A study of Johnson's work in relation to contemporary anxieties over language and genre.
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1000 tulosta hakusanalla Samuel Butler; Samuel Johnson
Reads Beckett's comic timing as part of a post-war ethics of representation Samuel Beckett is a funny writer. He is also an author whose work is taken to respond ethically to the unspeakable seriousness of the post-Holocaust situation. How can these two statements sit together? Ranging widely over Beckett's fiction, drama, and critical writings, and including readings of Murphy, the Trilogy, Waiting for Godot, Endgame, the late prose, and the late plays, the book demonstrates that it is through Beckett's comic timing that we can understand the double gesture of his art: the ethical obligation to represent the world how it is while, at the same time, opening up a space for how it ought to be. Key Features: * Presents innovative readings of the comedy found in Beckett's fiction, drama and critical writings * Spans Beckett's entire oeuvre, using published and unpublished sources * Engages with recent and contemporary philosophical approaches to literature, including work by Derrida, Badiou, Levinas, and Adorno * Makes a unique contribution to theoretical work on comedy and laughter * Provides a rigorous introduction to the theoretical debates surrounding the relationship between modernist literature and a post-war ethics of representation
Samuel Pepys and the Strange Wrecking of the Gloucester
NIGEL PICKFORD
THE HISTORY PRESS LTD
2021
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The true story of royal intrigue and a fatal shipwreck on the shores of Restoration Britain
In this book, Graeme Auld brings together his work relating to Samuel and the Former Prophets in an invaluable single volume. Including 'Prophets through the Looking Glass', which has been described as marking a paradigm shift in our thinking about the Bible's 'writing prophets', and which led the author to equally novel proposals about biblical narrative, the first part of this volume traces the route through the looking glass to his radical argument in Kings without Privilege (1994). The apparently straightforward, but actually controversial, claim is defended that the main source of the biblical books of Samuel-Kings and of Chronicles was simply the material common to both. The major portion of this volume of collected papers explores some of the fresh perspectives opened for reading the present books of Samuel, the books from Joshua to Kings as a whole, and the Pentateuch.
Varied and deliberately diverse, this group of essays provides a reassessment of the life and work of the popular nineteenth-century artist Samuel Palmer. While scholarly publications have been published recently which reassess Palmer's achievement, those works primarily consider the artist in isolation. This volume examines his work in relation to a wider art world and analyses areas of his life and output that have until now received little attention, reinstating the study of Palmer's work within broader debates about landscape and cultural history. In Samuel Palmer Revisited, the contributors provide a fresh perspective on Palmer's work, its context and its influence.
Samuel de Champlain before 1604
Conrad Heidenreich; K. Janet Ritch
McGill-Queen's University Press
2010
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The French explorer, surveyor, cartographer, and diplomat Samuel de Champlain (c. 1575-1635) is often called the Father of New France for founding the settlement that became Quebec City, governing New France, and mapping much of the St. Lawrence and eastern Great Lakes region. Champlain was also a prolific writer who documented his experiences in the Americas, including his travels, impressions of the New World, and encounters and alliances with native peoples.
On November 26, 1911, Samuel Herman Reshevsky was born in Ozorkov, Poland. At age six he became a chess professional and for seventy years he was a force on the international chess scene. This is by a very large margin the most comprehensive collection of Reshevsky's games ever offered to the public. Arranged in chronological order, with mini-essays wrapping up each decade, the 1,768 games (match, tournament, exhibition, simultaneous, casual, speed, postal, blindfold and other) are given in full, many with diagrams. Three indexes: openings by traditional names, openings by ECO codes, and opponents.
Samuel Lipschutz was born in Hungary in 1863 and emigrated to New York in 1880. He joined the Manhattan and New York chess clubs, and soon became champion of the latter, representing it at the British Chess Association Congress in London in 1886. Naturalized in 1888, he was the highest-placed American in the Sixth American Chess Congress the following year. In 1892 he defeated Jackson Showalter to become American champion. Suffering from tuberculosis in 1895, he lost a championship match to Showalter. Searching for a cure, he went to Germany in 1904 and died there late the following year. This book gives an account of Lipschutz's chess career, life and milieu and addresses questions surrounding his first name, his periods away from New York and misconceptions concerning the American championship. There are 249 games included.
This Grand Supply the Samuel Hodgdon Letterbooks, 1778-1784. Volume 1, July 19, 1778-March 31, 1781
Samuel Hodgdon; Joseph Lee Boyle
Heritage Books
2012
pokkari
This Grand Supply the Samuel Hodgdon Letterbooks, 1778-1784. Volume 2, April 3, 1781-May 24, 1784
Samuel Hodgdon; Joseph Lee Boyle
Heritage Books
2012
pokkari
If readers of the twentieth century feel overwhelmed by the proliferation of writing and information, they can find in Samuel Johnson a sympathetic companion. Johnson's career coincided with the rapid expansion of publishing in England-not only in English, but in Latin and Greek; not only in books, but in reviews, journals, broadsides, pamphlets, and books about books. In 1753 Johnson imagined a time when "writers will, perhaps, be multiplied, till no readers will be found." Three years later, he wrote that England had become "a nation of authors" in which "every man must be content to read his book to himself." In Samuel Johnson and the Life of Reading, Robert DeMaria considers the surprising influence of one of the greatest readers in English literature. Johnson's relationship to books not only reveals much about his life and times, DeMaria contends, but also provides a dramatic counterpoint to modern reading habits. As a superior practitioner of the craft, Johnson provides a compelling model for how to read-indeed, he provides different models for different kinds of reading. DeMaria shows how Johnson recognized early that not all reading was alike-some requiring intense concentration, some suited for cursory glances, some requiring silence, some best appreciated amid the chatter of a coffeehouse. Considering the remarkable range of Johnson's reading, DeMaria discovers in one extraordinary career a synoptic view of the subject of reading.
Edited by Paul Auster, this four?volume set of Beckett's canon has been designed by award-winner Laura Lindgren. Available individually, as well as in a boxed set, the four hardcover volumes have been specially bound with covers featuring images central to Beckett's works. Typographical errors that remained uncorrected in the various prior editions have now been corrected in consultation with Beckett scholars C. J. Ackerley and S. E. Gontarski. Beckett was interested in consciousness as a form of comedy close to tragedy and logic as a crime. He loved the tension in 'cogito ergo sum' and took a dim view of the connecting word, the 'ergo' in the equation. Cogitating was the nightmare from which his characters were trying to awake. Being was a sour trick played on them by some force with whom they were trying desperately not to reckon. Beckett produced infinite amounts of comedy about the business of thinking as boring, invalid, and quite unnecessary. His characters did not need to think in order to be, or be in order to think. They knew they existed because of the odd habits and deep discomforts of their bodies. I itch therefore I am." ? Colm Toibin, from his Introduction
Edited by Paul Auster, this four?volume set of Beckett's canon has been designed by award-winner Laura Lindgren. Available individually, as well as in a boxed set, the four hardcover volumes have been specially bound with covers featuring images central to Beckett's works. Typographical errors that remained uncorrected in the various prior editions have now been corrected in consultation with Beckett scholars C. J. Ackerley and S. E. Gontarski. "A man speaking English beautifully chooses to speak in French, which he speaks with greater difficulty, so that he is obliged to choose his words carefully, forced to give up fluency and to find the hard words that come with difficulty, and then after all that finding he puts it all back into English, a new English containing all the difficulty of the French, of the coining of thought in a second language, a new English with the power to change English forever. This is Samuel Beckett. This is his great work. It is the thing that speaks. Surrender." ? Salman Rushdie, from his Introduction
I Can't Go on, I'LL Go on: a Selection from Samuel Beckett's Work
Samuel Beckett
Grove Press / Atlantic Monthly Press
1994
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Winner of the Nobel Prize for literature and acknowledged as one of the greatest writers of our time, Samuel Beckett has had a profound impact upon the literary landscape of the twentieth century. In this one-volume collection of his fiction, drama, poetry, and critical writings, we get an unsurpassed look at his work. Included, among others, are: - The complete plays Waiting for Godot, Krapp's Last Tape, Cascando, Eh Joe, Not I, and That Time- Selections from his novels Murphy, Watt, Mercier and Camier, Molloy, and The Unnamable- The shorter works "Dante and the Lobster," "The Expelled," Imagination Dead Imagine, and Lessness- A selection of Beckett's poetry and critical writings With an indispensable introduction by editor and Beckett intimate Richard Seaver, and featuring a useful select bibliography, I Can't Go On, I'll Go On is indeed an invaluable introduction to a writer who has changed the face of modern literature.
In developing a new gender theory for analyzing Samuel Richardson's three major novels - Pamela, Clarissa, and Sir Charles Grandison - the author argues that these novels of sexual threat expose, sometimes unwillingly, the extraordinary labor required to construct and maintain the eighteenth-century ideology of gender, that apparently natural dream of perfect symmetry between the sexes. The instability of that model is revealed notably in Richardson's fascination with cross-gender identification and other instances of transgressive desires. The author demonstrates that these violations of the supposedly unbreachable barriers between masculinity and femininity produce what is most moving and imaginative in Richardson's fiction and create an equally powerful repression in the form of punishment of transgressive characters and desires. She also illustrates, through a reading of recurrent fantasies about the composition of bodies - especially women's bodies - the complex interaction between those fantasies and the construction of masculinity and femininity. The genesis of Richardson's own writing is located in a dynamic, reciprocal idea of gender that allows him to see femininity from the inside while retaining the privileges of the masculine viewpoint; the relation between this origin and the novels themselves forms the basis for the discussions of the novels. Each of the three chapters in the book seeks to investigate particular turn of gender construction and a particular mode of the reiterative story of sexual differences. The first chapter, on Pamela, calls on eighteenth-century discourse about opposing ideologies of gender and sexuality to elucidate Richardson's project. The next chapter, on Clarissa, shifts to a more intricate analysis of fantasies about sex and gender, in particular the double reading of masculinity and femininity in the form of of masculinity reading itself through the feminine. The final chapter, on The History of Sir Charles Grandison, examines Richardson's attempt to solidify masculinity in the person of the "good man."
In developing a new gender theory for analyzing Samuel Richardson's three major novels - Pamela, Clarissa, and Sir Charles Grandison - the author argues that these novels of sexual threat expose, sometimes unwillingly, the extraordinary labor required to construct and maintain the eighteenth-century ideology of gender, that apparently natural dream of perfect symmetry between the sexes. The instability of that model is revealed notably in Richardson's fascination with cross-gender identification and other instances of transgressive desires. The author demonstrates that these violations of the supposedly unbreachable barriers between masculinity and femininity produce what is most moving and imaginative in Richardson's fiction and create an equally powerful repression in the form of punishment of transgressive characters and desires. She also illustrates, through a reading of recurrent fantasies about the composition of bodies - especially women's bodies - the complex interaction between those fantasies and the construction of masculinity and femininity. The genesis of Richardson's own writing is located in a dynamic, reciprocal idea of gender that allows him to see femininity from the inside while retaining the privileges of the masculine viewpoint; the relation between this origin and the novels themselves forms the basis for the discussions of the novels. Each of the three chapters in the book seeks to investigate particular turn of gender construction and a particular mode of the reiterative story of sexual differences. The first chapter, on Pamela, calls on eighteenth-century discourse about opposing ideologies of gender and sexuality to elucidate Richardson's project. The next chapter, on Clarissa, shifts to a more intricate analysis of fantasies about sex and gender, in particular the double reading of masculinity and femininity in the form of of masculinity reading itself through the feminine. The final chapter, on The History of Sir Charles Grandison, examines Richardson's attempt to solidify masculinity in the person of the "good man."
Samuel Pepys in Paris and Other Essays
Urban T. Holmes Jr
The University of North Carolina Press
1954
nidottu
Three annotated essays are examined and conjectures made as to events probably occurring during the period. The essays are ""Samuel Pepys in Paris"", ""Medieval Gardens"", and ""A Twelfth-Century Schoolmaster"".
Samuel Beckett
Edouard Morot-Sir; Howard Harper; Dougald McMillan III
The University of North Carolina Press
1976
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Collected essays from a symposium held in April 1974, at the University of North Carolina at Chapel Hill, this volume analyzes Beckett's philosophy, rhetoric, poetry, and novels.
Paul Kent Alkon’s Samuel Johnson and Moral Discipline provides reading of Johnson that emphasizes his moral discourse. Shortly after its publication, Alkon’s book became first of all the standard reading of Johnson’s essays, contrasting them with the moral ideas Johnson discussed in his sermons, as moral writings, and second, as one of the first books on Johnson to explore the essayist’s focus on moral thinking as central to his writing.