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1000 tulosta hakusanalla Stuart MacBride

Stuart Women Playwrights, 1613–1713

Stuart Women Playwrights, 1613–1713

Pilar Cuder-Dominguez

Ashgate Publishing Limited
2010
sidottu
In the field of seventeenth-century English drama, women participated not only as spectators or readers, but more and more as patronesses, as playwrights, and later on as actresses and even as managers. This study examines English women writers' tragedies and tragicomedies in the seventeenth century, specifically between 1613 and 1713, which represent the publication dates of the first original tragedy (Elizabeth Cary's The Tragedy of Mariam) and the last one (Anne Finch's Aristomenes) written by a Stuart woman playwright. Through this one-hundred year period, major changes in dramatic form and ideology are traced in women's tragedies and tragicomedies. In examining the whole of the century from a gender perspective, this project breaks away from conventional approaches to the subject, which tend to establish an unbridgeable gap between the early Stuart period and the Restoration. All in all, this study represents a major overhaul of current theories of the evolution of English drama as well as offering an unprecedented reconstruction of the genealogy of seventeenth-century English women playwrights.
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Stuart Tank, Vol. 1

Stuart Tank, Vol. 1

David Doyle

Schiffer Publishing Ltd
2019
sidottu
The Stuart light tanks were the first tanks taken into combat by US troops during WWII. Production of these vehicles can be broken into two categories: the early tanks powered by air-cooled radial engines, and late versions powered by twin V-8 engines. This volume explores the early, air-cooled vehicles, the M3, M3A1, and M3A3. Widely used both by the US Army and US Marines, as well as many Allied nations, these tanks, though lightly armed and armored, were mechanically sound and did much to stem the tide of Axis aggression during the early stages of the US entry into WWII. Through dozens of archival photos, including previously unpublished images, as well as detailed photographs of some of the finest existing examples of these vehicles, this early-war combat vehicle is explored and its history is explained. A companion volume will explore the later M5 and M5A1, and M8 Howitzer Motor Carriage versions. Part of the Legends of Warfare series.
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Stuart Tank Vol. 2

Stuart Tank Vol. 2

David Doyle

Schiffer Publishing Ltd
2019
sidottu
The Stuart light tanks were the first tanks taken into combat by US troops during WWII. Production of these vehicles can be broken into two categories: the early tanks powered by air-cooled radial engines, and late vehicles powered by twin V-8 engines. This volume explores the late vehicles with Cadillac water-cooled engines, the M5 and M5A1, as well as the M8 Howitzer Motor Carriage. Stuart light tanks, though lightly armed and armored, were mechanically sound and widely used by US forces in Europe and the Pacific, as well as by Allied nations. Through dozens of archival photos, including previously unpublished images, as well as detailed photographs of some of the finest existing examples of these vehicles, this early-war combat vehicle is explored, and its history is explained. A companion volume explores the early M3, M3A1, and M3A3 versions.
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Stuart Hall's Voice

Stuart Hall's Voice

David Scott

Duke University Press
2017
sidottu
Stuart Hall’s Voice explores the ethos of style that characterized Stuart Hall’s intellectual vocation. David Scott frames the book-which he wrote as a series of letters to Hall in the wake of his death-as an evocation of friendship understood as the moral and intellectual medium in which his dialogical hermeneutic relationship with Hall’s work unfolded. In this respect, the book asks: what do we owe intellectually to the work of those whom we know well, admire, and honor? Reflecting one of the lessons of Hall’s style, the book responds: what we owe should be conceived less in terms of criticism than in terms of listening. Hall’s intellectual life was animated by voice in literal and extended senses: not only was his voice distinctive in the materiality of its sound, but his thinking and writing were fundamentally shaped by a dialogical and reciprocal practice of speaking and listening. Voice, Scott suggests, is the central axis of the ethos of Hall’s style. Against the backdrop of the consideration of the voice’s aspects, Scott specifically engages Hall’s relationship to the concepts of "contingency" and "identity," concepts that were dimensions less of a method as such than of an attuned and responsive attitude to the world. This attitude, moreover, constituted an ethical orientation of Hall’s that should be thought of as a special kind of generosity, namely a "receptive generosity," a generosity oriented as much around giving as receiving, as much around listening as speaking.
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Stuart Masques and the Renaissance Stage. With 197 Illus. --

Stuart Masques and the Renaissance Stage. With 197 Illus. --

Allardyce 1894- Nicoll

Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Stuart Masques and the Renaissance Stage. With 197 Illus. --

Stuart Masques and the Renaissance Stage. With 197 Illus. --

Allardyce 1894- Nicoll

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Stuart Hall and 'Race'

Stuart Hall and 'Race'

TAYLOR FRANCIS LTD
2024
nidottu
It is impossible to overestimate the importance of Stuart Hall’s work in shaping the field of racial and ethnic studies for nearly five decades. From his groundbreaking work Policing the Crisis through to his paradigm shattering ‘New Ethnicities’, Hall’s writing has redefined how race research is thought and done, while Hall himself stands as an exemplar of the public and politically engaged intellectual. This collection of essays, from established and emerging scholars, critically engages with Hall’s legacy across this body of work, from the foundations of cultural studies as a field of enquiry, through his work on race and articulation, to his insights into ‘the politics of difference’ and diaspora identities. These essays both reflect back on Hall’s interventions and locate them within some of the key spaces and questions of our time – from the ‘political theology’ of race in South Africa to the terrain of the contemporary city, from reflections on memory, nationhood and belonging to new ethnicities online and the formation of postcolonial subjectivities. The collection includes an in-depth conversation between Les Back and Stuart Hall, in which Hall reflects on his career and explores the challenges facing contemporary multicultural, multifaith societies in a globalised world. This book was published as a special issue of Cultural Studies.
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