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1000 tulosta hakusanalla Roberto Podda
Ristampa immutata dell'edizione originale del 1874.
Ristampa immutata dell'edizione originale del 1874.
Ristampa immutata dell'edizione originale del 1839.
Ristampa immutata dell'edizione originale del 1839.
Ristampa immutata dell'edizione originale del 1838.
Ristampa immutata dell'edizione originale del 1838.
Ristampa immutata dell'edizione originale del 1883. La casa editrice Antigonos specializzata nella pubblicazione di ristampe di libri storici. Ci assicuriamo che queste opere siano messe a disposizione del pubblico in buone condizioni, al fine di preservare il patrimonio culturale.
Roberto: Aurifodina universalis scientiarum divinarum atque
Antigonos Verlag
2025
sidottu
Roberto Bolaños "Los detectives salvajes" als Stadtroman über Mexico City. Eine Analyse ausgewählter Textstellen
Carolin Braun
Grin Publishing
2015
pokkari
'Roberto Zucco' ist das letzte Theaterstück des französischen Autors Bernard-Marie Kolt?s, der 1989 im Alter von 41 Jahren an den Folgen von Aids starb. Die Geschichte der Hauptfigur basiert auf einem Kriminalfall, der über die Grenzen von Frankreich hinaus für großes Aufsehen gesorgt hat. Roberto Zucco ist ein mehrfacher Mörder. Nachdem er seinen Vater aus dem Fenster geworfen hat, steckt man ihn ins Zuchthaus. Er flieht, besucht seine Mutter, küßt sie, streichelt sie und drückt sie zu Tode. Er vergewaltigt ein kleines Mädchen, ersticht einen Polizeiinspektor und erschießt einen Jungen. Aber Zucco mordet weder aus Not noch aus Leidenschaft, weder ist er ein Räuber noch ist er ein Rächer: 'Ich habe keine Feinde, und ich greife nicht an. Ich zerquetsche die anderen Tiere nicht aus Bosheit, sondern weil ich sie nicht gesehen habe und weil ich auf sie getreten bin.' Und da er kein Motiv hat, hat er auch nicht das Bewußtsein, etwa Böses zu tun: ' Ich bin ein normaler vernünftiger Junge. Monsieur: Ich bin nie auffällig geworden. (...) Ich bin kein Held. Helden sind Verbrecher.'
Proniknovennaja i vdokhnovljajuschaja avtobiografija Bozhestvennogo Khvostika, odnogo iz velichajshikh futbolistov v istorii. Glubokaja i lirichnaja, eta kniga - doveritelnyj dialog o triumfakh i tragedijakh slavnoj karery Roberto Badzho, ego seme i druzjakh, vere i uvlechenijakh, zhiznennykh printsipakh i mechtakh. "Badzho - tot, kogo pomnjat ne za tituly. On ne pobezhdal na chempionate mira i v Lige chempionov, da i "Zolotoj mjach" u nego "vsego" odin. Pri etom vsem italjanets schitaetsja odnim iz velichajshikh igrokov v istorii. Ego avtobiografiju stoit prochitat khotja by dlja ponimanija, za chto".? Evgenij Sljusarenko, glavnyj redaktor "Sovetskogo sporta"
This book by Paola Giovetti outlines the life and work of Roberto Assagioli (1888-1974), the father of Psychosynthesis, a psychological and transpersonal current that is meeting with growing interest, primarily because it is a psychology for the healthy person: it is the art of educating oneself and others to build a better world. Roberto Assagioli had a long life full of interests in many fields: besides medicine, psychiatry, and psychology, he dealt with literature, esotericism, social issues, and educational and spiritual problems. Jewish by birth, he always showed extreme respect for all religious traditions, both Western and Eastern. Assagioli contributed greatly to the development of humanistic and transpersonal psychology and was one of the founders of psychosomatic medicine.Paola Giovetti narrates the life of this extraordinary person, the prophet of smiling wisdom, through first-hand documents and the accounts of those who knew him: relatives, friends, colleagues, students, collaborators; and she draws a broad and comprehensive picture of his thought, which is addressed to the person of the 21st century and can help us to truly become, as Assagioli himself said, "God's collaborators."
Roberto Huarcaya
RM Verlag SL
2022
nidottu
An ingenious photographic mapping of Peru as one continuous image Peruvian photographer and artist Roberto Huarcaya’s (born 1959) artist’s book is comprised of one image built up out of 16 combined photographic negatives, a process that the artist took eight years to develop. The resulting fragmented work attempts to map his equally fragmented homeland of Peru.
Roberto Obregón: Accumulate, Classify, Preserve, Display
Jesús Fuenmayor; Kaira M Cabañas
Turner Publicaciones, S.L.
2021
sidottu
This book was produced on the occasion of the first solo exhibition of Obregón's work in a North American public institution and includes essays by the curators Jesús Fuenmayor and Kaira M. Cabañas, in which the work is approached from the artist's own methodology and from its relevance in the current cultural context. In addition, it contains an extensive section in which all the works presented are exhaustively recorded in accordance with the curatorial structure, derived from years of work in the classification of the Archivo Obregón by Israel Ortega and Leonor Solá, and thanks to which it has been possible to open this window to investigate the intimacy and the interstices of Obregón's work. Since 2011, the Obregón Archive has formed part of the Carolina and Fernando Eseverri Collection.