Stein's poems reveal the constancy of the American quest for work, family, and dignity, even as they evoke the bruised but still redemptive fruit of human compassion.
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1000 tulosta hakusanalla Kevin Messerschmidt
Winner of Poetry's Frederick Bock Prize and the Indiana Review Poetry Prize, Kevin Stein casts a wide net over the "ineffable befuddlement" of everyday life. His poems render history's chance larder of the consecrated and profane from which we ransom our fate. Often improvisational and always lyrical, Stein's poems move effortlessly through the art of Beckmann and Degas, the music of Bob Marley and garage bands, and the pathos of cancer patients, factory workers, and victims of bigotry. Insightful and refreshingly unaffected, Chance Ransom explores the shifting shore between self and other with clarity and compassion.
In a provocative autobiography, a cybernetic pioneer explains how he has deliberately crossed over a perilous threshold to take the first steps toward becoming a cyborg by upgrading his own body by incorporating high-tech implants that connected to his central nervous system. Reprint.
While horror films and science fiction have repeatedly warned of robots running amok, Kevin Warwick takes the threats out of the realm of fiction and into the real world, truly giving us something to worry about.Meeting skeptics head on, Warwick goes beyond his penetrating attacks on their assumptions and prejudices about what should be considered as intelligence to reveal what he has already achieved: building robots that communicate in their own language, share experiences, teach each other lessons, and behave as they wish with regard to human beings.Part history of robotics and part futurism, March of the Machines surveys the substantial advances made in artificial intelligence over the past century while looking ahead to an increasingly uneasy relationship between humans and their creations.
In his first book as the poet laureate of Illinois, Kevin Stein shoulders an array of poetic forms, blending pathos, humor, and social commentary. These poems--ranging from meditative narratives to improvisational lyrics--explore art's capacity to embody as well as express contemporary culture. Stein embraces subjects as various as his father's death, magazine sex surveys, Kandinsky's theory of art, the dangling modifier, Jimi Hendrix's flaming guitar, racial bigotry, and a teacher's comments on a botched poem. Presiding over this miscellany are ghosts of a peculiarly American garden of dreamers and beloved misfits, those redeemed and those left fingering the locked gate.
In this ambitious collection, Kevin Stein enters the volatile intersection of private lives and larger public history. In poems variously formal and experimental, improvisational and narrative, wisely silly and playfully forlorn, Stein renders the human carnival flexed across the tattooed bulk of “history’s bicep.” Musical and refreshingly unaffected, Stein’s poems yoke the domains of high and low art. His poems address subjects by turns surprising, edgy, and humorous. They offer musings on the Slinky and the atomic bomb, elegies for a miscarried pregnancy and the late physicist Edward Teller, reflections on night-shift factory work and President Eisenhower’s golf caddy, and meditations on the politics of post-colonialism and a youthful antiwar streaking incident. Against this vivid backdrop parades a motley cast of American characters seeking wiry balance in a fragile world.
A spidery network of mobile online media has supposedly changed people, places, time, and their meanings. A prime case is the news. Digital webs seem to have trapped "legacy media," killing off newspapers and journalists' jobs. Did news businesses and careers fall prey to the digital "Spider"? To solve the mystery, Kevin Barnhurst spent thirty years studying news going back to the realism of the 1800s. The usual suspects--technology, business competition, and the pursuit of scoops--are only partly to blame for the fate of news. The main culprit is modernism from the "Mister Pulitzer" era, which transformed news into an ideology called "journalism." News is no longer what audiences or experts imagine. Stories have grown much longer over the past century and now include fewer events, locations, and human beings. Background and context rule instead. News producers adopted modernism to explain the world without recognizing how modernist ideas influence the knowledge they produce. When webs of networked connectivity sparked a resurgence in realist stories, legacy news stuck to big-picture analysis that can alienate audience members accustomed to digital briefs.
Homer Rodeheaver and the Rise of the Gospel Music Industry
Kevin Mungons; Douglas Yeo
University of Illinois Press
2021
nidottu
From tent revivals to radio and records with a gospel music innovator Homer Rodeheaver merged evangelical hymns and African American spirituals with popular music to create a potent gospel style. Kevin Mungons and Douglas Yeo examine his enormous influence on gospel music against the backdrop of Christian music history and Rodeheaver's impact as a cultural and business figure. Rodeheaver rose to fame as the trombone-playing song leader for evangelist Billy Sunday. As revivalism declined after World War I, Rodeheaver leveraged his place in America's newborn celebrity culture to start the first gospel record label and launch a nationwide radio program. His groundbreaking combination of hymnal publishing and recording technology helped define the early Christian music industry. In his later years, he influenced figures like Billy Graham and witnessed the music's split into southern gospel and black gospel. Clear-eyed and revealing, Homer Rodeheaver and the Rise of the Gospel Music Industry is an overdue consideration of a pioneering figure in American music.
What did Jesus mean by the expression, the Kingdom of God? As an answer, Kevin Hart sketches a "phenomenology of the Christ" that explores the unique way Jesus performs phenomenology. According to Hart, philosophers and theologians continually reinterpret Jesus's teaching of the Kingdom so that there are effectively many Kingdoms of God. Working in, while also displacing, a tradition inaugurated by Husserl and continued by philosophers such as Heidegger, Marion, and Lacoste, Hart puts forward a new phenomenology of religion that claims that ethics and religion are not always unified or continuous.
The years 1954–1958 in Syria are popularly known as "The Democratic Years," a brief period of civilian government before the consolidation of authoritarian rule. Kevin W. Martin provides a cultural history of the period and argues that the authoritarian outcome was anything but inevitable. Examining the flourishing broadcast and print media of the time, he focuses on three public figures, experts whose professions—law, the military, and medicine—projected modernity and modeled the new Arab citizen. This experiment with democracy, however abortive, offers a model of governance from Syria's historical experience that could serve as an alternative to dictatorship.
The years 1954–1958 in Syria are popularly known as "The Democratic Years," a brief period of civilian government before the consolidation of authoritarian rule. Kevin W. Martin provides a cultural history of the period and argues that the authoritarian outcome was anything but inevitable. Examining the flourishing broadcast and print media of the time, he focuses on three public figures, experts whose professions—law, the military, and medicine—projected modernity and modeled the new Arab citizen. This experiment with democracy, however abortive, offers a model of governance from Syria's historical experience that could serve as an alternative to dictatorship.
Terror Flyers examines the "lynch justice" (Lynchjustiz) committed against American airmen in Nazi Germany during World War II. Using engaging first-person accounts of downed pilots, as well as previously unused primary sources, Terror Flyers challenges the notion that such lynchings were exclusively the domain of Nazi party officials and soldiers. New evidence reveals ordinary German people executed Lynchjustiz as well. Initially occurring as a spontaneous reaction to the devastation of the Allied air campaign against the cities of the Third Reich, Lynchjustiz offered the Nazi regime a unique propaganda opportunity to harness the outrage of the German population. Fueled by inspiration from America's own history of the lynching of African Americans, Nazi propaganda exploited the very same imagery found in US publications to escalate the anger of the German people. Drawing heavily on the accounts of the downed airmen themselves, testimonies from the "flyer trials" held in Dachau during 1945–48, and rarely seen Nazi propaganda, Terror Flyers offers a new narrative of this previously overlooked aspect of the Allied campaign in Europe and suggests that at least 3,000 cases of lynch justice likely occurred between 1943 and 1945.
Does the concept of nationality apply to the economic elite, or have they shed national identities to form a global capitalist class? In Rooted Globalism, Kevin Funk unpacks dozens of ethnographic interviews he conducted with Latin America's urban-based, Arab-descendant elite class, some of whom also occupy positions of political power in countries such as Argentina, Brazil, and Chile. Based on extensive fieldwork, Funk illuminates how these elites navigate their Arab ancestry, Latin American host cultures, and roles as protagonists of globalization. With the term "rooted globalism," Funk captures the emergence of classed intersectional identities that are simultaneously local, national, transnational, and global. Focusing on an oft-ignored axis of South-South relations (between Latin America and the Arab world), Rooted Globalism provides detailed analysis of the identities, worldviews, and motivations of this group and ultimately reveals that rather than obliterating national identities, global capitalism relies on them.
Does the concept of nationality apply to the economic elite, or have they shed national identities to form a global capitalist class? In Rooted Globalism, Kevin Funk unpacks dozens of ethnographic interviews he conducted with Latin America's urban-based, Arab-descendant elite class, some of whom also occupy positions of political power in countries such as Argentina, Brazil, and Chile. Based on extensive fieldwork, Funk illuminates how these elites navigate their Arab ancestry, Latin American host cultures, and roles as protagonists of globalization. With the term "rooted globalism," Funk captures the emergence of classed intersectional identities that are simultaneously local, national, transnational, and global. Focusing on an oft-ignored axis of South-South relations (between Latin America and the Arab world), Rooted Globalism provides detailed analysis of the identities, worldviews, and motivations of this group and ultimately reveals that rather than obliterating national identities, global capitalism relies on them.
To know a place deeply means to understand it on several levels, layered almost as if from bedrock to topsoil. Midwest Bedrock: The Search for Nature's Soul in America's Heartland takes readers on a journey across all twelve Midwest states to natural settings that defy typical stereotypes of the Midwest landscape. Each chapter focuses on one focal region or locality within each state, often seeking out lesser-known landscapes steeped in beauty and story. Author Kevin Koch invites readers to join him on a journey through the beauty of the Midwest and to discover such places as Wisconsin's 1,100-mile Ice Age Trail that follows the furthest reach of the last glacier; Minnesota's Lake Itasca, headwaters of the Mississippi River; and Indiana's Hoosier National Forest, which still cradles hidden graveyards from long-abandoned farm communities. Part history, part memoir, part interview-based research, Midwest Bedrock is a personal narrative of exploring the natural beauty of America's Heartland, where each location tells the stories of the past that linger on the landscape.
To know a place deeply means to understand it on several levels, layered almost as if from bedrock to topsoil. Midwest Bedrock: The Search for Nature's Soul in America's Heartland takes readers on a journey across all twelve Midwest states to natural settings that defy typical stereotypes of the Midwest landscape. Each chapter focuses on one focal region or locality within each state, often seeking out lesser-known landscapes steeped in beauty and story. Author Kevin Koch invites readers to join him on a journey through the beauty of the Midwest and to discover such places as Wisconsin's 1,100-mile Ice Age Trail that follows the furthest reach of the last glacier; Minnesota's Lake Itasca, headwaters of the Mississippi River; and Indiana's Hoosier National Forest, which still cradles hidden graveyards from long-abandoned farm communities. Part history, part memoir, part interview-based research, Midwest Bedrock is a personal narrative of exploring the natural beauty of America's Heartland, where each location tells the stories of the past that linger on the landscape.
In Beyond Casablanca, Kevin Dwyer explores the problems of creativity in the Arab and African world, focusing on Moroccan cinema and one of its key figures, filmmaker M. A. Tazi. Dwyer develops three themes simultaneously: the filmmaker's career and films; filmmaking in postcolonial Morocco; and the relationship between Moroccan cinema, Third World and Arab cinema, and the global film industry. This compelling discussion of Moroccan cinema is founded upon decades of anthropological research in Morocco, most recently on the Moroccan film sector and the global film industry, and exhibits a sensitivity to the cultural, political, social, and economic context of creative activity. The book centers on a series of interviews conducted with Tazi, whose career provides a rich commentary on the world of Moroccan cinema and on Moroccan cinema in the world. The interviews are framed, variously, by presentations of Moroccan history, society, and culture; the role of foreign filmmakers in Morocco; thematic discussions of cinematic issues (such as narrative techniques, the use of symbols, film as an expression of identity, and problems of censorship); and the global context of Third World filmmaking.
New forms of private monies regularly hit the newspaper headlines. However, there is relatively little discussion of whether such innovations will last the pace and perform effectively the functions that we expect of money. This monograph, by one of the leading scholars in the field of private money and free banking, examines new innovations such as Bitcoin, the Liberty Dollar and e-gold. Kevin Dowd concludes that competition in this field is welcome given the lamentable history of state money which has seen its purchasing power shrink greatly over the years. However, the author also concludes that, whilst recent developments in private monetary systems are welcome and may herald a forthcoming revolution, new monies face many challenges. Some of those challenges relate to the nature of the private monies themselves. Other challenges come from law enforcement agencies that are determined to prevent competition with state money. Kevin Dowd outlines the regulatory and legal changes that will be necessary if beneficial innovation is to thrive and discusses how developments in private money are part of a more general movement amongst people who wish to reduce the role of the state in their lives. This monograph is essential reading for anybody interested in new developments in money, finance and banking.
A comprehensive introduction to machine learning that uses probabilistic models and inference as a unifying approach.Today's Web-enabled deluge of electronic data calls for automated methods of data analysis. Machine learning provides these, developing methods that can automatically detect patterns in data and then use the uncovered patterns to predict future data. This textbook offers a comprehensive and self-contained introduction to the field of machine learning, based on a unified, probabilistic approach.The coverage combines breadth and depth, offering necessary background material on such topics as probability, optimization, and linear algebra as well as discussion of recent developments in the field, including conditional random fields, L1 regularization, and deep learning. The book is written in an informal, accessible style, complete with pseudo-code for the most important algorithms. All topics are copiously illustrated with color images and worked examples drawn from such application domains as biology, text processing, computer vision, and robotics. Rather than providing a cookbook of different heuristic methods, the book stresses a principled model-based approach, often using the language of graphical models to specify models in a concise and intuitive way. Almost all the models described have been implemented in a MATLAB software package-PMTK (probabilistic modeling toolkit)-that is freely available online. The book is suitable for upper-level undergraduates with an introductory-level college math background and beginning graduate students.
How the blockchain-a system built on foundations of mutual mistrust-can become trustworthy.The blockchain entered the world on January 3, 2009, introducing an innovative new trust architecture: an environment in which users trust a system-for example, a shared ledger of information-without necessarily trusting any of its components. The cryptocurrency Bitcoin is the most famous implementation of the blockchain, but hundreds of other companies have been founded and billions of dollars invested in similar applications since Bitcoin's launch. Some see the blockchain as offering more opportunities for criminal behavior than benefits to society. In this book, Kevin Werbach shows how a technology resting on foundations of mutual mistrust can become trustworthy. The blockchain, built on open software and decentralized foundations that allow anyone to participate, seems like a threat to any form of regulation. In fact, Werbach argues, law and the blockchain need each other. Blockchain systems that ignore law and governance are likely to fail, or to become outlaw technologies irrelevant to the mainstream economy. That, Werbach cautions, would be a tragic waste of potential. If, however, we recognize the blockchain as a kind of legal technology that shapes behavior in new ways, it can be harnessed to create tremendous business and social value.