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'An absorbing self-portrait of an exceptional cook.' Harold McGeeDaniel Patterson is the head chef /owner of Coi (pronounced "Kwa"), a two-Michelin-starred restaurant in San Francisco. At Coi, Patterson mixes modern culinary techniques with local, wild and cultivated ingredients to create original dishes that speak of place, memory, and emotion. It's an approach that has earned him a worldwide reputation for pioneering a new kind of Californian cuisine.Patterson is also known for his original food writing, and he has been published in recent years in The New York Times, Bon Appetit and Lucky Peach. Now, in his highly anticipated new book, Coi: Stories and Recipes, Patterson writes a personal account of the restaurant, its dishes and his own unique philosophy about food and cooking. Beginning with a look at California - how Patterson arrived from the East Coast and how he became to feel more at home as the years progressed — the book takes the reader into the Coi kitchen, and through 70 of the restaurant's original dishes such as Chilled Spiced Ratatouille Soup; Carrots Roasted in Coffee Beans, Monterey Bay Abalone with Nettle-Dandelion Salsa Verde; Inverted Cherry Tomato Tart and Lime Marshmallow with Coal-Toasted Meringue. The dishes are explained through a series of personal essays and narrative recipes, offering insight into Patterson's life, family, and inspirations. Coi: Stories and Recipes includes 150 color photographs showing the finished dishes as well as atmospheric images of the restaurant, the California landscape, and portraits of Coi's staff and suppliers. The book features forewords by Peter Meehan and Harold McGee. It is sure to be one of the most talked about cookbooks of the year.
X-Men meets Blake Crouch in the addictive, explosive conclusion to Daniel Price's genre-bending Silvers trilogy about six extraordinary people whose fates become intertwined on an Earth far different from our own...one that is headed for utter destruction. It's been two years since the world collapsed in a sheet of light, obliterating everything on Earth...but not quite everyone. Saved from the apocalypse by three mysterious beings, sisters Hannah and Amanda Given were marked with silver bracelets and transported to an entirely different Earth, a place where restaurants move through the air like flying saucers and the fabric of time is manipulated by common household appliances. Joined by four other survivors from their native world, each wearing an identical, irremovable bracelet, the new companions became known as the Silvers. Afflicted with time-bending powers they never wanted, and on the run from unexpected new enemies, the Silvers embarked on a dangerous journey for survival across an alien America--a hunt for answers that bound the group like family while revealing the gravely sinister intentions of their "saviors." But their new Earth is about to suffer the same fate as the old one and the Silvers have only ten weeks to prevent it. Their one hope is to find the remaining survivors of their home world--a quest that will take them from Mexico to England to a radically changed Japan--to gain more allies for the final confrontation with the god-like beings who first brought them to this Earth. Failure will mean death for billions of people. But victory may come at a cost the Silvers cannot afford.
Debates in moral theory have reached something of a deadlock due entirely to the concept of "contingency." Contingencies are features of the world, some outside ourselves, and some a part of ourselves, over which we lack control. For philosophers who describe the role and value of morality in a secular world, contingency threatens to undermine both the possibility of achieving happiness and the preconditions thought necessary for moral responsibility. In light of all this, there remains persistent debate amongst two especially established and pronounced positions. Kantians have long criticized Aristotelian "eudaimonism" for its failure to secure human happiness. Eudaimonists have, on the other hand, long criticized Kantianism for its inability to give a coherent account of moral responsibility and judgment. The debate surrounding contingency has therefore emerged as something of a litmus test for the acceptability of a moral theory. Both Kantians and Eudaimonists agree that any attempt to deal with the problems of contingency will force an abandonment of something important in our actual moral commitments and, as a result, the problems of contingency cannot, as Bernard Williams has written, "leave morality where it was." In this original new work Daniel Patrone makes clear the history and implications of this debate. Emerging from out of the deadlock between the Kantian and the Eudaimonist position is the particularist position. Leaving Morality Where It Is describes and thinks through every facet of this debate. It is an indispensable work for philosophers in general and ethicists (of every stripe) in particular.
Through a blend of understandable explanations and real-life stories, Why I Am a Lutheran explores the foundational teachings of the Christian church. In each chapter, Daniel Preus calls upon more than twenty years of pastoral experience to reveal Jesus as the center of the Christian faith. As he addresses central doctrines such as sin and grace, Law and Gospel, the person and work of Jesus Christ, worship, the Sacraments, and the office of the ministry, Preus keeps the focus on Jesus Christ-who is "always and only at the center of all Christian teaching."
Grace, faith, and Scripture.Sola gratia, sola fide, and sola Scriptura.These three solas, or "alones," have long been used to characterize the unique theology of the Lutheran faith. The solas set up a relationship between God and us, and between us and our neighbor.Lutherans are people of the Bible, basing their faith on God's Word alone. In that Word, they find grace alone is the central message of God in His relationship with believers. To receive that gift, you need faith alone. These three solas are Lutheran hallmarks, but they are also God's gifts to all Christians.Through real life or fictional examples, an understanding of Law and Gospel, discussion questions, and recommended resources for further readings, deepen your understanding of Lutheran doctrine and the three solas. The solas don't encompass every single aspect of Lutheranism, but through them, you can begin to see what it means to be a true Lutheran.
Flowing from the Cross: Six Facets of God's Forgiveness
"Joyful ode to reading...quirky, playful sketches to complement the author's engaging prose. Passionate and witty." -- BooklistFirst published in 1992, Daniel Pennac's quirky ode to reading has sold more than a million copies in his native France. Drawing on his experiences as a child, a parent, and an inner-city teacher in Paris, the author reflects on the power of story and reminds us of our right to read anything, anywhere, anytime, so long as we are enjoying ourselves. In this translation with a foreword and illustrations by Quentin Blake, here is a guide to reading unlike any other: fresh, sympathetic, and never didactic, it is a work of literature in its own right.
Four farsighted mice get glasses -- and a talking cat solves a family mystery -- as the charmingly eccentric Mrs. Noodlekugel returns. When Mrs. Noodlekugel's four mice make a terrible mess with cookie crumbs at tea, she decides to take them on the bus to visit the eye doctor -- and invites Nick and Maxine to come along The mice ride on Mrs. Noodlekugel's hat, while Mr. Fuzzface, her talking cat, has the indignity of riding in a carrier. Afterward, the hungry crew head to Dirty Sally's Lunchroom, but the mice overdo their cheesecake and run out the door. Luckily a policeman is at the ready to help with the search -- as is a rough-edged, yarn-spinning alley cat with a surprising connection to Mr. Fuzzface It's all a day in the life of Daniel Pinkwater's whimsical characters, in a chapter-book series whose comical tone and cozy illustrations are sure to keep young readers coming back for more.
The Magnificent Seven meets The Wind in the Willows in this action-packed fantasy adventure from Daniel Polansky, The Builders.A missing eye.A broken wing.A stolen country. The last job didn't end well. Years go by, and scars fade, but memories only fester. For the animals of the Captain's company, survival has meant keeping a low profile, building a new life, and trying to forget the war they lost. But now the Captain's whiskers are twitching at the idea of evening the score. PRAISE FOR THE BUILDERS "A living, breathing world of vivid, winsome characters hellbent on their blaze of glory and as unforgiving as a runaway train carrying all your friends over a cliff. I haven't cared about animals this much since Watership Down." -- Delilah S. Dawson, author of Hit and Wicked as They Come "Nobody does dark like Polansky. The Builders is Redwall meets Unforgiven, combining the endearing wit of Disney's Robin Hood with all the grit and violence of a spaghetti western." -- Myke Cole, author of the Shadow Ops series
The volatility of Muslim and Middle Eastern politics has made these interrelated topics an overriding preoccupation of world and especially U.S. politics. Perhaps no region of the world has ever so dominated the American public discourse as the Middle East does today. As Daniel Pipes shows, this results mainly, but not exclusively, from the attacks of September 11, 2001 and the ensuing war on terrorism. Other sources of trouble include militant Islam, Muslims in the West, the Arab-Israeli conflict, the Iraq situation, relations with Saudi Arabia, the price of oil and gas, and U.S. policy toward all these issues. These are the central themes of the roughly one hundred essays in Daniel Pipes' Miniatures: Views of Islamic and Middle Eastern Politics.As Pipes notes, the Islamist war against America preceded the events of 9/11. Nevertheless, response to the earlier attacks had been inconsistent and somewhat nonchalant. Pipes shows how the State Department's annual report on Patterns of Global Terrorism veers into unreliability and even falsehood. He explains the problem in George W. Bush trying to decide what is true Islam and what not, in U.S. academics hiding the true meaning of the word "jihad," and in seventh-grade textbooks proselytizing for Islam. Pipes demonstrates that many seemingly devout Islamists are in fact impious frauds. When it comes to the Arab-Israeli conflict, Pipes indicates how the failure of the Oslo process could be discerned as early as 1994 and he shows how Yasir Arafat speaks one way to Arabs and another way to Israelis.This important collection, by one of the foremost experts in the field, presents original insights, accessibly written for Middle East specialists, political scientists, policymakers, journalists, and the interested public.
The publication in 1988 of Salman Rushdie's novel The Satanic Verses triggered a furor that pitted much of the Islamic world against the West over issues of blasphemy and freedom of expression. The controversy soon took on the aspect of a confrontation of civilizations, provoking powerful emotions on a global level. It involved censorship, protests, riots, a break in diplomatic relations, culminating in the notorious Iranian edict calling for the death of the novelist. In The Rushdie Affair, Daniel Pipes explains why the publication of The Satanic Verses became a cataclysmic event with far-reaching political and social consequences. Pipes looks at the Rushdie affair in both its political and cultural aspects and shows in considerable detail what the fundamentalists perceived as so offensive in The Satanic Verses as against what Rushdie's novel actually said. Pipes explains how the book created a new crisis between Iran and the West at the time--disrupting international diplomacy, billions of dollars in trade, and prospects for the release of Western hostages in Lebanon. Pipes maps out the long-term implications of the crisis. If the Ayatollah so easily intimidated the West, can others do the same? Can millions of fundamentalist Muslims now living in the United States and Europe possibly be assimilated into a culture so alien to them? Insightful and brilliantly written, this volume provides a full understanding of one of the most significant events in recent years. Koenraad Elst's postscript reviews the enduring impact of the Rushdie affair.
Boredom is a prevalent theme in Herman Melville's works. Rather than a passing fancy or a device for drawing attention to the action that also permeates his work, boredom is central to the writings, the author argues. He contends that in Melville's mature work, especially Moby Dick, boredom presents itself as an insidious presence in the lives of Melville's characters, until it matures from being a mere killer of time into a killer of souls.
Develops a rigorous theory of narrative as apost-deconstructive model for interpretation.Interrogating stories told about life after deconstruction, and discovering instead a kind of afterlife of deconstruction, Daniel Punday draws on a wide range of theorists to develop a rigorous theory of narrative as an alternative model for literary interpretation. Drawing on an observation made by Jean-François Lyotard, Punday argues that at the heart of narrative are concrete objects that can serve as "lynchpins" through which many different explanations and interpretations can come together. Narrative after Deconstruction traces the often grudging emergence of a post-deconstructive interest in narrative throughout contemporary literary theory by examining critics as diverse as Jacques Derrida, Gilles Deleuze, Elizabeth Grosz, and Edward Said. Experimental novelists like Ronald Sukenick, Raymond Federman, Clarence Major, and Kathy Acker likewise work through many of the same problems of constructing texts in the wake of deconstruction, and so provide a glimpse of this post-deconstructive narrative approach to writing and interpretation at its most accomplished and powerful.
While some cultural critics are pronouncing the death of the novel, a whole generation of novelists have turned to other media with curiosity rather than fear. These novelists are not simply incorporating references to other media into their work for the sake of verisimilitude, they are also engaging precisely such media as a way of talking about what it means to write and read narrative in a society filled with stories told outside the print medium. By examining how some of our best fiction writers have taken up the challenge of film, television, video games, and hypertext, Daniel Punday offers an enlightening look into the current status of such fundamental narrative concepts as character, plot, and setting. He considers well-known postmodernists like Thomas Pynchon and Robert Coover, more-accessible authors like Maxine Hong Kingston and Oscar Hijuelos, and unjustly overlooked writers like Susan Daitch and Kenneth Gangemi, and asks how their works investigate the nature and limits of print as a medium for storytelling. Writing at the Limit explores how novelists locate print writing within the contemporary media ecology, and what it really means to be writing at print's media limit.
Science news is met by the public with a mixture of fascination and disengagement. On the one hand, Americans are inflamed by topics ranging from the question of whether or not Pluto is a planet to the ethics of stem-cell research. But the complexity of scientific research can also be confusing and overwhelming, causing many to divert their attentions elsewhere and leave science to the “experts.”Whether they follow science news closely or not, Americans take for granted that discoveries in the sciences are occurring constantly. Few, however, stop to consider how these advances—and the debates they sometimes lead to—contribute to the changing definition of the term “science” itself. Going beyond the issue-centered debates, Daniel Patrick Thurs examines what these controversies say about how we understand science now and in the future. Drawing on his analysis of magazines, newspapers, journals and other forms of public discourse, Thurs describes how science—originally used as a synonym for general knowledge—became a term to distinguish particular subjects as elite forms of study accessible only to the highly educated.
In Era of Experimentation, Daniel Peart challenges the pervasive assumption that the present-day political system, organized around two competing parties, represents the logical fulfilment of participatory democracy. Recent accounts of ""the rise of American democracy"" between the Revolution and the Civil War applaud political parties for opening up public life to mass participation and making government responsive to the people. Yet this celebratory narrative tells only half of the story.By exploring American political practices during the early 1820s, a period of particular flux in the young republic, Peart argues that while parties could serve as vehicles for mass participation, they could also be employed to channel, control, and even curb it. Far from equating democracy with the party system, Americans freely experimented with alternative forms of political organization and resisted efforts to confine their public presence to the polling place. Era of Experimentation demonstrates the sheer variety of political practices that made up what subsequent scholars have labelled ""democracy"" in the early United States. Peart also highlights some overlooked consequences of the nationalization of competitive two-party politics during the antebellum period, particularly with regard to the closing of alternative avenues for popular participation.
October 15, 1793: the eve of Marie-Antoinette’s execution. The Reign of Terror has descended upon revolutionary France, and thousands are beheaded daily under the guillotine. Edmond Coffin and Jonathan Gravedigger, two former soldiers now employed in disposing of the dead, are hired to search the Parisian neighborhood of Haarlem for a mysterious mixed-race ""leopard boy,"" whose nickname derives from his mottled black and white skin. Some would like to see the elusive leopard boy dead, while others wish to save him. Why so much interest in this child? He is rumored to be the son of Marie-Antoinette and a man of color--the Chevalier de Saint-George, perhaps, or possibly Zamor, the slave of Madame du Barry, mistress of Louis XV. This wildly imaginative and culturally resonant tale by Daniel Picouly audaciously places black and mixed-race characters--including King Mac, creator of the first hamburger, who hands out figures of Voltaire and Rousseau with his happy meals, and the megalomaniac Black Delorme, creator of a slavery theme park--at the forefront of its Revolution-era story. Winner of the Prix Renaudot, one of France’s most prestigious literary awards, this book envisions a ""Black France"" two hundred years before the term came to describe a nation transformed through its postcolonial immigrant population.