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1000 tulosta hakusanalla Freeman Philip

Freeman-McFarlin Pottery

Freeman-McFarlin Pottery

Nancy Kelly

Schiffer Publishing Ltd
2013
nidottu
This is the first book devoted entirely to the vast array of wonderful animal sculptures and decorative items produced by Freeman-McFarlin Pottery, located in California from 1951 through 1980. This book contains over 480 vivid photos and vintage catalog pages, interviews with former employees, and a price guide. Learn the story of the overlapping histories of other California Potteries owned by Gerald McFarlin prior to his partnership with Maynard Anthony Freeman, including Tudor Pottery, Rio Hondo, and McFarlin Potteries. The early years are defined by cute miniature animals and plain-looking pottery. Once the partnership flourished, the animals and tableware became larger, bolder, and much more innovative. The history includes two factories, numerous artists, a devastating fire, the sale of the company to International Multifoods of Minnesota, and ultimately, the sale to Hagen-Renaker, a well-known California Pottery, in 1980.
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Freeman's: Love

Freeman's: Love

John Freeman

Black Cat
2020
nidottu
In a time of contentiousness and flagrant abuse, it often feels as if our world is run on hate. Invective. Cruelty and sadism. But is it possible the greatest and most powerful force is love? In the newest issue of this acclaimed series, Freeman's Love asks this question, bringing together literary heavyweights like Tommy Orange, Anne Carson, Louise Erdrich, and Nobel Prize winner Olga Tokarczuk alongside emerging writers such as Gunnhild Oyehaug and Semezdin Mehmedinovic.Mehmedinovic contributes a breathtaking book-length essay on the aftermath of his wife's stroke, describing how the two reassembled their lives outside their home country of Bosnia. Richard Russo's charming and painful "Good People" introduces us to two sets of married professors who have been together for decades, and for whom love still exists, but between the wrong pair. Haruki Murakami tells the tale of a one-night stand that feels like a dying sun.Together, the pieces comprise a stunning exploration of the complexities of love, tracing it from its earliest stirrings, to the forbidden places where it emerges against reason, to loss so deep it changes the color of perception. In a time when we need it the most, this issue promises what only love can bring: a solace of complexity and warmth.
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Freeman's: Change

Freeman's: Change

Black Cat
2021
nidottu
The Covid-19 pandemic forced many of us to reimagine our homes, work, relationships, and adapt to a new way of life-one with far fewer possibilities for interaction. And yet, in this period of intense isolation, we've faced dilemmas which are nearly universal. How to love, to care for aging parents, to find a home, attend to a planet in flux, fight for justice. This vast range of experiences is captured by our greatest storytellers, essayists, and poets, in the new issue of Freeman's: Change.Some pieces explore the small moments that serve as new routines in a life lived at home, as in Joshua Bennett's essay, where a Coltrane playlist sets the stage for early morning dances with his newborn son as they watch the sun come up. Alejandro Zambra remembers the homes of his past, his dog and cat in New York, his old collection of Chilean literature, homes and possessions he lets go of when he makes a new family in Mexico.Sometimes, it's the absence of change that drives us to the edge. In Lina Mounzer's "The Gamble," a father's incessant hope for a better life festers and sinks the whole family after they leave Lebanon during the Civil War. In Kamel Daoud's heartbreaking tale, a widow's attempt to retreat into the unchanging past edits her son right from her reality. And in "Final Days," Sayaka Murata imagines a future without aging, where people must choose how and when they want to die, consulting guidebooks like Let's Die Naturally Super Deaths for Adults & The Best Spots.With new writing from Julia Alvarez, Sandra Cisneros, Zahia Rahman, Yoko Ogawa, Yasmine El Rashidi, Lina Meruane, and Aleksandar Hemon, and featuring work from never-before-published writers like Elizabeth Ayre, Freeman's: Change opens a window into the many-sided ways we adapt.
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Freeman's: Animals

Freeman's: Animals

John Freeman

GROVE PRESS / ATLANTIC MONTHLY PRESS
2022
nidottu
Featuring new work from Mieko Kawakami, Mart n Espada, Kali Fajardo-Anstine, Arthur Sze, Camonghne Felix, and more, the latest installment of the acclaimed literary journal Freeman's explores the irrevocably intertwined lives of animals and the humans that exist alongside themOver a century ago, Rilke went to the Jardin des Plantes in Paris, where he watched a pair of flamingos. A flock of other birds screeched by, and, as he describes in a poem, the great red-pink birds sauntered on, unphased, then "stretched amazed and singly march into the imaginary." This encounter--so strange, so typical of flamingos, with their fabulous posture--is also still typical of how we interact with animals. Even as our actions threaten their very survival, they are still symbolic, captivating and captive, caught in a drama of our framing This issue of Freeman's tells the story of that interaction, its costs, its tendernesses, the mythological flex of it. From lovers in a Chiara Barzini story, falling apart as a group of wild boars roams in their Roman neighborhood, to the soppen emergency birth of a cow on a Wales farm, stunningly described by Cynan Jones, no one has the moral high ground here. Nor is this a piece of mourning. There's wonder, humor, rage, and relief, too.Featuring pigeons, calves, stray dogs, mascots, stolen cats, and bears, to the captive, tortured animals who make up our food supply, powerfully described in Nobel Prize winner Olga Tokarczuk's essay, this wide-ranging issue of Freeman's will stimulate discussion and dreams alike.
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Freeman's: Conclusions

Freeman's: Conclusions

John Freeman

GROVE PRESS / ATLANTIC MONTHLY PRESS
2023
nidottu
Featuring new work from Rebecca Makkai, Aleksandar Hemon, Rachel Khong, Louise Erdrich, and more, the tenth and final installment of the boundary-pushing literary journal Freeman's, which explores all the ways of coming to an endOver the course of ten years, Freeman's has introduced the English-speaking world to countless writers of international import and acclaim, from Olga Tokarczuk to Valeria Luiselli, while also spotlighting brilliant writers working in English, from Tommy Orange to Tess Gunty. Now, in its last issue, this unique literary project ponders all the ways of reaching a fitting conclusion.For Sayaka Murata, keeping up with the comings and goings of fashion and its changing emotional landscapes can mean being left behind, and in her poem "Amenorrhea," Julia Alverez experiences the end of the line as menopause takes hold. Yet sometimes an end is merely a beginning, as Barry Lopez meditates while walking through the snowy Oregonian landscapes. While Chinelo Okparanta's story "Fatu" confronts the end of a relationship under the specter of new life, other writers look towards aging as an opportunity for rebirth, such as Honor e Fanonne Jeffers, who takes on the role of being her own elder, comforting herself in the ways that her grandmother used to. Finally, in his comic story "Everyone at Dinner Has a Max Von Sydo Story," Dave Eggers suggests that sometimes stories don't have neat or clean endings--that sometimes the middle is enough.With new writing from Sandra Cisneros, Colum McCann, Omar El Akkad, and Mieko Kawakami, Freeman's: Conclusions is a testament to the startling power of literature to conclude in a state of beauty, fear, and promise.
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A Letter from a Freeman of the City of Chester, to His Friend in London; Containing a True State of the Merits of the Late Elections There

A Letter from a Freeman of the City of Chester, to His Friend in London; Containing a True State of the Merits of the Late Elections There

Freeman of the City of Chester

Gale Ecco, Print Editions
2010
pokkari
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT077393London: printed in the year, 1733. 2],28p.; 2
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A Letter From a Freeman of the City of Chester, to his Friend in London; Containing a True State of the Merits of the Late Elections There

A Letter From a Freeman of the City of Chester, to his Friend in London; Containing a True State of the Merits of the Late Elections There

Freeman of the City of Chester

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT077393London: printed in the year, 1733. 2],28p.; 2
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Freeman Yellowbird

Freeman Yellowbird

Raymond (Kelly) Gysler

Lulu.com
2018
pokkari
Navy Seal Team Leader Freeman Yellowbird returns home and must become the interim Chief of Police. He becomes involved in a murder mystery involving a serial killer who may or may not have killed Freeman's mother. The trail leads him to human trafficking and rampant drug abuse on the Reservation. Someone is trying to kill him and he has no idea who or why.
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Freeman Farm

Freeman Farm

Bruce C Smith

LifeRich
2022
sidottu
It is seemingly another ordinary workday in an imports warehouse in Marietta, Georgia, as Burke Wickstrom unlocks his office door. What he does not expect as he flips on the lights is to see the dark muzzle of a DEA agent's pistol pointed at his face. Moments later, Burke is under arrest, a suspect in a terrible crime. Released after his story checks out, Burke, now unemployed and uncertain how to move forward, sells most of his material possessions and decides to visit his elderly uncle, Luther, at the old Freeman Farm in northern Minnesota, a place that holds fond childhood memories. As Burke renews family bonds and embraces a simpler lifestyle, he agrees to stay and help Luther with the farm. But while on this new path, Burke begins to realize that life might be leading him just where he needs to be.
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Freeman Farm

Freeman Farm

Bruce C Smith

LifeRich
2022
pokkari
It is seemingly another ordinary workday in an imports warehouse in Marietta, Georgia, as Burke Wickstrom unlocks his office door. What he does not expect as he flips on the lights is to see the dark muzzle of a DEA agent's pistol pointed at his face. Moments later, Burke is under arrest, a suspect in a terrible crime. Released after his story checks out, Burke, now unemployed and uncertain how to move forward, sells most of his material possessions and decides to visit his elderly uncle, Luther, at the old Freeman Farm in northern Minnesota, a place that holds fond childhood memories. As Burke renews family bonds and embraces a simpler lifestyle, he agrees to stay and help Luther with the farm. But while on this new path, Burke begins to realize that life might be leading him just where he needs to be.
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Freeman or Serf: The Road to Financial Freedom

Freeman or Serf: The Road to Financial Freedom

James D. a. Terry

Createspace Independent Publishing Platform
2017
nidottu
You will realize, perhaps for the first time, as you journey with me through the pages of this book that you are a slave to lenders and a government serf. You can escape the shackles and have the life you've always dreamed of. The answer you seek is hidden in plain sight.You too can create a life you won't need a vacation from.
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Freeman's Animals

Freeman's Animals

John Freeman

GROVE PRESS / ATLANTIC MONTHLY PRESS
2022
nidottu
Over a century ago, Rilke went to the Jardin des Plantes in Paris, where he watched a pair of flamingos. A flock of other birds screeched by, and, as he describes in a poem, the great red-pink birds sauntered on, unphased, then 'stretched amazed and singly march into the imaginary.' This encounter - so strange, so typical of flamingos with their fabulous posture - is also still typical of how we interact with animals. Even as our actions threaten their very survival, they are still symbolic, captivating and captive, caught in a drama of our framing.This issue of Freeman's tells the story of that interaction, its costs, its tendernesses, the mythological flex of it. From lovers in a Chiara Barzini story, falling apart as a group of wild boars roams in their Roman neighbourhood, to the soppen emergency birth of a cow on a Wales farm, stunningly described by Cynan Jones, no one has the moral high ground here. Nor is this a piece of mourning. There's wonder, humour, rage and relief, too.Featuring pigeons, calves, stray dogs, mascots, stolen cats, and bears, to the captive, tortured animals who make up our food supply, powerfully described in Nobel Prize winner Olga Tokarczuk's essay, this wide-ranging issue of Freeman's will stimulate discussion and dreams alike.
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Freeman's Change

Freeman's Change

John Freeman

Grove Press / Atlantic Monthly Press
2021
nidottu
The Covid-19 pandemic forced many of us to reimagine our homes, work, relationships and adapt to a new way of life - one with far fewer possibilities for interaction. And yet, in this period of intense isolation, we've faced dilemmas which are nearly universal. How to love, to care for aging parents, to find a home, attend to a planet in flux, fight for justice. This vast range of experiences is captured by our greatest storytellers, essayists and poets in Freeman's: Change.Some pieces explore the small moments that serve as new routines in a life lived at home, as in Joshua Bennett's essay, where a Coltrane playlist sets the stage for early morning dances with his newborn son. Sometimes, it's the absence of change that drives us to the edge. In Lina Mounzer's 'The Gamble,' a father's incessant hope for a better life festers and sinks the whole family after they leave Lebanon during the Civil War. And in 'Final Days,' Sayaka Murata imagines a future without aging, where people must choose how and when they want to die, consulting guidebooks like Let's Die Naturally! Super Deaths for Adults & The Best Spots.With new writing from Julia Alvarez, Sandra Cisneros, Zahia Rahman, Yoko Ogawa, Yasmine El Rashidi, Lina Meruane and Aleksandar Hemon, and featuring work from never-before-published writers like Elizabeth Ayre, Freeman's: Change opens a window into the many-sided ways we adapt.
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Freeman's Love

Freeman's Love

John Freeman

Grove Press / Atlantic Monthly Press
2020
nidottu
Day by day, tweet by tweet, it often feels like our world is run on hate. Invective. Cruelty and sadism. But is it possible the greatest and most powerful force is love? In the newest issue of this acclaimed series, Freeman's Love asks this question, bringing together literary heavyweights like Richard Russo, Anne Carson, Sandra Cisneros, Louise Erdrich, Haruki Murakami, Tommy Orange and Nobel Prize winner Olga Tokarczuk alongside emerging writers such as Andres Felipe Solano and Semezdin Mehmedinovic.Together, the pieces comprise a stunning exploration of the complexities of love, tracing it from its earliest stirrings, to the forbidden places where it emerges against reason, to loss so deep it changes the color of perception. In a time of contentiousness and flagrant abuse, this issue promises what only love can bring: a balm of complexity and warmth.
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Freeman's California

Freeman's California

John Freeman

Grove Press / Atlantic Monthly Press
2019
nidottu
The sixth volume in the series that has been hailed by NPR, O Magazine and Vogue, Freeman's: California features stunning new work from a broad selection of writers, revealing everything that is important and fascinating about America's most populous state.In Freeman's: California, Lauren Markham describes how four generations of her family have lived in and tried to manipulate the water in one of the driest parts of the state and how water and land means everything. Rabih Alameddine recounts becoming a bartender in the mid-1980s as his friends began to die of AIDS. Rachel Kushner reminisces on all the amazing cars she's owned and their peculiar, vivid personalities. Natalie Diaz narrates the process of making her body into a professional basketball player, and how that assembly stalled some of the internal vulnerabilities she'd felt as a gay native woman growing up in California. And Elaine Castillo visits her brother in prison.Amid the raging the forest fires plaguing California, William T. Vollmann drives to the Carr fire and sees how fire has become the new state of normality for California. And Jaime Cortez riffs on pulling over at a rest-stop and smelling the fires of Paradise burning.Meanwhile home is in transition as Karen Tei Yamashita recalls a Japanese-American who goes to Japan after the dropping of the bomb, writing back and forth. Reyna Grande explores how her mother fell out of society and became a woman who collects recycling, while she and her siblings have become model immigrants.Also featuring a haunting ghost story from Oscar Villalon, bold new fiction from Tommy Orange, and stunning poems from Mai Der Vang, Juan Felipe Herrera, Maggie Millner and more, Freeman's: California assembles a diverse list of brilliant writers.
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