This is the first biography of the extraordinary Irish woman, Eva Gore-Booth. Gore-Booth rejected her aristocratic heritage, choosing to live and work amongst the poorest classes in industrial Manchester. Her work on behalf of barmaids, circus acrobats, flower sellers and pit-brow lasses is traced in this book. During one impressive campaign Gore-Booth orchestrated the defeat of Winston Churchill. Gore-Booth published volumes of poetry, philosophical prose and plays, becoming a respected and prolific author of her time and part of W.B. Yeats’s literary circle. The story of Gore-Booth’s life is captivating. Her close bond with her sister, an iconic Irish nationalist, provides a new insight into Countess Markievicz’s personal life. Gore-Booth’s life story vividly traces her experiences of issues such as militant pacifism during the Great War, the case for the reprieve of Roger Casement’s death sentence, sexual equality in the workplace and the struggle for Irish independence.
This is the first dedicated biography of the extraordinary Irish woman, Eva Gore-Booth. Gore-Booth rejected her aristocratic heritage choosing to live and work amongst the poorest classes in industrial Manchester. Her work on behalf of barmaids, circus acrobats, flower sellers and pit-brow lasses is traced in this book. During one impressive campaign Gore-Booth orchestrated the defeat of Winston Churchill. Gore-Booth published volumes of poetry, philosophical prose and plays, becoming a respected and prolific author of her time and part of W.B. Yeats’ literary circle. The story of Gore-Booth’s life is captivating. Her close bond with her sister, an iconic Irish nationalist, provides a new insight into Countess Markievicz’s personal life. Gore-Booth’s life story vividly traces her experiences of issues such as militant pacifism during the Great War, the case for the reprieve of Roger Casement’s death sentence, sexual equality in the workplace and the struggle for Irish independence.
Imprisoned for the bizarre murder of her lover, Eva Medina Canada recalls a life tormented by sexual abuse and emotional violence. Eva's Man is Gayl Jones's second novel.
Eva Peron en el cristal de la escritura propone el estudio del personaje literario Evita de la obra Eterna, escrita por la novelista argentina Mabel Pagano. Al considerar el numero de secuencias ficcionales sustentadas en eventos de la realidad vivida por el personaje politico de la Historia Argentina, el motivo de analisis se bifurca en el tratamiento de determinadas literaturas sobre Eva Peron, aparecidas en la ultima decada del siglo XX.
This exhibition and accompanying book offers the first opportunity to appreciate the resonances between the studio practices of Eva Hesse and Hannah Wilke. Growing up in Jewish emigre homes, both artists found themselves drawn to unconventional materials, such as latex, plastics, erasers, and laundry lint, which they used to make work that was viscerally related to the body. They shared an interest in repetition to amplify the absurdity of their work. These repeated forms--whether Hesse's spiraling breast or Wilke's labial fold--sought to confront the phallo-centricism of twentieth-century sculpture with a texture that might capture a more intimate, psychologically charged experience. Eleanor Nairne, the curator of the exhibition, writes the lead essay, followed by texts by Jo Applin and Anne Wagner. An extensive chronology by Amy Tobin includes primary-source materials, which bring a new history of how both artists' work sits in relation to the wider New York scene. Also included are excerpts of both artists' writing.
Eva Mirabal (Eah-Ha-Wa, Fast Growing Corn, 1920-1968) studied for six years at the Dorothy Dunn Studio art program in Santa Fe, where she was a favorite of the program's founder and served as an assistant to Dunn's successor, Geronima Montoya (P'Otsunu, 1915-2015, Ohkay Owingeh Pueblo). By the time she was twenty years old, Mirabal was exhibiting in museums and galleries across the country. Mirabal's first exposure to art was through her father Pedro Mirabal who was a popular model, along with Eva's father-in-law Geronimo Gomez, for members of the Taos Art Society and for modern artists who came to Taos as part of Mabel Dodge Luhan's circle. Pedro sat for a bronze bust created by Maurice Sterne and for a portrait by Nicolai Fechin, Pietro, now in the collections of the Eiteljorg Museum of American Indians and Western Art. Gomez, one of the leaders of the Peyote religion at Taos Pueblo, is the non-traditional figure depicted in Ernest Blumenschein's controversial painting Star Road and White Sun. During World War II, Eva enlisted in the Woman's Army Corp (WACs) in 1943, the only WAC assigned as a full-time artist. She was very likely the first Native American woman to publish a comic strip, the feisty G. I. Gertie. During the same period, she worked on two significant mural commissions. After the war, Eva was a visiting professor of art at Southern Illinois Normal University. Following her return to Taos Pueblo, she studied at the Taos Valley Art School on the GI Bill. Throughout her lifetime, her paintings and murals received national acclaim. After her death in 1968, Eva's teenage sons discovered a treasure trove of her life story. In a huge pine box that she had nailed shut, she placed scores of her drawings; family photographs; diary entries; newspaper clippings; and hundreds of letters related to her life and work that she received from curators, gallery owners, friends, and teachers over the years. Drawing on this rich and invaluable archive, as well as on interviews with family members, Rudnick tells the story of Eva's brilliant but brief and impactful career as a Taos Pueblo artist, along with the story of the artistic legacy carried on by her son Jonathan Warm Day Coming.
Eva's World is the story of a transgender pansexual hard-working woman that travels the world for business and pleasure. She and her three friends Linda, Olympia and Victoria come together regularly, talk about their lives, their loves and their expectations. Two of these girls are transgender, the other two are cisgender - their lives and expectations are similar, just some small differences. This is a positive book about life as a very privileged transgender person, about traveling, about fun, expectations but above all about love. Yes, transgender women are women. They live, they love, and they can be quite normal. All I ask is that you open your eyes.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
