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The Myth of Disenchantment

The Myth of Disenchantment

Jason Ananda Josephson Storm

University of Chicago Press
2017
nidottu
A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason A. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted? Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines' founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world. By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.
Get Out of My Room!

Get Out of My Room!

Jason Reid

University of Chicago Press
2017
sidottu
Teenage life is tough. You're at the mercy of parents, teachers, and siblings, all of whom insist on continuing to treat you like a kid and refuse to leave you alone. So what do you do when it all gets to be too much? You retreat to your room (and maybe slam the door). Even in our era of Snapchat and hoverboards, bedrooms remain a key part of teenage life, one of the only areas where a teen can exert control and find some privacy. And while these separate bedrooms only became commonplace after World War II, the idea of the teen bedroom has been around for a long time. With Get Out of My Room!, Jason Reid digs into the deep historical roots of the teen bedroom and its surprising cultural power. He starts in the first half of the nineteenth century, when urban-dwelling middle-class families began to consider offering teens their own spaces in the home, and he traces that concept through subsequent decades, as social, economic, cultural, and demographic changes caused it to become more widespread. Along the way, Reid shows us how the teen bedroom, with its stuffed animals, movie posters, AM radios, and other trappings of youthful identity, reflected the growing involvement of young people in American popular culture, and also how teens and parents, in the shadow of ongoing social changes, continually negotiated the boundaries of this intensely personal space. Richly detailed and full of surprising stories and insights, Get Out of My Room! is sure to offer insight and entertainment to anyone with wistful memories of their teenage years. (But little brothers should definitely keep out.)
The Invention of Religion in Japan

The Invention of Religion in Japan

Jason Ananda Josephson

University of Chicago Press
2012
sidottu
Through most of its long history, Japan had no concept of what we call "religion." There was no corresponding Japanese word, nor anything close to its meaning. But when American warships appeared off the coast of Japan in 1853 and forced the Japanese government to sign treaties demanding, among other things, freedom of religion, the country has to contend with this Western idea. In this book, Jason Ananda Josephson reveals how Japanese officials invented religion in Japan and traces the sweeping intellectual, legal, and cultural changes that followed. More than a tale of oppression or hegemony, Josephson's account demonstrates that the process of articulating religion offered the Japanese state a valuable opportunity. In addition to carving out space for belief in Christianity and certain forms of Buddhism, Japanese officials excluded Shinto from the category. Instead, they enshrined it as a national ideology while relegating the popular practices of indigenous shamans and female mediums to the category of "superstitions" - and thus beyond the sphere of tolerance. Josephson argues that the invention of religion in Japan was a politically charged, boundary-drawing exercise that not only extensively reclassified the inherited materials of Buddhism, Confucianism, and Shinto to lasting effect, but also reshaped, in subtle but significant ways, our own formulation of the concept of religion today. This ambitious and wide-ranging book contributes an important perspective to broader debates on the nature of religion, the secular, science, and superstition.
The Invention of Religion in Japan

The Invention of Religion in Japan

Jason Ananda Josephson

University of Chicago Press
2012
nidottu
Through most of its long history, Japan had no concept of what we call "religion." There was no corresponding Japanese word, nor anything close to its meaning. But when American warships appeared off the coast of Japan in 1853 and forced the Japanese government to sign treaties demanding, among other things, freedom of religion, the country has to contend with this Western idea. In this book, Jason Ananda Josephson reveals how Japanese officials invented religion in Japan and traces the sweeping intellectual, legal, and cultural changes that followed. More than a tale of oppression or hegemony, Josephson's account demonstrates that the process of articulating religion offered the Japanese state a valuable opportunity. In addition to carving out space for belief in Christianity and certain forms of Buddhism, Japanese officials excluded Shinto from the category. Instead, they enshrined it as a national ideology while relegating the popular practices of indigenous shamans and female mediums to the category of "superstitions" - and thus beyond the sphere of tolerance. Josephson argues that the invention of religion in Japan was a politically charged, boundary-drawing exercise that not only extensively reclassified the inherited materials of Buddhism, Confucianism, and Shinto to lasting effect, but also reshaped, in subtle but significant ways, our own formulation of the concept of religion today. This ambitious and wide-ranging book contributes an important perspective to broader debates on the nature of religion, the secular, science, and superstition.
Boystown

Boystown

Jason Orne

University of Chicago Press
2017
sidottu
From neighborhoods as large as Chelsea or the Castro, to locales limited to a single club, like The Shamrock in Madison or Sidewinders in Albuquerque, gay areas are becoming normal. Straight people flood in. Gay people flee out. Scholars call this transformation assimilation and some argue that we gay and straight alike are becoming "post gay." Jason Orne argues that rather than post gay, America is becoming "post queer," losing the radical lessons of sex. In Boystown, Orne takes readers on a detailed, lively journey through Chicago's Boystown, which serves as a model for gayborhoods around the country. The neighborhood, he argues, has become an entertainment district a gay Disneyland where people get lost in the magic of the night and where straight white women can "go on safari." In their original form, though, gayborhoods like this one don't celebrate differences; they create them. By fostering a space outside the mainstream, gay spaces allow people to develop an alternative culture a queer culture that celebrates sex. Orne spent three years doing fieldwork in Boystown, searching for ways to ask new questions about the connective power of sex and about what it means to be not just gay, but queer. The result is the striking Boystown, illustrated throughout with street photography by Dylan Stuckey. In the dark backrooms of raunchy clubs where bachelorettes wouldn't dare tread, people are hooking up and forging "naked intimacy." Orne is your tour guide to the real Boystown, then, where sex functions as a vital center and an antidote to assimilation.
Boystown

Boystown

Jason Orne

University of Chicago Press
2017
nidottu
From neighborhoods as large as Chelsea or the Castro, to locales limited to a single club, like The Shamrock in Madison or Sidewinders in Albuquerque, gay areas are becoming normal. Straight people flood in. Gay people flee out. Scholars call this transformation assimilation and some argue that we gay and straight alike are becoming "post gay." Jason Orne argues that rather than post gay, America is becoming "post queer," losing the radical lessons of sex. In Boystown, Orne takes readers on a detailed, lively journey through Chicago's Boystown, which serves as a model for gayborhoods around the country. The neighborhood, he argues, has become an entertainment district a gay Disneyland where people get lost in the magic of the night and where straight white women can "go on safari." In their original form, though, gayborhoods like this one don't celebrate differences; they create them. By fostering a space outside the mainstream, gay spaces allow people to develop an alternative culture a queer culture that celebrates sex. Orne spent three years doing fieldwork in Boystown, searching for ways to ask new questions about the connective power of sex and about what it means to be not just gay, but queer. The result is the striking Boystown, illustrated throughout with street photography by Dylan Stuckey. In the dark backrooms of raunchy clubs where bachelorettes wouldn't dare tread, people are hooking up and forging "naked intimacy." Orne is your tour guide to the real Boystown, then, where sex functions as a vital center and an antidote to assimilation.
Metamodernism

Metamodernism

Jason Ananda Josephson Storm

University of Chicago Press
2021
sidottu
For decades, scholars have been calling into question the universality of disciplinary objects and categories. The coherence of defined autonomous categories—such as religion, science, and art—has collapsed under the weight of postmodern critiques, calling into question the possibility of progress and even the value of knowledge. Jason Ananda Josephson Storm aims to radicalize and move beyond these deconstructive projects to offer a path forward for the humanities and social sciences using a new model for theory he calls metamodernism.Metamodernism works through the postmodern critiques and uncovers the mechanisms that produce and maintain concepts and social categories. In so doing, Storm provides a new, radical account of society’s ever-changing nature—what he calls a “Process Social Ontology”—and its materialization in temporary zones of stability or “social kinds.” Storm then formulates a fresh approach to philosophy of language by looking beyond the typical theorizing that focuses solely on human language production, showing us instead how our own sign-making is actually on a continuum with animal and plant communication. Storm also considers fundamental issues of the relationship between knowledge and value, promoting a turn toward humble, emancipatory knowledge that recognizes the existence of multiple modes of the real. Metamodernism is a revolutionary manifesto for research in the human sciences that offers a new way through postmodern skepticism to envision a more inclusive future of theory in which new forms of both progress and knowledge can be realized.
Deconstructing the Monolith

Deconstructing the Monolith

Jason E Taylor

University of Chicago Press
2019
sidottu
The National Industrial Recovery Act (NIRA) was enacted by Congress in June of 1933 to assist the nation's recovery during the Great Depression. Its passage ushered in a unique experiment in US economic history: under the NIRA, the federal government explicitly supported, and in some cases enforced, alliances within industries. Antitrust laws were suspended, and companies were required to agree upon industry-level "codes of fair competition" that regulated wages and hours and could implement anti-competitive provisions such as those fixing prices, establishing production quotas, and imposing restrictions on new productive capacity. The NIRA is generally viewed as a monolithic program, its dramatic and sweeping effects best measurable through a macroeconomic lens. In this pioneering book, however, Jason E. Taylor examines the act instead using microeconomic tools, probing the uneven implementation of the act's codes and the radical heterogeneity of its impact across industries and time. Deconstructing the Monolith employs a mixture of archival and empirical research to enrich our understanding of how the program affected the behavior and well-being of workers and firms during the two years NIRA existed as well as in the period immediately following its demise.
Portulans

Portulans

Jason Sommer

University of Chicago Press
2021
pokkari
Taking inspiration from medieval sea charts—portulans—the poems in Jason Sommer’s collection bring a fresh variation to the ancient metaphor of life as a journey. Creating a coordinate system charting paths between ports and the dangers that surrounded them, portulans offered webs of routes and images through which sailors could navigate. These maps—both accurate and beautifully illustrated—guided mariners from port to port weaving paths at the threshold of the open sea. Similarly, the course of these poems navigates familiar mysteries and perennial questions through times of unbelief, asking whether consciousness is anchored in the transcendent, if inward travel can descend past the self, and if the universe can be accounted for by physics alone. Is there more to the story that you remember and hesitate to say? Your eyes, though, scanning upward in their sockets, do seem to search memory, but for what may be gone already, gone to where it goes—wherever it came from—gone as can be imagined, down into things, in past flesh and bark, marrow and pith, and down, down into molecule, atom, particle, vanishing into theory. Through this collection, Sommer takes us to the ocean floor, into the basement, out the front door, through multiverses, and in and out of dreams. Along the way, he considers whether art—the beauty of the map—can provide momentary meaning against a backdrop of oblivion. Drawing on history and myth, the voices in these poems consider what can and cannot be known of the self and the other, of our values, and of what we insist has permanence. These are poems of searching. Like ancient cartographers who lent lavish decoration to their maps, the poems in Portulans illuminate possibilities of beauty in each journey.
The Man Who Sleeps in My Office

The Man Who Sleeps in My Office

Jason Sommer

University of Chicago Press
2004
sidottu
With grace and style, Jason Sommer considers how to live in the wake of history among those who are indelibly marked by it. On the surface a book of poems composed in the shadow of the Holocaust, The Man Who Sleeps in My Office offers more than a poetic chronicle of suffering and loss. Instead, Sommer - the son of a survivor - has discovered a delicate balance that allows him to be in and of history without succumbing to it. In these works, both the seen and the unseen - the failed or rejected vision - alter the seer, as the limit of one thing becomes the verge of something else, Whether about the Holocaust, the dog he'll never own, or love between a husband and wife or parent and child, these poems savor the mysterious instant when alternatives of vision unfold.
The Man Who Sleeps in My Office

The Man Who Sleeps in My Office

Jason Sommer

University of Chicago Press
2004
nidottu
With grace and style, Jason Sommer considers how to live in the wake of history among those who are indelibly marked by it. On the surface a book of poems composed in the shadow of the Holocaust, The Man Who Sleeps in My Office offers more than a poetic chronicle of suffering and loss. Instead, Sommer - the son of a survivor - has discovered a delicate balance that allows him to be in and of history without succumbing to it. In these works, both the seen and the unseen - the failed or rejected vision - alter the seer, as the limit of one thing becomes the verge of something else, Whether about the Holocaust, the dog he'll never own, or love between a husband and wife or parent and child, these poems savor the mysterious instant when alternatives of vision unfold.
Other People's Troubles

Other People's Troubles

Jason Sommer

University of Chicago Press
1997
sidottu
Son of a Holocaust survivor, Jason Sommer writes of troubles that unfold at the intersection of history made and personality in making, of self and other, of wakefulness and sleep. His world is post-Holocaust, and the poetic voice in this book is one which emerges from that calamity, telling the stories of those who have finally begun to speak to him, and now through him. As a survivor's child, Sommer must consider how to live in the wake of history, among those who are indelibly marked by it.
Other People's Troubles

Other People's Troubles

Jason Sommer

University of Chicago Press
1997
nidottu
Son of a Holocaust survivor, Jason Sommer writes of troubles that unfold at the intersection of history made and personality in making, of self and other, of wakefulness and sleep. His world is post-Holocaust, and the poetic voice in this book is one which emerges from that calamity, telling the stories of those who have finally begun to speak to him, and now through him. As a survivor's child, Sommer must consider how to live in the wake of history, among those who are indelibly marked by it.
Metamodernism

Metamodernism

Jason Ananda Josephson Storm

University of Chicago Press
2021
nidottu
For decades, scholars have been calling into question the universality of disciplinary objects and categories. The coherence of defined autonomous categories—such as religion, science, and art—has collapsed under the weight of postmodern critiques, calling into question the possibility of progress and even the value of knowledge. Jason Ananda Josephson Storm aims to radicalize and move beyond these deconstructive projects to offer a path forward for the humanities and social sciences using a new model for theory he calls metamodernism.Metamodernism works through the postmodern critiques and uncovers the mechanisms that produce and maintain concepts and social categories. In so doing, Storm provides a new, radical account of society’s ever-changing nature—what he calls a “Process Social Ontology”—and its materialization in temporary zones of stability or “social kinds.” Storm then formulates a fresh approach to philosophy of language by looking beyond the typical theorizing that focuses solely on human language production, showing us instead how our own sign-making is actually on a continuum with animal and plant communication. Storm also considers fundamental issues of the relationship between knowledge and value, promoting a turn toward humble, emancipatory knowledge that recognizes the existence of multiple modes of the real. Metamodernism is a revolutionary manifesto for research in the human sciences that offers a new way through postmodern skepticism to envision a more inclusive future of theory in which new forms of both progress and knowledge can be realized.
The Genealogy of Genealogy

The Genealogy of Genealogy

Jason Ananda Josephson Storm

THE UNIVERSITY OF CHICAGO PRESS
2026
sidottu
A daring reassessment of the critical method that reshaped the humanities—and an invitation to imagine new ways of doing history. ? The genealogical method—a mode of historical analysis that shows that what looks timeless is in fact contingent, bound to shifting relations of meaning, knowledge, and power—has become the dominant paradigm of humanistic inquiry. In The Genealogy of Genealogy, Jason Ananda Josephson Storm turns this influential practice back on itself, tracing its unlikely rise through Nietzsche and Foucault and uncovering its suppressed ties to eugenics and racism. He rethinks the very stakes of critical history and proposes new tools for thinking about historical continuity, change, and difference. Provocative and timely, The Genealogy of Genealogy offers both a diagnosis and a vision, challenging scholars across the humanities and social sciences to rethink how we write history and whether our most trusted methods are fit for the futures we seek to build.
The Genealogy of Genealogy

The Genealogy of Genealogy

Jason Ananda Josephson Storm

THE UNIVERSITY OF CHICAGO PRESS
2026
nidottu
A daring reassessment of the critical method that reshaped the humanities—and an invitation to imagine new ways of doing history. ? The genealogical method—a mode of historical analysis that shows that what looks timeless is in fact contingent, bound to shifting relations of meaning, knowledge, and power—has become the dominant paradigm of humanistic inquiry. In The Genealogy of Genealogy, Jason Ananda Josephson Storm turns this influential practice back on itself, tracing its unlikely rise through Nietzsche and Foucault and uncovering its suppressed ties to eugenics and racism. He rethinks the very stakes of critical history and proposes new tools for thinking about historical continuity, change, and difference. Provocative and timely, The Genealogy of Genealogy offers both a diagnosis and a vision, challenging scholars across the humanities and social sciences to rethink how we write history and whether our most trusted methods are fit for the futures we seek to build.
Vlarf

Vlarf

Jason Camlot

McGill-Queen's University Press
2021
nidottu
Holmes entered the cabinet / of the respectable reverend / (who was in fact a closet naturalist) / and found so many Victorian things.In the early 2000s flarf poetry emerged as an avant-garde movement that generated disturbing and amusing texts from the results of odd internet searches. In Vlarf Jason Camlot plumbs the canon of Victorian literature, as one would search the internet, to fashion strange, sad, and funny forms and feelings in poetry.Vlarf pursues expressions of sentiment that may have become unfamiliar, unacceptable, or uncool since the advent of modernism by mining Victorian texts and generic forms with odd inclinations, using techniques that include erasure, bout-rimé, emulation, adaptation, reboot, mimicry, abhorrence, cringe, and love. Erasures of massive volumes of prose by John Stuart Mill and John Ruskin become concise poems of condensed sadness; a reboot of Christina Rossetti’s “Goblin Market” is told from the perspective of a ten-year-old boy with an imaginary albatross pal; recovered fragments from an apocryphal book of Victorian nonsense verse are pieced together; a Leonard Cohen song about Queen Victoria is offered in a steampunk rendering; and a meditative guinea pig delivers a dramatic monologue in the vein of Robert Browning.Camlot moves through Victorian literature as a collector in a curiosity shop, seeking the oddest forms of feeling in language to shape them into peculiarly affective poems.
Imponderable

Imponderable

Jason B McKenzie

Tellwell Talent
2018
pokkari
Everyone has a breaking point. People all deal with this pressure differently. If you are a massagonic senior operations manager, Raymond St. Laurent, who has had a number of tragic events that occur in his life, methodically plans to serve revenge on the company that he works for and the people who manage the company. What he plans and carries out goes well beyond the limits of human decency and the borders of human imagination. This horrific event leads to one of the most involved international major crime investigations and a young police investigator, Jules McFarran, has been put in charge of the case.
Imponderable

Imponderable

Jason B McKenzie

Tellwell Talent
2018
sidottu
Everyone has a breaking point. People all deal with this pressure differently. If you are a massagonic senior operations manager, Raymond St. Laurent, who has had a number of tragic events that occur in his life, methodically plans to serve revenge on the company that he works for and the people who manage the company. What he plans and carries out goes well beyond the limits of human decency and the borders of human imagination. This horrific event leads to one of the most involved international major crime investigations and a young police investigator, Jules McFarran, has been put in charge of the case.