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1000 tulosta hakusanalla George Michell

Theoretische Elektrotechnik

Theoretische Elektrotechnik

Roland Süße; Ute Diemar; Georg Michel

Springer-Verlag Berlin and Heidelberg GmbH Co. K
2012
nidottu
Das Werk gliedert sich in die Kapitel: Anwendungen in Elektrotechnik, Elektronik und Elektromechanik; Lagrange- und Hamiltonformalismus; Elemente höherer Ordnung und ihre Anwendung; Berechnung und Modellierungselektrischer bzw. elektromechanischer Systeme. Die Anwendungen sind auf Ingenieure abgestimmt. Es werden Kenntnisse vorausgesetzt, wie sie das Grundstudium an einer Technischen Universität oder Hochschule in Mathematik, Physik, Elektrotechnik und Elektronik anbietet.
Correspondence – Georges Bataille and Michel Leiris

Correspondence – Georges Bataille and Michel Leiris

Georges Bataille; Michel Leiris; Liz Heron

SEAGULL BOOKS LONDON LTD
2023
nidottu
Including a number of short essays by Bataille and Leiris on aspects of the other's work as well as excerpts on Bataille from Leiris' diaries, this collection of correspondence throws new light on two of Surrealism's most radical dissidents. In the autumn of 1924, just before André Breton published the Manifeste du surréalisme, two young men met in Paris for the first time. Georges Bataille, 27, starting work at the Bibliothèque Nationale; Michel Leiris, 23, beginning his studies in ethnology. Within a few months, they were both members of the Surrealist group, although their adherence to Surrealism (unlike their affinities with it) would not last long: in 1930 they were among the signatories of "Un cadavre," the famous tract against Breton, the "Machiavelli of Montmartre," as Leiris put it. But their friendship would endure for more than 30 years, and their correspondence, assembled here for the first time in English, would continue until the death of Bataille in 1962.
Correspondence – Georges Bataille and Michel Leiris

Correspondence – Georges Bataille and Michel Leiris

Georges Bataille; Michel Leiris; Liz Heron

Seagull Books London Ltd
2008
sidottu
In the autumn of 1924, two young men met in Paris for the first time. Georges Bataille was just 27 and had recently started working at the Bibliotheque nationale. Michel Leiris, 23, was beginning his studies in ethnology. They discussed the idea of founding a movement which would displace Dada and of launching a magazine based in a brothel. Instead, within a few months, they both became members of the surrealist group. But their adherence to surrealism would not last long. In 1930 they were signatories to the infamous tract against Breton, the 'Machiavelli of Montmartre', as Leiris put it. But their own friendship would endure for more than thirty years and their correspondence, assembled here for the first time, would continue until the death of Bataille in 1962.As these letters show, their intellectual affinities were extensive and although they followed different trajectories - Leiris spending more and more time in Africa as an ethnologist, whilst Bataille remained in Paris developing the ideas on the sacred, sacrifice and eroticism for which he is best known - they continued to have a profound influence on each other. Including a number of short essays by each of them on aspects of the other's work, and excerpts on Bataille from Leiris' diaries, this collection of their correspondence throws new light on two of surrealism's most radical dissidents.
L'ataraxie chez Georges Perec et Michel Houellebecq

L'ataraxie chez Georges Perec et Michel Houellebecq

Jean Florent Romaric Gnayoro

Editions Universitaires Europeennes
2024
pokkari
Une logique dialogique et polyphonique de l' criture litt raire trouve un ancrage et s'harmonise autour d'une constance v hicul e chez Georges Perec et Michel Houellebecq, par l'entremise de l'ataraxie qui appara t comme une donn e majeure dans leurs romans respectifs que sont Les choses, une histoire des ann es soixante et La carte et le territoire.L'ataraxie chez ces auteurs se rapporte aux tranquillit s de l' me et de l'esprit qu'ont recherch es les personnages dans leur course au bonheur. Il reste pourtant, que la logique dialogique met en vidence l'expression artistique relevant d'une certaine disposition d'esprit, la fois des auteurs et du lecteur-spectateur. Lorsqu'ils cherchent clairer l'opinion, au prisme de l'ataraxie convoqu e dans les oeuvres romanesques tudi es, les auteurs par l'entremise d'une r f rentialit au monde r el, inh rent cette pratique, participent ins rer dans le processus litt raire une intertextualit relevant d'une logique polyphonique.
Haptic Experience in the Writings of Georges Bataille, Maurice Blanchot and Michel Serres

Haptic Experience in the Writings of Georges Bataille, Maurice Blanchot and Michel Serres

Crispin Lee

Peter Lang AG, Internationaler Verlag der Wissenschaften
2014
nidottu
Our sensory relationships with the social and biological world have altered appreciably as a result of recent developments in internet and other mobile communication technologies. We now look at a screen, we touch either the screen or a keyboard in response to what we see and, somehow, an element of our sensory presence is transmitted elsewhere. It is often claimed that this change in the way we perceive the world and each other is without precedent, and is solely the result of twenty-first-century life and technologies. This book argues otherwise. The author analyses the evolving portrayals of ‘haptic’ sensations – that is, sensations that are at once tactile and visual – in the theories and prose of the writer-philosophers Georges Bataille (1897–1962), Maurice Blanchot (1907-2003) and Michel Serres (1930–). In exploring haptic perception in the works of Bataille, Blanchot and Serres, the author examines haptic theories postulated by Aloïs Riegl, Laura U. Marks, Mark Paterson and Jean-Luc Nancy.