Reprint of the original, first published in 1866.
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1000 tulosta hakusanalla Philip Perry
Philip Grözinger
Hirmer Verlag
2021
sidottu
Philip Grözinger’s art derives from his investigations of future-oriented visions. With his individualistic painterly signature he invites the viewer to join him on a surreal journey through the pictorial traditions of the Pop culture of recent decades. This volume is a retrospective which provides a comprehensive overview of his outstanding oeuvre. If there were such a thing, Grözinger’s works could be classified as Virtual Surrealism. Figures in space suits, black manikins and other figures encounter one another in a fictional cosmos. Against a background of abstract worlds they tell stories which follow their own physical laws. In painterly manner, Grözinger combines lurid contrasts with delicate, pastel-like shades. His paint application is based on that of miniature painting and gives the cartoon-like creatures human features as it draws the viewer into the artist’s fantasy world.
Philip Freneau Tomo Cheeki, the Creek Indian in Philadelphia
Peter Lang GmbH
1987
nidottu
Philip Freneau (1752-1832) was one of the first Americans to gain wide recognition as a writer. He is generally remembered as the father of American poetry, but his prose writings have not always received the attention they deserve. As the editor of three important papers in the late 18th century (The National Gazette. The Jersey Chronicle, and The Time-Piece and Literary Companion) and as a contributor to many others, Freneau produced a large number of political and literary essays. The Tomo Cheeki Essays, which were published in 1795 and in 1797, constitute an excellent example of Freneau's prose work. These pseudo-autobiographical accounts of an Indian visiting a city of the Whites are based upon the model of the European oriental tale, while simultaneously incorporating American subject matter. The essays are representative of a decisive period of American literary history, since they reveal both Freneau's indebtedness to European culture and his role in the process of overcoming this indebtedness in the beginning creation of an independent national literature. The present edition provides the first complete and separate modern collection of the essays, which gives the reader an opportunity to get acquainted with an important example of early American prose writing that has been virtually inaccessible up to now.
Philip Steele of the Royal Northwest Mounted Police
James Oliver Curwood
Tredition Classics
2011
pokkari
The Memoirs of General Philip H. Sheridan, Volume I., Part 1
Philip Henry Sheridan
Tredition Classics
2011
pokkari
The Memoirs of General Philip H. Sheridan, Volume I., Part 2
Philip Henry Sheridan
Tredition Classics
2011
pokkari
The Memoirs of General Philip H. Sheridan, Volume I., Part 3
Philip Henry Sheridan
Tredition Classics
2011
pokkari
The Memoirs of General Philip H. Sheridan, Volume II., Part 5
Philip Henry Sheridan
Tredition Classics
2011
pokkari
The Memoirs of General Philip H. Sheridan, Volume II., Part 6
Philip Henry Sheridan
Tredition Classics
2011
pokkari
Philip Winwood a Sketch of the Domestic History of an American Captain in the War of Independence, Embracing Events That Occurred Between and During T
Robert Neilson Stephens
Tredition Classics
2011
pokkari
Philip V
Agust N Gonz Lez Enciso; Agustin Gonzalez Enciso
LAP Lambert Academic Publishing
2012
pokkari
The luminous and compelling photographs in New York in the 1970s capture the essence of a city in a way best described as "place portraiture." Trager's images present the architecture of Manhattan with time-defiant clarity and beauty. Although Trager selected his subjects for aesthetic and visual reasons-rather than from an historical or documentary point of view-with the passage of time his distinctly imaginative photographs have also acquired value as historical documents. The negatives for the images in this book, only recently rediscovered, had originally been archived for printing but Trager began other projects before any prints were made. The photographs in New York in the 1970s were taken at the same time as Trager's timeless Philip Trager: New York, published by Wesleyan University Press in 1980, in which the photographer depicts the city "as a solitary figure, always aware of the 'enveloping sky.'" New York in the 1970s reveals Trager's more concentrated attention to the interaction between the city's architecture and the dynamics of the street.
In Photographing Ina, Philip Trager (born 1935), renowned for his black-and-white images, embraces color for the first time. His images are as much about the act of photographing, perception, color and light, as they are about his subject, his wife Ina, whose presence is a constant and unifying motif.Trager photographed his wife on only two occasions. This book comprises images from these contrasting bodies of work: black-and-white photographs made after 25 years lived together; and color photographs made between 2006 and 2011, after 50 years together. These intimate, openly theatrical images, made in concentrated sessions rather than as an ongoing diary, embody an enduring love and shared passion for art. This clothbound volume offers a new perspective on one of America's most renowned photographers.
Philip Guston: Nixon Drawings 1971 & 1975
Hauser Wirth
2017
sidottu
The full collection of Philip Guston's revered satirical drawings of Richard Nixon, brimming with the renowned artist's instantly recognizable, idiosyncratic style.Philip Guston: Nixon Drawings is the first comprehensive collection of Guston’s legendary satirical caricatures of the 37th President of the United States, Richard Nixon. Expanding on Poor Richard (University of Chicago Press, 2001, now out of print and rare), it features some 180 works depicting Nixon and his cronies from 1971 and 1975. The book opens with an introduction by Philip Guston’s daughter, Musa Mayer, and also includes the transcript of a panel discussion moderated by Phong Bui with William Corbett, Irving Sandler, Lisa Yuskavage, Bob Mankoff and Katy Siegel.
When Philip Guston turned to the medium of lithography in the early sixties, he was regarded as one of the leading figures of Abstract Expressionism in the United States. At that time, his art was already showing signs of the change that would lead to the later representational works that dominated the last decade of his career. The impressive series of black-and-white lithographs that Guston made shortly before his death in 1980 incorporates, as a sort of visual autobiography, the complete repertoire of objects that marked his return to powerful pictorial representation: simple everyday items, clocks, shoes, books, cigarettes, ashtrays, and occasionally his beloved sandwiches and cherries. All of these things, taken from the world of the private and intimate, are given a unique vitality by Gusto' s ironic eye and deliberate hand in the soft cadences of the lithographic crayon.
Philip Guston always had eminent artist friends. Tireless in his quest for the unknown, the still undiscovered, Guston engaged poets and literati in intense dialogues that, starting in the sixties, led to fruitful collaborations - including the creation of numerous illustrations and cover images for works by poets such as William Corbett, Bill Berkson, and Clark Coolidge. In his "poempictures," Guston ultimately turned to producing interactions of text and drawings - as responses to poems by his writer friends or as independent works that incorporated selected lines of poetry.
Philip Loersch - POW
Sybille Krämer; Jan-Philipp Frühsorge
Dr. Cantz'sche Verlagsgesellschaft mbH Co. KG
2024
nidottu
Philip Loersch (b. Aachen, 1980; lives and works near Munich) combines painstaking imitations of printed writing with hyperrealist colored-pencil drawings; for instance, he transfers pages from encyclopedias not only onto paper, but also onto three-dimensional objects such as soapstone. His works reveal the fragility of truth and authenticity while commenting with subversive irony on the postmodern disintegration of the idea of originality. His art has been exhibited at renowned institutions like Kunsthaus Z rich, Museum Kunstpalast D sseldorf, and Hamburger Kunsthalle. He has won numerous fellowships and awards, including the Kunstpreis Berlin f r Bildende Kunst. This monograph gathers his works created between 2016 and today.