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1000 tulosta hakusanalla Philip Stuart
'The narrative is as suspenseful as any thriller. Truly, an excellent read' Lynn Barber, Sunday Times Married for almost seventy years to the most famous woman in the world, Prince Philip is the longest-serving royal consort in British history. Yet his origins have remained curiously shrouded in obscurity.
Philip V of Macedon in Polybius' Histories: Politics, History, and Fiction offers a historiographical and literary study of Polybius' portrait of Philip V and aims to advance our knowledge of both the Macedonian king and the historian. It takes a chronological and thematic approach, exploring how Polybius' political, historiographical, and didactic aims impact the king's depiction from beginning to end. The first half focuses on political and rhetorical aspects: it highlights the embedded Achaean perspective of the narrative and how this fundamentally shapes Philip's image; it re-evaluates key character-defining episodes, such as the sack of Thermum and the attempt on Messene; and it problematizes Polybius' claim that Philip became increasingly treacherous and tyrannical towards the Greeks after 215 BC. The second half explores how Polybius develops his interpretation of the king through ideological and literary means: it investigates how Polybius uses cultural politics to blacken Philip's image and justify the exchange of Macedon and Rome as hegemonic powers in the Greek world; it rationalizes his use of a tragic mode for Philip's last years, examining the implications this styling has for our historical understanding of the king; and it considers how tensions between Polybius' narrative and commentary on Philip may be the result of his combination of historiographical and biographical modes of presentation. It finishes by resituating Philip in the broader context of the Histories, drawing comparisons between his portrait and that of other kings and leaders, and discussing how kings are shaped by and contribute to the arguments in the Histories.
Philip Pullman and the Historical Imagination takes the general reader on a fascinating tour of seventeenth-century thought, exploring how this time period shaped Pullman's extraordinary trilogies His Dark Materials and The Book of Dust. In Part One, readers are taken into the mysteries of Renaissance allegory and hieroglyphics, tracing how the alethiometer and Lyra's way of reading the device emerged from these traditions. Part Two enters the exciting and revolutionary world of seventeenth-century science. We see how the amber spyglass imitates Galileo's telescope, how early modern fantasies of space travel led to ideas of multiple worlds, how alchemy entered Lyra's later adventures in Oxford and Prague, and how the concept of Dust shares in the physics and philosophies of early scientists like Margaret Cavendish. Part Three invites readers into the thrilling epic poem Paradise Lost--John Milton's dramatic account of the creation of the world following a violent war in Heaven--that was Pullman's inspiration for His Dark Materials. Pullman's vibrant re-telling of this core story brings us rebel angels, recasts Satan as a brooding Lord Asriel, and presents Lyra as the new Eve. Written by an eminent scholar of seventeenth-century literature and history, Philip Pullman and the Historical Imagination is crafted in an engaging and accessible style aimed at popular readers and fans of Pullman's work. It enlivens a historical period that has long attracted Pullman himself, bringing to life intriguing figures and the richly complex ideas of the time. This book is an exploration of history through the worlds and characters Pullman has invented. Ultimately, it not only reveals how seventeenth-century history helps readers better understand Pullman's novels, but shows how reading history through the lens of Pullman's imagination offers new ways of thinking about the past.
Although previous studies have portrayed Mary Sidney as a demure, retiring woman, Hannay, basing her work on primary sources (account books, legal documents, diaries, family letters), has discovered that she was brilliant, learned, witty, articulate, and adept at self-presentation. Married to the wealthy Earl of Pembroke, she ruled over her little court at Wilton just as Elizabeth ruled in London. Her wisdom, poetry, and scholarship were extravagantly praised by those who sought to gain her favour. When Philip, her older brother, died fighting for the Protestant cause, she moved to London to take up his literary activities, publishing his writings, writing and translating works of which he would have approved, assuming his role as literary patron and supporting the Protestant cause for which he died. All the literary work for which she is celebrated took place between her return to London in 1588 and her husband's death in 1601. While previous biographers contended that her widowhood was quiet and uneventful, Hannay shows, via court cases, that her final years were colourful indeed, as, administering the properties she retained, she contended with jewel thieves, pirates, and murderers, finally bringing them to trial after complex legal and political manoeuvres.
Philip the Chancellor and Eudes of Châteauroux
Oxford University Press
2024
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Sermones Contra Hereticos presents an edition and translation of a group of mostly unpublished Latin sermons which were originally preached in the context of the Albigensian Crusade of 1226 and during the fight against heresy in northern France in 1231. The nine extant sermon texts are unique in that they can be connected to specific preaching events for which the identity of the preacher, the time, and location, as well as the audience are known. The sermons were originally preached before academics at the University of Paris, to King Louis VIII of France at the start of his crusade in Bourges, at a procession in Paris in aid of the crusade army at the siege of Avignon, for the recruitment of additional crusaders, and at an episcopal synod at Laon and to laypeople at Bruyères-et-Montbérault in an attempt to ward off the spread of heretical beliefs. These texts provide us with an opportunity to tie particular strands of crusade ideology and doctrine to specific moments of the crusade movement and to the church's endeavours to counteract heresies by intensifying pastoral preaching. In addition, the texts can tell us a great deal about the way in which oral preaching was recorded and about the differences between the surviving textual record and the historical spoken word.
This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Sidney's poetry and prose - all the major writing, complemented by letters and elegies - to give the essence of his work and thinking. Born in 1554, Sir Philip Sidney was hailed as the perfect Renaissance patron, soldier, lover, and courtier, but it was only after his untimely death at the age of 31 that his literary accomplishments were truly recognized. This collection ranges more widely through Sidney's works than any previous volume and includes substantial parts of both versions of the Arcadia, The Defence of Poesy and the whole of the sonnet sequence Astrophil and Stella. Supplementary texts, such as his letters and the numerous elegies which appeared after his death, help to illustrate the whole spectrum of his achievements, and the admiration he inspired in his contemporaries. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
When we try to find words to express our most visceral and primary responses to literature, we are often inclined to speak of its power. But in academic contexts, that intuitive feeling for the vividness, energy, and special intensity of literary experience is all too often subdued, and exchanged for a supposedly more sophisticated discussion of its ethical or political significance. Philip Roth has long thumbed his nose at the 'virtue racket', as one of his characters called it, and his fiction has repeatedly satirised the moralistic idiom that tends to rule the public discussion of literature. In doing so he has earned the disapproval of an unusually wide range of university teachers and intellectuals. Philip Roth: Fiction and Power argues that Roth's importance derives precisely from his revaluation of what counts as sophisticated and serious in our response to literature. As well as examining how Roth emerged as a writer, and defining the main lines of influence on him, the book measures his impact on the dominant ways of thinking about literary value in post-war America. Attention is given to particular questions: about the place of emotion and affective experience, the nature and value of tragedy, the relevance of art to life, the relationship between literature and the unconscious, the concept of the author, the idea of a literary canon, and the ways that fiction illuminates America's complex post-war history. The book will be of importance to readers of modern American literature, and indeed to anyone interested in why literature matters.
The Plays and Poems of Philip Massinger: Volume III
Philip Massinger
Oxford University Press
1976
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A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
The Plays and Poems of Philip Massinger: Volume IV
Philip Massinger
Oxford University Press
1976
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A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
The Plays and Poems of Philip Massinger: Volume V
Philip Massinger
Oxford University Press
1976
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A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Philip II and Alexander the Great
Oxford University Press Inc
2010
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The careers of Philip II and his son Alexander the Great (III) were interlocked in innumerable ways: Philip II centralized ancient Macedonia, created an army of unprecedented skill and flexibility, came to dominate the Greek peninsula, and planned the invasion of the Persian Empire with a combined Graeco-Macedonian force, but it was Alexander who actually led the invading forces, defeated the great Persian Empire, took his army to the borders of modern India, and created a monarchy and empire that, despite its fragmentation, shaped the political, cultural, and religious world of the Hellenistic era. Alexander drove the engine his father had built, but had he not done so, Philip's achievements might have proved as ephemeral as had those of so many earlier Macedonian rulers. On the other hand, some scholars believe that Alexander played a role, direct or indirect, in the murder of his father, so that he could lead the expedition to Asia that his father had organized. In short, it is difficult to understand or assess one without considering the other. This collection of previously unpublished articles looks at the careers and impact of father and son together. Some of the articles consider only one of the Macedonian rulers although most deal with both, and with the relationship, actual or imagined, between the two. The volume will contain articles on military and political history but also articles that look at the self-generated public images of Philip and Alexander, the counter images created by their enemies, and a number that look at how later periods understood them, concluding with the Hollywood depiction of the relationship. Despite the plethora of collected works that deal with Philip and Alexander, this volume promises to make a genuine contribution to the field by focusing specifically on their relationship to one another.
This new biography of famed American novelist Philip Roth offers a full account of his development as a writer. Philip Roth was much more than a Jewish writer from Newark, as this new biography reveals. His life encompassed writing some of the most original novels in American literature, publishing censored writers from Eastern Europe, surviving less than satisfactory marriages, and developing friendships with a number of the most important writers of his time from Primo Levi and Milan Kundera to Isaac Bashevis Singer, Saul Bellow and Edna O'Brien. The winner of a Pulitzer Prize, National Book Award, and the Man Booker International Prize, Roth maintained a remarkable productivity throughout a career that spanned almost fifty years, creating 31 works. But beneath the success was illness, angst, and anxiety often masked from his readers. This biography, drawing on archives, interviews and his books, delves into the shaded world of Philip Roth to identify the ghosts, the character, and even identity of the man.
'Superlative... definitive and genuinely gripping' SUNDAY TIMES'Utterly engrossing' EVENING STANDARD'Compulsively readable... Beautifully written... Definitive' OBSERVER Appointed by Philip Roth and granted complete access and independence, Blake Bailey spent years poring over Roth's personal archive, interviewing his friends, lovers, and colleagues, and engaging Roth himself in breathtakingly candid conversations. The result is an indelible portrait of an American master and of the post-war literary scene. Bailey shows how Roth emerged from a lower-middle-class Jewish milieu to achieve the heights of literary fame, how his career was nearly derailed by his catastrophic first marriage, and how he championed the work of dissident novelists behind the Iron Curtain. Bailey examines Roth's rivalrous friendships with Saul Bellow, John Updike and William Styron, and reveals the truths of his florid love life, culminating in his almost-twenty-year relationship with actress Claire Bloom, who pilloried Roth in her 1996 memoir, Leaving a Doll's House. Tracing Roth's path from realism to farce to metafiction to the tragic masterpieces of the American Trilogy, Bailey explores Roth's engagement with nearly every aspect of post-war American culture.*A 'BOOKS OF 2021' PICK IN THE OBSERVER, GUARDIAN, FINANCIAL TIMES, SUNDAY TIMES, EVENING STANDARD, SPECTATOR AND NEW STATESMAN*
Samuel Steward (1909-93) was an English professor, a tattoo artist for the Hells Angels, a sexual adventurer who shared his considerable range of experiences with Alfred Kinsey, and a prolific writer of everything from scholarly articles to gay erotica (under the penname Phil Andros). Given this biography, he sounds like a most unlikely contributor to a trade magazine like the Illinois Dental Journal. Yet from 1944 to 1949, writing under the name Philip Sparrow, Steward produced monthly columns for the journal that were full of wit and flourish and that constituted a kind of disguised autobiography, with their reflections on his friendships and experiences and their endless allusions to his trove of multifarious knowledge. For Philip Sparrow Tells All, Jeremy Mulderig has gathered thirty of Steward's most playful and insightful columns, which together paint a vivid portrait of 1940s America. In these essays we spend time with Steward's friends like Gertrude Stein, Andre Gide, and Thornton Wilder (who was also Steward's occasional lover). We hear of his stint as a holiday sales clerk at Marshall Field's (where he met and seduced Rock Hudson), his roles as an opera and ballet extra in hilariously shoddy costumes, his hoarding tendencies, his disappointment with the drabness of men's fashions, and his dread of turning forty. We go along with him to a bodybuilding competition and a pet cemetery, and together we wander the boulevards of Paris and the alleys of Algiers. Throughout, Mulderig's entertaining annotations identify Steward's often obscure allusions and tie the essays to the people and events of the day. Many decades later, Steward's writing feels as stylistically fresh and charming as it did in his time. With richly detailed introductions to the essays that situate them in the context of Steward's fascinating life, Philip Sparrow Tells All will bring this unusual and engaging writer to a fresh readership beyond the dental chair.
Samuel Steward (1909-93) was an English professor, a tattoo artist for the Hells Angels, a sexual adventurer who shared his considerable range of experiences with Alfred Kinsey, and a prolific writer of everything from scholarly articles to gay erotica (under the penname Phil Andros). Given this biography, he sounds like a most unlikely contributor to a trade magazine like the Illinois Dental Journal. Yet from 1944 to 1949, writing under the name Philip Sparrow, Steward produced monthly columns for the journal that were full of wit and flourish and that constituted a kind of disguised autobiography, with their reflections on his friendships and experiences and their endless allusions to his trove of multifarious knowledge. For Philip Sparrow Tells All, Jeremy Mulderig has gathered thirty of Steward's most playful and insightful columns, which together paint a vivid portrait of 1940s America. In these essays we spend time with Steward's friends like Gertrude Stein, Andre Gide, and Thornton Wilder (who was also Steward's occasional lover). We hear of his stint as a holiday sales clerk at Marshall Field's (where he met and seduced Rock Hudson), his roles as an opera and ballet extra in hilariously shoddy costumes, his hoarding tendencies, his disappointment with the drabness of men's fashions, and his dread of turning forty. We go along with him to a bodybuilding competition and a pet cemetery, and together we wander the boulevards of Paris and the alleys of Algiers. Throughout, Mulderig's entertaining annotations identify Steward's often obscure allusions and tie the essays to the people and events of the day. Many decades later, Steward's writing feels as stylistically fresh and charming as it did in his time. With richly detailed introductions to the essays that situate them in the context of Steward's fascinating life, Philip Sparrow Tells All will bring this unusual and engaging writer to a fresh readership beyond the dental chair.
In this biography, Franz Schulze probes the private and professional life of one of the most famous architects and architectural critics of the 20th century. The only son of a wealthy Midwestern family, Philip Johnson was a millionaire by the time he graduated from Harvard, and in 1932 he helped stage the historic International Style exhibition at the Museum of Modern Art. A patron of the arts and a political activist who flirted with the politics of Hitler, Huey Long, and Father Coughlin, Johnson created controversial and historical structures such as the Glass House, the Roofless Church, the AT & T Building, the Crustal Cathedral, and many more. Johnsons's personal charms paired with his manipulative ploys - like his "borrowing" of designs - shine through in this biography. Drawing on Johnson's correspondence, personal photographs, and speeches, and on interviews with his friends and contemporaries, Schulze fills the biography with information on the architect's family, travels, friends and lovers, and his many buildings and spaces themselves.
Philip Larkin, one of England's greatest and most popular twentieth-century poets, is nonetheless widely regarded as a misanthropic, provincial recluse. This volume re-examines that critical view and argues that Larkin's poetry, far from demonstrating his misanthropy, highlights his profound awareness of and concern for readers.