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1000 tulosta hakusanalla Gerbert Brunon

Gerber Architekten, Messe Karlsruhe

Gerber Architekten, Messe Karlsruhe

Edition Axel Menges
2005
sidottu
Text in English and German. Despite their usually very large volumes, works by Eckhard Gerber's Dortmund practice are structurally light and transparent, precise in their detail, and make an unmistakable impact on the urban space. Presenting the new exhibition centre in Karlsruhe, this Opus volume is devoted to a building complex with all the self-confidence of a city-within-a-city. Admittedly visitors are not aware of that until they have passed a breath-taking exhibition loggia whose daring roof, protruding powerfully along the whole length of the building, attracts attention even from a distance. The basic concept, tailored to the urban landscape, the functional ground-plan arrangement, the unusually subtle use of structures and materials for a large building of this kind, and not least the high design quality of all structural parts will certainly mean a high level of acceptance and a long future for the Neue Messe in Karlsruhe.
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Gerbera- Effect of macro & micro nutrients on growth, yield & vaselife

Gerbera- Effect of macro & micro nutrients on growth, yield & vaselife

Suresh Nethula; K Dhanumjaya Rao

LAP Lambert Academic Publishing
2018
pokkari
The experiment "Effect of fertigation with water soluble macro nutrients and spraying of chelated micro nutrients on growth, yield and Vase life of gerbera (gerbera jamesonii bolus ex. Hook) under saline water conditions of polyhouse" was conducted at Floricultural Research Station, College of Horticulture, Dr.Y.S.R. Horticulture University, Rajendranagar, Hyderabad during 2013-14. The experiment was laid out in split plot design with 12 treatments consisting different combinations of macro (water soluble NPK fertilizers at three levels 100%, 80%, 60% of RDF through Drip) and micro nutrients (foliar spray of micro nutrients Rexolin at four levels 0.5, 1, 1.5 and 2 gr. per liter).
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Gerbera-Anbau im Gewächshaus

Gerbera-Anbau im Gewächshaus

Vaishali Bhagat; Kalpesh Shinde; Mayuri Sasane

Verlag Unser Wissen
2024
pokkari
Die Gerbera ist eine wichtige Schnittblume mit einfachen und gef llten Bl ten. Die Farbvariationen, ihre Bedeutung, die Gr e der Bl ten, die Langlebigkeit und die breite Anwendbarkeit in der Kultur machen die Gerbera zu einer Blume der Wahl f r den Anbau in Indien. Vor allem in den Wintermonaten besteht auf den europ ischen M rkten eine gro e Nachfrage nach Gerbera, in Indien fast das ganze Jahr ber. Sie geh rt zu den Top Ten der Schnittblumen im weltweiten Blumenhandel und steht an f nfter Stelle im internationalen Blumenhandel.
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Gaylen Gerber

Gaylen Gerber

Jan Avgikos; Gaylen Gerber

Renaissance Society at the University of Chicago
1995
nidottu
The exhibition of Gerber's work at The Renaissance Society in 1992 marked the culmination of a ten-year period in which Gerber persistently painted the same opaque, monochromatic still-life over and over, in a bold artistic assertion that seeing is not believing but simply perceiving. This catalog is the first monograph publication of Gerber's work, and documents the artist's installations of these paintings at various international exhibitions, including Documenta 9 in 1992, and Robbin Lockett Gallery in Chicago in 1988. At the Society's exhibition, Gerber hung a single row of his paintings abutted end to end on a wall crossing the entire gallery space. Jan Avgiko's catalog essay, written in close tandem with Gerber, is a brilliant investigation of the role perceptual aesthetic theories play in the modernist and postmodernist monochrome.
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Steve Gerber

Steve Gerber

University Press of Mississippi
2019
nidottu
Steve Gerber (1947–2008) is among the most significant comics writers of the modern era. Best known for his magnum opus Howard the Duck, he also wrote influential series such as Man-Thing, Omega the Unknown, The Phantom Zone, and Hard Time, expressing a combination of intelligence and empathy rare in American comics.Gerber rose to prominence during the 1970s. His work for Marvel Comics during that era helped revitalize several increasingly clichéd generic conventions of superhero, horror, and funny animal comics by inserting satire, psychological complexity, and existential absurdism. Gerber's scripts were also often socially conscious, confronting, among other things, capitalism, environmentalism, political corruption, and censorship. His critique also extended into the personal sphere, addressing such taboo topics as domestic violence, racism, inequality, and poverty. This volume follows Gerber's career through a range of interviews, beginning with his height during the 1970s and ending with an interview with Michael Eury just before Gerber's death in 2008. Among the pieces featured is a 1976 interview with Mark Lerer, originally published in the low-circulation fanzine Pittsburgh Fan Forum, where Gerber looks back on his work for Marvel during the early to mid-1970s, his most prolific period. This volume concludes with selections from Gerber's dialogue with his readers and admirers in online forums and a Gerber-based Yahoo Group, wherein he candidly discusses his many projects over the years. Gerber's unique voice in comics has established his legacy. Indeed, his contribution earned him a posthumous induction into the Will Eisner Comic Book Hall of Fame.
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Steve Gerber

Steve Gerber

University Press of Mississippi
2019
sidottu
Steve Gerber (1947–2008) is among the most significant comics writers of the modern era. Best known for his magnum opus Howard the Duck, he also wrote influential series such as Man-Thing, Omega the Unknown, The Phantom Zone, and Hard Time, expressing a combination of intelligence and empathy rare in American comics.Gerber rose to prominence during the 1970s. His work for Marvel Comics during that era helped revitalize several increasingly clichéd generic conventions of superhero, horror, and funny animal comics by inserting satire, psychological complexity, and existential absurdism. Gerber's scripts were also often socially conscious, confronting, among other things, capitalism, environmentalism, political corruption, and censorship. His critique also extended into the personal sphere, addressing such taboo topics as domestic violence, racism, inequality, and poverty. This volume follows Gerber's career through a range of interviews, beginning with his height during the 1970s and ending with an interview with Michael Eury just before Gerber's death in 2008. Among the pieces featured is a 1976 interview with Mark Lerer, originally published in the low-circulation fanzine Pittsburgh Fan Forum, where Gerber looks back on his work for Marvel during the early to mid-1970s, his most prolific period. This volume concludes with selections from Gerber's dialogue with his readers and admirers in online forums and a Gerber-based Yahoo Group, wherein he candidly discusses his many projects over the years. Gerber's unique voice in comics has established his legacy. Indeed, his contribution earned him a posthumous induction into the Will Eisner Comic Book Hall of Fame.
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Der Gerber, Der Kulturbringer

Der Gerber, Der Kulturbringer

Heidemarie Doganalp-Votzi

Peter Lang AG
1997
nidottu
Der gesamte Kosmos des Osmanischen Imperiums ist noch immer eine Landkarte mit weissen Flecken. Erstmals wird versucht, die handwerkliche Guterproduktion Vorderasiens und die spezifische Rolle der Lederhandwerke in ihren verschiedensten Aspekten zu erfassen. Dargestellt werden historische Formierung, Veranderung und Widerspruche. Eine Analyse der Kontinuitaten und Diskontinuitaten fuhrt zur Herausarbeitung der Zunftorganisation als politisch-religioses Produktionsverhaltnis stadtisch-osmanischer Zivilisation. Die Untersuchung der Herausbildung dreier spezifischer -Technologie-Kreise- (westlich-anatolisch, nordostlich-armenisch, sudostlich-kurdisch-armenisch) offnet den Blick fur multi-ethnische und multi-konfessionelle Raume und Zeiten."
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