emerges not merely as near-inexhaustible source material for the Elizabethan and Jacobean arts, but as a creative process in and of itself.
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Shakespeare's Erotic Mythology and Ovidian Renaissance Culture

Shakespeare's Erotic Mythology and Ovidian Renaissance Culture

Ashgate Publishing Limited
2013
sidottu
Taking cross-disciplinary and comparative approaches to the volume’s subject, this exciting collection of essays offers a reassessment of Shakespeare’s erotic and Ovidian mythology within classical and continental aesthetic contexts. Through extensive examination of mythological visual and textual material, scholars explore the transmission and reinvention of Ovidian eroticism in Shakespeare’s plays to show how early modern artists and audiences collectively engaged in redefining ways of thinking pleasure. Within the collection’s broad-ranging investigation of erotic mythology in Renaissance culture, each chapter analyses specific instances of textual and pictorial transmission, reception, and adaptation. Through various critical strategies, contributors trace Shakespeare’s use of erotic material to map out the politics and aesthetics of pleasure, unravelling the ways in which mythology informs artistic creation. Received acceptions of neo-platonic love and the Petrarchan tensions of unattainable love are revisited, with a focus on parodic and darker strains of erotic desire, such as Priapic and Dionysian energies, lustful fantasy and violent eros. The dynamics of interacting tales is explored through their structural ability to adapt to the stage. Myth in Renaissance culture ultimately emerges not merely as near-inexhaustible source material for the Elizabethan and Jacobean arts, but as a creative process in and of itself.
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John of Garland's 'Integumenta Ovidii'

John of Garland's 'Integumenta Ovidii'

Medieval Institute Publications
2022
sidottu
The renowned scholar-poet John of Garland wrote the Integumenta Ovidii (“Allegories on Ovid”) in early thirteenth-century Paris at a time of renewed interest in Classical Latin literature. In this short poem, John offers a series of dense, highly allusive allegories on various Greek and Roman myths in Ovid’s Metamorphoses. The text is here edited and translated for the first time in 90 years, drawing on the evidence of over two dozen manuscripts. The edition presents the original Latin text with facing-page modern English translation. Comprehensive explanatory notes help readers to understand John’s condensed allegories in their medieval context. Textual notes discuss the various difficulties in the transmitted text of the poem, and offer several improvements on the texts of the older editions.
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Los Comentarios Al «Ibis» de Ovidio

Los Comentarios Al «Ibis» de Ovidio

Rosario Guarino Ortega

Peter Lang AG
1999
nidottu
En la historia de la recepcion y la transmision del "Ibis" de Ovidio, como ocurre en general con toda obra antigua, han jugado un importantisimo papel los comentarios de los distintos estudiosos que a ella se han aplicado, aportando nuevos datos siempre enriquecedores para la obra en su conjunto. El analisis de dichos comentarios pone de relieve los puntos mas oscuros en la interpretacion de la obra y constituye el objeto de estas paginas, en las que la autora realiza una recogida selectiva del abundante material exegetico existente en torno al poema, del que se da cuenta en la parte introductoria."
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