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342 tulosta hakusanalla Yarrow David
90s Bitch: Media, Culture, and the Failed Promise of Gender Equality
Allison Yarrow
HARPER PERENNIAL
2018
nidottu
Finalist for the Los Angeles Press Club Book Award, muse to a Givenchy fashion collection, and recommended by the The New York Times, The Skimm, US Weekly, The Washington Post, The Boston Globe, Refinery 29, Book Riot, Bitch Media, and more. "Yarrow's biting autopsy of the decade scrutinizes the way society reduced -- or "bitchified" -- women at work, women at home, women in court, even women on ice skates . . . Direct quotes from politicians, journalists and comedians about the women provide the most jarring, oh-my-god-that-really-happened portions of Yarrow's decade excavation." -- Pittsburg Post-GazetteThe nostalgic, smart, and shocking account of how the 90s set back feminism, undermined girls and women, and shaped the millennial generation from award-winning journalist, Allison Yarrow. To understand how we got here, we have to rewind the VHS tape. 90s Bitch tells the real story of women and girls in the 1990s, exploring how they were maligned by the media, vilified by popular culture, and objectified in the marketplace. Trailblazing women like Hillary Clinton, Anita Hill, Madeleine Albright, Janet Reno, and Marcia Clark, and were undermined. Newsmakers like Britney Spears, Monica Lewinsky, Tonya Harding and Lorena Bobbitt were shamed and misunderstood. The advent of the 24-hour news cycle reinforced society's deeply entrenched misogyny. Meanwhile, marketers hijacked feminism, sold "Girl Power," and poisoned a generation. Today echoes of 90s "bitchification" still exist everywhere we look. To understand why, we must revisit and interrogate the 1990s--a decade in which empowerment was twisted into objectification, exploitation, and subjugation. Yarrow's thoughtful, juicy, and timely examination is a must-read for anyone trying to understand 21st century sexism and end it for the next generation.
Saints and their Communities offers a new approach to the study of lay religion as evidenced in collections of miracle narratives in twelfth-century England. There are a number of problems associated with the interpretation of this hagiographical genre and an extended introduction discusses these. The first issue is the tendency to read these narratives as transparent accounts of lay religion as if it were something susceptible to static, 'ethnographic' treatment in isolation from wider social and political activities. The second issue is the challenge of explaining the miraculous as a credible part of cultural experience, without appealing to reductionist notions of a 'medieval mindset'. The third issue is the problem of how to take full account of the fact that these sources are representations of lay experience by monastic authors. The author argues that miracle narratives were the product of and helped to foster lay notions of Christian practice and identity centred on the spiritual patronage of certain enshrined saints. The six main chapters provide fully contextualized studies of selected miracle collections. Yarrow looks at when these collections were made, who wrote them, the kinds of audiences they are likely to have reached, and the messages they were intended to convey. He shows how these texts served to represent specific cults in terms that articulated the values and interests of the institutions acting as custodians of the relics; and how alongside other programmes of textual production, these collections of stories can be linked to occasions of uncertainty or need in the life of these institutions. A concluding chapter argues the case for miracle collections as evidence of the attempt by traditional monasteries to reach out to the relatively affluent peasantry, and to urban communities in society, and their rural hinterlands with offers of protection and opportunities for them to express their social status with reference to tomb-centred sanctity.
The idea of saints and sainthood are familiar to all, irrelevant of religious faith. In this Very Short Introduction, Simon Yarrow looks at the origins, ideas, and definitions of sainthood, sanctity, and saints in the early Church, tracing their development in history and explaining the social roles saints played in the ancient, medieval, and modern worlds. Along the way Yarrow considers the treatment of saints as objects of literary and artistic expression and interpretation, and as examples of idealised male and female heroism, and compares Christian saints and holy figures to venerated figures in other religious cultures, including Islam, Buddhism, and Hinduism. He concludes by considering the experiences of devotees to saints, and looking at how saints continue to be a powerful presence in our modern world. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Is 'development' the answer for positive social change or a cynical western strategy for perpetuating inequality? Moving beyond an increasingly entrenched debate about the role of NGOs, this book reveals the practices and social relations through which ideas of development are concretely enacted.
Regarded by Augusto Boal as the international icon of his vision, Jana Sanskriti are the leading practitioners of Theatre of the Oppressed and Forum Theatre in India and the East.The group has worked continuously with rural communities in West Bengal since its beginnings in 1985 to reconfigure social and political relationships through theatre, achieving both a solid regional presence and an international reputation.This book combines: a biography of the group, charting their history, methodology and modes of operation an examination of Jana Sanskriti through the writings of their founder, Sanjoy Ganguly a detailed analysis of their performance events and practices, including the plays collected in Ganguly's Where We Stand (2009) practical exercises and games, taken from Jana Sanskriti's workshops and festivals.As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
Regarded by Augusto Boal as the international icon of his vision, Jana Sanskriti are the leading practitioners of Theatre of the Oppressed and Forum Theatre in India and the East.The group has worked continuously with rural communities in West Bengal since its beginnings in 1985 to reconfigure social and political relationships through theatre, achieving both a solid regional presence and an international reputation.This book combines: a biography of the group, charting their history, methodology and modes of operation an examination of Jana Sanskriti through the writings of their founder, Sanjoy Ganguly a detailed analysis of their performance events and practices, including the plays collected in Ganguly's Where We Stand (2009) practical exercises and games, taken from Jana Sanskriti's workshops and festivals.As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
Discover the forces driving the decisions of today's most sought after consumers According to recent statistics, members of Generation Y shop 25 percent to 40 percent more than the average consumer. In Gen BuY, Yarrow and O'Donnell argue that these voracious and fearless consumers have revolutionized the way Americans shop by turning traditional sales and marketing strategies upside down. Based on solid research, the book offers an in-depth look at what motivates these young people to buy certain products and reject others. The authors reveal what makes these consumers tic-how they define power, why they loath manipulation, and why they rely on technology-and show marketers how they can tap into the buying power of this burgeoning group of consumers. Shows what it takes to successfully woe and win young consumers with purchasing powerFilled with surprising insights into the psyche of Gen Y buyersWritten by an expert in consumer research and a well-connected media consumer author Gen Buy is a must-have resource for marketers, advertisers, retailers, and manufacturers who want to understand the new generation of consumers.
This book sets out from the question: why have so many western theatre workers come to India and what were they looking for? What is it that seemed to be lacking in western performance and understanding of the nature and function of theatre? Locating Indian theatre as a major site of reappraisal and renewal both in India and in the world of performance, the book presents both a picture of traditional and contemporary theatre in India and an examination of its processes and practice. This study questions the generative processes which impel theatre, the 'transformation' of individuals and groups through performance and the performative dynamics of 'self' and 'other'.
Religious and Political Discrimination in the Workplace
Stella Yarrow; Jane Steele
POLICY STUDIES INSTITUTE
1997
pokkari
Bill Yarrow is the author of Pointed Sentences (BlazeVOX, 2012) and Incompetent Translations and Inept Haiku (Červen Barva Press, 2013). His poems have appeared in many print and online magazines including Treehouse, Contrary, RHINO, PANK, and DIAGRAM.
Become lost in the dreamy illustrations that capture the enchanted land of Honalee and its extraordinary inhabitants, and share in the adventures of Jackie Paper and his childhood friend, Puff, the magic dragon. The timeless Peter, Paul and Mary song, and bestselling children's book and CD set, is now available as a beautiful gift set.Enjoy two vibrant bonus versions of the song plus two other tracks (Froggie Went A-Courtin' and The Blue Tail Fly) on an exclusive CD.
When the moon weeps and death covers the land, the Chosen shall rise.With the Crimson Rebellion rising, the kingdom of Trymerith is at the brink of war and half-elf Lahria Crawsly is determined to do her part. However, her father refuses to let her fight. When Princess Nadilline falls at her feet begging for help in finding the Chosen of the Blood Prophecy, Lahria jumps at the chance to prove her worth. When the Dark Lady, the leader of the rebellion, shows up at the castle gates Lahria has no choice but to flee to elven territory with the princess; leading the evil sorceress away from her home. Lahria would do anything to protect her family. Even if it means putting her own life in danger. What Lahria hadn't counted on was the arch mage of Trymerith joining them. One who has Lahria questioning her own aversion to magic. It isn't long before she discovers that in a world where blood is everything, having magic can be a blessing as well as a curse.
Take a glimpse into the mind of the modern consumer A decade of swift and stunning change has profoundly affected the psychology of how, when, and why we shop and buy. In Decoding the New Consumer Mind, award-winning consumer psychologist Kit Yarrow shares surprising insights about the new motivations and behaviors of shoppers, taking marketers where they need to be today: into the deeply psychological and often unconscious relationships that people have with products, retailers, marketing communications, and brands. Drawing on hundreds of consumer interviews and shop-alongs, Yarrow reveals the trends that define our transformed behavior. For example, when we shop we show greater emotionality, hunting for more intense experiences and seeking relief and distraction online. A profound sense of isolation and individualism shapes the way we express ourselves and connect with brands and retailers. Neurological research even suggests that our brains are rewired, altering what we crave, how we think, and where our attention goes. Decoding the New Consumer Mind provides marketers with practical ways to tap into this new consumer psychology, and Yarrow shows how to combine technology and innovation to enhance brand image; win love and loyalty through authenticity and integrity; put the consumer’s needs and preferences front and center; and deliver the most emotionally intense, yet uncomplicated, experience possible. Armed with Yarrow’s strategies, marketers will be able to connect more effectively with consumers—driving profit and success across the organization.
European theatre has been the site of enormous change and struggle since 1960. There have been radical shifts in the nature and understanding of performance, fuelled by increasing cross-cultural and international influence. Theatre has had to fight for its very existence, adapting its methods of operation to survive. European Theatre 1960-1990, first published in 1992, tells that story. The contributors - who in many cases have been theatre practitioners as well as critics - provide a wealth of fascinating information, covering Germany, France, Poland, Italy, Spain and Sweden, as well as Britain. The book offers an historical and descriptive overview of developments across national boundaries, enabling the reader to compare and contrast acting and directing styles, administrative strategies and the relationship between ideology and achievement. Chapters trace the evolution of theatre in all its aspects, including such elements as the end of censorship in many countries, the upsurge in political and personal awareness of the 1960s, shifting patterns of state artistic policy, and the effects on companies, directors, performers and audiences. This book should be of interest to undergraduates, postgraduates and academics of theatre studies.
European theatre has been the site of enormous change and struggle since 1960. There have been radical shifts in the nature and understanding of performance, fuelled by increasing cross-cultural and international influence. Theatre has had to fight for its very existence, adapting its methods of operation to survive. European Theatre 1960-1990, first published in 1992, tells that story. The contributors - who in many cases have been theatre practitioners as well as critics - provide a wealth of fascinating information, covering Germany, France, Poland, Italy, Spain and Sweden, as well as Britain. The book offers an historical and descriptive overview of developments across national boundaries, enabling the reader to compare and contrast acting and directing styles, administrative strategies and the relationship between ideology and achievement. Chapters trace the evolution of theatre in all its aspects, including such elements as the end of censorship in many countries, the upsurge in political and personal awareness of the 1960s, shifting patterns of state artistic policy, and the effects on companies, directors, performers and audiences. This book should be of interest to undergraduates, postgraduates and academics of theatre studies.
This book sets out from the question: why have so many western theatre workers come to India and what were they looking for? What is it that seemed to be lacking in western performance and understanding of the nature and function of theatre? Locating Indian theatre as a major site of reappraisal and renewal both in India and in the world of performance, the book presents both a picture of traditional and contemporary theatre in India and an examination of its processes and practice. This study questions the generative processes which impel theatre, the 'transformation' of individuals and groups through performance and the performative dynamics of 'self' and 'other'.
Trick Upon Trick, or the Vintner in the Suds. a Farce
Joseph Yarrow
Gale Ecco, Print Editions
2010
pokkari