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Robert Grosseteste as Bishop of Lincoln

Robert Grosseteste as Bishop of Lincoln

Lincoln Record Society
2015
sidottu
First modern edition of medieval ecclesiastical documents illuminates the career of a senior prelate. Robert Grosseteste, teacher, scholar and pastor, remains one of the dominant figures of the medieval English church. A major influence on the early history of Oxford University, his writings on a wide range of theological and scientific subjects have been widely studied. His concern for pastoral care is also well attested; as bishop of Lincoln from 1235 until his death in 1253, he had the opportunity to exercise the pastoral office in the largest diocesein western Europe. But how did Grosseteste's theories of pastoral care work out in practice? The study of Grosseteste's career as a diocesan bishop has been hampered by the relative inaccessibility of the records of his episcopate, published in an unsatisfactory edition in 1911 and long out of print. This completely new edition of Grosseteste's episcopal rolls makes it possible to take a fresh look at how he tackled the vexed issues of clerical ignorance, pluralism and non-residence in the aftermath of the reforms of the Lateran Council of 1215. They are presented here with an introductory study and elucidatory notes. Dr Philippa M. Hoskin is Reader in medieval history at the University of Lincoln
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Robert Fludd

Robert Fludd

PHANES PRESS,U.S.
2004
nidottu
Robert Fludd was one of the last of the true Renaissance men who tool all learning as their preserve and tried to encompass the whole of human knowledge. Born in Elizabethan England, he became a convinced occultist while traveling on the Continent. His voluminous writings were devoted to defending the philosophy of the alchemists and Rosicrucians and applying their doctrines to a vast description of man and the universe. All of Fludd's important plates are collected here for the first time, annotated and explained together with an introduction to his life and thought.
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Alex Katz & Robert Creeley: Edges

Alex Katz & Robert Creeley: Edges

Robert Creeley

Blum (Peter) Edition,U.S.
1999
sidottu
Continuing Alex Katz's practice of collaborations with poets, Edges features reproductions of 13 etchings by Katz alongside the poem “Edges” by the great American poet Robert Creeley. In addition, the volume includes a tipped-in color plate, two full-color spreads, a black-and-white photograph of the artist and poet and an essay by the artist and author Merlin James.
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Robert Zandvliet: The Varick Series

Robert Zandvliet: The Varick Series

Elaine Equi

Blum (Peter) Edition,U.S.
2000
pokkari
In the fall of 1999, Dutch painter Robert Zandvliet produced, along with master printer Maurice Sanchez, a monotype project entitled The Varick Series. Zandvliet, one of the most talented and innovative painters of his generation, specializes in landscape painting.
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Robert Chapman: A Biography

Robert Chapman: A Biography

Robert L. Peterson

Lewis Roth Publishers
2007
nidottu
Although he is not widely known today, Robert Chapman was one of the most respected Christians of his generation. His caring and humble attitude had a marked impact on the lives of such men as George Muller, J. Hudson Taylor, John Nelson Darby, and Charles Spurgeon. These notable men agreed that Chapman was a giant among them. This remarkable man served God in the small town of Barnstaple, England, during the nineteenth century. Chapman deliberately avoided publicity because he did not want the attention that rightly belonged to the Lord. Yet at the end of his life he was known throughout the world for his great compassion, wisdom, and love. He is noted as saying, "My business is to love and not to seek that others shall love me." Robert Chapman's life cannot help but challenge the Lord's people to deepen their devotion to Christ and love others more selflessly.
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Robert Grosvenor

Robert Grosvenor

Solveig Ovstebo; Robert Grosvenor

Renaissance Society at the University of Chicago
2018
sidottu
Over a fifty-year career, Robert Grosvenor has produced a body of work that is at once solidly physical and conceptual, muscular and fluid. Grosvenor frequently uses industrial materials and found objects as he experiments with texture and scale, resulting in sculptures that reveal a handmade quality and subtle vein of humor. In 2017, the Renaissance Society presented an exhibition of the sculptor’s untitled work from 1989 to 1990. Re-contextualized within a spare architectural installation, this assemblage of materials and found objects eludes interpretation at the same time as it asserts its form and construction. Such nuances, combined with its ambiguous scale, evoke what critic John Yau has suggested is the labor of an “anonymous worker.” Grosvenor has made significant contributions as a sculptor over the past fifty years, but relatively few books have been published about his work. This monograph documents the Renaissance Society show and also features new scholarship considering Grosvenor’s work with a broad scope. The text includes contributions by Yves-Alain Bois, Bruce Hainley, Susan Howe, John Yau, and Renaissance Society executive director and chief curator Solveig Øvstebø.
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Robert Lehman Lectures On Contemporary Art No. 3

Robert Lehman Lectures On Contemporary Art No. 3

Dia Art Foundation,U.S.
2004
pokkari
This third volume of collected theoretical and critical essays focuses on Dia's exhibitions from 1998 through 2000. As in the first two volumes, nine diverse contributors are included, ranging from art historian Jonathan Crary and philosopher Boris Groys to film theoretician Peter Wollen, from curator Russell Ferguson to cultural critic Elaine Showalter. These writers, among others, take on the challenges of illuminating, analyzing, and exploring the work of a disparate group of internationally recognized artists, including Joseph Beuys, Stan Douglas, Douglas Gordon, Rodney Graham, Bruce Nauman and Andy Warhol. Together, the essays in this book present a broad-based account of contemporary artistic practice, criticism, scholarship and theory.
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Robert Lehman Lectures On Contemporary Art No. 2

Robert Lehman Lectures On Contemporary Art No. 2

Dia Art Foundation,U.S.
2004
pokkari
Finally Available Since 1992, Dia has presented the Robert Lehman Lectures on Contemporary Art. Like the Foundation's “Discussions in Contemporary Culture” symposia series, the Lehman lectures are an example of Dia's ongoing commitment to cross-disciplinary critical and intellectual discourse. The long-term, often site-specific, exhibitions at Dia offer a fertile space for discussion. Edited by Lynne Cooke and Karen Kelly, together with Bettina Funcke, this second volume of collected theoretical and critical essays are by a multidisciplinary group of lecturers, and are focused on the exhibitions mounted at Dia from 1995 through 1998. Nine diverse contributors range in scope from art historian David Sylvester and philosopher Sarat Maharaj to architectural theoretician Beatriz Colomina, from philosopher Mark Taylor to fiction writer and cultural critic Marina Warner. These writers, among others, take on the challenges of illuminating, analyzing, and exploring the work of a disparate group of internationally recognized artists, including Alighiero e Boetti, Jessica Stockholder, Gerhard Richter, Juan Muñoz, Fred Sandback and Andy Warhol. Together, the essays in this book present a broad-based account of contemporary artistic practice, criticism, scholarship and theory.
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Robert Lehman Lectures on Contemporary Art No. 5

Robert Lehman Lectures on Contemporary Art No. 5

Molly Nesbit

Dia Art Foundation,U.S.
2014
pokkari
From 1992 to 2004, Dia Art Foundation presented the Robert Lehman Lectures on Contemporary Art, in which a distinguished array of scholars, critics and cultural historians engaged in cross-disciplinary critical discourse around Dia's exhibition program. The lectures were subsequently collected into a related series of publications, providing a valuable record and extending the debate on contemporary artistic practice and theory. This fifth and final volume focuses on analyses of the work of internationally recognized artists Jo Baer, Pierre Huyghe, Vera Lutter, Gerhard Richter, Rosemarie Trockel and Robert Whitman.
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Robert Burns

Robert Burns

Kenneth Simpson

ASSOCIATION FOR SCOTTISH LITERARY STUDIES
2000
pokkari
Kenneth Simpson's SCOTNOTE study guide provides students with a brief and authoritative introduction to Robert Burns, his life and his work.
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Robert Louis Stevenson's The Strange Case of Dr Jekyll and Mr Hyde, The Master of Ballantrae and The Ebb-tide

Robert Louis Stevenson's The Strange Case of Dr Jekyll and Mr Hyde, The Master of Ballantrae and The Ebb-tide

Gerard Carruthers

Association for Scottish Literary Studies
2004
nidottu
Robert Louis Stevenson is one of the most important and influential writers of the modern era, admired and emulated by authors across the world from the 19th century to the present day. He also wrote some of the most original stories, creating iconic characters who have moved beyond the page to become parts of the language itself. Gerard Carruthers' SCOTNOTE study guide provides an overview of Stevenson's life and work, and focuses on three novels in particular: The Strange Case of Dr Jekyll and Mr Hyde, The Master of Ballantrae, and The Ebb-Tide, each in it own way a story of good and evil, and the conflicting impulses felt by the human spirit. Suitable for senior school pupils and students at all levels.
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