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1000 tulosta hakusanalla Margarette Stevens

Margaret Cavendish

Margaret Cavendish

CRC Press Inc
1996
sidottu
Margaret Cavendish (1623-1673), Duchess of Newcastle and one of the best-known women writers of the her time, is enjoying a revival in the wake of Aphra Behn's canonization: She appears in the Norton Anthology of English Literature , her poetry will appear in a new edition, and Penguin has recently reprinted her science-fiction novel The Blazing World . This is an edition of her hilarious and rowdy letters, unavailable since their original publication in 1664 Margaret Cavendish: Sociable Letters is a window into the world of 17th-century marriage and daily life displaying a pleasing blend of the comic, the ironic, and the serious. Along the way, the author provides us with the first detailed criticism of Shakespeare's plays, which she defends against the Restoration distaste for low characters. She also comments on food, home remedies, the English Civil Wars, religious fanaticism, street entertainers, churchgoing as a way to find a husband, and winter sports This edition offers a full introduction to Cavendish's life and works, a bibliography, and detailed notes, and takes account of hand-corrections made at the author's behest
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Margaret Fuller, Wandering Pilgrim

Margaret Fuller, Wandering Pilgrim

Meg McGavran Murray

University of Georgia Press
2012
pokkari
“How is it that I seem to be this Margaret Fuller,” the pioneering feminist, journalist, and political revolutionary asked herself as a child. “What does it mean?” Filled with new insights into the causes and consequences of Fuller’s lifelong psychic conflict, this biography chronicles the journey of an American Romantic pilgrim as she wanders from New England into the larger world—and then back home under circumstances that Fuller herself likened to those of both the prodigal child of the Bible and Oedipus of Greek mythology.Meg McGavran Murray discusses Fuller’s Puritan ancestry, her life as the precocious child of a preoccupied, grieving mother and of a tyrannical father who took over her upbringing, her escape from her loveless home into books, and the unorthodox—and influential—male and female role models to which her reading exposed her. Murray also covers Fuller’s authorship of Woman in the Nineteenth Century, her career as a New-York Tribune journalist first in New York and later in Rome, her pregnancy out of wedlock, her witness of the fall of Rome in 1849 during the Roman Revolution, and her return to the land of her birth, where she knew she would be received as an outcast.Other biographies call Fuller a Romantic. Margaret Fuller, Wandering Pilgrim illustrates how Fuller internalized the lives of the heroes and heroines in the ancient and modern Romantic literature that she had read as a child and adolescent, as well as how she used her Romantic imagination to broaden women’s roles in Woman in the Nineteenth Century, even as she wandered the earth in search of a home.
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Margaret Mead Made Me Gay

Margaret Mead Made Me Gay

Esther Newton

Duke University Press
2000
sidottu
Margaret Mead Made Me Gay is the intellectual autobiography of cultural anthropologist Esther Newton, a pioneer in gay and lesbian studies. Chronicling the development of her ideas from the excitement of early feminism in the 1960s to friendly critiques of queer theory in the 1990s, this collection covers a range of topics such as why we need more precise sexual vocabularies, why there have been fewer women doing drag than men, and how academia can make itself more hospitable to queers. It brings together such classics as “The Mythic Mannish Lesbian” and “Dick(less) Tracy and the Homecoming Queen” with entirely new work such as “Theater: Gay Anti-Church.”Newton’s provocative essays detail a queer academic career while offering a behind-the-scenes view of academic homophobia. In four sections that correspond to major periods and interests in her life-”Drag and Camp,” “Lesbian-Feminism,” “Butch,” and “Queer Anthropology”-the volume reflects her successful struggle to create a body of work that uses cultural anthropology to better understand gender oppression, early feminism, theatricality and performance, and the sexual and erotic dimensions of fieldwork. Combining personal, theoretical, and ethnographic perspectives, Margaret Mead Made Me Gay also includes photographs from Newton’s personal and professional life.With wise and revealing discussions of the complex relations between experience and philosophy, the personal and the political, and identities and practices, Margaret Mead Made Me Gay is important for anyone interested in the birth and growth of gay and lesbian studies.
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Margaret Mead Made Me Gay

Margaret Mead Made Me Gay

Esther Newton

Duke University Press
2000
pokkari
Margaret Mead Made Me Gay is the intellectual autobiography of cultural anthropologist Esther Newton, a pioneer in gay and lesbian studies. Chronicling the development of her ideas from the excitement of early feminism in the 1960s to friendly critiques of queer theory in the 1990s, this collection covers a range of topics such as why we need more precise sexual vocabularies, why there have been fewer women doing drag than men, and how academia can make itself more hospitable to queers. It brings together such classics as “The Mythic Mannish Lesbian” and “Dick(less) Tracy and the Homecoming Queen” with entirely new work such as “Theater: Gay Anti-Church.”Newton’s provocative essays detail a queer academic career while offering a behind-the-scenes view of academic homophobia. In four sections that correspond to major periods and interests in her life-”Drag and Camp,” “Lesbian-Feminism,” “Butch,” and “Queer Anthropology”-the volume reflects her successful struggle to create a body of work that uses cultural anthropology to better understand gender oppression, early feminism, theatricality and performance, and the sexual and erotic dimensions of fieldwork. Combining personal, theoretical, and ethnographic perspectives, Margaret Mead Made Me Gay also includes photographs from Newton’s personal and professional life.With wise and revealing discussions of the complex relations between experience and philosophy, the personal and the political, and identities and practices, Margaret Mead Made Me Gay is important for anyone interested in the birth and growth of gay and lesbian studies.
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Margaret Atwood

Margaret Atwood

CONTINUUM PUBLISHING CORPORATION
2011
sidottu
In this critical collection, well-known Atwood scholars offer original readings and critical re-evaluations of three Atwood masterpiecesGCo The Robber Bride, The Blind Assassin, and Oryx and Crake. Providing new critical assessments of Atwood's novels in language that is both lively and accessible, Margaret Atwood reveals not only Atwood's ongoing and evolving engagement with the issues that have long preoccupied herGCoranging from the power politics of human relationships to a concern with human rights and the global environmentGCobut also her increasing formal complexity as a novelist. If Atwood is a novelist who is part trickster, illusionist and con-artist, as she has often described herself, she is also, as the essays in this critical collection show, an author-ethicist with a finely honed sense of moral responsibility.
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Margaret Atwood

Margaret Atwood

Continuum Publishing Corporation
2011
nidottu
This is a collection of original essays by well-known Atwood scholars offering contemporary critical readings and assessments of three well known Atwood texts. In this critical collection, well-known Atwood scholars offer original readings and critical re-evaluations of three Atwood masterpieces - "The Robber Bride", "The Blind Assassin", and "Oryx and Crake". Providing new critical assessments of Atwood's novels in language that is both lively and accessible, Margaret Atwood reveals not only Atwood's ongoing and evolving engagement with the issues that have long preoccupied her - ranging from the power politics of human relationships to a concern with human rights and the global environment - but also her increasing formal complexity as a novelist. If Atwood is a novelist who is part trickster, illusionist and con-artist, as she has often described herself, she is also, as the essays in this critical collection show, an author-ethicist with a finely honed sense of moral responsibility. This series offers up-to-date guides to the recent work of major contemporary North American authors. Written by leading scholars in the field, each book presents a range of original interpretations of three key texts published since 1990, showing how the same novel may be interpreted in a number of different ways. These informative, accessible volumes will appeal to advance undergraduate and postgraduate students, facilitating discussion and supporting close analysis of the most important contemporary American and Canadian fiction.
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Margaret Llewelyn Davies

Margaret Llewelyn Davies

Ruth Cohen

The Merlin Press Ltd
2020
nidottu
Margaret Llewelyn Davies (1861-1944), a co-operator, feminist and socialist, was well known in her time as the outstanding leader of the Women’s Co-operative Guild. This first full scale biography chronicles her life and achievements, intertwining activity among working class women with her personal story. Margaret Llewelyn Davies’ system of education, discussion and campaigning opened doors. Women became impressive activists, committed to change both in the co-operative movement and the wider public world. As one Guild member put it, ‘from a shy, nervous woman the Guild made me a fighter’. The Guild flourished, developing what has been termed a distinctively working class feminism. By 1914 the Manchester Guardian could describe it as ‘probably the most remarkable women’s organisation in the world’. The Guild pressed for boycotting ‘sweated’ goods, supported trade unions, battled for a minimum wage, fought for the vote, new divorce laws and for state maternity benefit to be paid to the wife. Cohen draws on original research: in newspapers, the women’s pages of the Co-operative News, Guild records, unpublished papers, and more. This book breaks new ground, providing not only compelling insights into Margaret Llewelyn Davies’ life and politics, but a fresh perspective on working class women’s activism, rediscovering their words, lives, ideas and campaigns.
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Margaret Atwood Presents: Stories by Canada's Best New Women Writers

Margaret Atwood Presents: Stories by Canada's Best New Women Writers

BTC Audiobooks
2004
cd
Seven stories by seven up-and-coming Canadian women writers, handpicked by Canada's leading lady of fiction and read by noted women actors -- this is the idea behind a compelling audio compilation of the best new short fiction. Margaret Atwood Presents features stories by Annabel Lyon, Caroline Adderson, Nancy Lee, Elise Levine, Lisa Moore, Kristi-Ly Green, and Sheila Heti. Brilliant, daring, funny, and frequently, these writers pull no punches when it comes to depicting society as they see it. In "Sally In Parts," Nancy Lee from Vancouver explores a young woman's unusual relationship with her body. In "Cancer," Toronto writer Kristi-Ly Green describes a primary-school class's ambivalent responses towards a poor little rich girl. Lisa Moore of St. John's, Newfoundland, brings a haunting, sensuous intensity to a tale of love in "Haloes," while Toronto's Sheila Heti upends traditional forms in the sharp urban parable, "The Princess and the Plumber." Vividly brought to life through the voices of Liisa Repo-Martell, Mag Ruffman, Chapelle Jaffe, Genevieve Steele, Sandra Oh, Juno Mills-Cockell, and Mary Lewis, these stories herald an exciting new generation of Canadian women writers.
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Spiritual Writings of Sister Margaret of the Mother of God (1635–1643)

Spiritual Writings of Sister Margaret of the Mother of God (1635–1643)

Margaret Van Noort; Cordula Van Wyhe; Susan M. Smith

State University of New York at Binghamton,Medieval Renaissance Texts Studies
2015
nidottu
In 1635, as directed by her confessor so that he might understand “the state of her soul,” Margaret Van Noort, a lay sister of the royal convent of Discalced Carmelite nuns in Brussels, composed her spiritual autobiography. This text was followed by two diaries in 1636 and 1637 recording the workings of her inner life and relation to God, and reflecting the cosmopolitan Catholic tradition of her homeland. Now gathered in this volume, these works illustrate Margaret’s development from a troubled young lay sister into a woman of spiritual experience and authority.
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Margaret Tafoya

Margaret Tafoya

Mary Ellen and Laurence Blair

SCHIFFER PUBLISHING LTD
1997
sidottu
This beautiful book presents in large format the story of Margaret Tafoys's paramount place in the evolution of Tewa Pueblo pottery in Santa Clara, New Mexico. This monumental work is divided into four major sections examining a history of the Pueblo people, Margaret Tafoya's life, Santa Clara pottery making techniques, and the Tafoya family and descendants. Because Margaret Tafoya has adhered to the traditions of her pueblo in both her lifestyle and her ceramics, these traditions are now being passed on through her children and grandchildren. Margaret Tafoya demonstrates the very best in Tewa Pueblo pottery. Enhanced by the spectacular photographs-more than a hundred of which are in full color-this books presents a tribute to the Pueblo ceramic artisans in general and especially, to Margaret Tafoya-a living icon and vital bridge between Tewa past future.
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Margaret Laurence's Epic Imagination

Margaret Laurence's Epic Imagination

Paul Comeau

University of Alberta Press
2005
pokkari
Margaret Laurence instinctively turned to the epic mode to create archetypal narratives of loss, exile, and redemption. Drawing on the Bible, Dante, and Milton, Laurence absorbed the epic structure and populated it with the Manawaka world of Hagar Shipley, Rachel Cameron, Stacey MacAindra, and Morag Gunn. Paul Comeau traces the development of Margaret Laurence's voice from its tentative beginnings in her African fiction to its culmination in the Manawaka Cycle. According to Comeau, Laurence's ability to illustrate the epic dimension in her characters' strengths and weaknesses has ensured her a lasting place among great Canadian writers.
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Margaret Atwood

Margaret Atwood

Frank Davey

Talonbooks
1984
pokkari
Margaret Atwood's writing, according to Davey, reveals not only an extraordinary facility with language, but also a deep mistrust of it as something shaped by an instrumental and largely male culture. Her language directs its readers to a hidden level of itself -- unspoken, symbolic, gestural -- and away from denotative meaning. In discussions of her poetry, fiction, short stories, and criticism, Davey offers a 'glossary' of recurrent Atwood images and symbols that can open this hidden level in nearly all of her writing.
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Margaret Anglin

Margaret Anglin

John Peter LeVay

Simon Pierre Publishers
1989
sidottu
From Margaret Anglin’s birth in 1876 in the Speaker’s suite of the Canadian House of Commons, to her death in Toronto in 1958, Margaret Anglin: A Stage Life is a lively biography researched from personal sources and theatre periodicals of the times. Author John Le Vay gives us glimpses of the rich and colourful personal life behind the stage persona. Called "Canada’s greatest actress" by Herbert Whittaker, Margaret Anglin succeeded in winning critical acclaim for her sensitive portrayals in Shakespearean comedy and Greek tragedy. In more contemporary productions she was praised for her work with actor-managers James O’Neill, E.H. Sothern, Richard Mansfield, and Henry Miller, and playwrights Somerset Maugham, H.A. Jones, and Paul Kester.
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Great Granny Margaret's Uber Diary

Great Granny Margaret's Uber Diary

Margaret High

Margaret High
2019
pokkari
When my son suggested that I try being an Uber driver, I thought he was crazy, but I ended up giving it a whirl and it turned out to be one of the best experiences in my life. I met a lot of amazing people, and this book is just a small collection of inspiring and heart-warming stories from the passengers I met during my time as an Uber driver in Ontario, Canada.
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