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1000 tulosta hakusanalla Jean MacColl

Jean Rhys at "World's End"

Jean Rhys at "World's End"

Mary Lou Emery

University of Texas Press
2011
nidottu
The Caribbean Islands have long been an uneasy meeting place among indigenous peoples, white European colonists, and black slave populations. Tense oppositions in Caribbean culture-colonial vs. native, white vs. black, male conqueror vs. female subject-supply powerful themes and spark complex narrative experiments in the fiction of Dominica-born novelist Jean Rhys. In this pathfinding study, Mary Lou Emery focuses on Rhys's handling of these oppositions, using a Caribbean cultural perspective to replace the mainly European aesthetic, moral, and psychological standards that have served to misread and sometimes devalue Rhys's writing.Emery considers all five Rhys novels, beginning with Wide Sargasso Sea as the most explicitly Caribbean in its setting, in its participation in the culminating decades of a West Indian literary naissance, and most importantly, in its subversive transformation of European concepts of character. From a sociocultural perspective, she argues persuasively that the earlier novels-Voyage in the Dark, Quartet, After Leaving Mr. Mackenzie, and Good Morning, Midnight-should be read as emergent Caribbean fiction, written in tense dialogue with European modernism. Building on this thesis, she reveals how the apparent passivity, masochism, or silence of Rhys's female protagonists results from their doubly marginalized status as women and as subject peoples. Also, she explores how Rhys's women seek out alternative identities in dreamed of, magically realized, or chosen communities.These discoveries offer important insights on literary modernism, Caribbean fiction, and the formation of female identity.
Jean Stafford

Jean Stafford

Charlotte Margolis Goodman

University of Texas Press
1990
nidottu
One of America's best short story writers and author of three fine novels, Boston Adventure (1944), The Mountain Lion (1947), and The Catherine Wheel (1952), Jean Stafford has been rediscovered by another generation of readers and scholars. Although her novels and her Pulitzer Prize–winning short stories were widely read in the 1940s and 1950s, her fiction has received less critical attention than that of other distinguished contemporary American women writers such as Carson McCullers, Flannery O'Connor, and Eudora Welty. In this literary biography, Charlotte M. Goodman traces the life of the brilliant yet troubled Jean Stafford and reassesses her importance. Drawing on a wealth of original material, Goodman describes the vital connections between Stafford's life and her fiction. She discusses Stafford's difficult family relationships, her tempestuous first marriage to the poet Robert Lowell, her unresolved conflicts about gender roles, her alcoholism and bouts with depression-and her amazing ability to transform the chaotic details of her life into elegant works of fiction. These wonderfully crafted works offer insightful portraits of alienated and isolated characters, most of whom exemplify not only human estrangement in the modern world, but also the special difficulties of girls and women who refuse to play traditional roles. Goodman locates Jean Stafford within the literary world of the 1940s and 1950s. In her own right, and through her marriages to Robert Lowell, Life magazine editor Oliver Jensen, and journalist A. J. Liebling, Stafford associated with many of the major literary figures of her day, including the Southern Fugitives, the New York intellectual coterie, and writers for the New Yorker, to which she regularly contributed short stories. Goodman also describes Stafford's sustaining friendships with other women writers, such as Evelyn Scott and Caroline Gordon, and with her New Yorker editor, Katharine S. White. This highly readable biography will appeal to a wide audience interested in twentieth-century literature and the writing of women's lives.
Jean-Claude Grumberg

Jean-Claude Grumberg

Jean-Claude Grumberg

University of Texas Press
2014
nidottu
Winner of seven Molières, the Pulitzer Prize of France, Jean-Claude Grumberg is one of France’s leading dramatists and a distinguished voice of modern European Jewry after the Shoah. His success in portraying contemporary Parisian Jews on the stage represents a new development in European theater and a new aesthetic expression of European Jewish experience and sensibility of the Holocaust and its aftermath, a perspective quite different from either the American or the Israeli one. Grumberg’s Jews are French to their fingertips, yet they have been made more consciously Jewish by the war and the difficulties of reintegrating into a society in which too many neighbors denounced them or ignored their pleas to save their children. Affirming the new status of Jewish culture, Grumberg’s plays insist on the recognition of Jewish identity and uniqueness within the majority societies of Europe.This volume offers the first English translation of three of Grumberg’s prize-winning plays: The Workplace (L’Atelier, 1979), On the Way to the Promised Land (Vers toi Terre promise, 2006) and Mama’s Coming Back, Poor Orphan (Maman revient, pauvre orphelin, 1994). Presented in the order of the history they record and steeped in Grumberg’s personal experience and insights into contemporary Parisian life, these plays serve as documentary witnesses that begin with the immediate postwar reality and continue up to the end of the twentieth century. Seth Wolitz provides notes on the plays’ themes, structures, characters, and settings, along with an introduction that discusses Grumberg’s place within the emergence of French-Jewish drama and a translation of an interview with the playwright himself.
Jean-Luc Godard

Jean-Luc Godard

Bert Rebhandl

UNIVERSITY OF WISCONSIN PRESS
2023
sidottu
In this biography, now translated into English for the first time, Bert Rebhandl provides a balanced evaluation of the work of one of the most original and influential film directors of all time: Jean-Luc Godard (1930–2022). In this sympathetic yet critical overview, he argues that Godard's work captured the revolutionary spirit of Paris in the late 1960s as no other filmmaker has dared, and in fact reinvented the medium. Rebhandl skillfully weaves together biographical details; information about the cultural, intellectual, and cinematic milieu over the decades; and descriptions of Godard’s most significant films to support his assertion that the director was a permanent revolutionary—always seeking new ways to create, understand, and comment on film within a larger context. He views Godard as an artist consistently true to himself while never ceasing to change and evolve, often in unexpected, radical, and controversial ways. Rebhandl is known as a journalist with deep insights and lucid prose. Despite the wealth of material to analyze, he neither gets lost in the details nor offers a superficial gloss, even while directly tackling such topics as the long-standing charges of antisemitism against Godard and his oeuvre. This volume will be welcome to both casual fans and dedicated devotees.
Jean Toomer: Writer for a New America

Jean Toomer: Writer for a New America

George Hutchinson; George Hutchinson

YALE UNIVERSITY PRESS
2026
sidottu
A critical biography of Harlem Renaissance writer Jean Toomer and his lifelong struggle to transcend race, by an award-winning author The poet and novelist Jean Toomer (1894-1967) was among the most influential figures of the Harlem Renaissance, inspiring generations of Black writers with his 1923 modernist masterwork Cane. Yet his mission was to awaken Americans to the formation of a new "American" race that would supersede the "old" racial categories. Award-winning biographer George Hutchinson reveals how Toomer's racial theory shaped both his literary genius and his personal struggles. Born into the Black elite in Washington, D.C., Toomer was highly sensitive to the color line and able to move across it. Toomer engaged in a lifelong struggle to be released from this system, reinventing himself racially, spiritually, and artistically not as a Black man but as a "superman." From his early attraction to physical culture through his search for Cosmic Consciousness, Toomer aspired to shape a new modern sensibility alongside his bohemian contemporaries Georgia O'Keeffe, Alfred Stieglitz, Langston Hughes, and Nella Larsen. Yet his refusal to identify as Black, in tandem with his messianic calling, came at the cost of his literary career and the women who loved him. Hutchinson shows how the tortures of American racism shaped Toomer's life--and how the struggle to birth a new "American" identity marks his art.
Jean Paul Gaultier: The Complete Collections
Each womenswear collection from Jean Paul Gaultier--125 in all--is celebrated through runway photography that reveals the visual drama and creative extremes of his designs Jean Paul Gaultier (b. 1952) is a renowned French fashion designer known for his avant-garde and boundary-pushing creations--one of his most iconic works is the conical bra that found fame on Madonna's "Blond Ambition" tour in 1990. Often referred to as fashion's enfant terrible, he reenergized and reimagined the possibilities of fashion starting in the late 1970s, blurring boundaries between masculine and feminine, and between "high" and "low" culture, and celebrating models of different ethnicities and ages. This book--the tenth volume in the acclaimed Catwalk series--opens with a concise history of the house and a brief biographical profile of Jean Paul Gaultier before diving into a rich visual exploration of the collections. Each collection is introduced by a short essay citing its influences and highlights and is illustrated with carefully curated catwalk images that showcase the hundreds of spectacular clothes, details, accessories, beauty looks, and set designs--and, of course, the top fashion models and celebrities who walked runways in his clothes, from Linda Evangelista, Madonna, Kate Moss, and Bjork to Gigi and Bella Hadid. Cloth-bound in the Gaultier house's signature marini re stripes and featuring more than 1,000 photographs, the book is a testament to the creative genius of a fashion legend.
Jean Renoir

Jean Renoir

André Bazin

Da Capo Press Inc
1992
pokkari
This classic in the literature of cinema represents the convergence of the three leading figures of French film: Jean Renoir, universally considered the greatest French director André Bazin, the outstanding French film critic and theorist and François Truffaut, the pioneer of la nouvelle vague. Bazin left this examination of Renoir's films unfinished when he died in 1958 Truffaut collected and edited the essays, and added a comprehensive filmography in which Bazin, Truffaut, Jacques Rivette, Jean-Luc Godard, Eric Rohmer, and other Cahiers du Cinéma regulars comment on the films. Here are brilliant insights into the whole of Renoir's oeuvre, from the avant-garde fantasy of La Petite Marchande d'Allumettes, through the epic humanism of Grand Illusion and The Rules of the Game, to the quiet grace of The River and the profound theatricality of The Golden Coach. Bazin shows why Renoir is the critical figure in the development of cinema since the silent era, and how he went beyond montage to give the art new expressive potential. Renoir's work constitutes one of the most fully and beautifully elabourated visions in contemporary art, and nowhere is this humanistic vision better illuminated than in this book.
Jean Stafford

Jean Stafford

David Roberts

St. Martins Press-3pl
2003
nidottu
Jean Stafford burst on the literary scene in 1944, when, at the age of twenty-nine, she published her bestselling novel, Boston Adventure. Three years later, Life magazine hailed her as the "most brilliant of the new fiction writers." Bafflingly, for the rest of her life, Stafford would struggle--and fail--to capitalize on that early promise. David Roberts' compelling biography examines Stafford's disastrous marriages, including her first marriage to the volatile poet Robert Lowell, which culminated for her in a lengthy stay in a psychiatric hospital. Beautiful and gifted, Stafford squandered her health as well as her talent, ending her life embittered and alone.
The Onion Presents a Book of Jean's Own!

The Onion Presents a Book of Jean's Own!

Jean Teasdale; Rick (CON) Teasdale

Saint Martin's Griffin,U.S.
2010
pokkari
A few words from the author and eponymous columnist behind "The Onion's" column, "A Room of Jean's Own," Jean Teasdale: Hi Jeanketeers and Jeanketeers-to-be!! As The "Onion's" very own humour and human-interest columnist, I've been entertaining readers for fifteen years with kooky tales of life with my hubby and our two feline children. Now for the first time, li'l ol' me shines front-and-center in a book of my very own! "A Book of Jean's Own!" features all-original, never-before-published material, and if that wasn't impressive enough, marks the very first "Onion" book by a solo writer! Historical, huh? My book is sure to find an eager audience among The "Onion's" ten million-strong readership. Wait, ten million people? I had no idea! Frankly, that scares me a little. We're not in Kansas anymore, Toto! (Oh shoot, I should have put that hilarious phrase in my book!) "A Book of Jean's Own!" also marks a departure from past "Onion" books in that it isn't crammed with headlines and articles in teeny-weeny print! Instead, I write about the stuff that really matters: shopping, chocolate, part-time jobs, and hot Hollywood hunks!Whether you read my book on the bus, the beach, or the toilet, you're guaranteed to find something to chuckle at and deeply relate to!
Jean Langlais

Jean Langlais

Kathleen Thomerson

Greenwood Press
1988
sidottu
This is the first book on the French composer Jean Langlais to be published in English and also the first to provide complete information on all of his published works plus 86 unplubished compositions, and eleven orchestral works. This book traces Langlais' development from his early years of study at the National Institute for the Young Blind, through his long and active career as composer, church musician, and concert organist, and explores the impact that Langlais' hard work, determination, and talent have had on the musical world. It is divided into five major sections, including a biography, interviews, works and performances, a discography, and a bibliography. Listing 240 compositions written between 1927 and 1987, and containing a complete discography of both commercially produced and privately released recordings, the major portion of this volume is an annotated bibliography of writings by and about Langlais, with 536 entries, covering the years from 1926 to 1987, when he celebrated his eightieth birthday. Categories include general references, individual compositions, improvisations, reviews of recordings, nonprint sources, and archive information. There is valuable information on premieres, reactions to Langlais' works and performances, recital programs, and correspondence. The opus numbers, recently completed by Marie-Louise Jaquet-Langlais, the composer's wife, are published here for the first time in a chronological list of compositions, and the index section covers works, authors and translators, and general information.