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1000 tulosta hakusanalla Natalie Wilson
The Three Strings
Natalie Sumner Lincoln; Charles L (Charles Lewis) Wrenn
Anson Street Press
2025
pokkari
The Three Strings
Natalie Sumner Lincoln; Charles L (Charles Lewis) Wrenn
Anson Street Press
2025
sidottu
The Moving Finger
Natalie Sumner Lincoln; Charles L (Charles Lewis) Wrenn
Anson Street Press
2025
pokkari
The Moving Finger
Natalie Sumner Lincoln; Charles L (Charles Lewis) Wrenn
Anson Street Press
2025
sidottu
The Official Chaperon
Natalie Sumner Lincoln; Edmund Frederick; Neysa McMein
Anson Street Press
2025
pokkari
The Official Chaperon
Natalie Sumner Lincoln; Edmund Frederick; Neysa McMein
Anson Street Press
2025
sidottu
Interior Design Concept combines a comprehensive introduction to design concept, with a reflective examination upon the various ways it can be understood, harnessed, and implemented. Within interior architecture and design, the power of conceptual thinking to fuel creativity, innovation, and collaboration is evident in the use of design concept. Broadly accepted as an essential component in the design process, design concept is a notoriously elusive topic which has, until now, received little critical attention. This book offers a reevaluation of current academic ideas about design methodologies and the nature of inspiration, alongside brand-new data from an international research study to help clarify what creativity really means in the modern world. Topics addressed throughout this text will examine the functions and definitions of design concept, analyze how it may be identified and integrated within the design process, investigate from where ideas for design concepts can emerge and, lastly, consider how ideas about them might be communicated in various ways.This book offers students, educators, and practitioners a concise explanation of what design concept is, why it plays such an integral role in the design process, and how it is utilized by interior architects and designers.
Interior Design Concept combines a comprehensive introduction to design concept, with a reflective examination upon the various ways it can be understood, harnessed, and implemented. Within interior architecture and design, the power of conceptual thinking to fuel creativity, innovation, and collaboration is evident in the use of design concept. Broadly accepted as an essential component in the design process, design concept is a notoriously elusive topic which has, until now, received little critical attention. This book offers a reevaluation of current academic ideas about design methodologies and the nature of inspiration, alongside brand-new data from an international research study to help clarify what creativity really means in the modern world. Topics addressed throughout this text will examine the functions and definitions of design concept, analyze how it may be identified and integrated within the design process, investigate from where ideas for design concepts can emerge and, lastly, consider how ideas about them might be communicated in various ways.This book offers students, educators, and practitioners a concise explanation of what design concept is, why it plays such an integral role in the design process, and how it is utilized by interior architects and designers.
This book tracks the development of the emerging international legal principle of a responsibility to protect over the past two decades. It contrasts the influential version of the principle introduced by the International Commission on Intervention and State Sovereignty in 2001 with subsequent interpretations of the responsibility to protect advocated by the United Nations through its human protection agenda, and reviews the dangers and inconsistencies inherent in both perspectives. The author demonstrates that the evolving responsibility to protect principle can be recruited to support a wide range of irreconcilable projects, from those of cosmopolitan constitutionalism to those of hegemonic international law. However, despite the dangers posed by this susceptibility to conceptual hijacking, Oman argues that the responsibility to protect, like human rights, is an essential a modern emancipatory formation. To remedy this dangerous malleability, the author advocates a third, distinctive interpretation of the responsibility to protect designed to limit its cooptation by liberal anti-pluralist and hegemonic international law agendas. Oman outlines the key features of such a minimalist conception, and explores its fit with the "RtoP" version of the responsibility to protect promoted in recent years by the UN. The author argues that two crucial features missing from the UN reading of the principle should be developed in future: an acknowledgement of the role of non-state actors as bearers of the responsibility to protect, and a recognition of the principle's legal character. Both of these aspects of the principle offer means to democratize the international law-making enterprise.
Multilingual Life Writing by French and Francophone Women
Natalie Edwards
Taylor Francis Ltd
2021
nidottu
This volume examines the ways in which multilingual women authors incorporate several languages into their life writing. It compares the work of six contemporary authors who write predominantly in French. It analyses the narrative strategies they develop to incorporate more than one language into their life writing: French and English, French and Creole, or French and German, for example. The book demonstrates how women writers transform languages to invent new linguistic formations and how they create new formulations of subjectivity within their self-narrative. It intervenes in current debates over global literature, national literatures and translingual and transnational writing, which constitute major areas of research in literary and cultural studies. It also contributes to debates in linguistics through its theoretical framework of translanguaging. It argues that multilingual authors create new paradigms for life writing and that they question our understanding of categories such as "French literature."
Performing Commedia dell’Arte, 1570-1630 explores the performance techniques employed in commedia dell’arte and the ways in which they served to rapidly spread the ideas that were to form the basis of modern theatre throughout Europe.Chapters include one on why, what, and how actors improvised, one on acting styles, including dialects, voice and gesture; and one on masks and their uses and importance. These chapters on historical performance are followed by a coda on commedia dell’arte today. Together they offer readers a look at both past and present iterations of these performances.Suitable for both scholars and performers, Performing Commedia dell’Arte, 1570-1630 bears on essential questions about the techniques of performance and their utility for this important theatrical form.Winner of Ennio Flaiano Award in Italianistica, 2020.