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Broke & Famous: The Music Game...
Robert Terell
Createspace Independent Publishing Platform
2014
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After 16 years of blood, sweat, and tears in the music industry I evolved from struggling intern to a real entertainment executive. Unknowingly, I enrolled and attended classes at Adversity University the unofficial school of the music business. During that point in my career the landscape in the music game was drastically changing and so were the rules for winning. Today's music business is about a different kind of hustle. With the rapid advancement of technology, social media platforms, and a wide variety of brokering services, you will become as relevant or irrelevant as your level of understanding the game. Your ability to elevate and transform your thinking about the dynamics of the new music game will determine how much money you'll make, how much you'll keep, and ultimately how successful you'll be. In the final synopsis the dream is still real....but the hustle is sold separately. So that means your career will either be a very expensive hobby or a profitable business venture at the end of the day. In today's music world there are no A&R's or labels willing to spend money to develop you for the next 2 or 3 years before they make a profit. As of today, the music game, is about manufacturing and producing your own machinery. These self-made machines are designed and created with the sole purpose of the artist winning. Join me as I endeavor to enlighten the blind, quench the thirsty, and reveal the wicked plots of industry predators disguised as legitimate record executives but are worse than your average stick up kid. After reading my book series your career will fit nicely into one of the following categories: "Broke & Famous", "Broke & Unknown" or "Rich Forever". You make the choice, or the industry will make it for you About Robert Terell: Industry certified Robert Terell is recognized as "The Industry's TOP Choice" in global business entertainment, brand development, and brand management. Robert Terell ascent from unpaid intern to president, business expert, financial strategist, motivational speaker, author, and serial entrepreneur has aided him to take major steps forward to grow and develop emerging acts and teaching them how to arrive on the scene with a fresh and new perspective. Born and raised in the streets of New York City by a single parent mother, Robert began his career in the music business as an intern at Calliope studios in New York, NY. As the visionary thought leader of Wealth Nation Entertainment, he has orchestrated major label distribution deals with Universal Music Group Distribution (UMGD) via INgrooves Fontana, and has held several major positions in the industry throughout his career including the following: V.P. of A&R with IMG recordings, which is distributed via Warner Bros., Sony, EMI, and Universal, E.V.P. of Corporate Affairs/Strategic alliances for HYPE Magazine and THM Media. Recently appointed by President and Vice President of Bungalo/Universal as Regional Director for South Regional Markets, Terell plans on taking the music game back to the days when artists were groomed to become stars
Human Rights in the UK and the Influence of Foreign Jurisprudence
Hélène Tyrrell
Hart Publishing
2021
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Longlisted for the 2022 Inner Temple Main Book PrizeHuman Rights in the UK and the Influence of Foreign Jurisprudence represents the first major empirical study of the use of foreign jurisprudence at the UK Supreme Court. This book focuses on the patterns of use and non use of rulings from foreign domestic courts in human rights cases before the UK Supreme Court. Results are drawn from quantitative and qualitative research, presenting data from the first eight years of Supreme Court activity. The evidence includes interviews with active and former members of the senior judiciary, as well as a focus group including some of the Supreme Court Judicial Assistants. It is argued that foreign jurisprudence is more intimately woven into the fabric of judicial reasoning, and serves a wider range of functions, than the term ‘persuasive authority’ might imply. Foreign jurisprudence is used mainly as a heuristic device, providing judges with a fresh analytical lens. Foreign jurisprudence is also important when interpreting a common legislative scheme, supporting dialogue between the Supreme Court and supranational courts such as the European Court of Human Rights. The perspectives offered by foreign jurisprudence can also support a stronger conception of domestic human rights. In these ways, this book addresses a broader political question about the source of human rights in the UK.
Written by an actor and educator who has experienced thousands of auditions, and who also teaches in a highly competitive drama program, Auditioning for Actor Training Programs combines practical advice about every aspect of auditioning, from choosing an audition piece to preparing the audition itself, and includes interviews with twenty eight auditors who recruit for the most competitive actor training programs in the country.Part 1 begins by addressing audition preparation, particularly for undergraduate programs. Part 2 features interviews and gives readers insight into “the other side of the table.” Part 3 addresses expectations and requirements for graduate programs, while Part 4 presents interviews with graduate program auditors who discuss the specific types of students they seek. Part 5, written primarily for parents and supporters, offers practical guidance about how to have productive conversations regarding educational choices and future career options.With its comprehensive overview of the audition process and insight into the perspective of auditors, Auditioning for Actor Training Programs is an outstanding resource for students at the high school level planning to study dramatic arts in college, and for students and professionals preparing for graduate program auditions.
Written by an actor and educator who has experienced thousands of auditions, and who also teaches in a highly competitive drama program, Auditioning for Actor Training Programs combines practical advice about every aspect of auditioning, from choosing an audition piece to preparing the audition itself, and includes interviews with twenty eight auditors who recruit for the most competitive actor training programs in the country. Part 1 begins by addressing audition preparation, particularly for undergraduate programs. Part 2 features interviews and gives readers insight into "the other side of the table." Part 3 addresses expectations and requirements for graduate programs, while Part 4 presents interviews with graduate program auditors who discuss the specific types of students they seek. Part 5, written primarily for parents and supporters, offers practical guidance about how to have productive conversations regarding educational choices and future career options. With its comprehensive overview of the audition process and insight into the perspective of auditors, Auditioning for Actor Training Programs is an outstanding resource for students at the high school level planning to study dramatic arts in college, and for students and professionals preparing for graduate program auditions.Elizabeth Terrel earned her M.F.A at Northern Illinois University. She is an associate professor at Western Michigan University, where she teaches voice and dialects, movement, and the acting laboratory specialty series. In addition to her work with the university, Professor Terrel is a drama coach and a professional actor on camera and in theatre. She is a founding member of Backbone Ensemble Theatre and a member of both the Actor's Equity Association and the Screen Actor's Guild - American Federation of Television and Radio Artists.
Fakebook: Improvisations on a Journey Back to Jazz
Richard Terrill
Createspace Independent Publishing Platform
2015
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Writes Richard Terrill, "The name fakebook derives from recognition that a jazz musician who is improvising over a set of chord changes is "faking," making up his or her own melody. The fakebook then is a place to start, the structure upon which music is completed." For this Fakebook, with its "improvisations" that pay homage to various greats like Stan Getz, Dexter Gordon, and John Coltrane, and with its exploration of how jazz works, jazz is the place to start in coming to terms with one's limits, in music and in life. After pursuing music as a young man-backing up celebrity performers at dances and county fairs, traveling with a rhythm and blues outfit, playing low paying jazz gigs in bars and lounges-Terrill concluded he'd never "make it" as a full time professional saxophonist. He became a published writer of memoir, poetry, and essays, followed a career as a teacher of writing, and for ten years never touched the horn. But then he took up playing again-almost as a whim at first, a self-dare-and soon rediscovered on weekend gigs the challenges, the despair and exhilaration, that jazz had always promised him. All of this he expresses in prose that glows with feeling and self-perception and makes Fakebook a work of literary consequence and true inspiration.This book gets it absolutely right. It's the story of all of us who have ever earned a dollar playing music. --Lyle Mays, Grammy Award-Winning Keyboardist, The Pat Metheny GroupThe best description of the actual process of making jazz music that I have ever read. Fine writing of a caliber rarely seen in jazz criticism or music instruction.--Don Rose, Jazz Institute of ChicagoThere is something so earnestly human and beautiful about Terrill's writing that I encourage you strongly to pick up his book for yourself. --Lee Bash, International Association of Jazz EducatorsThere is so much in this book for guys like me who've been through the music biz and continue in it long after we've paid those dues. --Rusty Jones, drummer. George Shearing Quintet, Marian McPartland TrioAs much as music, desire is the subject here, its evolution, its changing shapes, the compromises necessary to sustain it, and the refuges that desire must find in order to continue to vitalize a life.--Stuart Dybek, Author of I Sailed With MagellanAn ode to jazz. Visceral. Poetic. As warm and human as the music itself.--R. J. DeLuke, All About Jazz
The Faith of the Millions A Selection of Past Essays Second Series
George Tyrrell
Createspace Independent Publishing Platform
2015
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Living on Borobo Reef is tough, especially if you're a spud who is down on his luck.Ex-detective Tedrick Gritswell just wants to be left alone, like any decent octopus deserves, but a visit from a drop-dead gorgeous dame coupled with a whole lot of pestering from an annoying cuttlefish sees him take up the case of a missing spud - none other than Belvedere Medici.The going is tough. Tommy-Two Tone is in the picture, and you know that can't be good, right?With all the heavies, whores, wise-guys and simpletons swimming about, it's more than dangerous, it's downright deadly.
More About the Squirrels: Illustrated
Eleanor Tyrrell
Createspace Independent Publishing Platform
2016
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More About the Squirrels: Illustrated
Eleanor Tyrrell
Createspace Independent Publishing Platform
2016
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Development Cycle: An Ongoing Battle With Apathy
Ethan Tyrrell
Createspace Independent Publishing Platform
2017
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Forward into Battle: Serving As Warriors in God's Army
Terry Tyrrell
Createspace Independent Publishing Platform
2017
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I never thought I'd return to River Valley. But after my mom's death, everyone thought a change of scenery might help. Now I'm busy rebuilding my relationship with my dad and working at a local diner. I was even happy to hear my childhood best friend works there as a cook. Too bad he's cold and distant. He acts like he doesn't know who I am. So why can't I stop thinking about him and wondering what happened while I was away?
The youngest person to be voted into the Basketball Hall of Fame, “Pistol” Pete Maravich is recognized by the NBA as one of the all-time top 50 basketball players. More than 30 years after he left Louisiana State University, his NCAA scoring record still stands. He enjoyed fame, wealth, and short of winning an NBA championship, achieved every possible success. But there was a price. Pete brought a childlike exuberance to the court that often masked a tortured and confused adult. Things changed dramatically and permanently, however, when Pete found Christ. At last he experienced peace and a purpose that extended beyond the basketball court. He became an avid student of the Bible and a tireless evangelist. Tragically, at age 40, Pete Maravich died. This is the first authorized biography.