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1000 tulosta hakusanalla S. Englander

Crestien’s Guillaume d’Angleterre / William of England
An edition with facing annotated translation of the twelfth-century Medieval French popular romance Guillaume d’Angleterre. The claim to fame of this verse narrative is to have had its authorship attributed (falsely) to Chrétien de Troyes, the most famous of all twelfth-century Medieval French narrative poets. This prototypical adventure romance and is representative of a literary genre that has recently seen a renewal of interest among medieval literary critics. An amusing tale of late twelfth-century social mobility, the romance tells of a bewildering series of adventures that befall a fictitious king who deliberately abandons his royal status to enter the ‘real’ world of knights, wolves, pirates and merchants. He and his family, dispersed by events between Bristol, Galway and Caithness, are finally reunited at Yarmouth thanks to a climactic stag hunt. The book is designed for students of French, Medieval Studies, Comparative Literature and English, and for all medieval scholars interested in having an English version of a typical medieval adventure romance. It is the first authoritative English translation of this text, and all of its critical material is new. DOI: https://doi.org/10.47788/TXVU9029
Thomas Jefferson's Granddaughter in Queen Victoria's England
Ellen Wayles Coolidge arrived in London in June 1838 at the advent of Queen Victoria's reign--the citizens were still celebrating the coronation. During her nine-month stay, Coolidge kept a diary that reveals the uncommon education of her youth, when she lived and studied at Monticello with her grandfather, Thomas Jefferson. London's docks, theaters, parks, public buildings, and museums all come under Coolidge's astute gaze as she and her husband, Joseph Coolidge Jr., travel the city and gradually gain entry into some of the most coveted drawing rooms of the time.Coolidge records the details of her conversations with writers such as Samuel Rogers, Thomas Carlyle, and Anna Jameson and activists including Charles Sumner and Harriet Martineau. She gives firsthand accounts of the fashioning of the young queen's image by the artists Charles Robert Leslie and Sir Francis Chantrey and takes notes as she watches the queen open Parliament and battle the first scandal of her reign. Her love of painting reawakened, Coolidge chronicles her opportunities to view more than four hundred works of art held in both public and private collections, acknowledging a new appreciation for the modern art of J. M. W. Turner and a fondness for the Dutch masters.As rich as her experience in England proves to be, Coolidge often reflects on her family in Boston and Virginia and her youth at Monticello. As she encounters her mother's schoolgirl friends and recalls the songs her grandfather sang while working in his study, Coolidge's thoughts return to Monticello and the lessons she learned there.Distributed for the Massachusetts Historical Society and the Thomas Jefferson Foundation
Thomas Jefferson's Granddaughter in Queen Victoria's England

Thomas Jefferson's Granddaughter in Queen Victoria's England

Ellen Wayles Coolidge

Massachusetts Historical Society
2013
nidottu
Ellen Wayles Coolidge arrived in London in June 1838 at the advent of Queen Victoria’s reign—the citizens were still celebrating the coronation. During her nine-month stay, Coolidge kept a diary that reveals the uncommon education of her youth, when she lived and studied at Monticello with her grandfather, Thomas Jefferson. London’s docks, theaters, parks, public buildings, and museums all come under Coolidge’s astute gaze as she and her husband, Joseph Coolidge Jr., travel the city and gradually gain entry into some of the most coveted drawing rooms of the time.Coolidge records the details of her conversations with writers such as Samuel Rogers, Thomas Carlyle, and Anna Jameson and activists including Charles Sumner and Harriet Martineau. She gives firsthand accounts of the fashioning of the young queen’s image by the artists Charles Robert Leslie and Sir Francis Chantrey and takes notes as she watches the queen open Parliament and battle the first scandal of her reign. Her love of painting reawakened, Coolidge chronicles her opportunities to view more than four hundred works of art held in both public and private collections, acknowledging a new appreciation for the modern art of J. M. W. Turner and a fondness for the Dutch masters.As rich as her experience in England proves to be, Coolidge often reflects on her family in Boston and Virginia and her youth at Monticello. As she encounters her mother’s schoolgirl friends and recalls the songs her grandfather sang while working in his study, Coolidge’s thoughts return to Monticello and the lessons she learned there.Distributed for the Massachusetts Historical Society and the Thomas Jefferson Foundation.
Kalm's Account of His Visit to England on His Way to America in 1748
Kalm's Account of His Visit to England on His Way to America in 1748 is an unchanged, high-quality reprint of the original edition of 1892. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
The Farmer's Tour Through the East of England

The Farmer's Tour Through the East of England

Arthur Young; William Strahan

Hansebooks
2017
pokkari
The Farmer's Tour Through the East of England - Being the Register of a Journey Through Various Counties... (Volume 1) is an unchanged, high-quality reprint of the original edition of 1771. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
The Farmer's Tour Through the East of England

The Farmer's Tour Through the East of England

Arthur Young; William Strahan

Hansebooks
2017
pokkari
The Farmer's Tour Through the East of England - Vol. II.: Being the Register of a Journey Through Various Counties... is an unchanged, high-quality reprint of the original edition of 1771. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
The Farmer's Tour Through the East of England

The Farmer's Tour Through the East of England

Arthur Young; William Strahan

Hansebooks
2017
pokkari
The Farmer's Tour Through the East of England - Vol. III.: Being the Register of a Journey Through Various Counties... is an unchanged, high-quality reprint of the original edition of 1771. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Bertha's Visit To Her Uncle In England (Volume I)

Bertha's Visit To Her Uncle In England (Volume I)

Jane Haldimand Marcet

Lector House
2022
pokkari
NEW PRINT WITH PROFESSIONAL TYPE-SET IN CONTRAST TO SCANNED PRINTS OFFERED BY OTHERS Bertha's Visit To Her Uncle In England (Volume I): In Three Volumes, Vol. I. This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING
Bertha's Visit To Her Uncle In England (Volume II)

Bertha's Visit To Her Uncle In England (Volume II)

Jane Haldimand Marcet

Lector House
2022
pokkari
NEW PRINT WITH PROFESSIONAL TYPE-SET IN CONTRAST TO SCANNED PRINTS OFFERED BY OTHERS Bertha's Visit To Her Uncle In England (Volume II): In Three Volumes, Vol. II. This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING
Bertha's Visit To Her Uncle In England (Volume III)
NEW PRINT WITH PROFESSIONAL TYPE-SET IN CONTRAST TO SCANNED PRINTS OFFERED BY OTHERS Bertha's Visit To Her Uncle In England (Volume III): In Three Volumes, Vol. III. This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING