Our Day Out is both funny and poignant, asking what a group of back-street kids from Liverpool can expect beyond a rare 'day out'? 24 parts: 10 adult males, 4 adult females, 10+ children. Age 13+
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1000 tulosta hakusanalla Willy H. Simonson
Counting the People in Hellenistic Egypt
Willy Clarysse; Dorothy J. Thompson
Cambridge University Press
2009
pokkari
The historical studies of this second volume provide an examination of the economic and social history of Ptolemaic Egypt. The salt-tax registers of P. Count not only throw light on key aspects of the fiscal policy of the Greek pharaohs but also provide the best information for family and household structure for the Western world before the fifteenth century AD. The makeup of the population is thoroughly analysed here in both demographic and occupational terms. A constant theme running throughout is the impact of the Greeks on the indigenous population of Egypt. This is traced in cultural policies, in administrative geography, in the realm of stock-rearing and in the changing religious affiliations traceable through the names that parents gave their children. The extent to which Egypt is typical of the Hellenistic world more widely is the final topic addressed.
Counting the People in Hellenistic Egypt
Willy Clarysse; Dorothy J. Thompson
Cambridge University Press
2009
pokkari
This volume publishes fifty-four Ptolemaic papyri from the Fayum and Middle Egypt, with English translations and extensive commentaries. The texts, dating from c. 250–150 BC and written in either Greek or Egyptian demotic, record lists of adults, ordered by village, occupation and social group, and by household, together with the taxes paid on their persons, their livestock and trades. Some are more than twenty columns long. All texts have been studied on the originals by an international team of scholars. Many are published here for the first time; the others have been extensively revised with numerous new joins between fragments. Lists of tax-payers and their payments provide a wealth of information on population and family structure, administrative practice, social and professional groups and naming practices. Providing the documentary basis for the historical studies of Volume II, P. Count is essential for any serious evaluation of that account.
Counting the People in Hellenistic Egypt: Volume 1, Population Registers (P. Count)
Willy Clarysse; Dorothy J. Thompson
Cambridge University Press
2006
sidottu
This volume publishes fifty-four Ptolemaic papyri from the Fayum and Middle Egypt, with English translations and extensive commentaries. The texts, dating from c. 250–150 BC and written in either Greek or Egyptian demotic, record lists of adults, ordered by village, occupation and social group, and by household, together with the taxes paid on their persons, their livestock and trades. Some are more than twenty columns long. All texts have been studied on the originals by an international team of scholars. Many are published here for the first time; the others have been extensively revised with numerous new joins between fragments. Lists of tax-payers and their payments provide a wealth of information on population and family structure, administrative practice, social and professional groups and naming practices. Providing the documentary basis for the historical studies of Volume II, P.Count is essential for any serious evaluation of that account.
Counting the People in Hellenistic Egypt: Volume 2, Historical Studies
Willy Clarysse; Dorothy J. Thompson
Cambridge University Press
2006
sidottu
The historical studies of this second volume provide a new look at the economic and social history of Ptolemaic Egypt. The salt-tax registers of P.Count not only throw light on key aspects of the fiscal policy of the Greek pharaohs but also provide the best information for family and household structure for the Western world before the fifteenth century AD. The makeup of the population is thoroughly analysed here in both demographic and occupational terms. A constant theme running throughout is the impact of the Greeks on the indigenous population of Egypt. This is traced in cultural policies, in administrative geography, in the realm of stock-rearing and in the changing religious affiliations traceable through the names that parents gave their children. The extent to which Egypt is typical of the Hellenistic world more widely is the final topic addressed.
Bier's Hyperemic Treatment In Surgery, Medicine, And The Specialties
Willy Meyer; Victor Schmieden; August Karl Gustav Bier
Kessinger Pub
2008
pokkari
The hilarious, bittersweet novel from the playwright behind EDUCATING RITA, SHIRLEY VALENTINE and award-winning musical BLOOD BROTHERS.Dear Morrissey,I'm feeling dead depressed and down. Like a streetlamp without a bulb or a goose at the onset of Christmas time.Anyroad, I thought I'd pen a few lines to someone who'd understand...It's 1991. Raymond Marks is a normal boy, from a normal family, in a normal northern town. Only lately, he's been feeling dead down. His dad left home after falling in love with a five-string banjo. His fun-hating grandma believes she should have married Jean-Paul Sartre: 'I could never read his books, but y' could tell from his picture, there was nothing frivolous about John-Paul Sartre.' Felonious Uncle Jason and Appalling Aunty Paula are lusting after the satellite dish.And so he turns to the one person who'll understand what he's going through: Morrissey. Told through a series of heartfelt letters to the frontman of The Smiths, this is a laugh-out-loud funny, incredibly poignant tale from a character you can't help but love.'Big-hearted, wonderfully funny and engrossing' THE MIRROR'A warm, funny, poignant story. I loved The Wrong Boy - and so will you' SUNDAY TELEGRAPH'A comic masterpiece' BEL MOONEY, MAIL ON SUNDAY
Fleeing Las Vegas and her abusive boyfriend, Allison Johnson moves to Reno, but finds herself haunted by the mistakes of her past, and lacking any self-belief. Her only comfort seems to come from the imaginary conversations she has with her hero, Paul Newman. But, as life crawls on, small acts of kindness do start to reveal themselves and slowly the chance of a new life begins to emerge. Full of memorable characters and imbued with a beautiful sense of yearning, Northline is an extraordinary portrait of small-town America and an emotional tour de force.
SHORTLISTED FOR THE INTERNATIONAL DUBLIN LITERARY AWARDNOW A MAJOR MOTION PICTURE FROM A24An unforgettable story of a friendship and of hope in dark times.'Catch-your-breath good.' EILEEN BATTERSY, IRISH TIMES 'Powerful, heartbreaking stuff.' MARK BILLINGHAM'A cult classic.' METRO'This guy is a real discovery.' COLM TOIBINFifteen-year-old Charley Thompson wants a home; food on the table; a high school he can attend for more than part of a year; and some structure to his life. But as the son of a single father working at warehouses across the Pacific Northwest, he's been pretty much on his own for some time.Lean on Pete opens as he and his father arrive in Portland, Oregon and Charley takes a stables job, illegally, at the local race track. Once part of a vibrant racing network, Portland Meadows is now seemingly the last haven for washed up jockeys and knackered horses, but it's there that Charley meets Pete, an old horse who becomes his companion as he's forced to try to make his own way in the world.
East End My Cradle is a classic, still as fresh, vivid and compulsively readable as when Willy Goldman first penned it seventy years ago. This remarkable book was written with first-hand knowledge of both the East End and its diverse range of impoverished and tough characters. Goldman describes the years of childhood and adolescence through to young adulthood spent around the streets and back lanes of the East End and its dance and boxing halls, tenements and alleyways, peppered with petty crime and prostitution. A truly vibrant account of a young life, in a world as joyful and boisterous as it was harsh and unforgiving.
Severely wounded in the Iraq war, Leroy has lived a half-life in a group home for eight years. Unable to bear it any longer, he commits a desperate act which helps him to disappear to another place. Freddie is the night porter at the home, who works two jobs yet can't make ends meet. Buried in debt from his younger daughter's medical bills, he's forced to consider a criminal proposition. Pauline is the nurse who tends Leroy, who lives her life in an uncomplicated way, emotionally removed, until she meets a young runaway. An extraordinary portrait of contemporary America, and a testament to the resilience of the human heart, The Free is Willy Vlautin's most moving and affecting novel to date.
FINALIST FOR THE 2019 PEN/FAULKNER AWARDMeet Horace Hopper, a twenty-one-year-old farm hand in Tonopah, Nevada, who works for Mr Reece and his wife, the nearest thing he's had to family in years. But Horace, half-white half-Paiute Indian, dreams of bigger things.
Opening like an early Tom Waits barstool-tale, The Motel Life tells the story of two brothers, Frank and Jerry Lee. Taking to the road in an attempt to escape the hit and run accident caused by Jerry Lee, the novel goes back to tell the story of their unhappy lives. With intense feeling and compassion, Vlautin explores the frustrations and failed dreams of the two brothers - one a natural storyteller, the other an artist - and renders perfectly the sense of entrapment they feel. Will the kid's death shock them out of their torpor or send them ever deeper into trouble? Can Annie James, a girl from their past, offer them any sort of redemption, however slim?Interspersed with drawings that come to form an integral part of the narrative, The Motel Life is a poetic, moving, beautifully naïve and tragic fictional debut. Alongside such seminal works as Annie Proulx's Postcards, Raymond Carver's What we talk about when we talk about love and Denis Johnson's Jesus's Son, it should come to be seen as a classic of downbeat American prose.
'Pacey and visceral.' Sunday Times'Imbued with the noirish urgency of a page-turning thriller.' Irish Times'A tear-struck revelation.' MEGAN ABBOTTBetween looking after her brother, working two low-paid jobs, and trying to take part-time college classes, Lynette is dangerously tired. Every penny she's earned for years, she's put into savings, trying to scrape together enough to take out a mortgage on the house she rents with her mother. Finally becoming a homeowner in their rapidly gentrifying Portland neighbourhood could offer Lynette the kind of freedoms she's never had. But, when the plan is derailed, Lynette must embark on a desperate odyssey of hope and anguish.Written with all Willy Vlautin's characteristic and heart-wrenching empathy, The Night Always Comes holds up a mirror to a society which leaves too many people only a step away from falling between the cracks.What readers are saying:'Amazing . . . Vlautin hit the nail on the head with this. I could not stop thinking about the characters and where the story would take them.''WOW. This book hit me hard . . . I was on the edge of my seat.''The book pulls you into the story and you can't wait to find out what happens next.''Fabulous . . . part suspenseful action and part deep character study.
**THE HORSE - THE NEW NOVEL FROM WILLY VLAUTIN - IS AVAILABLE TO PREORDER NOW**SOON TO BE A NETFLIX FILM STARRING VANESSA KIRBY'Pacey and visceral.' Sunday Times'Imbued with the noirish urgency of a page-turning thriller.' Irish Times'A tear-struck revelation.' MEGAN ABBOTTBetween looking after her brother, working two low-paid jobs, and trying to take part-time college classes, Lynette is dangerously tired. Every penny she's earned for years, she's put into savings, trying to scrape together enough to take out a mortgage on the house she rents with her mother. Finally becoming a homeowner in their rapidly gentrifying Portland neighbourhood could offer Lynette the kind of freedoms she's never had. But, when the plan is derailed, Lynette must embark on a desperate odyssey of hope and anguish.Written with all Willy Vlautin's characteristic and heart-wrenching empathy, The Night Always Comes holds up a mirror to a society which leaves too many people only a step away from falling between the cracks.What readers are saying:'Amazing . . . Vlautin hit the nail on the head with this. I could not stop thinking about the characters and where the story would take them.''WOW. This book hit me hard . . . I was on the edge of my seat.''The book pulls you into the story and you can't wait to find out what happens next.''Fabulous . . . part suspenseful action and part deep character study.
'Shot through with all the bruised romance and regret of a country-blues classic . . . Vlautin's characters are a vast chorus of broken hearts, reaching for grace.' COLIN WALSH'Tremendously compelling . . . as succinct and wrenching as a well-honed folk song.' GUARDIAN'A bruised and beautiful instant classic.' BEN MYERSWilly Vlautin's most personal novel yet - a poetic and deeply moving story about what it really takes to be a musician.'There's a horse', he whispered. 'An old horse that's standing in front of my house. He's blind and he won't eat and I don't know what to do.'67-year-old Al Ward is several years into an isolated stint living on old mining land in Nevada left to him by his great uncle. One morning, the horse arrives outside his home, seemingly unable to feed itself or stay safe from coyote attacks. 6000 feet up, 30 miles from the nearest town and broken by alcoholism and anxiety, Al must decide what to do.Intercut with Al's present-day story are episodes from his long life as a songwriter and guitarist. Beginning in Reno, we follow his chequered career as a touring musician, struggling to make ends meet and to survive the reality of a like devoid of the glitz and glamour of mainstream success.Vlautin's new novel is a gorgeous homage to the uncelebrated musicians who make our lives more joyful, and, as always, an exploration of loneliness, humanity and resilience.'Another classic from one of America's greatest storytellers.'JONATHAN EVISON'A terrific parable of art and aging.'JESS WALTER
There's a horse', he whispered. 'An old horse that's standing in front of my house. He's blind and he won't eat and I don't know what to do.'65-year-old Al Ward is several years into an isolated stint living on old mining land in Nevada left to him by his great uncle. One morning, the horse arrives outside his home, seemingly unable to feed itself or stay safe from coyote attacks. 6000 feet up, 30 miles from the nearest town and broken by alcoholism and anxiety, Al must decide what to do.Intercut with Al's present-day story are episodes from his long life as a songwriter and guitarist. Beginning in Reno, we follow his chequered career as a touring musician, struggling to make ends meet and to survive the reality of a like devoid of the glitz and glamour of mainstream success.Vlautin's new novel is a gorgeous homage to the uncelebrated musicians who make our lives more joyful, and, as always, an exploration of loneliness, humanity and resilience.
WINNER OF THE JOYCE CAROL OATES PRIZE'Extraordinary.' ANN PATCHETT 'Tremendously compelling.' GUARDIAN'Bruised and beautiful.' BEN MYERS'Transcendent.' LA TIMESWilly Vlautin's most personal novel yet - a poetic and deeply moving story about what it really takes to be a musician.Al Ward, an ageing musician, is living on old mining land in Nevada. One morning, a horse arrives outside his home, unable to feed itself or stay safe from coyotes. Six thousand feet up, thirty miles from the nearest town, and broken by alcoholism and anxiety, Al must decide what to do.A gorgeous journey of a novel, and an unforgettable character study of a lifelong songwriter, The Horse masterfully explores ideas of loneliness, creativity and resilience.'Another classic from one of America's greatest storytellers.'JONATHAN EVISON'A terrific parable of art and aging.'JESS WALTER
'One of America's great writers.' RODDY DOYLE 'Vlautin's characters are a vast chorus of broken hearts, reaching for grace.' COLIN WALSH 'No one writes with such empathy and insight as Willy Vlautin.' BEN MYERS 'Vlautin writes about people overlooked by society and overlooked by literature.' ANN PATCHETT The moving, large-hearted story of a young boy in danger of slipping through society's cracks and the unlikely father figure who takes him under his wing.'And try to breathe, man. You gotta remember to breathe. You won't get so panicky if you can remember that.' Eddie Wilkens runs his own house-painting business. Forty-something and living alone, he just wants to take life one day at a time. When his eight-year-old neighbour, Russell, starts hanging around, Eddie sees that this small kid - with his single mother working nights and his violent older brother - is struggling to keep his head above water, and so tries to help. Equal parts heart wrenching and uplifting, The Left and the Lucky is a portrait of this unusual friendship - the ways hurt shatters people and the compassionate acts that can, maybe, hold some of those pieces together.