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D. G. Leahy and the Thinking Now Occurring

D. G. Leahy and the Thinking Now Occurring

STATE UNIVERSITY OF NEW YORK PRESS
2022
pokkari
A critical introduction to the American philosopher D. G. Leahy (1937–2014), whose oeuvre sets forth a fundamental thinking in which change itself is revealed to be the very essence of reality and mind.This book offers a critical introduction to the work of American philosopher D. G. Leahy (1937–2014). Leahy's fundamental thinking can be characterized as an absolute creativity in which all creating is "live"-a happening occurring now that manifests a supersaturated polyontological actuality that is essentially created by the logic that characterizes it. Leahy leaves behind the categorial presuppositions of modern thought, eclipsing both Cartesian and Hegelian subjectivities and introducing instead an essentially new form of thinking founded in a nondual logic of creation. The new thinking delineates the absolute unicity of existence as a creative interactivity beyond all traditional dichotomies (such as one vs. many, unity vs. plurality, identity vs. change): a fully "digitized" actuality that is nothing but newness, which inherently implies nothing but change. Through this new form of thinking, change itself is revealed to be the very essence of reality and mind. Any reader looking for a quantum leap beyond the thrall of modern and postmodern fixations is invited to hear and apprehend this new thinking that refuses to be conditioned by paradigms, categories, species, genera, walls, bridges, boundaries, or abstractions: an essentially free thinking that embodies creative novelty itself.
D. G. Leahy and the Thinking Now Occurring

D. G. Leahy and the Thinking Now Occurring

State University of New York Press
2021
sidottu
A critical introduction to the American philosopher D. G. Leahy (1937–2014), whose oeuvre sets forth a fundamental thinking in which change itself is revealed to be the very essence of reality and mind.This book offers a critical introduction to the work of American philosopher D. G. Leahy (1937–2014). Leahy's fundamental thinking can be characterized as an absolute creativity in which all creating is "live"-a happening occurring now that manifests a supersaturated polyontological actuality that is essentially created by the logic that characterizes it. Leahy leaves behind the categorial presuppositions of modern thought, eclipsing both Cartesian and Hegelian subjectivities and introducing instead an essentially new form of thinking founded in a nondual logic of creation. The new thinking delineates the absolute unicity of existence as a creative interactivity beyond all traditional dichotomies (such as one vs. many, unity vs. plurality, identity vs. change): a fully "digitized" actuality that is nothing but newness, which inherently implies nothing but change. Through this new form of thinking, change itself is revealed to be the very essence of reality and mind. Any reader looking for a quantum leap beyond the thrall of modern and postmodern fixations is invited to hear and apprehend this new thinking that refuses to be conditioned by paradigms, categories, species, genera, walls, bridges, boundaries, or abstractions: an essentially free thinking that embodies creative novelty itself.
D-Day

D-Day

Greenwood Press
2017
sidottu
This outstanding overview of D-Day makes clear its great importance in military and world history, identifies mistakes committed on both sides, and explains all aspects of the 1944 Allied invasion of France and the Normandy Campaign that followed.The beach landings at Normandy, France, in June of 1944 were of critical importance in the outcome of World War II, and as a consequence, served to determine the economic and political state of the modern world as we know it. This latest reference book edited by esteemed historian Spencer C. Tucker supplies easy-to-understand overview entries on the Normandy Invasion ("Operation OVERLORD") and the European Theater in World War II as well as entries treating specific topics such as key individuals, technical innovations, weapons systems, command structures, terrain and logistical difficulties, and the role played by weather.Readers will come to understand why the eventual success of the Allied forces in the D-Day operations was so hard-fought and came at a tremendous cost of life. The book addresses the immense difficulty of supplying tens of thousands of soldiers—many of them inexperienced in combat—and countless tons of equipment and vehicles to the invasion force from over the beaches, after most of the teams landed in the wrong locations, and when many command structures were wiped out almost immediately upon landing; and it explains how these factors impacted the combat on the ground and resulted in the Allied forces' careful planning going awry. The book also describes the elaborate deception carried out by the Allies regarding the invasion landing site and how these efforts impacted battle developments, and it presents nine primary documents that treat various aspects of the battle, including the lengthy Allied plan for the invasion and primary sources of directives regarding the battle and technical innovations.
D. H. Lawrence and Narrative Viewpoint

D. H. Lawrence and Narrative Viewpoint

Violeta Sotirova

Bloomsbury Academic USA
2012
nidottu
This book is a stylistic study of D. H. Lawrence's presentation of narrative viewpoint. The focus is mainly on Lawrence's third novel, Sons and Lovers, occupying a crucial position in his oeuvre and judged by critics to be his first mature piece.While sharing many features typical of nineteenth-century novels, it marks the emergence of a new technique of writing consciousness that functioned as a precursor to the modernist practice of dialogic shifts across viewpoints. Through a detailed linguistic analysis, Sotirova shows that different characters' viewpoints are not simply juxtaposed in the narrative, but linked in a way that creates dialogic resonances between them. The dialogic linking is achieved through the use of devices that have parallel functions in conversational discourse - referring expressions, sentence-initial correctives and repetition. The book uses stylistics to resolve current controversies in narratology and Lawrence criticism.In approaching the study of narrative viewpoint from the angle of discourse, Sotirova arrives at cutting-edge insights into Lawrence's work. This book will be required reading for stylisticians, narratologists, literary linguists and literary studies scholars.
D. H. Lawrence and Narrative Viewpoint

D. H. Lawrence and Narrative Viewpoint

Violeta Sotirova

Continuum Publishing Corporation
2011
sidottu
This book is a stylistic study of D. H. Lawrence's presentation of narrative viewpoint. The focus is mainly on Lawrence's third novel, Sons and Lovers, occupying a crucial position in his oeuvre and judged by critics to be his first mature piece.While sharing many features typical of nineteenth-century novels, it marks the emergence of a new technique of writing consciousness that functioned as a precursor to the modernist practice of dialogic shifts across viewpoints. Through a detailed linguistic analysis, Sotirova shows that different characters' viewpoints are not simply juxtaposed in the narrative, but linked in a way that creates dialogic resonances between them. The dialogic linking is achieved through the use of devices that have parallel functions in conversational discourse - referring expressions, sentence-initial correctives and repetition. The book uses stylistics to resolve current controversies in narratology and Lawrence criticism.In approaching the study of narrative viewpoint from the angle of discourse, Sotirova arrives at cutting-edge insights into Lawrence's work. This book will be required reading for stylisticians, narratologists, literary linguists and literary studies scholars.
D Is for Drama

D Is for Drama

Jo Whittemore

Aladdin Paperbacks
2012
nidottu
A lead role means lots of drama in this sparkling story of one tween's efforts to shine in the spotlight. Sunny Kim is done with one-line roles at Carnegie Arts Academy--she's ready for the lead. But even after a summer of studying with an acting coach, Sunny doesn't snag the role of Mary Poppins in her school's upcoming production. Unfortunately, her entire family mistakenly thinks otherwise, including her former-actress mother. Desperate for a solution, Sunny convinces her theater adviser to let her produce a one-woman show. But when the rest of her friends find out--the friends that never seem to make the playbill either--they all want to join in. Before long, Sunny is knee-deep in curtains, catfights, and chorus lines as her one-woman work turns into a staging of the hit musical Wicked. And when a terrible misunderstanding pits the entire cast against Sunny, can the show--and Sunny's future acting career--be saved in time for opening night?
D is for Duck!

D is for Duck!

David Melling

Hodder Children's Books
2016
sidottu
Come on an alphabet adventure with Duck in this brilliantly funny story from the bestselling creator of Hugless Douglas.Duck is a magician. Abracadabra! He can conjure up a bunny, a chicken and even the king of the jungle. But can he make a dragon disappear?David Melling is one of the UK's best-loved author-illustrators and his stories combine brilliantly imaginative illustrations and unforgettable characters.'A new Hugless Douglas book is always a cause for celebration.' Daily Mail
D is for Deadbeat

D is for Deadbeat

Sue Grafton

Pan Books
2012
pokkari
D is for Deadbeat is the fourth in the Kinsey Millhone mystery series by Sue Grafton.My name is Kinsey Millhone. I’m a private investigator . . . female, single and self-employed, with a constitutional inability to work for anyone else. I’m a purist when it comes to justice, but I’ll lie at the drop of a hat. Inconsistency has never troubled me . . . It was late October, the day before Halloween. He introduced himself as Alvin Limardo. The job he hired Kinsey to do seemed easy enough . . . until his cheque bounced. His real name was Dagett. John Dagett. Ex-con. Inveterate liar. Chronic drunk. And dead. The cops called it an accident – death by drowning. Kinsey wasn’t so sure. The man, it seemed, had a lot of enemies . . .