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Penelope's Renown

Penelope's Renown

Marylin A. Katz

Princeton University Press
2014
pokkari
Noted for her contradictory words and actions, Penelope has been a problematic character for critics of the Odyssey, many of whom turn to psychological explanations to account for her behavior. In a fresh approach to the problem, Marylin Katz links Penelope closely with the strategies that govern the overall design of the narrative. By examining its apparent inconsistencies and its deferral of truth and closure, she shows how Penelope represents the indeterminacy that is characteristic of the narrative as a whole. Katz argues that the controlling narrative device of the poem is the paradigm of Agamemnon's fateful return from the Trojan War, narrated in the opening lines of the Odyssey. This story operates not only as a point of reference for Odysseus' homecoming but also as an alternative plot, and the danger that Penelope will betray Odysseus as Clytemnestra did Agamemnon is kept alive throughout the first half of the poem. Once Odysseus reaches Ithaca, however, the paradigm of Helen's faithlessness substitutes for that of Clytemnestra. The narrative structure of the Odyssey is thus based upon an intratextual revision of its own paradigm, through which the surface meaning of Penelope's words and actions is undermined though never openly discredited. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Penelope's Renown

Penelope's Renown

Marylin A. Katz

PRINCETON UNIVERSITY PRESS
2016
sidottu
Noted for her contradictory words and actions, Penelope has been a problematic character for critics of the Odyssey, many of whom turn to psychological explanations to account for her behavior. In a fresh approach to the problem, Marylin Katz links Penelope closely with the strategies that govern the overall design of the narrative. By examining its apparent inconsistencies and its deferral of truth and closure, she shows how Penelope represents the indeterminacy that is characteristic of the narrative as a whole. Katz argues that the controlling narrative device of the poem is the paradigm of Agamemnon's fateful return from the Trojan War, narrated in the opening lines of the Odyssey. This story operates not only as a point of reference for Odysseus' homecoming but also as an alternative plot, and the danger that Penelope will betray Odysseus as Clytemnestra did Agamemnon is kept alive throughout the first half of the poem. Once Odysseus reaches Ithaca, however, the paradigm of Helen's faithlessness substitutes for that of Clytemnestra. The narrative structure of the Odyssey is thus based upon an intratextual revision of its own paradigm, through which the surface meaning of Penelope's words and actions is undermined though never openly discredited. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Penelope's Superpower

Penelope's Superpower

Melinda M Cropsey

Breadcrumbs LLC
2018
sidottu
Penelope, a playful hedgehog, introduces her woodland friends to a simple, meditative, heart-centered breathing practice. Breathing "in like a flower and out like a shower," she awakens them to the superpower of LOVE and to the infinite possibilities that surround and support us all. (Ages 3-7.)
Penelope's Hope

Penelope's Hope

Graftedheart
2015
nidottu
Life has given Penelope Drayton very little hope. After years of preparations, 1806 is the year that she is determined to create her own hope. The successful execution of her plan would grant her independence, but failure would certainly be her ruination. Just when her plan begins to meet with difficulty, she finds a faithful ally in Miss Violet Wyndham.Violet's brother, Mr. Ashbridge Wyndham, has but one objective for London's Social Season: escape unscathed. With his mysterious benefactor, he is suddenly a sought-after prize for the matchmaking mamas. Unfortunately for him, marriage is the last thing he wants at present. His sister Violet, with her shy but calming spirit, is the only part of the Season which he finds tolerable.When Penelope and Ash meet through their mutual affection for Violet, will God use the acquaintance to begin healing for both of these wounded hearts?
Penelope Salvo and Impossible Red

Penelope Salvo and Impossible Red

Justin Zaruba

Go Go Run Publishing
2016
nidottu
A fast-paced adventure that explores the magical elements hidden in New York City, book one of eight in the Penelope Salvo adventure series by bestselling author Justin Zaruba.When Penelope Salvo responds to a vague help-wanted ad in New York City's Chinatown, she finds a place to live and avoids ending up homeless.But on the night of Hurricane Sandy, Penelope Salvo discovers the Westland Corporation's sinister plot to steal a dangerous weapon in her neighborhood. This revelation leads her to discover a world full of strange and mysterious people: Voodoo spirits, a talking car, and fairy tale princesses living in the Bronx.As Penelope makes new friends and new enemies, she finds that the fate of the world has landed squarely on her shoulders.
Penelope Fitzgerald

Penelope Fitzgerald

Hugh Adlington

Liverpool University Press
2018
sidottu
Penelope Fitzgerald (1916-2000) has been acclaimed as one of the finest British novelists of the late twentieth century. Four of her novels were shortlisted for the Booker Prize and one of them, Offshore (1979), won; her final work of historical fiction, The Blue Flower (1995), won the US National Book Critics’ Circle Award. Fitzgerald’s works are distinguished by their acute wit, deft handling of emotional tone and an unsentimental yet deeply felt commitment to portraying the lives of those men, women and children ‘who seem to have been born defeated’. Admirers have long recognised the brilliance of Fitzgerald’s writing, yet the deceptive simplicity of her style invariably leads readers to ask, ‘How is it done?’ This book seeks to answer that question, providing the first sustained exposition of Penelope Fitzgerald’s compositional method, working both inwards from the surface of her writing and outwards from the archival evidence of Fitzgerald’s own drafts and working papers.
Penelope Fitzgerald

Penelope Fitzgerald

Hugh Adlington

Liverpool University Press
2018
nidottu
Penelope Fitzgerald (1916-2000) has been acclaimed as one of the finest British novelists of the late twentieth century. Four of her novels were shortlisted for the Booker Prize and one of them, Offshore (1979), won; her final work of historical fiction, The Blue Flower (1995), won the US National Book Critics’ Circle Award. Fitzgerald’s works are distinguished by their acute wit, deft handling of emotional tone and an unsentimental yet deeply felt commitment to portraying the lives of those men, women and children ‘who seem to have been born defeated’. Admirers have long recognised the brilliance of Fitzgerald’s writing, yet the deceptive simplicity of her style invariably leads readers to ask, ‘How is it done?’ This book seeks to answer that question, providing the first sustained exposition of Penelope Fitzgerald’s compositional method, working both inwards from the surface of her writing and outwards from the archival evidence of Fitzgerald’s own drafts and working papers.
Penelope Voyages

Penelope Voyages

Lawrence Karen R.

CORNELL UNIVERSITY PRESS
1994
sidottu
Looking at travel writing by British women from the seventeenth century on, Karen R. Lawrence asks an intriguing question: What happens when, instead of waiting patiently for Odysseus, Penelope voyages and records her journey—when the woman who is expected to waitsets forth herself and traces an itinerary of her own?Lawrence ranges widely, discussing both fiction and nonfiction and traversing the genres of travel letters, realistic and sentimental novels, ethnography, fantasy, and postmodern narrative. In examining works as dissimilar as Margaret Cavendish's rendition of the Renaissance adventure narrative and Christine Brooke-Rose's postmodernist Between, she explores not only the significance of gender for travel writing, but also the value of travel itself for testing the limits of women's social freedoms and restraints.Lawrence shows how writings by Frances Burney, Mary Wollstonecraft, Sarah Lee, Mary Kingsley, Virginia Woolf, and Brigid Brophy reconceive the meanings of femininity in relation to such apparent oppositions as travel/home, other/self, and foreign/domestic. Despite the differences-historical, generic, political-among these writers, Lawrence maintains, they share common insights. Their accounts overturn the dichotomy between adventure and domesticity, demonstrating something illusory within both the stability of home and the freedom of travel.
Penelope Voyages

Penelope Voyages

Karen R. Lawrence

Cornell University Press
1994
pokkari
Looking at travel writing by British women from the seventeenth century on, Karen R. Lawrence asks an intriguing question: What happens when, instead of waiting patiently for Odysseus, Penelope voyages and records her journey—when the woman who is expected to waitsets forth herself and traces an itinerary of her own? Lawrence ranges widely, discussing both fiction and nonfiction and traversing the genres of travel letters, realistic and sentimental novels, ethnography, fantasy, and postmodern narrative. In examining works as dissimilar as Margaret Cavendish's rendition of the Renaissance adventure narrative and Christine Brooke-Rose's postmodernist Between, she explores not only the significance of gender for travel writing, but also the value of travel itself for testing the limits of women's social freedoms and restraints. Lawrence shows how writings by Frances Burney, Mary Wollstonecraft, Sarah Lee, Mary Kingsley, Virginia Woolf, and Brigid Brophy reconceive the meanings of femininity in relation to such apparent oppositions as travel/home, other/self, and foreign/domestic. Despite the differences-historical, generic, political-among these writers, Lawrence maintains, they share common insights. Their accounts overturn the dichotomy between adventure and domesticity, demonstrating something illusory within both the stability of home and the freedom of travel.
Penelope Lemon

Penelope Lemon

Inman Majors

Louisiana State University Press
2018
sidottu
Penelope Lemon is a recent divorcée, closet Metallica fan, and accidental subversive to all the expectations of suburban motherhood. After ending her marriage with James, a woodsy intellectual who favours silky kimonos too short for his knobby knees, Penelope finds herself, at forty, living with her randy mother in her childhood home. Broke and desperate for work, she waitresses at Coonskins, a frontier-themed restaurant where the decor is heavy on stuffed mammals and discarded peanut shells.Despite the pitfalls of balancing parental duties, jobs, and the vagaries of middle-age life, Penelope pushes through one obstacle after another, trying to regain her independence. Whether fumbling through the world of online dating; coping with a bullying situation involving her son, Theo, something of a gastric wonder on the school bus; or wrestling with the discovery of nude photos from her carefree college days that are not quite as ""artistic"" as she remembers, Penelope gradually emerges as a modern-day heroine who navigates the assorted inanities of life with verve and humor.Audacious and laugh-out-loud funny, Inman Majors's new novel holds up a fun-house mirror to the relatable challenges of being a single parent in the digital age. All those who live by the beat of their own drum gain a coconspirator, an accomplice, and a champion in the unstoppable Penelope Lemon.
Penelope of Ithaca

Penelope of Ithaca

Kenny Finkle

Broadway Play Publishing
2014
nidottu
Combining the Greek myth of Penelope awaiting the return of her husband, Odysseus, with modern tales of life in Ithaca, New York, Kenny Finkle uses his renowned sense of whimsy and humanity to explore our need to be loved. "... a new play is the lifeblood of a thriving theater, and Ithaca has been especially blessed of late with new plays. Finkle has set the bar high. To capture some piece of the spirit of a place and its inhabitants, while reworking a well-worn story, pulling apart notions of heroism, bravery, sacrifice, faithfulness and love this one story has come to embody ... All this is sketched lightly, almost breezily, for it is the launching pad for Finkle's deeper purpose. What does it mean to wait, to be a woman with an M I A husband, raising their son? To become defined by a first, all encompassing love that never had time to mature? To be wound up tight against feeling, against even acknowledging loss, grief? As the older Penelope negotiates these questions, the play takes on depth, color, urgency ... When finally it all begins to unravel, the breaking flood of desire, hurt and hope she displays is breathtaking. Her partner in this dance is the man not chosen ... Their ebb and flow as a couple ... is subtle, mercurial and enchanting. The play] glimmers with many facets of beauty and a smart elucidation of the awful requirements of love." -Ross Haarstad, Lansing Star A beautiful modern romance, PENELOPE OF ITHACA explores the complexities of time-tested love. With her soldier husband lost at war, Penelope's loyalty is put to the test as she struggles to reconcile her undying love for Odysseus with the uniquely human need to be loved in the here and now." -Stephanie Miller, Lansing Star
Penelope Pumpernickel

Penelope Pumpernickel

Maryann Diorio

Topnotch Press
2020
pokkari
Eight-year-old Penelope Pumpernickel-Penny, for short--has run into a big problem. His name is Grandville Ungerleider-Grandy, for short. Grandy wants to be Penny's friend, but he has a strange way of letting her know. Maybe his father's recent death has something to do with it. Penny's best-friend-forever, Matilda Mendoza-Tilly, for short-offers Penny some good suggestions about what to do with Grandy.When Grandy disrupts the Homeschool Consortium with his crazy antics, Penny must find a way to solve the big problems he causes.In this first of the delightful Penelope Pumpernickel Series of chapter books for six-to-ten-year-old children, Penelope Pumpernickel learns that no matter how big a problem you face, there is always a way to solve it with God's help.
Penelope Pumpernickel

Penelope Pumpernickel

Maryann Diorio

Topnotch Press
2021
pokkari
In this second volume of the popular Penelope Pumpernickel series of chapter books for children, eight-year-old Penelope Pumpernickel--Penny, for short--has another encounter with homeschool trouble-maker Grandville Ungerleider--Grandy, for short. Grandy says he has discovered a treasure chest in the basement of the church where their Homeschool Consortium meets every Thursday. But is Grandy telling the truth? How can Penelope find out? Students are forbidden to go down to the basement.And then there's the case of the missing maps? Who stole them and why?Join Penelope and her BFF, Tilly Mendoza, for another exciting adventure as Detective Penelope solves another homeschool mystery. In this second of the delightful Penelope Pumpernickel Series of chapter books for six-to-ten-year-old children, Penelope learns that no matter how hard it is to do right, doing right is always the right thing to do.