Three's birthday party is not going well. There isn't space for everyone to sit or enough cake to go around. Can The Digits save the day?Perfect for understanding greater and less, double and half - you can count on The Digits to make numbers fun!
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1000 tulosta hakusanalla Tony Baker
Explore addition and subtraction with a group of number friends known as the Digits through an action-packed day out at a theme park.
In Odds Vs Evens, the Digits hold a football match to try to decide whether odd or even numbers are the best.
Uses the geological record to trace historical and modern views on five mass extinction events, including the disappearance of dinosaurs.
Blackstone's Senior Investigating Officers' Handbook is aimed at meeting the reference needs of officers who investigate serious, major, and organised crime. It provides step-by-step, easy to understand guidance on all the necessary considerations, procedures, and processes for a Senior Investigating Officer (SIO), whether performing the role at the very outset of an investigation or at the more advanced stages. Chapters include guidance regarding decision-making and the initial response, setting up and managing an investigation, investigative strategies, policy logs, victim, family, and community management, and liaison with the media. There is also instruction on suspect and witness management, conducting 'TIE' (Trace, Investigate, and Evaluate) enquiries, child sexual exploitation and investigating sudden and unexplained infant deaths. Each chapter covers the important areas of a complex investigation with checklists, keypoints, and real-life case studies to help explain the processes and why they are important. All the main investigative foundations, knowledge, and skills for mounting a complex investigation are covered. The sixth edition also includes a new chapter on investigating suspicious missing persons. Each chapter has been completely updated and refreshed to reflect new changes and processes applicable to each individual section. Whether you conduct, review, or take a professional interest in serious and major crime investigation, this title will be an invaluable resource. The first practical guide to this important role, it is commonly referred to as the essential reference book in the wider SIO community (the SIO's bible) and is a highly practical tool for any SIO or prospective SIO.
This is an open access title available under the terms of a CC BY-NC-SA 3.0 IGO licence. It is free to read at Oxford Academic and is offered as a free PDF download from OUP and selected open access locations. The extraction and use of natural resources underpins a global economy that provides high living standards for many as well as the prospect of ending poverty in the developing world. Mining as well as the oil and gas industry - which constitute the 'extractive industries' - are vitally important sectors in many developing countries. They provide substantial public revenues as well as much-needed foreign exchange, and livelihoods for many. Yet, the extractives industries are highly controversial. The continued extraction and burning of fossil fuels in energy generation and transport, together with the emissions associated with mining and metals refining, has taken the world to levels of emissions that increasingly imperil humanity. In addition, the extractive industries have a poor record of damaging nature both through pollution as well as via the destruction of biodiversity (thereby endangering the livelihoods that depend on such renewable natural capital). This book explores a central issue of our time: our materials world is simultaneously both part of the problem (especially fossil fuels) as well as part of its solution (the materials necessary for the technologies required for 'net zero'). Resources Matter discusses how the extractive industries can be leveraged to generate larger and more beneficial impacts in poorer economies and improve livelihoods at local and national levels. A central argument is that the so-called 'resource curse' - the potentially negative effect of resource booms on economies and societies - is not inevitable, as it is often said to be. Rather, much can be done through policy, coordinated government action in partnership with the private sector, and judicious investments to improve the prospects for resource wealth to make a positive contribution to escaping underdevelopment and poverty. Companies in the extractives industry have a key role in working with governments to achieve these goals.
Oxford English for Careers: Nursing 2: Student's Book
Tony Grice; James Greenan
Oxford University Press
2008
nidottu
Nursing is ideal for pre-work students, studying at pre-intermediate to intermediate level, who will need to use English in work situations. It is also suitable for qualified nurses thinking of working in English-speaking countries. Nursing develops the vocabulary, language, and skills that students will need when working in a medical environment. These include talking about the body, describing signs of illness, and conveying instructions to patients and colleagues.
Oxford English for Careers: Nursing 2: Class Audio CD
Tony Grice; James Greenan
Oxford University Press
2008
cd
Nursing is ideal for pre-work students, studying at pre-intermediate to intermediate level, who will need to use English in work situations. It is also suitable for qualified nurses thinking of working in English-speaking countries. Nursing develops the vocabulary, language, and skills that students will need when working in a medical environment. These include talking about the body, describing signs of illness, and conveying instructions to patients and colleagues.
More than twenty years in the making, Country Music Records: A Discography, 1921-1942 documents all country music recording sessions from 1921 through to 1942. With primary research based on the files and session logs from record companies as well as the recording archives of the Country Music Foundation, this notable work will be the first compendium to accurately document every commercial country music recording, including unreleased sides. The discography includes alphabetical indexes to all song titles and musicians listed.
International Social Work Research
Tony Tripodi; Miriam Potocky-Tripodi
Oxford University Press Inc
2006
nidottu
With the constant exchange of international information now a permanent condition in the world, social work scholars and students must be sensitive to the need for knowledge sharing between countries as well as to issues involved in obtaining and utilising international knowledge. Yet until now, no book has juxtaposed these two growing streams of emphasis. In this clearly written volume, Tony Tripodi and Miriam Potocky-Tripodi fill that gap, presenting readers with the many prospects and great potential for international social work research. The authors establish three discrete varieties of research supra-national, intra-national, and trans-national and explore a wealth of issues and examples within each. The easy-to-follow format helps readers learn how to define and distinguish each kind of research, then provides actual applications of all three. Examples draw on research from the world over, and range from microcredit programs in India to migrant aid in Nicaragua to adoptees in Romania. These unique features make it an ideal sequel to basic research texts in social work and supplement to texts on international social work, but also an attractive addition to any faculty researchers bookshelf.
The films of the late French filmmaker Robert Bresson, once thought formidable both because of the somberness of their subject matter and the austerity of the filmmaker's style, have in the last decade found a new audience. In part, this is owing to the rarely acknowledged but profound influence his style has had on later filmmakers-from Chantal Akerman to Michael Haeneke. This book looks at Bresson's body of work not only by coming to terms with its thematic preoccupations and the development of its unique authorial style, but also in terms of the ouvre's seminal place in the history of film. The filmic rhetoric that Bresson pursued was nothing less than an effort to create an exemplary form of film narrative, throwing off the conventions of the theater and acting that still dominate mainstream filmmaking. In this respect, Bresson's films are no less ground-breaking than those of D.W. Griffith and Sergei Eisenstein. In addition, while few who have written about Bresson would deny the highly personal and idiosyncratic nature of his work, its autobiographical dimension has never been fully explored. This constitutes a rich vein for investigation and the films-in both their subject matter and style-mirror and trace the aesthetic and psychological dispositions of the filmmaker. What one discovers in these explorations is a deeper relationship between the filmmaker and his literary models-especially the novelists Georges Bernanos and Fyodor Dostoevsky. With both, he also shares convictions about the ¨fallen¨ nature of humanity, an attitude of mourning for the loss of childhood innocence, a strong preoccupation with Christian theology, and the role evil and sexuality play in our lives. In this book Bresson's sources, style, and biography are explored via a chronological investigation of his films, yielding a dense analysis worthy of this master filmmaker.
The films of the late French filmmaker Robert Bresson, once thought formidable both because of the somberness of their subject matter and the austerity of the filmmaker's style, have in the last decade found a new audience. In part, this is owing to the rarely acknowledged but profound influence his style has had on later filmmakers-from Chantal Akerman to Michael Haeneke. This book looks at Bresson's body of work not only by coming to terms with its thematic preoccupations and the development of its unique authorial style, but also in terms of the ouvre's seminal place in the history of film. The filmic rhetoric that Bresson pursued was nothing less than an effort to create an exemplary form of film narrative, throwing off the conventions of the theater and acting that still dominate mainstream filmmaking. In this respect, Bresson's films are no less ground-breaking than those of D.W. Griffith and Sergei Eisenstein. In addition, while few who have written about Bresson would deny the highly personal and idiosyncratic nature of his work, its autobiographical dimension has never been fully explored. This constitutes a rich vein for investigation and the films-in both their subject matter and style-mirror and trace the aesthetic and psychological dispositions of the filmmaker. What one discovers in these explorations is a deeper relationship between the filmmaker and his literary models-especially the novelists Georges Bernanos and Fyodor Dostoevsky. With both, he also shares convictions about the ¨fallen¨ nature of humanity, an attitude of mourning for the loss of childhood innocence, a strong preoccupation with Christian theology, and the role evil and sexuality play in our lives. In this book Bresson's sources, style, and biography are explored via a chronological investigation of his films, yielding a dense analysis worthy of this master filmmaker.
More than twenty years in the making, Country Music Records: A Discography, 1921-1942 documents all country music recording sessions from 1921 through 1942. Until now, discographies of pre-World War II country music recordings were only to be found scattered in journals and fanzines, or in books devoted to single artists. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. In doing so it tells the commercial story of the music's first two decades. From the first recordings of country music, this discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. An introduction explains how to use the book, research methodology, and editorial policy; summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.
Situated on one of the world's most beautiful harbors, Stockholm has set the benchmark for civilized urban living since the time of the Vikings. Tony Griffiths reveals a city of power, intrigue, and murder; of scientists and investors; and a sensual city, home of Greta Garbo and the sm rg sbord. Its medieval period saw the Vasa dynasty turn a small town into the capital of a dominant European power and a major trading port. In the Napoleonic era, Stockholm established itself as a center of both technical and social innovation. While the city has suffered more than its fair share of misfortune, Stockholm's cultural and commercial elite transformed it into a community which now welcomes innovation and spreads the fruits of its achievements far beyond its borders.
The Gaudiya Vaisnava movement is one of the most vibrant religious groups in all of South Asia. Unlike most devotional communities that flourished in 15th-, 16th-, and 17th-century Bengal, however, the group had no formal founder. Today its devotees are uniform in their devotion to the historical figure of Krishna Caitanya (1486-1533), whom they believe to be not just Krishna incarnate, but Radha and Krishna fused into a single androgynous form. But Caitanya neither founded the community that coalesced around him nor named a successor. Tony Stewart seeks to discover how, with no central leadership, no institutional authority, and no geographic center, a religious community nevertheless comes to successfully define itself, fix its canon and flourish. He finds the answer in the brilliant hagiographical exercise in Sanskrit and Bengali titled the Caitanya Caritamrita (CC) of Krishnadasa Kaviraja. Written about 75 years after Caitanya's passing, the CC became the proof text of the community. The reason it was so powerful, says Stewart, lies in its deployment of a series of sophisticated rhetorical strategies to persuade its readers without appearing to do so, seeming to defer the arrogated authority to Caitanya himself. Although the CC started as a hagiography like any other, an index to what was proper and good in ritual and belief, it became a sign pointing the way to salvation, and then an icon, a metonym of the tradition itself, so much so that manuscripts dating from the earliest times can now be found physically worshiped on altars in temples in Bengal.
Issues and Crisis Management: Exploring Issues, Crises, Risk and Reputation
Tony Jaques
OUP Australia and New Zealand
2014
nidottu
Where issues and crisis management intersect and converge with risk and reputation is one of the most dynamic and challenging areas of management and professional communication. Moreover, the new Process Approach to issue and crisis management reveals that these disciplines are not separate activities but form part of a continuum of management responsibilities which comprise a comprehensive response to events or developments which threaten organisational reputation or success Issues and Crisis Management: Exploring Issues, Crises, Risk and Reputation introduces and explores each element, while at the same time emphasising the relationship between them all.
Communication, Digital Media and Everyday Life
Tony Chalkley; Mitchell Hobbs; Adam Brown; Toija Cinque; Dr Brad Warren; Mark Finn
OUP Australia and New Zealand
2015
nidottu
Communication, Digital Media and Everyday Life (Second Edition) uses stories to explain the journey from 'new media in communication' to 'digital media is communication' and provide a clear introduction to communication and media theory and practice. For Generations Y and Z, digital media is now embedded into most aspects of daily life and integrated into contemporary communication as much as speaking, reading and writing. This book encourages readers to understand how they use 'new' media to do 'old' things and explores how concepts of communication, digital media and everyday life intersect with one another. The first section part of the book introduces the building blocks of communication; its basic tools, devices and approaches. The second section part takes these ideas and concepts in the first part and applies them to 'new' media: it considers including ideology in film and television; organisational communication; and values in the new digital world; and how identity, privacy, deception and truth have been redefined. The third part section part looks at communication today-including the redefinition of identity, privacy, deception and truth- and explores what it might be like to live in an increasingly digital world.
Anthropological Knowledge, Secrecy and Bolivip, Papua New Guinea
Tony Crook
Oxford University Press
2007
sidottu
What is the nature of knowledge? Anthropology imagines it possible to divide or separate social and analytical relations, whereby knowledge travels between persons as a thing. And yet, Bolivip imagines knowledge as the bodily resources or parts of a person that can be extended or combined with others. This methodological exchange is modelled on a moment from Bolivip - an exchange of skin whereby knowledge is returned in respect of prior nurture and care given, and two people become encompassed by one skin. The Min area of Papua New Guinea has proven to be one of the most enigmatic cultures in anthropological experience. But rather than accept this resistance to analysis as a problem of Melanesian secrecy, this volume suggests that archaic notions of anthropological knowledge have been the problem all along. Taking up the 'Min problem' head on, this study suggests a novel solution to the impasse. The argument works through alternating chapters: an imagistic ethnography of Bolivip describes how arboreal and horticultural metaphors motivate the growth of persons and plants by circulating bodily resources through others. Knowledge here comes from those who contribute to conception, and is withheld until a person is capable of bearing it. These images are used to provide new readings of classic Melanesianist texts - Mead, Bateson and Fortune - substituting theoretical ideas for intimate relations; Weiner and Strathern's own experiments with anthropology modelled on Melanesia; and Barth's reading of secrecy amongst the Min. The book provides an valuable insight into our own assumptions about knowledge and the world by means of insights into the aesthetics of a Papua New Guinean lifeworld.
The prevalence of loss and mourning, and of charged relationships with parents or parental figures has had a surprising influence on several American avant-garde filmmakers' work . To date, however, little attention has been given to these themes. In The Melancholy Lens, author Tony Pipolo offers a detailed look at the significant role of underlying biographical and psychological factors in specific works by leading avant-garde filmmakers. Covering a range of filmmakers including Maya Deren, Stan Brakhage, Gregory Markopoulos, Robert Beavers, Ken Jacobs, and Ernie Gehr, The Melancholy Lens takes a sensitive approach to understand the motivations of each filmmaker as related to a given work. Pipolo argues, for example, that the work of Deren and Brakhage lends itself to a more aggressive appreciation of psychoanalytic principles. The Deren films studied-Meshes of the Afternoon, At Land, and Ritual in Transfigured Time-are read as varying responses to the death of her father, with whom she had a strained relationship. Tortured Dust-the final film Brakhage made about his first family-was, by his own account, a work of contention and desperation. The elusiveness of Gregory Markopoulos' The Mysteries cannot conceal its naked obsession with death any more than it can diminish the film's poignancy. Robert Beavers' Sotiros is an especially rich and vivid exposure of a vulnerable chapter in the filmmakers's life. In the final two chapters on Ken Jacobs and Ernie Gehr, Pipolo looks outward for artistic motivation to show how both filmmakers' fascination with the history of film and video manifests as a melancholic view of greater history in their work. In the afterword, the author considers later figures whose work is kindred to the theme of this book, among them Nathaniel Dorsky, Phil Solomon, David Gatten, and Lewis Klahr.
This is an important new analysis of the problematic relationship between dreams and madness as perceived by nineteenth-century French writers, thinkers, and doctors. Those wishing to know the nature of madness, wrote Voltaire, should observe their dreams. The relationship between the dream-state and madness is a key theme of nineteenth-century European, and specifically French, thought. The meaning of dreams and associated phenomena such as somnambulism, ecstasy, and hallucinations (including those induced by hashish) preoccupied writers, philosophers, and psychiatrists. In this path-breaking cross-disciplinary study, Tony James shows how doctors (such as Esquirol, Lélut, and Janet), thinkers (including Maine de Biran and Taine), and writers (for example, Balzac, Nerval, Baudelaire, Victor Hugo, and Rimbaud) grappled in very different ways with the problems raised by the so-called 'phenomena of sleep'. Were historical figures such as Socrates or Pascal in fact mad? Might dream be a source of creativity, rather than a merely subsidiary, 'automatic' function? What of lucid dreaming? By exploring these questions, Dreams, Madness, and Creativity in Nineteenth-Century France makes good a considerable gap in the history of pre-Freudian psychology and sheds new and fascinating light on the central French writers of the period.