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1000 tulosta hakusanalla Roger Ascham

A Roger Fry Reader

A Roger Fry Reader

Roger Fry

University of Chicago Press
1996
nidottu
In the first decades of the 20th century, the art critic Roger Fry introduced English-speaking audiences to modern French art and formalist aesthetic theory. this text, edited by Christopher Reed, brings together for the first time a comprehensive selection of Fry's essays. Most appear here for the first time since their original publication in scholarly journals and art magazines, while some have never been published before. Representing 40 years of engagement with the arts, the essays cover a broad spectrum of topics, from Fry's influential promotion of Post-Impressionism to art education, museums, architecture, decorative art, and the implications of literature and dance for the visual arts. Reed also provides valuable historical background and considers Fry's legacy for the present.
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A Roger Fry Reader

A Roger Fry Reader

Roger Fry

University of Chicago Press
1996
sidottu
In the first decades of the 20th century, the art critic Roger Fry introduced English-speaking audiences to modern French art and formalist aesthetic theory. this text, edited by Christopher Reed, brings together for the first time a comprehensive selection of Fry's essays. Most appear here for the first time since their original publication in scholarly journals and art magazines, while some have never been published before. Representing 40 years of engagement with the arts, the essays cover a broad spectrum of topics, from Fry's influential promotion of Post-Impressionism to art education, museums, architecture, decorative art, and the implications of literature and dance for the visual arts. "A Roger Fry Reader" affords an opportunity to examine both the foundations of modern art criticism from the point of view of one of its foremost practitioners and current debates about the nature ofart and aesthetic experience.
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Roger Nash Baldwin and the American Civil Liberties Union

Roger Nash Baldwin and the American Civil Liberties Union

Robert Cottrell

Columbia University Press
2001
sidottu
Roger Nash Baldwin's thirty-year tenure as director of the ACLU marked the period when the modern understanding of the Bill of Rights came into being. Spearheaded by Baldwin, volunteer attorneys of the caliber of Clarence Darrow, Arthur Garfield Hays, Osmond Frankel, and Edward Ennis transformed the constitutional landscape. Company police forces were dismantled. Antievolutionists were discredited (thanks to the Scopes Trial). Censorship of such works as James Joyce's Ulysses was halted. The Scottsboro Boys and Sacco and Vanzetti were defended. The right of free speech for communists and Ku Klux Klansmen alike was upheld, and the foundations were laid for an end to school segregation. Robert Cottrell's magnificent book recaptures the accomplishments and contradictions of the complicated man at the center of these events. Driven, vain, frugal, and tempestuous, America's greatest civil libertarian was initially also a staunch defender of Communist Russia, deferred to the U.S. government over the internment of Japanese Americans, and openly admired J. Edgar Hoover and Douglas MacArthur. His personal relationships were equally complex. Spanning a hundred years from the late 1800s through Baldwin's death in 1981, this riveting biography is an eye-opening view of the development of the American left.
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Roger Zelazny

Roger Zelazny

F. Brett Cox

University of Illinois Press
2021
sidottu
Challenging convention with the SF nonconformist Roger Zelazny combined poetic prose with fearless literary ambition to become one of the most influential science fiction writers of the 1960s. Yet many critics found his later novels underachieving and his turn to fantasy a disappointment. F. Brett Cox surveys the landscape of Zelazny's creative life and contradictions. Launched by the classic 1963 short story "A Rose for Ecclesiastes," Zelazny soon won the Hugo Award for Best Novel with …And Call Me Conrad and two years later won again for Lord of Light. Cox looks at the author's overnight success and follows Zelazny into a period of continued formal experimentation, the commercial triumph of the Amber sword and sorcery novels, and renewed acclaim for Hugo-winning novellas such as "Home Is the Hangman" and "24 Views of Mt. Fuji, by Hokusai." Throughout, Cox analyzes aspects of Zelazny's art, from his preference for poetically alienated protagonists to the ways his plots reflected his determined individualism. Clear-eyed and detailed, Roger Zelazny provides an up-to-date reconsideration of an often-misunderstood SF maverick.
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Roger Zelazny

Roger Zelazny

F. Brett Cox

University of Illinois Press
2021
nidottu
Challenging convention with the SF nonconformist Roger Zelazny combined poetic prose with fearless literary ambition to become one of the most influential science fiction writers of the 1960s. Yet many critics found his later novels underachieving and his turn to fantasy a disappointment. F. Brett Cox surveys the landscape of Zelazny's creative life and contradictions. Launched by the classic 1963 short story "A Rose for Ecclesiastes," Zelazny soon won the Hugo Award for Best Novel with …And Call Me Conrad and two years later won again for Lord of Light. Cox looks at the author's overnight success and follows Zelazny into a period of continued formal experimentation, the commercial triumph of the Amber sword and sorcery novels, and renewed acclaim for Hugo-winning novellas such as "Home Is the Hangman" and "24 Views of Mt. Fuji, by Hokusai." Throughout, Cox analyzes aspects of Zelazny's art, from his preference for poetically alienated protagonists to the ways his plots reflected his determined individualism. Clear-eyed and detailed, Roger Zelazny provides an up-to-date reconsideration of an often-misunderstood SF maverick.
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Roger Sandall's Films and Contemporary Anthropology

Roger Sandall's Films and Contemporary Anthropology

Lorraine Mortimer

Indiana University Press
2019
sidottu
In Roger Sandall's Films and Contemporary Anthropology, Lorraine Mortimer argues that while social anthropology and documentary film share historic roots and goals, particularly on the continent of Australia, their trajectories have tended to remain separate. This book reunites film and anthropology through the works of Roger Sandall, a New Zealand–born filmmaker and Columbia University graduate, who was part of the vibrant avant-garde and social documentary film culture in New York in the 1960s. Mentored by Margaret Mead in anthropology and Cecile Starr in fine arts, Sandall was eventually hired as the one-man film unit at the newly formed Australian Institute of Aboriginal Studies in 1965. In the 1970s, he became a lecturer in anthropology at the University of Sydney. Sandall won First Prize for Documentary at the Venice Film Festival in 1968, yet his films are scarcely known, even in Australia now. Mortimer demonstrates how Sandall's films continue to be relevant to contemporary discussions in the fields of anthropology and documentary studies. She ties exploration of the making and restriction of Sandall's aboriginal films and his nonrestricted films made in Mexico, Australia, and India to the radical history of anthropology and the resurgence today of an expanded, existential-phenomenological anthropology that encompasses the vital connections between humans, animals, things, and our environment.
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Roger Sandall's Films and Contemporary Anthropology

Roger Sandall's Films and Contemporary Anthropology

Lorraine Mortimer

Indiana University Press
2019
pokkari
In Roger Sandall's Films and Contemporary Anthropology, Lorraine Mortimer argues that while social anthropology and documentary film share historic roots and goals, particularly on the continent of Australia, their trajectories have tended to remain separate. This book reunites film and anthropology through the works of Roger Sandall, a New Zealand–born filmmaker and Columbia University graduate, who was part of the vibrant avant-garde and social documentary film culture in New York in the 1960s. Mentored by Margaret Mead in anthropology and Cecile Starr in fine arts, Sandall was eventually hired as the one-man film unit at the newly formed Australian Institute of Aboriginal Studies in 1965. In the 1970s, he became a lecturer in anthropology at the University of Sydney. Sandall won First Prize for Documentary at the Venice Film Festival in 1968, yet his films are scarcely known, even in Australia now. Mortimer demonstrates how Sandall's films continue to be relevant to contemporary discussions in the fields of anthropology and documentary studies. She ties exploration of the making and restriction of Sandall's aboriginal films and his nonrestricted films made in Mexico, Australia, and India to the radical history of anthropology and the resurgence today of an expanded, existential-phenomenological anthropology that encompasses the vital connections between humans, animals, things, and our environment.
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Roger Tory Peterson

Roger Tory Peterson

Douglas Carlson

University of Texas Press
2007
sidottu
Beginning with his 1934 Field Guide to the Birds, Roger Tory Peterson introduced literally millions of people to the pleasures of observing birds in the wild. His field guide, which has gone through five editions and sold more than four million copies, fostered an appreciation for the natural world that set the stage for the contemporary environmental movement. When Rachel Carson's Silent Spring sounded a warning about the threat to birds and their habitats in the 1960s, the Peterson field guides had already prepared the public and the scientific community to heed the warning and fight to save habitat and protect endangered species-a result that Peterson wholeheartedly approved.In this authoritative, highly readable biography of Roger Tory Peterson (1908-1996), Douglas Carlson creates a fascinating portrait of the complex, often conflicted man behind the brand name. He describes how Peterson's obsession with birds began in boyhood and continued throughout a multifaceted career as a painter, writer, educator, environmentalist, and photographer. Carlson traces Peterson's long struggle to become both an accomplished bird artist and a scientific naturalist-competing goals that drove Peterson to work to the point of exhaustion and that also deprived him of many aspects of a normal personal life. Carlson also records Peterson's many lasting achievements, from the phenomenal success of the field guides, to the bird paintings that brought him renown as "the twentieth century's Audubon," to the establishment of the Roger Tory Peterson Institute to carry on his work in conservation and education.
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Roger Raveel: Retrospection

Roger Raveel: Retrospection

Franz Kaiser; Kurt de Boodt; Paul Demets; Ann Geeraerts; Marie-Therese Claes

Yale University Press
2021
sidottu
An extensive retrospective dedicated to Roger Raveel (1921-2013), one of the most important Belgian painters of the second half of the 20th century Commemorating the centenary of the artist’s birth in 2021, the Centre for Fine Arts – BOZAR will present an extensive retrospective dedicated to Roger Raveel (1921-2013), considered one of the most important Belgian painters of the second half of the twentieth century. While belonging to the generation of artists that emerged following the Second World War, flanked by Magritte and Panamarenko, Raveel radically defended his own independence from the values commonly associated with this generation, notably the supposed superiority of internationality over all forms of local anchorage. In today’s context of globalized art and its associated stereotypes, Raveel’s choice to draw inspiration from his immediate, intimate surroundings—while always being very well informed about trends in the international art scene—now seems revolutionary, even prophetic. Showcasing some 120 artworks from public and private collections, this catalogue seeks to demonstrate the singularity of Raveel’s pictorial language as it took form over time.Distributed for MercatorfondsExhibition Schedule:BOZAR Centre for Fine Arts, Brussels (February 10–July 04, 2021)
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Roger Ebert's Book of Film: From Tolstoy to Tarantino, the Finest Writing from a Century of Film

Roger Ebert's Book of Film: From Tolstoy to Tarantino, the Finest Writing from a Century of Film

W. W. Norton Company
1996
sidottu
For this delicious, instructive, and vastly enjoyable anthology, Roger Ebert has selected and introduced an international treasury of more than 100 selections that touch on every aspect of filmmaking and filmgoing. Here are the stars (Truman Capote on Marilyn Monroe, Joan Didion on John Wayne, Tom Wolfe on Cary Grant, Lauren Bacall on herself), the directors (John Houseman on Orson Welles, Kenneth Tynan on Mel Brooks, John Huston on himself), the makers and shakers (producer Julia Phillips, mogul Daryll F. Zanuck, stuntman Joe Bonomo), and the critics and theorists (Pauline Kael, Graham Greene, Andrew Sarris, Susan Sontag). Here as well are the novelists who have indelibly captured the experience of moviegoing in our lives (Walker Percy, James Agee, Larry McMurtry) and the culture of the movie business (F. Scott Fitzgerald, Budd Schulberg, Nathanael West). Here is a book to get lost in and return to time and time againat once a history, an anatomy, and a loving appreciation of the central art form of our time.
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Roger Williams

Roger Williams

Morgan Edmund S.

WW Norton Co
1987
nidottu
A classic of its kind, Edmund S. Morgan's Roger Williams skillfully depicts the intellectual life of the man who, after his expulsion in 1635 from the Massachusetts Bay Colony, founded what would become Rhode Island. As Morgan re-creates the evolution of Williams's thoughts on the nature of the church and the state, he captures with characteristic economy and precision the institutions that informed Williams's worldview, from the Protestant church in England to the Massachusetts government in the seventeenth century. In doing so, Morgan reveals the origins of a perennial—and heated—American debate, told through the ideas of one of the most brilliant polemicists on the subject, a man whose mind, as Morgan describes, "drove him to examine accepted ideas and carry them to unacceptable conclusions." Forty years after its first publication, Roger Williams remains essential reading for anyone interested in the church, the state, and the right relation of the two.
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Roger Bannister and the Four-Minute Mile

Roger Bannister and the Four-Minute Mile

John Bale

Routledge
2004
sidottu
Roger Bannister was the first person to run the mile in under four minutes. Fifty years on, his status, not just as a champion athlete but also as a true British hero, a gentleman and an amateur from a 'golden era' in sport, retains its unblemished appeal.Until now there has been little criticism and even less close historical study of Bannister and his achievement. This book redresses the balance, presenting a revisionist history of Sir Roger Bannister and in doing so providing fresh insights into the making of this British 'champion'.This book does more than detail the history of a sporting giant. It invites the reader to reconsider the very words often used to describe him - notably 'hero' and 'gentleman amateur'. Informed by contemporary sport science, the text also questions the significance of the four-minute mile.Providing fascinating insights into the history of track racing as well as athletic training methods and the beginnings of sport science, this is not just a testimonial to the legend of Roger Bannister, but instead is the first rigorous historical study of his sporting life and the man behind the legend. It reveals him as an ambivalent athlete, highly achievement-orientated and scientific, but also in love with the freedom of running sensuously in nature, in contrast to the constraints of modern sport.
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Roger Bannister and the Four-Minute Mile

Roger Bannister and the Four-Minute Mile

John Bale

Routledge
2005
nidottu
Roger Bannister was the first person to run the mile in under four minutes. Fifty years on, his status, not just as a champion athlete but also as a true British hero, a gentleman and an amateur from a 'golden era' in sport, retains its unblemished appeal.Until now there has been little criticism and even less close historical study of Bannister and his achievement. This book redresses the balance, presenting a revisionist history of Sir Roger Bannister and in doing so providing fresh insights into the making of this British 'champion'.This book does more than detail the history of a sporting giant. It invites the reader to reconsider the very words often used to describe him - notably 'hero' and 'gentleman amateur'. Informed by contemporary sport science, the text also questions the significance of the four-minute mile.Providing fascinating insights into the history of track racing as well as athletic training methods and the beginnings of sport science, this is not just a testimonial to the legend of Roger Bannister, but instead is the first rigorous historical study of his sporting life and the man behind the legend. It reveals him as an ambivalent athlete, highly achievement-orientated and scientific, but also in love with the freedom of running sensuously in nature, in contrast to the constraints of modern sport.
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Roger Sessions

Roger Sessions

Andrea Olmstead

Routledge
2007
sidottu
Recognized as the primary American symphonist of the 20th century, Roger Sessions (1896-1985) is one of the leading representatives of high modernism. His stature among American composers rivals Charles Ives, Aaron Copland, and Elliott Carter. Sessions was awarded two Pulitzer prizes, election to the American Academy of Arts and Letters, winning the Brandeis Creative Arts Award, the Gold Medal of the American Academy, and a MacDowell Medal, in addition to 14 honorary doctorates.Roger Sessions: A Biography brings together considerable previously unpublished archival material, such as letters, lectures, interviews, and articles, to shed light on the life and music of this major American composer. Andrea Olmstead, a teaching colleague of Sessions at Juilliard and the leading scholar on his music, has written a complete biography charting five touchstone areas through Sessions’s eighty-eight years: music, religion, politics, money, and sexuality.
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Roger Sessions

Roger Sessions

Andrea Olmstead

Routledge
2007
nidottu
Recognized as the primary American symphonist of the 20th century, Roger Sessions (1896-1985) is one of the leading representatives of high modernism. His stature among American composers rivals Charles Ives, Aaron Copland, and Elliott Carter. Sessions was awarded two Pulitzer prizes, election to the American Academy of Arts and Letters, winning the Brandeis Creative Arts Award, the Gold Medal of the American Academy, and a MacDowell Medal, in addition to 14 honorary doctorates.Roger Sessions: A Biography brings together considerable previously unpublished archival material, such as letters, lectures, interviews, and articles, to shed light on the life and music of this major American composer. Andrea Olmstead, a teaching colleague of Sessions at Juilliard and the leading scholar on his music, has written a complete biography charting five touchstone areas through Sessions’s eighty-eight years: music, religion, politics, money, and sexuality.
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Roger's Version

Roger's Version

John Updike

Random House Publishing Group
1996
nidottu
As Roger Lambert tells it, he, a middle-aged professor of divinity, is buttonholed in his office by Dale Kohler, an earnest young computer scientist who believes that quantifiable evidence of God's existence is irresistibly accumulating. The theological-scientific debate that ensues, and the wicked strategies that Roger employs to disembarrass Dale of his faith, form the substance of this novel--these and the current of erotic attraction that pulls Esther, Roger's much younger wife, away from him and into Dale's bed. The novel, a majestic allegory of faith and reason, ends also as a black comedy of revenge, for this is Roger's version--Roger Chillingworth's side of the triangle described by Hawthorne's Scarlet Letter--made new for a disbelieving age.
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Roger Ballen – Spirits and Spaces

Roger Ballen – Spirits and Spaces

Roger Ballen

THAMES HUDSON LTD
2025
sidottu
The first monograph to present Roger Ballen's work in colour: a visual revelation that remains grounded in the chaotic, absurd psychological space of the Ballenesque. Having previously expressed no interest in colour photography, Roger Ballen was inspired to engage with the medium after receiving a Leica SL camera as a gift in 2016. Opening up to the potential of colour in his work, Ballen used light in creative ways, exploring new avenues of experimentation. Spirits and Spaces eloquently captures the absurd and bizarre world of Roger Ballen, where animals and Art Brut-like drawings dominate, and humanity is reduced to obscure figures or fragmented body parts. The new colour images in Spirits and Spaces, created in conjunction with Ballen’s artistic director, Marguerite Rossouw, were produced in a claustrophobic space, constructed of worn, wallpapered wooden panels and with minimalistic lighting. Here, in this dense, oppressive environment, Ballen creates what might be seen by many as a world that is unexplainable in words: one in which absurdity, chaos, comedy and tragedy apparently exist side by side. Both a visual revelation and an artistic evolution by one of contemporary photography's most unique voices, Spirits and Spaces is an essential and much anticipated photobook for all Roger Ballen fans.
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Roger Hilton

Roger Hilton

Andrew Lambirth

Thames Hudson Ltd
2007
sidottu
Roger Hilton (1911–75) was one of the pioneers of British abstract art. This account of his life is lavishly illustrated with works from all stages of his career, in a visually stunning record of his oeuvre. It is further enlivened by numerous anecdotes and reminiscences recalling his sometimes outspoken relations with other artists such as Peter Lanyon, Terry Frost and Patrick Heron, and includes personal memories of his widow, Rose.
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