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1000 tulosta hakusanalla Carson Wolfe
Growth and Development Through Group Work
Claudia Carson; Elizabeth Lewis; Anna Fritz
Routledge Member of the Taylor and Francis Group
2004
sidottu
Examine group work's roots and fundamental beliefs to get a glimpse of the future For more than 80 years, social group work has survived difficult timesa testament to the persistence of its practitioners as well as the strength of its methods. Growth and Development Through Group Work chronicles the evolution of this groundbreaking practice through a collection of peer-reviewed papers presented at the 23rd Annual International Symposium on Social Work with Groups. The book examines practice, policy, and education issues in specific settings and populations from both theoretical and historical perspectives. Presented in the wake of the September 11 terrorist attacks in New York City and Washington, DC, the papers that comprise Growth and Development Through Group Work reflect a heightened awareness of the importance of social action group worknow, and in the future. The book represents the best of social work’s tradition of social reform and concern for oppressed people, never straying far from the concept of the group, with its multiple helping relationships, as the primary source of change. A comprehensive overview of the field in international, intercultural, and cross-gender contexts, Growth and Development Through Group Work is equally effective for coursework or independent reading. Topics addressed in Growth and Development Through Group Work include: contributions of the late Ruby B. Pernell to the development of social group work research in support of group work education and practice group work in Germany-its development from American roots and its current advances social justice as a major objective of group work practice teaching group work mutual aid in support groups for particularly sensitive health problems psychoeducational group work contributions from Hull House as guides for the future of social group workGrowth and Development Through Group Work is an invaluable resource for clinicians, neighborhood and community activists, educators and students, researchers, therapists, administrators, and anyone working in policy and/or program development.
Growth and Development Through Group Work
Claudia Carson; Elizabeth Lewis; Anna Fritz
Routledge Member of the Taylor and Francis Group
2004
nidottu
Examine group work's roots and fundamental beliefs to get a glimpse of the future For more than 80 years, social group work has survived difficult timesa testament to the persistence of its practitioners as well as the strength of its methods. Growth and Development Through Group Work chronicles the evolution of this groundbreaking practice through a collection of peer-reviewed papers presented at the 23rd Annual International Symposium on Social Work with Groups. The book examines practice, policy, and education issues in specific settings and populations from both theoretical and historical perspectives. Presented in the wake of the September 11 terrorist attacks in New York City and Washington, DC, the papers that comprise Growth and Development Through Group Work reflect a heightened awareness of the importance of social action group worknow, and in the future. The book represents the best of social work’s tradition of social reform and concern for oppressed people, never straying far from the concept of the group, with its multiple helping relationships, as the primary source of change. A comprehensive overview of the field in international, intercultural, and cross-gender contexts, Growth and Development Through Group Work is equally effective for coursework or independent reading. Topics addressed in Growth and Development Through Group Work include: contributions of the late Ruby B. Pernell to the development of social group work research in support of group work education and practice group work in Germany-its development from American roots and its current advances social justice as a major objective of group work practice teaching group work mutual aid in support groups for particularly sensitive health problems psychoeducational group work contributions from Hull House as guides for the future of social group workGrowth and Development Through Group Work is an invaluable resource for clinicians, neighborhood and community activists, educators and students, researchers, therapists, administrators, and anyone working in policy and/or program development.
Born into a storied but impoverished family on the reservation of the Eastern Band of Cherokee Indians, Leonard Carson Lambert Jr.'s candid memoir is a remarkable story and an equally remarkable flouting of the stereotypes that so many tales of American Indian life have engendered. Up from These Hills provides a grounded, yet poignant, description of what it was like to grow up during the 1930s and 1940s in the mountains of western North Carolina and on a sharecropper's farm in eastern Tennessee. Lambert straightforwardly describes his independent, hardworking, and stubborn parents; his colorful extended family; his eighth-grade teacher, who recognized his potential and first planted the idea that he might attend college; as well as siblings, schoolmates, and others who shaped his life. He paints a vivid picture of life on the reservation and off, documenting work, family life, education, religion, and more. Up from These Hills also tells the true story of how this family rose from depression-era poverty, a story rarely told about Indian families. With its utterly unique voice, this vivid memoir evokes an unknown yet important part of the American experience, even as it reveals the realities behind Indian experience and rural poverty in the first half of the twentieth century.
Meeting a local woman at a service project in Appalachia, the narrator of Mike Carson's poem ""Muse"" hears from her ""Those words, iron twang of loss,"" that ""cut soft ideas of beauty out."" Carson's lean, spare collection The Keeper's Voice unflinchingly engages those hard ideas of beauty, of goodness. Direct and often colloquial in their language and traditional in their forms - blank verse, quatrains, sonnets - the poems' voices arise from a wide range of viewpoints and situations: from an altar boy thawing a frozen gate lock while early Mass goes on without him, to a returning Vietnam veteran who takes up bull riding; from a boy calling cows in the pre-dawn dark, to a narrator providing instructions for teaching crows to talk; from a new cop, a Christian who must shoot to kill in a ghetto bar, to a family discovering the ashes of a stillborn child among a dead sister's belongings. One poem interweaves locker room slogans with phrases from the Requiem Mass for a friend who died playing football; another centers around a single shout from a wife to her husband threatened by an untethered bull.Refreshingly straightforward, yet suffused with weight, maturity, and passion, The Keeper's Voice projects a wise and uncompromising vision.
Nox is an epitaph in the form of a book, a facsimile of a handmade book Anne Carson wrote and created after the death of her brother. The poem describes coming to terms with his loss through the lens of her translation of Poem 101 by Catullus “for his brother who died in the Troad.” Nox is a work of poetry, but arrives as a fascinating and unique physical object. Carson pasted old letters, family photos, collages and sketches on pages. The poems, typed on a computer, were added to this illustrated “book” creating a visual and reading experience so amazing as to open up our concept of poetry.
The Albertine Workout contains fifty-nine paragraphs, with appendices, summarizing Anne Carson’s research on Albertine, the principal love interest of Marcel in Proust’s Á la recherche du temps perdu.
Poetry Pamphlets 13-16
Anne Carson; Sakutaro Hagiwara; Osip Mandelshtam; Li Shangyin
New Directions Publishing Corporation
2014
nidottu
A four-pack of our Spring 2014 Poetry Pamphlets, featuring: The Albertine Workout, by Anne Carson Derangements of my Contemporaries, by Li Shangyin The Iceland, by Sakutaro Hagiwara The Poems of Osip Mandelstam
Norma Jeane Baker of Troy is a meditation on the destabilizing and destructive power of beauty, drawing together Helen of Troy and Marilyn Monroe, twin avatars of female fascination separated by millennia but united in mythopoeic force. Norma Jeane Baker was staged in the spring of 2019 at The Shed's Griffin Theater in New York, starring actor Ben Whishaw and soprano Ren e Fleming and directed by Katie Mitchell.
A NEW YORK TIMES BEST POETRY BOOK OF 2024 WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRY FINALIST FOR THE NATIONAL BOOK AWARD FOR POETRY Published here in a stunning edition with images created by Carson, several of the twenty-five startling poetic prose pieces have appeared in magazines and journals like The New Yorker and The Paris Review. As Carson writes: "Wrong Norma is a collection of writings about different things, like Joseph Conrad, Guant namo, Flaubert, snow, poverty, Roget's Thesaurus, my Dad, Saturday night. The pieces are not linked. That's why I've called them 'wrong.'"
H of H Playbook is an explosion of thought, in drawings and language, about a Greek tragedy called Herakles by the 5th-century BC poet Euripides. In myth Herakles is an embodiment of manly violence who returns home after years of making war on enemies and monsters (his famous "Labors of Herakles") to find he cannot adapt himself to a life of peacetime domesticity. He goes berserk and murders his whole family. Suicide is his next idea. Amazingly, this does not happen. Due to the intervention of his friend Theseus, Herakles comes to believe he is not, after all, indelibly stained by his own crimes, nor is his life without value. It remains for the reader to judge this redemptive outcome. "I think there is no such thing as an innocent landscape," said Anselm Kiefer, painter of forests grown tall on bones.
The Industrial Revolution was previously understood as having awakened an enormous, unquenchable thirst for material consumption. People up and down the social order had discovered and were indulging in the most extraordinary passion for consumer merchandise in quantities and varieties that had been unimaginable to their parents and grandparents. It was indeed a revolution, but a consumer revolution at the start.In Face Value, Cary Carson expands and updates his groundbreaking earlier work to address the intriguing question of how Americans became the world’s consummate consumers. Prior to the rise of gentry culture in eighteenth-century North America, there was still a decided sameness to people’s material lives. About mid-century, though, a lust for fancy goods, coupled with social aspiration, began to transform American society.Carson here addresses the intriguing question of how Americans developed the reputation for avid consumption. Both elegantly written and engagingly argued, the book reveals how the rise of the gentry culture in eighteenth-century North America gave rise to a consumer economy.
Jordan Carson's American Exceptionalism as Religion looks at how American nationalist ideologies intersect with religious ones in contemporary literature. Carson traces out how an exceptionalist belief system began to emerge historically with a distorted picture of religious commitment. He then connects this trend to writers such as Don DeLillo, Ana Castillo, Thomas Pynchon, George Saunders, and Marilynne Robinson to argue that these authors dismantle the privatization of religion in their writing and then offer their own alternatives. Their work, he argues, redefines religion in terms of practice and discipline, gauging it by its power to ground and guide behavior, morality, and sociality. As American exceptionalism resurfaces in public discourse, Carson's timely work invites readers to reconsider the nexus of religion, politics, and culture. Carson argues that defining religion according to secularist criteria has insulated ostensibly secular ideologies as well as traditional religion from public scrutiny. DeLillo's, Castillo's, Pynchon's, Saunders's, and Robinson's redefinitions of religion result in a better grasp of how individuals actually live out their religious lives. More importantly, these authors help erect a framework for constructively engaging American exceptionalism and the ideas that support it.
Jordan Carson's American Exceptionalism as Religion looks at how American nationalist ideologies intersect with religious ones in contemporary literature. Carson traces out how an exceptionalist belief system began to emerge historically with a distorted picture of religious commitment. He then connects this trend to writers such as Don DeLillo, Ana Castillo, Thomas Pynchon, George Saunders, and Marilynne Robinson to argue that these authors dismantle the privatization of religion in their writing and then offer their own alternatives. Their work, he argues, redefines religion in terms of practice and discipline, gauging it by its power to ground and guide behavior, morality, and sociality. As American exceptionalism resurfaces in public discourse, Carson's timely work invites readers to reconsider the nexus of religion, politics, and culture. Carson argues that defining religion according to secularist criteria has insulated ostensibly secular ideologies as well as traditional religion from public scrutiny. DeLillo's, Castillo's, Pynchon's, Saunders's, and Robinson's redefinitions of religion result in a better grasp of how individuals actually live out their religious lives. More importantly, these authors help erect a framework for constructively engaging American exceptionalism and the ideas that support it.
This volume offers readers a comprehensive survey of the varied contributions feminist scholars have been making to film study over the past two decades. In its scope, "Multiple Voices in Feminist Film Criticism" presents the range of theoretical, critical, and educational directions open to feminist students of film, and encourages readers to participate in assessing and shaping the critical context in which films are produced and received. The editors have included a variety of perspectives informed by psychoanalytic, linguistic, historical, Marxist, textual, and postcolonial discourses. Along with highlighting the diversity of feminist film scholarship, this pluralist approach recognizes differences among women and is attentive to issues of race, class, nationality, ethnicity, and sexuality. Combining original and previously published essays, this work includes re-assessments of individual films, of genres and cycles, of narrative and filmic conventions, and of spectator positioning and response. In addition to this extensive collection of theory and criticism, the editors have added course files that explore the rationale for feminist film courses and show how films and critical readings can be presented in a meaningful way.
About the author of this award-winning collection, final judge Miller Williams commented: "Meredith Carson writes poems so well-controlled in tone that the language of conversation takes on an elegance rarely found in contemporary poetry, but emphatically contemporary." In this, her first collection of poetry, Meredith Carson combines form and feeling, human nature and animal instinct, a scientist's eye and a poet's heart to create poetry of detail and delight. From her ghost crabs, which "stand on four fixed wickets" to the mangrove sprouts "floating, wobbling vertically like pencils in the sea," she continually compels the reader to look more closely for the rewards and treasures of nature that she herself has found.
About the author of this award-winning collection, final judge Miller Williams commented: "Meredith Carson writes poems so well-controlled in tone that the language of conversation takes on an elegance rarely found in contemporary poetry, but emphatically contemporary." In this, her first collection of poetry, Meredith Carson combines form and feeling, human nature and animal instinct, a scientist's eye and a poet's heart to create poetry of detail and delight. From her ghost crabs, which "stand on four fixed wickets" to the mangrove sprouts "floating, wobbling vertically like pencils in the sea," she continually compels the reader to look more closely for the rewards and treasures of nature that she herself has found.
"All my work fits in my mouth," Jo Carson says. "I write performance material no matter what else the pieces get called, and whether they are for my voice or other characters' voices … they are first to be spoken aloud." Following an oral tradition that has strong roots in her native Tennessee, the author of Teller Tales invites the reader to participate in events in a way that no conventional history book can. Both stories in this book are set in East Tennessee in the mid-eighteenth century and share certain characters. The first narrative, "What Sweet Lips Can Do," recounts the story of the Overmountain Men and the battle of King's Mountain, a tide-turning battle in the American Revolution. "Men of Their Time" is an exploration of white-Cherokee relationships from early contact through the time of the Revolution. Although not well known to the outside world, the stories recounted in Teller Tales are cornerstones in the heritage of the Appalachian region and of American history. In ways that will appeal to young and old alike, Jo Carson's irreverent telling will broaden the audience and the understanding for the stories of native Americans, settlers, explorers, and revolutionaries of early America.