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1000 tulosta hakusanalla Gabriel Dietsch

MAP San Gabriel Mountains

MAP San Gabriel Mountains

Wilderness Press
2021
kartta, viikattu
Find Your Way in Southern California's Beautiful Hiking Region The San Gabriel Mountains lie between the Los Angeles Basin and the Mojave Desert. They encompass parts of the Angeles and San Bernardino national forests. Several hundred miles of trails crisscross the vast area. Discover the best of it all with this four-color topographic map. The large, beautifully detailed map is 38.25" x 18.75", and it contains all the details you need to explore. On one side, the map features a view of the vast region--from the Santa Monica Mountains to the San Bernardino Mountains and up to the San Andreas. The other side showcases inset maps of the Big Tujunga area, Crystal Lake area, Liebre Mountain area, Mount Baldy area, and the area north of Pasadena. This sixth edition of the map shows every major road (along with minor and unpaved roads), and it includes trails, trailheads, campgrounds, picnic areas, forest service stations, waterways, peaks, and more. As an added bonus, the map calls out 100 day hikes and backpacking trips described in the supplemental guidebook Trails of the Angeles (not included). When you're finished, fold the map back to the convenient size of 4.38" x 7.38". It is lightweight, durable, waterproof, and it fits in your backpack or back pocket. So you can carry it with you on your adventures Use the map alone, or pair it with Trails of the Angeles for even more great information.
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Halloween Fun for Gabriel Activity Book: Color, Cut & Glue Decorations - Connect Dots - Solve Mazes & Puzzles

Halloween Fun for Gabriel Activity Book: Color, Cut & Glue Decorations - Connect Dots - Solve Mazes & Puzzles

C. a. Jameson

Createspace Independent Publishing Platform
2018
nidottu
HALLOWEEN FUN FOR GABRIEL ACTIVITY BOOK: COLOR, CUT & GLUE DECORATIONS - CONNECT DOTS - SOLVE MAZES & PUZZLES is a personalized activity coloring book. Children will have hours of fun coloring, cutting and gluing their own Halloween- themed decorations, solving mazes and connecting dots. This unique book features Gabriel's name throughout the book. Note that this book is available with many other popular names and a version without a featured name for any child (HALLOWEEN FUN ACTIVITY BOOK: COLOR, CUT & GLUE DECORATIONS - CONNECT DOTS - SOLVE MAZES).
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Stone of Gabriel

Stone of Gabriel

Gary A Pattillo

Gary A. Pattillo
2020
sidottu
Reaching for a curiously shaped stone in a southern California riverbed, Kurt, a motherless 13-year-old out on a father-son bonding camp trip, feels a pulsing tremor of energy. Confused, he shares this oddly colored rock with his two friends, both who touch it briefly and throw it away in cries of pain. Unsure what to do, the three boys agree to keep this strange phenomenon a secret.After bringing the stone back home, Kurt senses he's being followed, possibly by a lone detective. To add to his unease, the city of San Diego is besieged by what seems like a disturbing and violent serial killer, one who leaves distinctive clues, as if he (or it) is itching to get caught.When he finally makes contact with Steve Bailey, an unflinching detective with a disturbing past, Kurt uncovers his own startling heritage of power, danger and, ultimately, justice.In this unnerving urban thriller, the creators have reunited with their demons, and humans with inherited, but unwieldy gifts, may be the only barrier between survival and celestial destruction.
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Adult Jigsaw Puzzle: Dante Gabriel Rossetti: The Day Dream

Adult Jigsaw Puzzle: Dante Gabriel Rossetti: The Day Dream

FLAME TREE PUBLISHING
2023
muu
Part of an exciting series of sturdy, square-box 1000-piece jigsaw puzzles from Flame Tree, featuring powerful and popular works of art. This new jigsaw will satisfy your need for a challenge, with Dante Gabriel Rossetti's The Day Dream. This 1000 piece jigsaw is intended for adults and children over 13 years. Not suitable for children under 3 years due to small parts. Finished Jigsaw size 735 x 510mm/29 x 20 ins. Includes an A4 poster for reference. One of the founding members of the Pre-Raphaelite Brotherhood, Dante Gabriel Rossetti was a gifted painter and poet. Along with his co-founders William Holman Hunt and John Everett Millais, he had wanted to bring about change in the art world. This was one of the final paintings executed by Rossetti, and the model for the work was Jane Morris, estranged wife of the designer William Morris.
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The Correspondence of Dante Gabriel Rossetti 5

The Correspondence of Dante Gabriel Rossetti 5

D.S. Brewer
2005
sidottu
Breakdown and attempted suicide, and co-tenancy of Kelmscott Manor with Morris, balanced by usual professional concerns. The best of these letters, flowing rapidly from his pen, radiate charisma and enthusiasm, warmth and care for his friends, and a total engagement with art and literature. JULIAN TREUHERZ, BURLINGTON MAGAZINE [on I. and II.] These years were the most tumultuous of Rossetti's life. His breakdown and attempted suicide inevitably makes the letters of this period exceptionally poignant, but the volume contains many letters relating to his life and work. Throughout most of 1871 he was writing and painting; he became, with William Morris, a co-tenant of Kelmscott Manor, bringing him close to Jane Morris and also to the two Morris daughters. In October the name of Robert Buchanan entersthe letters as the likely author of 'The Fleshly School of Poetry', and an alarming unease can be sensed. Following his attempted suicide and eventual return to Kelmscott, the letters increase in number - affectionate, considerate and businesslike by turns, with a certain morbidity at times; many letters are concerned with helping Ford Madox Brown's application for the Slade Professorship at Cambridge. The wider world of Victorian London is present: Turgenev comes to dinner, Browning sends his new volumes, Swinburne arrives drunk, and the American poet and adventurer Joaquin Miller makes himself known to the Rossetti circle. Nine appendices include five devoted to Poems and one tothe Fleshly School controversy.
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The Correspondence of Dante Gabriel Rossetti 6

The Correspondence of Dante Gabriel Rossetti 6

D.S. Brewer
2006
sidottu
The sixth volume of Rossetti's correspondence covers a particularly energetic period of artistic activity and dealings with patrons, his new agent C.A. Howell, dealers and friends. Rossetti's return to Kelmscott in September 1872, following his breakdown and recovery charted in volume 5, commenced a period of artistic activity which was at its most energetic in the years 1873-1874. Because of the isolationof Kelmscott, he engaged C.A. Howell as his agent, and trusted him to find new buyers and assist in negotiations with his principal patrons. A complex character who " whirled us...in a tornado of lies", he could nevertheless sellpictures, negotiate with mercurial buyers and tolerate Rossetti's peremptory ways. We are fortunate, too, in having Rossetti's letters to the demanding patron Frederick Leyland. The letters demonstrate that in Leyland, Rossettimore than met his match, but neither the friendship nor the patronage foundered. Previously valued friends exhausted his patience: Swinburne, for example, is "the crowning nuisance of the whole world." At the same time,he unreservedly acknowledged debts and obligations, in particular to F.M. Brown and his brother William (to both of whom he owed "more in life" than to anyone else); and friends in need could always count on his generosity. WhenJames Hannay's death left his family in uncertain circumstances, Rossetti acted immediately: "I have no family of my own to provide for, & am therefore doubly bound to do what I can for an old friend's children."
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The Correspondence of Dante Gabriel Rossetti 8

The Correspondence of Dante Gabriel Rossetti 8

D.S. Brewer
2009
sidottu
The latest volume of Rossetti's correspondence, scrupulously edited by a team of experts. On November 11, 1878, Rossetti wrote to Watts-Dunton: `Friday night exactly made a year since my return to London in 1877 & you know how well I have been the whole of that time.' Indeed, in 1878-79, Rossetti lived what might appear to be a more tranquil version of his first years at Cheyne Walk. The long breach with Ford Madox Brown finally ended, and he began to see his brother regularly again; and he managed to complete a number of commissions, and other paintings. However, as the correspondence collected here show, his depression was seldom far away; he was often unable to work. His repeated letters to Watts-Dunton and Shields, asking them to come over, reveal his need for companionship, preferably in his own home, that was a constant of his character. There are also a number of letters to Jane Morris.
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The Correspondence of Dante Gabriel Rossetti 7

The Correspondence of Dante Gabriel Rossetti 7

D.S. Brewer
2008
sidottu
A period in Rossetti's life characterized by breakdown, disappointment, ill health and mounting problems with creditors and patrons. The period from 1875-77 covers the greater part of what Rossetti's brother William later characterized as "the chloralized years" when the amounts he took, usually accompanied by alcohol, eventually led to another breakdown and even alienated his old friend Ford Madox Brown for a time. In his mounting troubles with creditors, patrons, and various legal matters he depended more and more on Theodore Watts-Dunton. The sojourn at Aldwick Lodge, Bognor, from the fall of 1875 to July 1876, was marked by Rossetti's ever-deepening depression. The artist, who had perhaps hoped for another idyllic period with Janey Morris and her daughters in residence modelling for his paintings, musthave been bitterly disappointed. Fearing imminent death, he directed George Hake to make new provisions in his will, emphasizing the importance of burning all Janey's letters to him. Despite his physical condition, he nevertheless completed or began such major works as La Bella Mano, Astarte Syriaca, The Sea-Spell, The Blessed Damozel, and Mnemosyne amongst others, as well as a number of portraits. He also worked with Frederic Shields on his engraving project, and acquired a new patron in William A. Turner.
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The Correspondence of Dante Gabriel Rossetti 9

The Correspondence of Dante Gabriel Rossetti 9

D.S. Brewer
2010
sidottu
The latest volume of Rossetti's correspondence, scrupulously edited by a team of experts. On November 11, 1878, Rossetti wrote to Watts-Dunton: `Friday night exactly made a year since my return to London in 1877 & you know how well I have been the whole of that time.' Indeed, in 1878-79, Rossetti lived what might appear to be a more tranquil version of his first years at Cheyne Walk. The long breach with Ford Madox Brown finally ended, and he began to see his brother regularly again; and he managed to complete a number of commissions, and other paintings. However, as the correspondence collected here show, his depression was seldom far away; he was often unable to work. His repeated letters to Watts-Dunton and Shields, asking them to come over, reveal his need for companionship, preferably in his own home, that was a constant of his character. There are also a number of letters to Jane Morris.
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The Correspondence of Dante Gabriel Rossetti 10

The Correspondence of Dante Gabriel Rossetti 10

D.S. Brewer
2015
sidottu
More than an index to the nine volumes of letters, this volume is a concise guide to an entire cultural era seen through the lens of Dante Gabriel Rossetti. Volume 10 of The Correspondence of Dante Gabriel Rossetti is the first ever analytical and biographical index to all Rossetti's letters from 1835-82. It gives readers the widest possible contextual access to all names of persons, places, works of art, writings, movements, organizations and activities, both physical and intellectual, mentioned in these letters with their annotations and appendices. But this index, augmenting the partial ones in Vols2 and 5, is far more than a simple listing of names: it also serves as a subject index, providing mini-précis descriptions of the information detailed in the annotated letter texts. Subheadings within entries depend on the complexity of the subject and may include letters to/from (for recipients) and lists of artistic and literary works by Rossetti's correspondents, or predecessors such as Blake, Keats and Coleridge. It is a concise guide to an entire cultural era. Since Rossetti is the lens through which all other entries are filtered, his own entry is divided into multiple subheadings to facilitate easy access. The researcher can quickly locate all references to the sonnet sequence The House of Life, the various versions of the Proserpine picture or the complex relationship of his drug use to Rossetti's life and work.
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A Companion to Gabriel García Márquez

A Companion to Gabriel García Márquez

Raymond Leslie Williams

Tamesis Books
2013
pokkari
One of the major Latin American writers of the twentieth century. This book offers discussion and analysis of the subtle writing of Nobel Laureate Gabriel García Márquez - a traditionalist who draws from classic Western texts, a Modernist committed to modernizing the conservative literary tradition in Colombia and Latin America, an internationally recognized major writer of the 1960s Boom, the key figure in popularizing what has been called "magic realism" and, finally, a Modernist who has occasionally engaged in some ofthe strategies of the postmodern. The author demonstrates that García Márquez is above all a committed and highly accomplished Modernist fiction writer who has successfully synthesized his political vision in his writing and absorbed a vast array of cultural and literary traditions. Drawing on García Márquez's interviews with Williams and others over the years, the book also explores the importance of the non-literary, the presence of oral tradition and the visual arts, thus providing a more complete insight into García Márquez's strategies as a Modernist with heterogeneous aesthetic interests, as well as an understanding of his social and political preoccupations. RAYMOND LESLIE WILLIAMS is Professor of Latin American Literature at the University of California, Riverside.
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Proyecciones de Gabriel Miró en la narrativa española de postguerra

Proyecciones de Gabriel Miró en la narrativa española de postguerra

Guillermo Laín Corona

Tamesis Books
2014
sidottu
Este libro muestra que Gabriel Miró no ha sido olvidado, sino que ha influido en la literatura hispánica posterior, en particular la novela de postguerra. ENGLISH VERSION This book shows that Gabriel Miró has been undervalued and how he has influenced Hispanic literature, particularly the novel of the post-Civil War period. ¿Qué ha hecho que la obra de Gabriel Miró parezca haberse relegado a un lugar marginal de la historia de la literatura española, con cada vez menos lectores? La pregunta no es baladí. Puede que Miró no fuera un escritor de maEn efecto, en concordancia con la estética de vanguardia, fue un autor difícil. Pero fue una figura clave de la llamada edad de plata. Sus obras, además, suscitaron un interés de repercusiones mediáticas, como las polémicas eno a su retrato del clero o la presunta inmoralidad de su prosa y su heterodoxa visión de Cristo. En este libro, se sugieren las razones que han podido llevar a este injusto olvido literario y se muestra que, a pesar de todo, su obra nunca ha dejado de ser relevante, y ha influido en autores de postguerra tan importantes como Camilo José Cela y Francisco Umbral, en la obra narrativa de un filólogo de tanto prestigio como Antonio Prieto y en otros novelistas como Pedro de Lorenzo, Antonio Zoido y Adolfo Lizón. Guillermo Laín Corona es profesor de lengua y literatura españolas en University College London. ENGLISH VERSION Why does it seem that Gabriel Miró has been neglected as a secondary writer in the literary history of Spain, with fewer and fewer readers? Miró might not have had a mass readership, as, according to the aesthetics of the Avant-Garde, he was a difficult writer. However, hisworks attracted the kind of attention that fascinated the media, including the controversies surrounding his portrayals of the clergy, the supposed immorality of his prose and his heterodox view of Christ. This book tackles the reasons for this unfair neglect and shows that, despite it, his work was never completely overlooked. Indeed, Miró influenced relevant writers of the post-Civil War period, such as Camilo José Cela and Francisco Umbral, as well as the prose fiction of an important philologist like Antonio Prieto and other novelists such as Pedro de Lorenzo, Antonio Prieto and Adolfo Lizón. Guillermo Laín Corona is a Teaching Fellow in Spanish Language and Literature at University College London.
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Recollections of Dante Gabriel Rossetti

Recollections of Dante Gabriel Rossetti

T Hall Caine

Crescent Moon Publishing
2018
pokkari
RECOLLECTIONS OF DANTE GABRIEL ROSSETTI By T. Hall Caine A study of the celebrated Pre-Raphaelite artist and poet Dante Gabriel Rossetti by the people who knew him. This book considers Rossetti and his circle, the Pre-Raphaelite Brotherhood, including Morris, Hunt, Ford, Burne-Jones, and Millais. Caine also explores Rossetti's poetry and his relationship with British poets. Fully illustrated, with works from Dante Gabriel Rossetti and all of the Pre-Raphaelite artists. With a full colour cover. Painters Series. Bibliography and notes. www.crmoon.com
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