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1000 tulosta hakusanalla Thomas Perronet Thompson
A scholarly edition of poems and translations by Thomas Stanley. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
Thomas Hardy's Studies, Specimens &c. notebook stands almost alone as a witness to his exertions and aspirations of the 1860s, when he was already in his middle twenties but still working in London as an architectual assistant and only tentatively feeling his way towards as yet dimly glimpsed possibilities of literary expression and employment. Because so little documentation of any kind has survived for this early period of his life and work, the notebook is of extraordinary interest as containing detailed evidence of the untutored deliberateness with which Hardy was seeking to provide himself with a poetic background, educate himself in poetic techniques, and initiate a process from which he could perhaps emerge as a practising, even a publishing, poet. In private hands until very recently, and seen by only a very few scholars, Studies, Specimens &c.' dates from 1865-68, is entirely in Hardy's own hand, and consists of eighty-eight closely written pages of working memoranda, and quotations from other poets - mostly extracts a few words long in which underlining has been used to highlight individual images and word-usages. Although no drafts of actual poems are present, there are numerous instances of Hardy's seeking to generate a poetic, and sometimes erotic, language and imagery out of materials (e.g., an architectual textbook) apparently chosen precisley for their recalcitrance to such treatment. The edition itself seeks to reproduce typographically all essential features of the original document. The introductory material describes the notebook bibliographically, sets it in its biographical context, and discusses some of its more important technical features. Included in the extensive apparatus are textual notes, explications of Hardy's occasional quotations - indicating, in most instances, the editions or actual volumes he certainly or probably used. Explanatory notes are provided for - among other things - some erased but now partly recoved memoranda of Hardy's that appear to have significant biographical implications.
A scholarly edition of poems by Thomas Carew. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
A scholarly edition of the poems of Thomas Gray. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.
The Collected Letters of Thomas Hardy
Thomas Hardy; Richard Little Purdy; Michael Millgate
Clarendon Pr
1978
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The Collected Letters of Thomas Hardy: Volume 2: 1893-1901
Thomas Hardy
Oxford University Press
1980
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Winner of the Thomas Hardy Society Book Prize.
The Collected Letters of Thomas Hardy: Volume 3: 1902-1908
Thomas Hardy
Oxford University Press
1982
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Winner of the Thomas Hardy Society Book Prize.
The Collected Letters of Thomas Hardy: Volume 4: 1909-1913volume 4: 1909-1913
Thomas Hardy
Oxford University Press
1984
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The Collected Letters of Thomas Hardy: Volume 5: 1914-1919
Thomas Hardy
Oxford University Press
1985
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Winner of the Thomas Hardy Society Book Prize.
The Collected Letters of Thomas Hardy: Volume 6: 1920-1925
Thomas Hardy
Clarendon Press
1987
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Winner of the Thomas Hardy Society Book Prize. From reviews of earlier volumes: 'Has the qualities that a great edition should have: it is meticulously thorough and accurate, and its aids to the reader are clear and comprehensive, but unobtrusively so.' Times Literary Supplement
The Collected Letters of Thomas Hardy: Volume 7: 1926-1927
Thomas Hardy
Clarendon Press
1988
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The opening section of this seventh and final volume of the definitive edition of Thomas Hardy's letters covers the period from January 1926 to December 1927: his last letter, to Edmund Gosse, was written on Christmas Day 1927 and he died seventeen days later, on 11 January 1928. Although few of his long-standing personal correspondences were actively kept up during these last two years of his life, Hardy maintained (especially when writing to Sir Frederick Macmillan) a lively and practical interest in all aspects of his work and career; he also responded, usually with a courteous refusal, to the many requests and enquiries that his fame inevitably attracted. The second section is devoted to letters which became available too late for publication in their correct chronological sequence in earlier volumes of the edition; those now added date mostly from the nineteenth century, and include a series of letters to officials of the Duchy of Cornwall about the purchase of land on which Max Gate was built, as well as numerous individual letters of considerable interest and importance. This volume contains more than 350 letters, the great majority of them previously unpublished, which are supplemented, as before, by scrupulous annotation and extensive cross-referencing; by a chronology covering the whole of Hardy's career; and by an index of recipients of the letters included. As the concluding volume, however, it also incorporates an extensive General Index covering the texts and annotations of the entire edition.
Thomas Love Peacock (1785-1866) was a lifelong and assiduous letter-writer at a time when the familiar letter was often virtually an art-form in itself. He had a wide circle of correspondents, and was a close friend of Shelley, whom he assisted over both personal and business affairs after Shelley's abandonment of his wife Harriet and departure to Italy. Friend also of many Radicals of the early nineteenth century, his letters often display the satiric wit of his published prose works such as Headlong Hall and Crotchet Castle. In the later part of his life he rose to high position in the East India Company's service, succeeding James Mill, under whom he had worked, as Examiner. This is the first time his extensive correspondence has been gathered together and given scholarly annotation: the two-volume edition will be invaluable both to students of Romantic literature and to historians of the period.
The Complete Poetical Works of Thomas Hardy: Volume I: Wessex Poems, Poems of the Past and Present, Time's Laughingstocks
Thomas Hardy
Oxford University Press
1983
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The Complete Poetical Works of Thomas Hardy: Volume 3: Human Shows, Winter Words, and Uncollected Poems
Thomas Hardy
Oxford University Press, USA
1985
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The Complete Poetical Works of Thomas Hardy: Volume IV: The Dynasts, Parts First and Second
Thomas Hardy
Clarendon Press
1995
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Volumes IV and V of the Complete Poetical Works of Thomas Hardy, which complete the edition, contain all of his dramatic writing in verse. Hardy was interested in dramatic verse all his adult life; before he wrote his first novel he considered writing plays in blank verse, and during the thirty years of his novel-writing career he entered in his notebooks many schemes for a vast poetic drama of England's wars with Napoleon. But is was not until after he had turned from fiction to poetry, in the 1890s, that he actually began to work on a poetic drama. The Dynasts was written between 1902 and 1907; The Famous Tragedy of the Queen of Cornwall was begun in 1916 and completed in 1923. In addition to the two major dramas this volume includes Hardy's versions of two folk-pieces: the Mummers' Play of 'Saint George' and the rustic operetta O'Jan, O'Jan, O'Jan' (here published for the first time). Textual annotations, together with a full account of the rough draft of Part third of The Dynasts, make it possible for the reader to follow the history of the composition of Hardy's epic drama in unusual detail. Explanatory notes to each of the dramatic works describe its composition and publication, and provide supporting material from Hardy's letters and notebooks. Appendices add further information on the production and performance of these works.
The Complete Poetical Works of Thomas Hardy: Volume V: The Dynasts, Part Third; The Famous Tragedy of the Queen of Cornwall; The Play of 'Saint George'; 'O Jan, O Jan, O Jan'
Thomas Hardy
Clarendon Press
1995
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Volumes IV and V of the Complete Poetical Works of Thomas Hardy, which complete the edition, contain all of his dramatic writing in verse. Hardy was Hardy was interested in dramatic verse all his adult life; before he wrote his first novel he considered writing plays in blank verse, and during the thirty years of his novel-writing career he entered in his notebooks many schemes for a vast poetic drama of England's wars with Napoleon. But it was not until after he had turned from fiction to poetry, in the 1890s, that he actually began to work on a poetic drama. The Dynasts was written between 1902 and 1907; the Famous Tragedy of the Queen of Cornwall was began in 1916 and completed in 1923. In addition to the two major dramas this volume includes Hardy's versions of two folk-pieces: the Mummers'Play of 'Saint George'and the rustic operetta O'Jan. O'Jan, O'Jan'(here published for the first time). Textual annotations, together with a full account of the rough draft of Part Third of The Dynasts, make it possible for the reader to follow the history of the composition of Hardy's epic drama in unusual detail. Explantory notes to each of the dramatic works describe its composition and publication, and provide supporting material from Hardy's letters and notebooks. Appendices add further information on the production and performance of these works.
Southerne is one of the most important dramatists of the Restoration theatre, but until now there has been no modern edition of his works. The text is based on an exhaustive study of the earliest editions, and the introduction contains the first biography of Southerne to be based on the surviving documentary records.
Challenging the tendency to disparage Nashe's writing as the product of an eccentric sensibility and to explain his texts in journalistic terms more appropriate to modern commercial publishing, this work provides an entirely new interpretation of the economic context of sixteenth-century literature. Lorna Hutson reveals hitherto overlooked links between humanist approaches to the literary text and the transformation of the English economy through humanist-inspired policies of ethical and social reform; from this context, Nashe's textual prodigality emerges as an assault upon the contemporary impoverishment of literary activity caused by the political over-valuing of the printed word. Generic precedents turn out to be festive; each of Nashe's apparently unstructured pamphlets derives shaping energy from traditions of popular-festive mockery. The pamphlets bring an older conception of seasonal prosperity into subversive dialogue with the newer discourse of provident individualism. For Nashe, stylistic experiment is shown to mean more than a choice of style; it is, rather, the expression of an intricate, socially engaged imagination.
T.J. Reed's study has long established itself as the standard work in English on Thomas mann, and offers as comprehensive a view of Mann's fiction and thought as is available in any language. It is based on a coherent close reading of Mann's oeuvre, literary and political, and also on manuscripts and sources, and was part of the first phase of literary scholarship that opened up the resources of the Zurich Thomas Mann Archive. Further documents that have appeared since then - Mann's diaries, notebooks, and other correspondences - have not fundamentally altered the individual interpretations or the overall picture the study offers, and in some respects have emphatically confirmed them. A further chapter added to this edition covers the new documentation, gives a vigorous account of the main curents in Mann scholarship and criticism over the last two decades suggesting how we should now see the writer, the man, and the political figure, and above all the complex relationship between the three.