Edward Burne-Jones is well known as a Pre-Raphelite painter, but little is known about his life. Here, in her first book, Penelope Fitzgerald paints a portrait of one of the most interesting and individual of all Victorian artists.
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1000 tulosta hakusanalla Penelope Shuttle
Around Rochester: With the Dudley Studios Collection
Penelope Brook-Foster
The History Press Ltd
2008
nidottu
This compilation of photographs from The Dudley Studios Collection embodies a variety of events covering the period 1945-2002. Illustrating Rochester and the surrounding towns of North Kent, from the Medway to Swale, this collection shows how the area has changed over the past half-century. The 200 pictures portray social, sporting, industrial and commercial subjects, along with a few familiar faces and a touch of humour. Informative captions accompany these images, with something to interest all age-groups.
Power and Passion in Shakespeare's Pronouns
Penelope Freedman
Ashgate Publishing Limited
2007
sidottu
In revealing patterns of you/thou use in Shakespeare's plays, this study highlights striking and significant shifts from one to the other. Penelope Freedman demonstrates that understanding of the implications of you/thou use in early modern English has been bedevilled by overconcern with issues of power and status, and her careful research, analysing all the plays, reveals how a fuller understanding of Shakespeare's usage can provide a key to unlock puzzles of motive and character, and a glass to clarify relationships and emotions. The work focuses particularly on dialogue between men and women, and sheds new light on male and female language use. The scholarship presented in this volume is augmented with tables and a glossary of linguistic terms.
Using her experience of living under apartheid and witnessing its downfall and the subsequent creation of new governments in South Africa, the author examines and compares gender inequality in societies undergoing political and economic transformation. By applying this process of legal transformation as a paradigm, the author applies this model to Afghanistan. These two societies serve as counterpoints through which the book engages, in a nuanced and novel way, with the many broader issues that flow from the attempts in newly democratic societies to give effect to the promise of gender equality. Developing the idea of ’conditional interdependence’, the book suggests a new approach based on the communitarian values which underpin newly democratic societies and would allow women’s rights to gain momentum and reap greater benefits. Broad in its thematic approach, the book generates challenging and complex questions about the achievement of gender equality. It will be of interest to academics interested in gender and human rights, international and comparative law.
Colonial frontiers were not confined to the bush, backwoods, or borderlands. Early towns and cities in the far reaches of empire were crucial to the settler colonial project. The experiences of Indigenous peoples in these urbanizing frontiers have been overshadowed by triumphant narratives of European progress. Urbanizing Frontiers explores the lives of Indigenous peoples and newcomers in two Pacific Rim cities – Victoria, British Columbia, and Melbourne, Australia. Built on Indigenous lands and overtaken by gold rushes, these cities emerged between 1835 and 1871 in significantly different locations, yet both became cross-cultural and ultimately segregated sites of empire, where bodies and spaces were rapidly transformed, sometimes in violent ways. This innovative, interdisciplinary study reconceptualizes the frontier as urbanizing space by charting the development of the settler-colonial city.
In many ways, the history of domestic humor writing is also a history of domestic life in the twentieth century. For many years, domestic humor was written primarily by females; significant contributions from male writers began as times and family structures changed. It remains timeless because of its basis on the relationships between husbands and wives, parents and children, houses and inhabitants, pets and their owners, chores and their doers, and neighbors. This work is a historical and literary survey of humorists who wrote about home. It begins with a chapter on the social context of and attitudes toward traditional domestic roles and housewives. The following chapters, beginning with the 1920s and continuing through today, cover the different time periods and the foremost American domestic humorists, and the humor written by surrogate parents, grown children about their childhood families, husbands, and Canadian and English writers. Also covered are the differences among various writers toward traditional domestic roles--some, like Erma Bombeck and Judith Viorst, embraced them, while others, like Caryl Kristenson and Marilyn Kentz, resisted them. Common themes, such as the isolation and competitiveness of housework, home as an idealized metaphysical goal and ongoing physical challenge, and the urban, suburban, and rural life, are also explored.
The influential philosopher and theorist Luce Irigaray has been faulted for giving more importance to sexual difference than to race and multiculturalism. Penelope Deutscher's eagerly awaited book, the first to focus on the scholar's controversial later works, addresses this charge. Through a learned critique of these lesser-known writings, the book examines Irigaray's claim that the politics of feminism and multiculturalism are intrinsically linked. The volume also serves as a clear and comprehensive introduction to her entire corpus. In her recent works, Irigaray promotes sexual difference as the philosophical basis for legal, political, and linguistic reform. Deutscher explores this approach and in particular Irigaray's view that the very notion of difference is culturally "impossible." Taking this concept of impossibility into consideration, Deutscher evaluates Irigaray's contributions to contemporary debates about the politics of identity, recognition, diversity, and multiculturalism. In a balanced discussion, she considers the philosopher's work from the perspective of fellow critics including Michéle Le Doeuff, Drucilla Cornell, Jacques Derrida, Judith Butler, and Charles Taylor.
Winner of the Man Booker Prize and Shortlisted for the Golden Man Booker PrizeThe elderly Claudia Hampton, a best-selling author of popular history; lies alone in a London hospital bed. Memories of her life still glow in her fading consciousness, but she imagines writing a history of the world. Instead, Moon Tiger is her own history, the life of a strong, independent woman, with its often contentious relations with family and friends. At its center -- forever frozen in time, the still point of her turning world -- is the cruelly truncated affair with Tom, a British tank commander whom Claudia knew as a reporter in Egypt during World War II.
Still dominated by the memories of her late mother, Helen looks back on their lives together, and wonders why only her younger sister, Louise, found the courage to leave and live an independent life
A sparkling, brilliantly written novel by the Booker Prize-winning novel Moon Tiger brings a small village to life as they struggle with the sudden and tragic death of one of their own. Reprint.
Lively takes readers on a journey of her familial country house in England, purchased by her grandparents in 1923. As her narrative shifts from room, object to object, she paints a moving portrait of an era of rapid change and of the family that changed with the times.
Matthew Halland is an architect, intimately involved with the new face of the city, while haunted by earlier times of destruction and loss in its history. Although he is divorced and lonely, Matthew has a rich and moving relationship with his daughter Jane. She offers a fresh perspective on love, loss, and even the city of London. Matthew becomes entangled with an array of fascinating characters, from Rutter, a corrupt real estate developer whose mafia-like ways disgust him, to Sarah Bridges, a romantic ray of hope who enters his life. Mathew's relationships with Jane, Sarah, and Rutter allow his mind to rove freely as the past, present, and future interweave and he strives to look ahead and forge new beginnings of his own.. In Lively's most ambitious novel, she has created a wonderfully rich and audacious confrontation with the mystery of London.
Tribal Theory in Native American Literature
Penelope Myrtle Kelsey
University of Nebraska Press
2008
sidottu
Scholars and readers continue to wrestle with how best to understand and appreciate the wealth of oral and written literatures created by the Native communities of North America. Are critical frameworks developed by non-Natives applicable across cultures, or do they reinforce colonialist power and perspectives? Is it appropriate and useful to downplay tribal differences and instead generalize about Native writing and storytelling as a whole? Focusing on Dakota writers and storytellers, Seneca critic Penelope Myrtle Kelsey offers a penetrating assessment of theory and interpretation in indigenous literary criticism in the twenty-first century. Tribal Theory in Native American Literature delineates a method for formulating a Native-centered theory or, more specifically, a use of tribal languages and their concomitant knowledges to derive a worldview or an equivalent to Western theory that is emic to indigenous worldviews. These theoretical frameworks can then be deployed to create insightful readings of Native American texts. Kelsey demonstrates this approach with a fresh look at early Dakota writers, including Marie McLaughlin, Charles Eastman, and Zitkala-Ša and later storytellers such as Elizabeth Cook-Lynn, Ella Deloria, and Philip Red Eagle. This book raises the provocative issue of how Native languages and knowledges were historically excluded from the study of Native American literature and how their encoding in early Native American texts destabilized colonial processes. Cogently argued and well researched, Tribal Theory in Native American Literature sets an agenda for indigenous literary criticism and invites scholars to confront the worlds behind the literatures that they analyze.
Tribal Theory in Native American Literature
Penelope Myrtle Kelsey
University of Nebraska Press
2010
pokkari
Scholars and readers continue to wrestle with how best to understand and appreciate the wealth of oral and written literatures created by the Native communities of North America. Are critical frameworks developed by non-Natives applicable across cultures, or do they reinforce colonialist power and perspectives? Is it appropriate and useful to downplay tribal differences and instead generalize about Native writing and storytelling as a whole? Focusing on Dakota writers and storytellers, Seneca critic Penelope Myrtle Kelsey offers a penetrating assessment of theory and interpretation in indigenous literary criticism in the twenty-first century. Tribal Theory in Native American Literature delineates a method for formulating a Native-centered theory or, more specifically, a use of tribal languages and their concomitant knowledges to derive a worldview or an equivalent to Western theory that is emic to indigenous worldviews. These theoretical frameworks can then be deployed to create insightful readings of Native American texts. Kelsey demonstrates this approach with a fresh look at early Dakota writers, including Marie McLaughlin, Charles Eastman, and Zitkala-Ša and later storytellers such as Elizabeth Cook-Lynn, Ella Deloria, and Philip Red Eagle. This book raises the provocative issue of how Native languages and knowledges were historically excluded from the study of Native American literature and how their encoding in early Native American texts destabilized colonial processes. Cogently argued and well researched, Tribal Theory in Native American Literature sets an agenda for indigenous literary criticism and invites scholars to confront the worlds behind the literatures that they analyze.
With other texts written at either too high or too low a level, this book meets the needs of PTA students for usable, understandable pathology related to clinical application. Extensively illustrated, this book allows students to more easily comprehend and maintain interest in otherwise complicated pathological processes. The fourteen chapter format effectively fits within a chapter per week course structure, or each chapter may be used as a stand alone module within any course. And as your students prepare to graduate, encourage them to keep this book to use as a clinically relevant reference as practicing PTAs!
Tennessee Soldiers in the Revolution : A Roster of Soldiers Living during
Penelope J. Allen
Clearfield
1982
pokkari
What is the shape of progress inside a subpar environment, when escape is not possible, and life must be measured as the relative extremity of multiple misfortunes? Is it the shape of a bird?"" Miracles Come on Mondays begins with a voice- stark, chilling, totally captivating- that searches a barren landscape for a single receptive ear. With echoes of Italo Calvino, Jorge Luis Borges, and Lydia Davis, Penelope Cray creates dark and sometimes darkly funny scenes that most resemble the works of Kafka. Cray's characters strain against the indifference of everyday life until, too tired to yearn anymore, they begin the systematic work of making their worlds mentally and spiritually tolerable. And yet, somehow, there's joy. This book asks us to let go of our ideas of sense and replace them with something better, something that somehow makes more sense than sense. Cray has written a debut work of fiction that feels entirely new and deeply true.
The Third Kind of Knowledge: Selected Writings
Penelope Laurans Fitzgerald; Robert Fitzgerald
New Directions Publishing Corporation
1995
sidottu
The memoirs and essays collected in The Third Kind of Knowledge encompass the many lives of a remarkable man. Poet, translator, critic, journalist, memoirist, scholar–the late Robert Fitzgerald (1910-1985) had an unusual range of gifts and lived a strikingly varied life in the literary and academic world. While growing up, his scholarly promise earned the attention of his mentor in classical studies, Dudley Fitts, and his poetic gifts the admiration first of Vachel Lindsay and later of T. S. Eliot (who took some of his college poems for publication in the Criterion). A reporter for the New York Herald Tribune in the thirties, Fitzgerald also spent time before and after the Second World War as a part of Henry Luce’s literary stable at Time, where he forged his close friendship with James Agee and edited the Books Department for the magazine. His friendship with Agee, and also with Flannery O’Connor (whose literary executor he became) as well as with other literary figures such as John Berryman, Allen Tate, and Caroline Gordon flourished during this period. In the early fifties he moved with his family to Italy, where he worked for six years on his celebrated translation of the Odyssey. His other classical translations–the Illiad, the Aeneid, and his translations of Euripides and Sophocles, several done in collaboration with Dudley Fitts–have become the the signal translations of our time. A renowned teacher as well as poet and scholar, Fitzgerald taught, over the years, at such institutions as Sarah Lawrence, Princeton, The New School, Mount Holyoke, and the University of Washington. His career culminated at Harvard where, in 1965, he was named Boylston Professor of Rhetoric and Oratory. For fifteen years his course in Versification influenced a generation of younger poets, and his seminar in “Homer, Virgil, and Dante” a generation of young scholars. The Third Kind of Knowledge displays the unusual breadth of Fitzgerald’s achievement and includes personal memoirs, reminiscences of literary friends, literary criticism of classical literature, and an interview on the art of translation. This volume has been prepared by his widow, Penelope Laurans Fitzgerald, following a plan begun by the author before his death.
