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1000 tulosta hakusanalla Carlos Febres

Cubism, Stieglitz, and the Early Poetry of William Carlos Williams

Cubism, Stieglitz, and the Early Poetry of William Carlos Williams

Bram Dijkstra

Princeton University Press
1978
pokkari
Previous studies of William Carlos Williams have tended to look only for the literary echoes in his verse. According to Bram Dijkstra, the new movements in the visual arts during the 1920s affected Williams's work as much as, if not more than, the new writing of the period. Dijkstra catches the excitement of this period of revolutionary art, reveals the interactions between writers and painters, and shows in particular the specific and general impact this world had on Williams's early writings.
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Sex, Surrealism, Dali and Me: The Memoirs of Carlos Lozano

Sex, Surrealism, Dali and Me: The Memoirs of Carlos Lozano

Clifford Thurlow

Createspace Independent Publishing Platform
2013
nidottu
Review Carlos Lozano's sexy, eyewitness account of life with Dali is described in a colourful, energetic style that touches the sublime and the magnificent. The combination of his story and the breathtaking style of his collaborator, the award winning writer Clifford Thurlow, combine to create a book that is truly memorable. For once, names are named and, the veil of hype and mystique that so often surrounded Dali is blown away for all to see. Once we started, we couldn't put it down EXHIBIT: A - International Art & Literature Journal, April 2000 -- EXHIBIT: A - International Art & Literature Journal, April 2000 The Surrealist painter deliberately lived his life to complement his deceptive and illusory art. By the end, it was so close to being a confidence trick in itself that historians and biographers have had to struggle to separate fact from the sexual fantasy. Lozano's book is now set to bring the voice of an eye witness to the Salvador Dali myth - and to all the orgiastic gossip about the past. Vanessa Thorpe - The Observer February 20th, 2000. -- Vanessa Thorpe - The Observer February 20th, 2000 From the Author Revealed: the intimate secrets of Salvador Dali. Salvador Dali was the 20th century's most important artist. Okay. There's Picasso; Marcel Duchamp. But for suspending time in the Persistence of Memory, for appealing to our subconscious fears and frustrations in the Metamorphosis of Narcissus, for pure unadulterated personality, Dali is peerless. He was a circus. The big top was always full. He was always on stage: the clown, the magician, the man on the high wire and up there in the white heat of the spotlight what we see is an image, a shadow, a spectral secret few people were invited to share. Carlos Lozano was one of the select. They connected as young boys connect. Sometimes they were naughty boys. They played. They were always friends and within the bounds of this friendship, Carlos was enriched by insights that reveal the broadest range of emotions, the private terrors and the moments of self-doubt that make up the complex portrait of art's most intriguing practitioner. Dali hated pornography. He loved eroticism. Surrealism, drawing upon the insights of Freud, wanted to unlock human sexuality. Salvador Dali was its greatest exponent. As he said - and more than once: The only difference between me and the surrealists is that I am a surrealist. It was a privilege for me to be allowed to share Carlos Lozano's unique story and write his memoirs in Sex, Surrealism, Dali and Me. It is, I hope, surreal, erotic and lots of fun.
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Music, Theater, and Society in the Comedies of Luiz Carlos Martins Penna (1833-1846)

Music, Theater, and Society in the Comedies of Luiz Carlos Martins Penna (1833-1846)

Luiz Costa-lima Neto

Lexington Books
2017
sidottu
This book clarifies the musical dramaturgy of comedy writer and musician Luiz Carlos Martins Penna (1815-48) – a notion that encompasses both the theatrical text and its performance. The corpus for this analysis is composed of twelve comedies by Martins Penna written between 1833 and 1846, divided into three groups, which I have called Lundu, Aria, and Alleluia. The sound universe made ??up by the three groups of comedies covers African-Brazilian genres and musical-choreographic styles (batuque, fado, lundu, miudinho, muquirão), the transnational urban popular universe (lundu, tirana, quadrilha, marcha, waltz, caxuxa, tonadilla, polka), and modinhas and Italian opera, in addition to romantic concertos, Gregorian chant and Iberian religious theater (loas). To evaluate the multiple meanings acquired by the musical allusions inserted into the comedy texts and theatrical performances, this research reveals the network which included the author, actors, theater owners, publishers and the public, and other agents, such as black Catholic irmandades (brotherhoods), Freemasonry, and institutions linked to the imperial government. The sound universe of the comedies of Martins Penna are compared to the comedic axes of the Western theatrical tradition (a study of situations and characters) and the axes of performance (solo and chorus), contemplating the relationship between the repertoires written by Martins Penna and the repertoires of Brazilians and Portuguese artists, a mix of actors, singers and dancers, who performed in his comedies. The research questions the notion of authorship and reveals the importance of the partnership between theatrical writers, artists and publishers, through which the comedies of Martins Penna have reached the second half of the nineteenth century through the present.
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Apuntes para escribir la historia de los proyectos de monarquía en México, desde el reinado de Carlos III hasta la instalación del emperador Maximilia

Apuntes para escribir la historia de los proyectos de monarquía en México, desde el reinado de Carlos III hasta la instalación del emperador Maximilia

D. J. Hidalgo

Createspace Independent Publishing Platform
2016
nidottu
Apuntes para escribir la historia de los proyectos de monarqu a en M xico, desde el reinado de Carlos III hasta la instalaci n del emperador Maximiliano by D. J. Hidalgo. This book is a reproduction of the original book published in 1868 and may have some imperfections such as marks or hand-written notes.
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A Boy Named Beckoning: The True Story of Dr. Carlos Montezuma, Native American Hero

A Boy Named Beckoning: The True Story of Dr. Carlos Montezuma, Native American Hero

Gina Capaldi

Carolrhoda Books (R)
2019
nidottu
This story reveals the remarkable life of a Native American boy named Wassaja, or "Beckoning," who was kidnapped from his Yavapai tribe and sold as a slave. Adopted by an Italian photographer in 1871 and renamed Carlos Montezuma, the young boy traveled throughout the Old West, bearing witness to the prejudice against and poor treatment of Native Americans. Carlos eventually became a doctor and leader for his people, calling out for their rights. Gina Capaldi's exquisite paintings bring to life excerpts from Dr. Carlos Montezuma's own letters describing his childhood experiences. The culminating portrait provides an inventive look back into history through the eyes of a Native American hero.
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