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1000 tulosta hakusanalla Janet Allen
2021 Goldie Winner Unconventional archaeologist, Dr. Cassandra Stillwell, seeks to solve the 3500-year-ago murder of a female pharaoh, Hatshepsut. She and her young assistant, Ari Morgan, travel to Luxor, Egypt in search of Hatshepsut's mummy. Their quest is complicated by a modern-day murder, an inept police detective, an over-zealous government minister, and an ancient curse. Will Cass and Ari solve the murder and find Hatshepsut-and love-among the ancient tombs of the Valley of the Kings?
A new kind of songbook emerged in the later fifteenth century: personalized, portable, and lavishly decorated. Five closely related chansonniers, copied in the Loire Valley region of central France c. 1465-c. 1475, are the earliest surviving examples of this new genre. The Loire Valley Chansonniers preserve the music of such renowned composers as Guillaume Du Fay, Johannes Ockeghem, and Antoine Busnoys. But their importance as musical sources has overshadowed the significance of these manuscripts as artifacts in their own right. This book places the physical objects at center, investigating the means by which they were produced and the broader culture in which they circulated. Jane Alden performs a codicological autopsy upon the manuscripts and reveals the hitherto unrecognized role of scribes in shaping the transmission and reception of the chanson repertory. Alden also challenges the long-held belief that the Loire Valley Chansonniers were intended for royal or noble patrons. Instead, she argues that a rising class of bureaucrats—notaries, secretaries, and other court officials—commissioned these exquisite objects. Active as writers and participants in poetry competitions, these individuals may even have written some of the chansons' texts. The unique integration of image, text, and music found in chansonniers extends their appeal to a broad readership. But for the nineteenth-century scholars who rediscovered these manuscripts, the larger literary and visual resonances were not of primary interest. Alden documents the tangle of motivations—national identity, populist politics, and the rise of the musical masterwork—that informed the earliest writings on these books. Only now is their multifaceted structure the inspiration for a new generation of readers.
David Alden's Daughter - And Other Stories of Colonial Times is an unchanged, high-quality reprint of the original edition of 1892. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Betty Alden - the first-born daughter of the Pilgrims is an unchanged, high-quality reprint of the original edition of 1891. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
