Before Pornography explores the relationship between erotic writing, masculinity, and national identity in Renaissance England. Drawing on both manuscripts and printed texts, and incorporating insights from modern feminist theory and queer studies, the book argues that pornography is a historical phenomenon: while the representation of sexual activity exists in nearly all cultures, pornography does not. The book includes analyses of the social significance of eroticism in such canonical texts as Sidney's Defense of Poesy and Spenser's Faerie Queene.
Many would be surprised to learn that the preferred method of birth control in the United States today is actually surgical sterilization. This book takes an historical look at the sterilization movement in post-World War II America, a revolution in modern contraceptive behaviour. Focusing on leaders of the sterilization movement from the 1930's through the turn of the century, this book explores the historic linkages between environment, civil liberties, eugenics, population control, sex education, marriage counselling, and birth control movements in the 20th-century United States. Sterilization has been variously advocated as a medical procedure for defusing the "population bomb," expanding individual rights, liberating women from the fear of pregnancy, strengthening marriage, improving the quality of life of the mentally disabled, or reducing the incidence of hereditary disorders. From an historical standpoint, support for free and unfettered access to sterilization services has aroused opposition in some circles, and was considered a "liberal cause" in post-World War II America. This story demonstrates how a small group of reformers helped to alter traditional notions of gender and sexuality.
The process of genetic counselling involves many key components, such as taking a family genetic history, making a diagnosis, and providing communication and support to the family. Among these core processes is the mathematical calculation of the actual risk of a possible genetic disorder. For most physicians and counsellors, the mathematics and statistics involved can be a major challenge which is not always helped by complex computer programs or lengthy papers full of elaborate formulae. In this clear, reader-friendly guide, Ian Young addresses this problem and demonstrates how risk can be estimated for inherited disorders using a basic knowledge of the laws of probability and their application to clinical problems. The text employs a wealth of clearly explained examples and "key points" in order to guide the reader to an accurate assessment of the risk of genetic disease. It primarily will appeal to genetic counsellors, geneticists, and all those involved in providing medical genetic services. In this new edition, Dr. Young has pruned redundancies and extensively updated the concepts in each of the 10 chapters, and he has included more working examples, a popular feature of the book.
Many of the most famous composers in classical music spent considerable periods in spa towns, whether taking in the waters, or searching for patrons among the rich and influential clientele who frequented these pioneer resorts, or soaking up the relaxing and decadent ambience of these enchanted and magical places. At Baden bei Wein, Mozart wrote his Ave Verum Corpus, and Beethoven sketched out his Ninth Symphony. Johannes Brahms spent 17 summers in Baden-Baden, where he stayed in his own specially-built composing cavern and consorted with Clara Schumann. Berlioz came to conduct in Baden-Baden for nine seasons, writing his last major work, Beatrice and Benedict, for the town's casino manager. Chopin, Liszt, and Dvorak were each regular visitors to Carlsbad and Marienbad. And it was in Carlsbad that Beethoven met Goethe. Concerts, recitals, and resident orchestras have themselves played a major role in the therapeutic regimes and the social and cultural life of European and North American watering places since the late eighteenth century. To this day, these spa towns continue to host major music festivals of the highest caliber, drawing musicians and loyal audiences on both local and international levels. This book explores the music making that went on in the spas and watering places in Europe and the United States during their heyday between the early- eighteenth and the mid-twentieth centuries. Music was a hugely important part of the experience of taking a spa cure. Bands played during the early morning and late afternoon while people took the waters and bathed. Spa orchestras and ensembles entertained those gathering socially or resting in assembly rooms, pump rooms and in gardens and parks. In the evenings spa guests enjoyed concerts, visits to the theatre, balls, dances and gambling sessions at the casino, at all of which music played a major role. Expert author Ian Bradley draws on original archival material and the diaries and letters of composers. His book ranges chronologically and geographically, beginning with Bath and Baden near Vienna, which both flourished in the eighteenth century, continuing through Baden-Baden, the Bohemian spas and Bad Ischl in the nineteenth century and on to Buxton and Saratoga Springs which saw their glory days in the early twentieth century. A concluding chapter brings the subject up to date with a review of the musical activities taking place in spa towns today and of the music that accompanies treatments in modern spas, now so ubiquitous and so important and growing a feature in the booming world of leisure, tourism, health and well-being.
Civil wars, acts of terror, seizures of private industries--the world is a dangerous place for investors. Indeed, it is more dangerous today than ten or twenty years ago, because of the growing importance of emerging and frontier markets. Even many relatively passive or risk averse investors are exposed in places like Turkey, China, and Brazil. But while they recognize the importance of political risks, until now they have not the right tools to analyze, evaluate, and predict them. This groundbreaking book is the first to both identify the wide range of political risks that global firms face and show investors how to effectively manage them. Written by two of the world's leading figures in political risk management, it explains that while the world remains exceedingly risky for businesses, it is by no means incomprehensible. Political risk is unpredictable, but it is easier to analyze and manage than most people think. Applying the lessons of world history, Bremmer and Keat survey a vast range of contemporary risky situations, from stable markets like the United States or Japan, where politically driven regulation can still dramatically effect business, to more precarious regions like Iran, China, Russia, Turkey, Mexico, and Brazil, where private property is less secure and energy politics sparks constant volatility. The book sheds light on a wide array of political risks--risks that stem from great power rivalries, terrorist groups, government takeover of private property, weak leaders and internal strife, and even the "black swans" that defy prediction. But more importantly, the authors provide a wealth of unique methods, tools, and concepts to help corporations, money managers, and policy makers understand political risk, showing when and how political risk analysis works--and when it does not. Authored by Ian Bremmer (author of the bestselling The J-Curve) and Preston Keat, the president and research director (respectively) of Eurasia Group, the world's largest political risk consultancy, Machiavelli and the Markets is an indispensable guide for anyone involved in the international economy, from major multinational corporations to small businesses simply trying to understand the risks that come with exports and imports.
In Oh Joy! Oh Rapture! expert and enthusiast Ian Bradley explores the world of Gilbert and Sullivan over the last four and a half decades, looking at the way this "phenomenon" is passed from generation to generation. Taking as his starting point the expiry of copyright on the opera libretti at the end of 1961 and using fascinating hitherto unpublished archive material, Bradley reveals the extraordinary story of the last years of the old D'Oyly Carte Opera Company, the guardian of Savoy tradition for over a hundred years, and the troubled history of its successor. He explores the rich vein of parodies, spoofs, and spin-offs of the songs, as well as their influence on twentieth century lyricists and composers. He analyzes professional productions across the world, looks at the unique place of G&S in schools, colleges, and universities, and lovingly explores the culture of amateur performance. He also uncovers the largely male world of the obsessive fans, those collecting memorabilia, the myriad magazines, journals, websites, and festivals devoted to G&S, and the arcane interests of some of the faithful "inner brotherhood."
This book narrates the story of human biological and cultural evolution, from the earliest beginnings of our zoological family Hominidae, through the emergence of Homo sapiens, to the Agricultural Revolution. It concludes with a brief overview of the subsequent diversification of cultural and technological traditions in all the areas our species inhabits. A particular focus is on the pattern of events/innovations in human biological and cultural evolution, which have tended not to proceed in lockstep. Prior to the emergence of Homo sapiens innovations of this kind were generally sporadic, and rare; since that event their frequency has been steadily increasing. Tattersall draws on his own research to demonstrate that the history of humankind has not been one of a singleminded struggle from primitiveness to perfection, but has rather been one of trial and error, of evolutionary experimentation that as often ended in failure as in success. In the process he thoroughly examines both the fossil and the archaeological records that document our human prehistory. All human beings have a thirst to know where they came from, whether as individuals or as a species. This book responds to this desire for knowledge, whether in the classroom where the subject has a place in history as well as in science curricula or in more informal contexts. There currently exist no high school texts or supplemental readings that treat this subject in an authoritative manner, written by a practicing scientist in the field. This volume will have the advantage of being written by one whose opinions are first hand, and conditioned by direct familiarity with the original evidence.
Ideal for courses in Human Evolution, History of Paleoanthropology, and as a supplement for Introduction to Biological Anthropology, The Fossil Trail is a history of paleoanthropological thought and discovery. Ian Tattersall's account of the study of human evolution offers a colorful history of fossil discoveries and a revealing insider's look at how these finds have been interpreted-and misinterpreted-through time. The second edition of The Fossil Trail brings the text up-to-date with a look at what has happened in paleoanthropology in the thirteen intervening years since the first edition's publication. There has been not only a dramatic increase in the size and scope of the human fossil record, but the introduction of new techniques of analysis and of ways of interpreting that record. Through it all, Tattersall discusses the great researchers and discoveries within the context of their social and scientific milieu to reveal the many forces that shape how we interpret fossil findings, and to give a picture of what lies ahead for the field. The Second Edition updates the original first fifteen chapters with the most recent research.The new edition also features a substantially revised Chapter 16, which provides a bridge to later developments about the Neanderthals and their precursors. Tattersall has also added two new chapters that cover the discoveries published over the past thirteen years. Chapter 17 launches a discussion of the state of paleoanthropology at the turn of the 21st Century, and Chapter 18 ties our most recent knowledge back to the beginning to look at where we've been and where we're headed. The author has also added a new gallery of maps of fossil sites-including Western Europe, Central Europe, The Caucuses and Near East, East Asia, Northern Africa, and Southern Africa-and updated the opening timeline to include the discovery of nearly 20 new species.
Arguing about matters of public policy is ubiquitous in democracies. The ability to resolve conflicts through peaceful contestation is a measure of any well-ordered society. Arguing is almost as ubiquitous in international affairs, yet it is not viewed as an important element of world order. In The Power of Deliberation: International Law, Politics and Organizations, Ian Johnstone challenges the assumption that arguing is mere lip service with no real impact on the behavior of states or the structure of the international system. Johnstone focuses on legal argumentation and asks why, if the rhetoric of law is inconsequential, governments and other international actors bother engaging in it. Johnstone joins the efforts of international relations scholars and democracy theorists who consider why argumentation occurs beyond nation states. He focuses on deliberation in and around international organizations, drawing on various strands of legal, political and international relations theory to identify common features of legal argumentation and deliberative politics. Johnstone's central claim is that international organizations are places where "interpretive communities" coalesce, and the quality of the deliberations these communities provoke is a measure of the legitimacy of the organization.
In the history of ancient Macedonia, the last three Antigonid kings--Philip V (r. 221-179), his son Perseus (r. 179-168), and the pretender Andriscus or Philip VI (r. 149-148)--are commonly overlooked in favor of their predecessors Philip II (r. 359-336) and his son Alexander the Great (r. 336-323), who established a Macedonian empire. By the time Philip V became king, Macedonia was no longer an imperial power and Rome was fast spreading its dominance over the Mediterranean. Viewed as postscripts to the kingdom's heyday, the last Macedonian kings are often denounced for self-serving ambitions, flawed policies, and questionable personal qualities by hostile ancient writers. They are condemned for defeats by Rome that saw both the end of the monarchy and the fall of the formidable Macedonian phalanx before the Roman legion. In The Last Kings of Macedonia and the Triumph of Rome, Ian Worthington reassesses these three kings and demonstrates how such denunciations are inaccurate. Producing the first full-scale treatment of Philip V in eighty years and the first in English of Perseus and Andriscus in more than fifty, Worthington argues that this period was far from a postscript to Macedonia's Classical greatness and disagrees that the last Antigonid kings were merely collateral damage in Rome's ascendancy in the east. Despite superior Roman manpower and resources, Philip and Perseus often had the upper hand in their wars against Rome. As Worthington asserts, these kings deserve to be remembered for striving to preserve their kingdom's independence against staggering odds.
The Shikoku pilgrimage, a 1400 kilometre, eighty-eight temple circuit around Japan's fourth largest island, takes around forty days by foot, or one week by car. Historically, Buddhist ascetics walked it without ceasing, creating a tradition of unending pilgrimage that continues in the present era, both by pilgrims on foot and by others in cars. Some spend decades walking the pilgrimage, while others drive it repeatedly, completing hundreds of pilgrimage circuits. Most are retired and make the pilgrimage the centre of their post-work lives. Others who work full-time spend their holidays and weekends as pilgrims. Some have only done the pilgrimage a few times but already imagine themselves as unending pilgrims and intend to do it “until we die”. They talk happily of being addicted and having Shikokuby?, 'Shikoku illness', portraying this 'illness' and addiction as blessings. Featuring extensive fieldwork and interviews, this study of Japan's most famous Buddhist pilgrimage presents new theoretical perspectives on pilgrimage in general, along with rich ethnographic examples of pilgrimage practices in contemporary Japan. Pilgrims Until We Die counteracts normative portrayals of pilgrimage as a transient activity, defined by a temporary leave of absence from home to visit sacred places outside the parameters of everyday life, showing that many participants view pilgrimage as a way of creating a sense of home and permanence on the road. Examining how obsession, devotion, and a sense of addiction aided by modern developments and economic factors have created a culture of recurrent pilgrimage, Pilgrims Until We Die challenges standard understandings of pilgrimage.
The Shikoku pilgrimage, a 1400 kilometre, eighty-eight temple circuit around Japan's fourth largest island, takes around forty days by foot, or one week by car. Historically, Buddhist ascetics walked it without ceasing, creating a tradition of unending pilgrimage that continues in the present era, both by pilgrims on foot and by others in cars. Some spend decades walking the pilgrimage, while others drive it repeatedly, completing hundreds of pilgrimage circuits. Most are retired and make the pilgrimage the centre of their post-work lives. Others who work full-time spend their holidays and weekends as pilgrims. Some have only done the pilgrimage a few times but already imagine themselves as unending pilgrims and intend to do it “until we die”. They talk happily of being addicted and having Shikokuby?, 'Shikoku illness', portraying this 'illness' and addiction as blessings. Featuring extensive fieldwork and interviews, this study of Japan's most famous Buddhist pilgrimage presents new theoretical perspectives on pilgrimage in general, along with rich ethnographic examples of pilgrimage practices in contemporary Japan. Pilgrims Until We Die counteracts normative portrayals of pilgrimage as a transient activity, defined by a temporary leave of absence from home to visit sacred places outside the parameters of everyday life, showing that many participants view pilgrimage as a way of creating a sense of home and permanence on the road. Examining how obsession, devotion, and a sense of addiction aided by modern developments and economic factors have created a culture of recurrent pilgrimage, Pilgrims Until We Die challenges standard understandings of pilgrimage.
In The Greeks, Ian Morris and Barry B. Powell try to see ancient Greece as a whole: not just a narrative of events or an overview of culture, but history and culture taken together. From ancient Greece comes the modern conviction that through open discussion and the exercise of reason a society of free citizens can solve the problems that challenge it. In one period of Greek history, a society just so governed produced timeless masterpieces of literature, art, and rational thought at the same time that it waged terrible wars and committed countless cruelties. If we understand the past, we can live better in the present, but the past is hard to understand. In The Greeks, Morris and Powell offer new ways of thinking about old problems.
A major new history of Athens' remarkably long and influential life after the collapse of its empire. To many the history of post-Classical Athens is one of decline. True, Athens hardly commanded the number of allies it had when hegemon of its fifth-century Delian League or even its fourth-century Naval Confederacy, and its navy was but a shadow of its former self. But Athens recovered from its perilous position in the closing quarter of the fourth century and became once again a player in Greek affairs, even during the Roman occupation. Athenian democracy survived and evolved, even through its dealings with Hellenistic Kings, its military clashes with Macedonia, and its alliance with Rome. Famous Romans, including Julius Caesar and Mark Antony, saw Athens as much more than an isolated center for philosophy. Athens After Empire offers a new narrative history of post-Classical Athens, extending the period down to the aftermath of Hadrian's reign.
When Nazi Germany invaded Poland on September 1, 1939, launching World War Two, its army seemed an unstoppable force. The Luftwaffe bombed towns and cities across the country, and fifty divisions of the Wehrmacht crossed the border. Yet only two decades earlier, at the end of World War One, Germany had been an utterly and abjectly defeated military power. Foreign troops occupied its industrial heartland and the Treaty of Versailles reduced the vaunted German army of World War One to a fraction of its size, banning it from developing new military technologies. When Hitler came to power in 1933, these strictures were still in effect. By 1939, however, he had at his disposal a fighting force of 4.2 million men, armed with the most advanced weapons in the world. How could this nearly miraculous turnaround have happened? The answer lies in Russia. Beginning in the years immediately after World War One and continuing for more than a decade, the German military and the Soviet Union--despite having been mortal enemies--entered into a partnership designed to overturn the order in Europe. Centering on economic and military cooperation, the arrangement led to the establishment of a network of military bases and industrial facilities on Soviet soil. Through their alliance, which continued for over a decade, Germany gained the space to rebuild its army. In return, the Soviet Union received vital military, technological and economic assistance. Both became, once again, military powers capable of a mass destruction that was eventually directed against one another. Drawing from archives in five countries, including new collections of declassified Russian documents, The Faustian Bargain offers the definitive exploration of a shadowy but fateful alliance.
This book offers readers a fascinating new look into the spiritual side of operetta and musical theatre, two closely related genres often dismissed as trivial, shallow, and essentially secular. Bradley challenges these judgements and seeks to show that there have been clear religious influences and spiritual resonances in some of the best known and most popular works in both genres. He points to the darker and more serious side of operetta and musical theatre to analyse the work of Offenbach, Lehár, Gilbert and Sullivan, Rodgers and Hammerstein, Sondheim, Schwartz, Lloyd Webber, and Boublil and Schoenberg. Readers will never listen to The Mikado, The Sound of Music, Fiddler on the Roof, Sweeney Todd, Wicked, Les Miserables and The Lion King in the same way again. Using hitherto largely neglected sources, Music of the Night explores the Jewish and Catholic roots of French operetta composers, the impact of Franz Lehár's Catholic faith, the effect of Oscar Hammerstein's early exposure to Universalism, and the High Church aesthetic of Andrew Lloyd-Webber. Further chapters discuss Arthur Sullivan's softening and spiritualising effect on W. S. Gilbert's lyrics in the Savoy operas, Stephen Sondheim's secularism, and Stephen Schwartz as the 'reluctant pilgrim'. There is specific analysis of the religious influences and spiritual resonances in six key musicals: The Sound of Music, Fiddler on the Roof, Godspell, Jesus Christ Superstar, Les Misérables and The Lion King. A concluding chapter briefly surveys the musicals of the twenty-first century.
This book offers readers a fascinating new look into the spiritual side of operetta and musical theatre, two closely related genres often dismissed as trivial, shallow, and essentially secular. Bradley challenges these judgements and seeks to show that there have been clear religious influences and spiritual resonances in some of the best known and most popular works in both genres. He points to the darker and more serious side of operetta and musical theatre to analyse the work of Offenbach, Lehár, Gilbert and Sullivan, Rodgers and Hammerstein, Sondheim, Schwartz, Lloyd Webber, and Boublil and Schoenberg. Readers will never listen to The Mikado, The Sound of Music, Fiddler on the Roof, Sweeney Todd, Wicked, Les Miserables and The Lion King in the same way again. Using hitherto largely neglected sources, Music of the Night explores the Jewish and Catholic roots of French operetta composers, the impact of Franz Lehár's Catholic faith, the effect of Oscar Hammerstein's early exposure to Universalism, and the High Church aesthetic of Andrew Lloyd-Webber. Further chapters discuss Arthur Sullivan's softening and spiritualising effect on W. S. Gilbert's lyrics in the Savoy operas, Stephen Sondheim's secularism, and Stephen Schwartz as the 'reluctant pilgrim'. There is specific analysis of the religious influences and spiritual resonances in six key musicals: The Sound of Music, Fiddler on the Roof, Godspell, Jesus Christ Superstar, Les Misérables and The Lion King. A concluding chapter briefly surveys the musicals of the twenty-first century.
This book is intended for students of English literature at `A' level and above; general readers interested in a complete history of literature from Middle English to the earlier twentieth century.
Conditions for Criticism studies changes in the practice of literary criticism in the nineteenth century and locates those changes within wider movements in British intellectual culture. The growth of knowledge and its subsequent institutionalization in universities produced new forms of intellectual authority. This book examines these processes in a wide variety of disciplines, including economics, historiography, sociology, psychology, and philosophical aesthetics, and explores their impact upon literary criticism. Its thesis is that the work of late nineteenth-century writers such as Walter Pater and Oscar Wilde can be best understood in terms of their engagement with, and reaction to, these general intellectual changes, a view which in its turn reveals the seriousness of their work.
