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Guy Bourdin: Untouched

Guy Bourdin: Untouched

Guy Bourdin

Steidl Verlag
2017
sidottu
Intriguing, revolutionary and undoubtedly one of the most influential fashion photographers of the twentieth century, Guy Bourdin was a groundbreaking image-maker, whose work has achieved a cultlike following. His striking use of color, suggestive narratives and surrealist aesthetics established a visual language entirely his own. Though best known for his color images, Bourdin launched his career in black and white in the early 1950s. Untouched explores this largely unseen work and gives insight into the early development of his photographic eye. The carefully constructed images, initially conceived as an exhibition series, reveal his artistic motivation years before he began working on assignments for French Vogue and Photo Femina. In both concept and composition, these photographs display his fascination with striking graphic layouts and narrative cinematic portraiture. Capturing people he encountered on the streets of Paris, Bourdin trained his eye to transcend the realism of the medium, developing a unique perspective through unconventional manipulations of the picture plane. Guy Bourdin was born in Paris in 1928. His career as a fashion photographer spans over three decades. Bourdin shot largely for French Vogue as well as Harper's Bazaar, Chanel, Issey Miyake, Versace, Charles Jourdan and Emanuel Ungaro. Today Bourdin's work is held in prestigious museum including the Victoria and Albert Museum, Jeu de Paume, the Guggenheim and the National Museum of China. Bourdin died in 1991.
The Collected Novels of Guy De Maupassant

The Collected Novels of Guy De Maupassant

Guy de Maupassant

OK Publishing
2022
nidottu
Bel Ami (The History of a Scoundrel): The story chronicles journalist Georges Duroy's corrupt rise to power from a poor ex-NCO to one of the most successful men in Paris, most of which he achieves by manipulating a series of powerful, intelligent, and wealthy mistresses. The novel is set in Paris in the upper-middle class environment of the leading journalists of the newspaper La Vie Française and their friends. Pierre et Jean is a naturalist or psycho-realist story, notably so by the subjects on which it treats, including knowledge of one's heredity (whether one is a legitimate son or a bastard), the bourgeoisie, and the problems stemming from money. Notre Coeur (A Woman's Pastime): The novel tells the story of a woman without a heart, frigid and probably a lesbian. The hero, facing this fascinating and awesome being, takes another mistress, who can hardly satisfy him. He is devastated by this passionate love, violent, melancholic and cruel. A Life is a satirical novel about the folly of romantic illusion. The novel tells the story of young Jeanne, full of hope and dreams of love, who discovers the outside world after finishing an education in a convent. She is looking forward to her new life and she is dreaming of the day when she will find the man who loves her.
Guy Debord, the Situationist International, and the Revolutionary Spirit
Winner of the 2020 Choice Outstanding Academic Title Award Guy Debord, the Situationist International, and the Revolutionary Spirit presents a history of the two avant-garde groups that French filmmaker and subversive strategist Guy Debord founded and led: the Lettrist International (1952–1957) and the Situationist International (1957–1972). Debord is popularly known for his classic book The Society of the Spectacle (1967), but his masterwork is the Situationist International (SI), which he fashioned into an international revolutionary avant-garde group that orchestrated student protests at the University of Strasbourg in 1966, contributed to student unrest at the University of Nanterre in 1967–1968, and played an important role in the occupations movement that brought French society to a standstill in May of 1968. The book begins with a brief history of the Lettrist International that explores the group’s conceptualization and practice of the critical anti-art practice of détournement, as well as the subversive spatial practices of the dérive, psychogeography, and unitary urbanism. These practices, which became central to the Situationist International, anticipated many contemporary cultural practices, including culture jamming, critical media literacy, and critical public pedagogy. This book follows up the edited book Détournement as Pedagogical Praxis (Sense Publishers, 2014), and together they offer readers, particularly those in the field of Education, an introduction to the history, concepts, and critical practices of a group whose revolutionary spirit permeates contemporary culture, as can be seen in the political actions of Pussy Riot in Russia, the “yellow vest” protesters in France, the #BlackLivesMatter movement, and the striking teachers and student protesters on campuses throughout the U.S. See inside the book.
Guy Debord, the Situationist International, and the Revolutionary Spirit
Winner of the 2020 Choice Outstanding Academic Title Award Guy Debord, the Situationist International, and the Revolutionary Spirit presents a history of the two avant-garde groups that French filmmaker and subversive strategist Guy Debord founded and led: the Lettrist International (1952–1957) and the Situationist International (1957–1972). Debord is popularly known for his classic book The Society of the Spectacle (1967), but his masterwork is the Situationist International (SI), which he fashioned into an international revolutionary avant-garde group that orchestrated student protests at the University of Strasbourg in 1966, contributed to student unrest at the University of Nanterre in 1967–1968, and played an important role in the occupations movement that brought French society to a standstill in May of 1968. The book begins with a brief history of the Lettrist International that explores the group’s conceptualization and practice of the critical anti-art practice of détournement, as well as the subversive spatial practices of the dérive, psychogeography, and unitary urbanism. These practices, which became central to the Situationist International, anticipated many contemporary cultural practices, including culture jamming, critical media literacy, and critical public pedagogy. This book follows up the edited book Détournement as Pedagogical Praxis (Sense Publishers, 2014), and together they offer readers, particularly those in the field of Education, an introduction to the history, concepts, and critical practices of a group whose revolutionary spirit permeates contemporary culture, as can be seen in the political actions of Pussy Riot in Russia, the “yellow vest” protesters in France, the #BlackLivesMatter movement, and the striking teachers and student protesters on campuses throughout the U.S. See inside the book.
My Guy Barbaro

My Guy Barbaro

Edgar Prado

HARPERCOLLINS PUBLISHERS INC
2009
nidottu
A new superstar appeared on the American sports landscape in the spring of 2006. Barbaro, a three-year-old racehorse, won the Kentucky Derby by the largest margin of victory in sixty years, stirring talk of a possible Triple Crown. But in the opening yards of the Preakness Stakes two weeks later, the magnificent animal suffered a catastrophic leg injury that ended his un-defeated career and left him fighting for his life.One of the world's top jockeys, Edgar Prado rode Barbaro to glory and then stood beside him for months as the horse valiantly struggled to survive. My Guy Barbaro is the true story of the dream that carried Prado from an impoverished childhood in Lima, Peru, to the winner's circles of the world's greatest racetracks--and is the heartwarming account of his love for a beautiful, talented, irreplaceable teammate.
The Guy Under the Sheets

The Guy Under the Sheets

Chris Elliott

Penguin Putnam Inc
2013
pokkari
"This hugely entertaining pack of lies reads like a Woody Allen essay from the New Yorker."—David Pitt, Booklist Is Chris Elliott a highly successful and beloved comedian—or a slightly dim-witted notalent from a celebrity family who managed to convince a generation of disillusioned youth that he was funny? From a ghastly childhood on the posh Upper East Side to his first job entertaining mobsters with his Judy Garland impersonation, The Guy Under the Sheets is packed with countless episodes from the life of a mediocre artist who somehow faked his way to the top—of semi-moderate fame and fortune. Woven throughout the fictional fun in Elliott's memoir are wonderful real-life anecdotes that will delight many new readers and loyal fans alike."The arc of [Elliott's] career remains unique and inspiring . . . that he blazed a trail for Arrested Development and Community and all the other freaky, convention-flouting TV comedies."—Grantland
Brave Guy of Warwick

Brave Guy of Warwick

Oxford University Press
2013
muu
for mezzo-soprano and piano Brave Guy of Warwick sets text from Lines written at Warwick by George Crabbe (1754-1832) which describes a portion of the legend of Guy of Warwick. This piece is engaging and characterful, and audiences are bound to be charmed by both the music and the story.
American Guy

American Guy

Oxford University Press Inc
2014
sidottu
American Guy examines American norms of masculinity and their role in the law, bringing a range of methodological and disciplinary perspectives to the intersection of American gender, legal, and literary issues. The collection opens with a set of papers investigating "American Guys" -- the heroic nonconformists and rugged individualists that populate much of American fiction. Diverse essays examine the manly men of Hemingway, Dreiser, and others, in their relation to the law, while also highlighting the underlying tensions that complicate this version of masculinity. A second set of papers examines "Outsiders" -- men on the periphery of the American Guys who proclaim a different way of being male. These essays take up counter-traditions of masculinity ranging from gay male culture to Philip Roth's portrait of the Jewish lawyer. American Guy, a follow-up to Subversion and Sympathy, edited by Alison L. LaCroix and Martha Nussbaum, aims at reinvigorating the law-and-literature movement through original, cross-disciplinary insights. It embraces a variety of voices from both within and outside the academy, including several contributions from prominent judges. These contributions are particularly significant, not only as features unique to the field, but also for the light they throw on the federal bench. In the face of a large body of work studying judicial conduct as a function of rigid commitment to ideology, American Guy shows a side of the judiciary that is imaginatively engaged, aware of cultural trends, and reflective about the wider world and the role of the of law in it.
Sports Guy

Sports Guy

Charles Pierce

Da Capo Press Inc
2000
pokkari
Here, at last, is Charles Pierce's best writing on sports, collected for the first time in one volume. All of these pieces, first published in GQ, the National, and Esquire, showcase Pierce's trademark humour. Some are spot-on profiles of famous sports personalities such as Tiger Woods, Magic Johnson, and Peyton Manning, while others are portraits of lesser-known figures such as Nebraska basketball coach Danny Nee, a former Vietnam vet who openly opposed the Gulf War, Cool Papa Bell, a ballplayer from the Negro Leagues who is ripped off by memorabilia hounds, and Mike Donald, an obscure golfer on the PGA tour who played the best golf in his life only to lose a tournament by one stroke. Pierce also takes us on unforgettable journeys into the wide world of sports, from a snake-charming pole-vaulter to life on the Hooters Golf Tour, from the fashion accessories of the modern ballplayer to how a small community,Warroad, Minnesota,bonds over ice hockey. Sports Guy will delight Pierce's devoted readers and is certain to win him many, many more.
Dead Guy's Stuff

Dead Guy's Stuff

Sharon Fiffer

St. Martins Press-3pl
2009
pokkari
Fresh on the heels of "Killer Stuff," Sharon Fiffer's auspicious debut, antique "picker" Jane Wheel is making a career out of going through old stuff; it seems she can't get enough of the piles of vintage clothing, kitchen utensils, Bakelite buttons and post cards she finds at estate sales across the Chicago area. What this saloon keepers' daughter loves, though, is not the items themselves but the stories they tell about the lives of their owners.So needless to say Jane's delighted when a Saturday morning estate sale turns up a serendipitous find: a whole room packed full of 1950's saloon ephemera. As luck would have it, she's been planning to redecorate her parents' pub, still run and recently purchased outright by her folks. Piles of Bakelite darts and dice, countless advertisements from long-defunct liquor suppliers, and, most exciting of all, a bunch of old bar games, employed by untold patrons intent on whiling away the tedious moments in between the sips of so long ago. She makes a deal to buy the whole room, and can't wait to get the stuff back to her hometown.As she's cataloging her find, however, Jane makes a gruesome discovery. Packed between the glassware and bowling trophies and old photographs she's already fallen in love with, she uncovers one highly personal, unusual and creepy collectible that she is sure the saloon keeper would have preferred to have kept to himself. It sure sparks her curiosity about the saloon owners, and when Jane gets curious nothing's going to stop her. Employing her friends Detective Bruce Oh and fellow junkhound Tim Lowry, as well as her erstwhile husband Charley, Jane sets out to lay bare the secrets of long ago, secrets that even people close to her would rather be kept quiet forever. Packed with as much intrigue and suspense as a long-buried chest in your grandmother's attic, "Dead Guy's Stuff" is a fantastic sophomore effort from acclaimed promising cozy writer Sharon Fiffer.