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Marina Tsvetaeva – To Die in Yelabuga

Marina Tsvetaeva – To Die in Yelabuga

Vénus Khoury–ghata; Teresa Lavender Fagan

SEAGULL BOOKS LONDON LTD
2023
sidottu
A biographic novel that captures the tempestuous and moving life of the poet Marina Tsvetaeva. The life of Marina Tsvetaeva (1892–1941) coincided with turbulent years in Russian history. She was an eminent Russian poet and a passionate lover involved with several men at the same time, including Rilke, who chose Lou Andreas-Salomé over her, and Pasternak, who married someone else, but protected her until her death. Her life included many trials such as her poverty during the grueling Russian civil war, her young daughter’s death from hunger in an orphanage, and the death of her husband, who fought against the Communist regime and was executed by the Soviet state. Rejected by official poets, then by the wealthy Russian diaspora in France, she finally returned to her country to end her wandering life. She hanged herself from a rope in an attic from which she could see the field where she had dug with bare hands for potatoes abandoned by local farmers. A poet-martyr of the Stalinist era—buried in an unmarked plot in the cemetery of Yelabuga—Tsvetaeva is brought to life in this poetic biographical novel by celebrated Lebanese author Vénus Khoury-Ghata.
Marina Loves Sea Life

Marina Loves Sea Life

Sylvia Klose

HMDPublishing
2024
sidottu
In a world where the oceans and their magnificent creatures often go unnoticed and underappreciated, it is disheartening to witness the lack of respect and concern for these precious wonders. This realization ignited a deep passion within me, leading me to go on a journey to not only create a captivating jewelry line "SeaKolors" but also to write a little book that would inspire children of all ages. My intention is to reignite the passion and love for our oceans and seas, our beautiful home of animals, and creatures that co-exist with us in a perfect resonance. By opening our eyes to the beauty of our planet, and tuning into the frequency of our nature, we can take mindful action driven by love, so we can change our lives and everything around it. We can experience harmony, that starts from our own heart and expands to the depths of the ocean, the place where jellyfishes play.
Marina Bay Sins

Marina Bay Sins

Neil Humphreys

Muswell Press
2022
nidottu
Low goes undercover returning to a world that the city refuses to acknowledge; a world of gambling addiction, crime syndicates, international money launderers, immoral celebrities and corrupt politicians, all living in Asia's cleanest metropolis. Marina Sins Bay may be the sparkling embodiment of the island's devotion to economic prosperity, yet a corrupt underworld lies within the 'Monaco' of Asia. As Inspector Low gets closer to the unpalatable truth, he will demand answers to questions that society has chosen to ignore for too long. The first in a trilogy of Inspector Low crime thrillers
Marina Abramovic Turned Herself Into Art and Wasn't Sorry.
As featured in ELLE Decoration, Booklist, and Kirkus The first ever picture-book biography for readers aged 4-7 years of the performance art pioneer – Marina Abramovic Marina Abramovic is a world-famous artist who uses her body to perform in unexpected and unusual ways that make an audiences think. She once sat back-to-back with her partner and had their hair tied together for over 17 hours. Another time, museum visitors watch her scrub 1,500 cow bones for six hours a day. This innovative book tells an inspiring story about the pioneering performance artist who is also the first female artist to hold a major solo exhibition at the Royal Academy of Arts in London. This special celebration for young readers of one of the most important contemporary woman artists of our time features striking black-and-white and red illustrations printed in Pantones throughout, together with a reproduction of the artist's work and a brief biography at the back of the book. In this innovative volume, Marina Abramovic and her cutting-edge work are brought to life for young readers like never before. Ages 4-7
Marina Abramovic

Marina Abramovic

Karen Archey; Adrian Heathfield; Svetlana Racanovic; Andrea Tarsia; Devin Zuber

Royal Academy of Arts
2023
sidottu
Accompanying catalogue for the Marina Abramovic exhibition at the Royal Academy from 23 September – 1 January 2024. Over the past half century, Marina Abramovic has earned worldwide acclaim as a pioneer of performance art. This handsome new book records the first UK exhibition to include works from her entire career. Re-performances of some of her best-known and most radical pieces appear alongside new and recent work. An augmented-reality app for iOS and Android enables readers to watch films of Abramovic’s original performances while reading the book. An essential purchase for all followers of Abramovic’s extraordinary 55-year career, this important publication brings expert voices into the debate that her groundbreaking art engenders. How far should an artist push herself in pursuit of her work? What role does the audience play in creating a performance? How can performance art outlive the moment in which it takes place?
Marina Abramovic

Marina Abramovic

Ossian Ward

Laurence King Publishing
2022
nidottu
Marina Abramovic has truly pioneered performance as a visual art form. Her work - notorious for its feats of endurance, pain and intense physical encounter - has pushed the boundaries of contemporary art and cemented her reputation as one of the most significant artists of the past 50 years. This book brings her complete practice together into one concise and essential volume.
Marina Abramovic

Marina Abramovic

Karen Archey; Adrian Heathfield; Svetlana Racanovic; Andrea Tarsia; Devin Zuber

Royal Academy of Arts
2024
sidottu
Accompanying catalogue for the Marina Abramovic exhibition at the Royal Academy from 23 September – 4 January 2024. The exhibition travels to the Stedlijk in March 2024. Over the past half century, Marina Abramovic´ has earned worldwide acclaim as a pioneer of performance art. This handsome new book records the first UK exhibition to include works from her entire career. Re-performances of some of her best-known and most radical pieces appear alongside new and recent work. An augmented-reality app for iOS and Android enables readers to watch films of Abramovic´’s original performances while reading the book. An essential purchase for all followers of Abramovic’s extraordinary 55-year career, this important publication brings expert voices into the debate that her groundbreaking art engenders. How far should an artist push herself in pursuit of her work? What role does the audience play in creating a performance? How can performance art outlive the moment in which it takes place? Text in Dutch.
Marina Adams: Portrait and a Dream
This portfolio-style monograph by New York–based painter Marina Adams draws from Bernini’s sculpture “The Ecstasy of Saint Teresa” and Picasso’s study of the Weeping Woman for “Guernica.” The juxtaposing of these images--one of ecstasy, the other of agony--inspired Adams' diptych spreads of vibrating forms and vivid color.
Marina City

Marina City

Steven Dahlman

Trope Publishing Co.
2026
sidottu
No other residential building in the United States has a more interesting history than Chicago’s Marina City. Built on unused railroad property by visionaries in the nicotine-and-alcohol-fueled decade of the 1960s, Marina City is a rags-to-riches-to-rags-to-riches story, with plenty of high points and low points. Adored, then neglected, then brought back to life, Marina City is an official Chicago landmark, a Chicago icon, and recognized worldwide. But typically, only its history in the 1960s is told. But that’s when it was just getting started. Former Marina City resident Steven Dahlman tells the amazing stories of Marina City from the 1950s well into the 21st century, along with an overview of how the Chicago Fire of 1871 inspired daring architecture such as Marina City, culminating with Nik Wallenda’s wire walk to Marina City and between its towers in 2014. Filled with original photography and historical images and artifacts, Marina City is the definitive history of this iconic Chicago landmark.
Marina's Cloud 9

Marina's Cloud 9

Marina A Popova

Balboa Press Au
2022
pokkari
Life is difficult, sometimes even incomprehensible. To each our own, we live in a way we think is right. One moves mountains; the other one is content with simple happiness. In this life, we stumble and learn not to; we love, and we grieve; we doubt, and we fight; our world sometimes turns upside down, and we learn to live anew. This short story collection touch on the most emotional topics, such as the destructive and healing power of love, the price of beauty, loneliness and sorrow, motherhood, the impact of kindness. These stories resonate with everyone, make you think, and at times, even shed a tear.
Marina de Guerra Alemana 1916-1945

Marina de Guerra Alemana 1916-1945

Gustavo Uruena a.

Createspace Independent Publishing Platform
2010
nidottu
Mediante el convenio naval germano brit nico del 18 de junio de 1935, los dos pa ses se hab an puesto de acuerdo para que la flota alemana no sobrepasara el 35 % del tonelaje de la flota brit nica. Esta proporci n era aplicable en todas las categor as de buques; s lo los submarinos pod an alcanzar el 45%, y a n a partir de 1938, el 100%. Con la firma de este tratado se pens en una paz duradera. Con la firma de este convenio, Alemania reconoc a en parte la supremac a naval del Reino Unido. Se alejaba, en teor a, una carrera de armamentos naval, como la que hab a tenido lugar antes de la Primera Guerra Mundial. En fecha tan lejana como es el 15 de julio de 1935, el almirante Erich Raeder, comandante en jefe de la Kriegsmarine, dirigi a sus oficiales una circular, en donde se lee: El acuerdo ha nacido del deseo de evitar para siempre hasta la posibilidad de un conflicto entre Alemania e Inglaterra. Comentario del almirante Erich Raeder al tratado naval con Reino Unido, 15 de julio de 1935
Marina Perez Simão

Marina Perez Simão

Marina Perez Simao

Cahiers d'art
2025
sidottu
Sim o's swirling, multicolored landscapes deal in the elusive and unspeakable, while incorporating the nebulous emotions of a reverie With strokes of green, purple, yellow, blue and red, Brazilian artist Marina Perez Sim o (born 1981) creates fantastical vistas that are both mysterious and familiar. She employs a variety of techniques, such as collage, drawing and oil painting, as starting points to blend interior and exterior landscapes.
Marina Carr

Marina Carr

Melissa Sihra

Springer Nature Switzerland AG
2019
nidottu
This book locates the theatre of Marina Carr within a female genealogy that revises the patriarchal origins of modern Irish drama. The creative vision of Lady Augusta Gregory underpins the analysis of Carr’s dramatic vision throughout the volume in order to re-situate the woman artist as central to Irish theatre. For Carr, ‘writing is more about the things you cannot understand than the things you can’, and her evocation of ‘pastures of the unknown’ forms the thematic through-line of this work. Lady Gregory’s plays offer an intuitive lineage with Carr which can be identified in their use of language, myth, landscape, women, the transformative power of storytelling and infinite energies of nature and the Otherworld. This book reconnects the severed bridge between Carr and Gregory in order to acknowledge a foundational status for all women in Irish theatre.
Marina Tsvetaeva

Marina Tsvetaeva

Herbert Cie Lang AG, Buchhandlung Antiquariat
1991
sidottu
Ce livre contient des contributions en russe, anglais, allemand et francais. Pour avoir ete ignoree ou presque de son vivant, Marina Tsvetaeva (1892-1941) est consideree de nos jours comme l'un des plus grands poetes russes du XXeme siecle, voire de tous les temps. Le premier colloque international consacre a sa vie et son oeuvre a reuni a Lausanne une centaine de specialistes venus des quatre coins du monde. La premiere partie du volume contient, outre les exposes presentes au colloque, un certain nombre de textes supplementaires que les auteurs en question, pour differentes raisons, ne purent pas presenter en personne. Une deuxieme partie est consacree aux deux seances du soir qui, sous le titre general de Tsvetaeva et la traduction, aborderent le double probleme: a) des traductions (francais-russe et russe-francais) de Tsvetaeva elle-meme; b) de la traduction des oeuvres de Tsvetaeva en differentes langues. Pour mieux illustrer ce dernier probleme, les interventions en question sont suivies d'un poeme de Tsvetaeva dans le texte original, accompagne d'une quinzaine de versions en langues slaves et occidentales. Une troisieme partie contient les textes des discours de cloture et des notices bio-bibliographiques concernant les auteurs, ainsi qu'un index exhaustif des ouvrages du poete cites ou commentes dans le texte."
Marina Carr

Marina Carr

Melissa Sihra

Springer International Publishing AG
2018
sidottu
This book locates the theatre of Marina Carr within a female genealogy that revises the patriarchal origins of modern Irish drama. The creative vision of Lady Augusta Gregory underpins the analysis of Carr’s dramatic vision throughout the volume in order to re-situate the woman artist as central to Irish theatre. For Carr, ‘writing is more about the things you cannot understand than the things you can’, and her evocation of ‘pastures of the unknown’ forms the thematic through-line of this work. Lady Gregory’s plays offer an intuitive lineage with Carr which can be identified in their use of language, myth, landscape, women, the transformative power of storytelling and infinite energies of nature and the Otherworld. This book reconnects the severed bridge between Carr and Gregory in order to acknowledge a foundational status for all women in Irish theatre.