Zeb no longer wants to share his name with every boy in the herd. He wants a name that is his, and his alone. A name that describes the zebra he is. He goes on a search, asking all the animals he meets for their names. He finds that there are lots of different names and that some animals are more friendly than others. When Zeb's Search is over, will he know what name suits him best?
‘It’s been an honour to have been associated with Jill for 30 years’ Noel Gallagher ‘If you look at Jill’s Oasis photographs they form one of the great essays in the history of photography’ Gail Buckland, author, curator, photo-historian Dramatic, iconic, tumultuous: this is the story of Oasis, as seen through the lens of legendary photographer Jill Furmanovsky and edited by Noel Gallagher. Jill has been documenting the phenomenon that is Oasis since 1994 and the Definitely Maybe tour, through the tense and difficult shows for Dig Out Your Soul in 2009 and, following a hiatus, to a new beginning in 2025. Featuring more than 500 exceptional photographs from her archive, this book includes acclaimed and classic shots alongside swathes of candid, behind-the-scenes images, many of which are published here for the very first time. With unprecedented access, Jill was able to capture strikingly emotive images, recording the band’s raw energy, humour and – at times – their vulnerability. ‘Oasis permitted closeness,’ she commented, ‘and that was a great gift to me as a photographer.’ Weaving sequences together to craft stories and stitch montages, the book brings you right into the room with the musicians. Noel’s foreword is followed by an introduction by Jill, while three expansive pieces by acclaimed author Simon Spence, publicist and writer Johnny Hopkins and music columnist and novelist Laura Barton chart Oasis’s early, mid and late eras. Jill and Noel’s reflections, alongside the photos, give the inside track on key moments, revealing the intimate friendship between band and photographer and reminding us of a remarkable era in music history, right to the edge of their 2025 reunion tour. This is a book to treasure long after the final encore.
The spiral is the natural form of growth, and has become, in every culture and in every age, man’s symbol of the progress of the soul towards eternal life. As the inward-winding labyrinth, it constitutes the hero’s journey to the still centre where the secret of life is found. As the spherical vortex, spiralling through its own centre, it combines the inward and outward directions of movement. In this original and engrossing book, Jill Purce traces the significance of one man’s central symbols from the double spirals of Stone Age art and the interlocking spirals of the Chinese Yin Yang symbol to the whorls of Celtic crosses, Maori tattoos and the Islamic arabesque. Many of the superb images here were intended as objects of contemplation; for the spiral is a cosmic symbol.
How did an African-American man born in a ghetto in 1879 rise to such religious prominence that his followers addressed letters to him simply "God, Harlem U.S.A."? Using hitherto unknown materials, Jill Watts portrays the life and career of one of the twentieth century's most intriguing religious leaders, Father Divine. Starting as an itinerant preacher, Father Divine built an unprecedented movement that by the 1930s had attracted followers across the nation and around the world. As his ministry grew, so did the controversy surrounding his enormous wealth, flamboyant style, and committed "angels"--black and white, rich and poor alike. Here for the first time a full account of Father Divine's childhood and early years challenges previous contentions that he was born into a sharecropping family in the deep South. While earlier biographers have concentrated on Father Divine's social and economic programs, Watts focuses on his theology, which gives new meaning to secular activities that often appeared contradictory. Although much has been written about Father Divine, God, Harlem U.S.A. finally provides a balanced and intimate account of his life's work.
Intimate apparel, a term in use by 1921, has played a crucial role in the development of the 'naughty but nice' feminine ideal that emerged in the twentieth century. Jill Fields' engaging, imaginative, and sophisticated history of twentieth-century lingerie tours the world of women's intimate apparel and arrives at nothing less than a sweeping view of twentieth-century women's history via the undergarments they wore. Illustrated throughout and drawing on a wealth of evidence from fashion magazines, trade periodicals, costume artifacts, Hollywood films, and the records of organized labor, "An Intimate Affair" is a provocative examination of the ways cultural meanings are orchestrated by the 'fashion-industrial complex,' and the ways in which individuals and groups embrace, reject, or derive meaning from these everyday, yet highly significant, intimate articles of clothing.
In this novel approach to understanding consent, Jill D. Weinberg presents two case studies of activities in which participants engage in violent acts: competitive mixed martial arts (MMA) and sexual sadism and masochism (BDSM). Participants in both cases assent to injury and thereby engage in a form of social decriminalization, using the language of consent to render their actions legally and socially tolerable. Yet, these activities are treated differently under criminal battery law: sports, including MMA, are generally absolved from the charge of criminal battery, whereas BDSM often represents a violation of criminal battery law. Using interviews and ethnographic observation, Weinberg argues that where law authorizes a person's consent to an activity, as in MMA, consent is not meaningfully constructed or regulated by the participants themselves. In contrast, where law prohibits a person's consent to an activity, as in BDSM, participants actively construct and regulate consent. A synthesis of criminal law and ethnography, Consensual Violence is a fascinating account of how consent is framed among participants engaged in violent acts and lays the groundwork for a sociological understanding of the process of decriminalization.
In this novel approach to understanding consent, Jill D. Weinberg presents two case studies of activities in which participants engage in violent acts: competitive mixed martial arts (MMA) and sexual sadism and masochism (BDSM). Participants in both cases assent to injury and thereby engage in a form of social decriminalization, using the language of consent to render their actions legally and socially tolerable. Yet, these activities are treated differently under criminal battery law: sports, including MMA, are generally absolved from the charge of criminal battery, whereas BDSM often represents a violation of criminal battery law. Using interviews and ethnographic observation, Weinberg argues that where law authorizes a person's consent to an activity, as in MMA, consent is not meaningfully constructed or regulated by the participants themselves. In contrast, where law prohibits a person's consent to an activity, as in BDSM, participants actively construct and regulate consent. A synthesis of criminal law and ethnography, Consensual Violence is a fascinating account of how consent is framed among participants engaged in violent acts and lays the groundwork for a sociological understanding of the process of decriminalization.
Each year in the United States, about 1 in 170 births is a stillbirth, a rate that has remained stagnant for most of this century even as other high-income countries have dramatically reduced their already lower rates. Jill Wieber Lens, the nation’s foremost expert on stillbirth and the law, blends personal experience and legal analysis to bring us an original, essential guide to this all-too-often unrecognized public health crisis. By exposing how the law inhibits prevention, affects the experience of stillbirth for birthing parents, and shapes broader notions of unborn life, Lens argues for a series of pragmatic, data-driven changes to the legal landscape that could enjoy broad popular support and strengthen reproductive justice and reproductive rights.
Each year in the United States, about 1 in 170 births is a stillbirth, a rate that has remained stagnant for most of this century even as other high-income countries have dramatically reduced their already lower rates. Jill Wieber Lens, the nation’s foremost expert on stillbirth and the law, blends personal experience and legal analysis to bring us an original, essential guide to this all-too-often unrecognized public health crisis. By exposing how the law inhibits prevention, affects the experience of stillbirth for birthing parents, and shapes broader notions of unborn life, Lens argues for a series of pragmatic, data-driven changes to the legal landscape that could enjoy broad popular support and strengthen reproductive justice and reproductive rights.
Originally published in 1997, Visualizing Boccaccio represents an intriguing approach to the interpretation of Boccaccio's classic book of erotic tales, The Decameron. Using literary, critical, psychoanalytic, and film theories, Jill Ricketts offers a feminist critique of these stories, exposing tensions generated by sexual difference that motivate privilege and investigating the possibilities of change in power relations associated with that privilege. In a comparison of selected tales from The Decameron with works by Cimabue and Giotto, fifteenth-century manuscript illumination, a series of paintings by Botticelli, and Pier Paolo Pasolini's cinematic interpretation of the tales, Ricketts also demonstrates how the juxtaposition of verbal and visual renditions permit new interpretation of each of these works.
An important trade centre in the Medieval Mediterranean, Amalfi and the surrounding region of southern Italy sustained strong art production and patronage from the eleventh through to the thirteenth centuries. Merchant patrons realised a wide variety of religious and residential complexes that were evocative of Byzantine, Islamic, Western, and local traditions. With the rise of the Angevin kingdom, a demise of this eclectic art tradition took place and by the fourteenth century, Amalfitan painting and sculpture reflected compromises between local and Neapolitan styles, demonstrating the erosion of its autonomy. Originally published in 2004, this book evaluates the Amalfitan art production in terms of moral, economic, and social structures, including investment strategies, anxieties about wealth and salvation, and southern Italy's diverse religious communities. Historiographical analyses and postcolonial models of interpretation offer further insight into Amalfitan art and its ever-shifting relationship to the visual cultures of sovereign authorities in southern Italy.
This is the first systematic treatment in English by an historian of the nature, aims and efficacy of public law in late imperial Roman society from the third to the fifth century AD. Adopting an interdisciplinary approach, and using the writings of lawyers and legal anthropologists, as well as those of historians, the book offers new interpretations of central questions: What was the law of late antiquity? How efficacious was late Roman law? What were contemporary attitudes to pain, and the function of punishment? Was the judicial system corrupt? How were disputes settled? Law is analysed as an evolving discipline, within a framework of principles by which even the emperor was bound. While law, through its language, was an expression of imperial power, it was also a means of communication between emperor and subject, and was used by citizens, poor as well as rich, to serve their own ends.
This is the first systematic treatment in English by an historian of the nature, aims and efficacy of public law in late imperial Roman society from the third to the fifth century AD. Adopting an interdisciplinary approach, and using the writings of lawyers and legal anthropologists, as well as those of historians, the book offers new interpretations of central questions: What was the law of late antiquity? How efficacious was late Roman law? What were contemporary attitudes to pain, and the function of punishment? Was the judicial system corrupt? How were disputes settled? Law is analysed as an evolving discipline, within a framework of principles by which even the emperor was bound. While law, through its language, was an expression of imperial power, it was also a means of communication between emperor and subject, and was used by citizens, poor as well as rich, to serve their own ends.
This book asks why in recent years the social and economic upheavals in Kuwait and Qatar have been accompanied by a remarkable political continuity. Professor Crystal investigates this apparent anomaly by examining the impact of oil on the formation and destruction of political coalitions and state institutions. Partly based on a year’s fieldwork in the Gulf and making full use of Arabic and Gulf sources, Oil and Politics in the Gulf goes far beyond previously published accounts of the region in its analysis of the effects of oil on domestic politics.
Visualizing Boccaccio represents a new approach to the interpretation of Boccaccio’s classic book of erotic tales, The Decameron. Using literary, critical, psychoanalytic, and film theories, Jill Ricketts offers a feminist critique of these stories, exposing tensions generated by sexual difference that motivate privilege and investigating the possibilities of change in power relations associated with that privilege. In a comparison of selected tales from The Decameron with works by Cimabue and Giotto, fifteenth-century manuscript illumination, a series of paintings by Botticelli, and Pier Paolo Pasolini’s cinematic interpretation of the tales, Ricketts also demonstrates how the juxtaposition of verbal and visual renditions permit new interpretation of each of these works.
What was crime in ancient Rome? Was it defined by law or social attitudes? How did damage to the individual differ from offences against the community as a whole? This book explores competing legal and extra-legal discourses in a number of areas, including theft, official malpractice, treason, sexual misconduct, crimes of violence, homicide, magic and perceptions of deviance. It argues that court practice was responsive to social change, despite the ingrained conservatism of the legal tradition, and that judges and litigants were in part responsible for the harsher operation of justice in Late Antiquity. Consideration is also given to how attitudes to crime were shaped not only by legal experts but also by the rhetorical education and practices of advocates, and by popular and even elite indifference to the finer points of law.
Mood and anxiety disorders in women represent an increasingly important area of research and treatment development. The authors take a broad biopsychosocial and developmental approach to the issues, beginning with anxiety disorders in adolescence and progressing through the life phases of women to menopause and old age. All the disorders are covered, from anxiety and borderline personality disorder to stress and late-life depression. Particular attention is paid to questions of vulnerability; epidemiological and clinical evidence showing gender differences in such disorders; aetiological explanations in terms of biological (including hormonal) as well as psychosocial parameters, and treatment implications.
In this introductory textbook to Kant's Critique of Pure Reason, Jill Vance Buroker explains the role of this first Critique in Kant's Critical project and offers a line-by-line reading of the major arguments in the text. She situates Kant's views in relation both to his predecessors and to contemporary debates, explaining his Critical philosophy as a response to the failure of rationalism and the challenge of skepticism. Paying special attention to Kant's notoriously difficult vocabulary, she explains the strengths and weaknesses of his arguments, while leaving the final assessment up to the reader. Intended to be read alongside the Critique (also published by Cambridge University Press as part of The Cambridge Edition of the Works of Immanuel Kant in Translation), this guide is accessible to readers with little background in the history of philosophy, but should also be a valuable resource for more advanced students.
The effective management of diabetes can delay or even prevent the development of complications. Patients will often need to take a variety of medications, in addition to embracing lifestyle changes, to achieve this. Prescribing in Diabetes gives clear information about the options for treating the various aspects of diabetes, such as abnormal blood glucose, high blood pressure and abnormal cholesterol. It also gives practical advice on how to support people in managing their problems independently and improve their lifestyle, by making better choices armed with a thorough understanding of the condition and options for treatment. Chapters cover the range of methods available for the delivery of medicines to patients, the differences between type 1 and type 2 diabetes and an overview on how the drugs work. The book also discusses normal blood glucose regulation, self-monitoring, weight management, smoking cessation and the management of the most common complications.
Jill Matus explores shock in Victorian fiction and psychology with startling results that reconfigure the history of trauma theory. Central to Victorian thinking about consciousness and emotion, shock is a concept that challenged earlier ideas about the relationship between mind and body. Although the new materialist psychology of the mid-nineteenth century made possible the very concept of a wound to the psyche - the recognition, for example, that those who escaped physically unscathed from train crashes or other overwhelming experiences might still have been injured in some significant way - it was Victorian fiction, with its complex explorations of the inner life of the individual and accounts of upheavals in personal identity, that most fully articulated the idea of the haunted, possessed and traumatized subject. This wide-ranging book reshapes our understanding of Victorian theories of mind and memory and reveals the relevance of nineteenth-century culture to contemporary theories of trauma.
