Adeline Virginia Woolf (1882-1941) was an English writer. She is widely hailed as being among the most influential modernist authors of the 20th century and a pioneer of stream of consciousness narration. Woolf was a central figure in the feminist criticism movement of the 1970s, her works having inspired countless women to take up the cause. She suffered numerous nervous breakdowns during her life primarily as a result of the deaths of family members, and it is now believed that she may have suffered from bipolar disorder. In 1941, Woolf drowned herself in the River Ouse at Lewes, aged 59. This book contains volume I of her collected works, her famous novels "The Years" and "The Waves". The last of Virginia Woolf's novels published during her lifetime. The Years (1937) is seemingly epic in scope, spanning fifty years and the trials and tribulations of an extended family, but remains in-depth and personal focusing on a single day in each chosen year to give the reader a real connection as we watch the characters and relationships evolve and grow through their life time. Arguably her most experimental work, "The Waves" (1931) comprises soliloquies by six characters punctuated by third-person descriptions of a coastal scene. Through her characters, Woolf examines the concepts of self, individuality, and community in a poignant and thoroughly thought-provoking novel. Read & Co. Classics is proudly publishing this brand new collection of classic novels now complete with a specially-commissioned biography of the author.
This book contains a fantastic collection of Virginia Woolf's best essays and letters on a range of subjects including feminism, war, the works of other writers, and more. Contents include: "Virginia Woolf", "Henry James: The Old Order", "Henry James: Within the Rim", "The Letters of Henry James", "David Copperfield", "Professions for Women", "The Rev William Cole", "A Letter to a Young Poet", "Twelfth Night, "At the Old Vic", "Lord Chesterfield's Letters to his Son", "Reflections at Sheffield Place", "Craftsmanship", "The Historian and 'The Gibbon'", "Thoughts on Peace in an Air Raid", etc. Adeline Virginia Woolf (1882-1941) was an English writer. She is widely hailed as being among the most influential modernist authors of the 20th century and a pioneer of stream of consciousness narration. Woolf was a central figure in the feminist criticism movement of the 1970s, her works having inspired countless women to take up the cause. She suffered numerous nervous breakdowns during her life primarily as a result of the deaths of family members, and it is now believed that she may have suffered from bipolar disorder. In 1941, Woolf drowned herself in the River Ouse at Lewes, aged 59. Other notable works by this author include: "Pattledom" (1925), "A Room of One's Own" (1929), and "The Waves" (1931). Read & Co. Great Essays is publishing this brand new collection of classic essays now complete with a specially-commissioned biography of the author.
Adeline Virginia Woolf (1882-1941) was an English writer. She is widely hailed as being among the most influential modernist authors of the 20th century and a pioneer of stream of consciousness narration. Woolf was a central figure in the feminist criticism movement of the 1970s, her works having inspired countless women to take up the cause. She suffered numerous nervous breakdowns during her life primarily as a result of the deaths of family members, and it is now believed that she may have suffered from bipolar disorder. In 1941, Woolf drowned herself in the River Ouse at Lewes, aged 59. This volume contains 23 exceptional short stories that will not disappoint those who have read and enjoyed other works by this seminal writer. Contents include: "The Mark on the Wall", "Kew Gardens", "Solid Objects", "An Unwritten Novel", "A Haunted House", "Monday or Tuesday", "The String Quartet", "Society", "Blue and Green", "In the Orchard", "Mrs Dalloway in Bond Street", "A Woman's College from Outside", "The New Dress", etc. Read & Co. Classics is proudly publishing this brand new collection of classic short stories now complete with a specially-commissioned biography of the author.
Hailed as being among the most influential modernist authors of the 20th century, Woolf was a central figure in the feminist criticism movement of the 1970s whose works inspired countless women to take up the cause. Primarily, Woolf communicated her ideas through her essays, the most famous being "A Room of One's Own" (1929) which explored social injustices and women's lack of free expression. This volume contains an extensive collection of Woolf's seminal essays covering a range of subjects from feminism to biography. Contents include: "Virginia Woolf", "Joseph Conrad", "'Jane Eyre' and 'Wuthering Heights'", "Henry James: The Old Order", "Henry James: Within the Rim", "Modern Fiction", "Defoe", "Addison", "The Letters of Henry James", "Rambling Round Evelyn", "To Spain", "Sir Walter Scott. The Antiquary", "The Enchanted Organ", etc. A must-have collection for those with a keen interest in feminist literature. Adeline Virginia Woolf (1882-1941) was an English writer. She suffered numerous nervous breakdowns during her life primarily as a result of the deaths of family members, and it is now believed that she may have suffered from bipolar disorder. In 1941, Woolf drowned herself in the River Ouse at Lewes, aged 59. Other notable works by this author include: "To the Lighthouse" (1927), "Orlando" (1928), and "A Room of One's Own" (1929). Read & Co. Great Essays is proudly publishing this brand new collection of classic essays now complete with a specially-commissioned new biography of the author.
One of the most distinguished critics and innovative authors of the twentieth century, Virginia Woolf published two novels before this collection appeared in 1921. However, it was these early stories that first earned her a reputation as a writer with "the liveliest imagination and most delicate style of her time." Influenced by Joyce, Proust, and the theories of William James, Bergson, and Freud, she strove to write a new fiction that emphasized the continuous flow of consciousness, time's passage as both a series of sequential moments and a longer flow of years and centuries, and the essential indefinability of character. Readers can discover these and other aspects of her influential style in the eight stories collected here, among them a delightful, feminist put-down of the male intellect in "A Society" and a brilliant and sensitive portrayal of nature in "Kew Gardens." Also included are "An Unwritten Novel," "The String Quartet," "A Haunted House," "Blue & Green," "The Mark on the Wall," and the title story. In recent years, Woolf's fiction, feminism, and high-minded sensibilities have earned her an ever-growing audience of readers. This splendid collection offers those readers not only the inestimable pleasures of the stories themselves, but an excellent entr e into the larger body of Woolf's work.
"The Mark on the Wall" is the first published story by Virginia Woolf. It was published in 1917 as part of the first collection of short stories written by Virginia Woolf and her husband, Leonard Woolf, called Two Stories. It was later published in New York in 1921 as part of another collection entitled Monday or Tuesday.
Set in the eponymous botanic garden in London on a hot July day, the narrative gives brief glimpses of four groups of people as they pass by a flowerbed. The story begins with a description of the oval-shaped flowerbed. Woolf mixes the colours of the petals of the flowers, floating to the ground, with the seemingly random movements of the visitors, which she likens to the apparently irregular movements of butterflies.
Almost a romantic escape. 1928. Virginia Woolf and Vita Sackville-West set off for France to attest to their feelings. To find each other, even with the ever-present phantom of Orlando, which celebrates Vita beyond any love. Virginia has lost her heart to Vita - the elusive, ephemeral Sapphic nymph - and her statuesque body. Vita and her other loves. Swashbuckling Vita. Vita, romancing and being romanced. Vita, bowed in adoration of other womens bodies. For Virginia, feelings are a sort of surrogate ambiguity, because reality -meant to be the setting for a love song - is to her the fertile mother of thousands of worries, clashing affections, and artificial sensibilities. Nothing is as real as her imagined feelings. Virginia feels alone with her own never-ending perplexities. Ambiguity becomes central in her unconsciousness, surmising a possible, likely reality. The love proposition that fails to determine reality as such. A love that even when it is close seems to be far, with thousands of memories emerging and turning into visions that confuse past and present. They live parallel lives in the ambiguity of feeling, lives that appear as imagined realities and real images.
Almost a romantic escape. 1928. Virginia Woolf and Vita Sackville-West set off for France to attest to their feelings. To find each other, even with the ever-present phantom of Orlando, which celebrates Vita beyond any love. Virginia has lost her heart to Vita - the elusive, ephemeral Sapphic nymph - and her statuesque body. Vita and her other loves. Swashbuckling Vita. Vita, romancing and being romanced. Vita, bowed in adoration of other womens bodies. For Virginia, feelings are a sort of surrogate ambiguity, because reality -meant to be the setting for a love song - is to her the fertile mother of thousands of worries, clashing affections, and artificial sensibilities. Nothing is as real as her imagined feelings. Virginia feels alone with her own never-ending perplexities. Ambiguity becomes central in her unconsciousness, surmising a possible, likely reality. The love proposition that fails to determine reality as such. A love that even when it is close seems to be far, with thousands of memories emerging and turning into visions that confuse past and present. They live parallel lives in the ambiguity of feeling, lives that appear as imagined realities and real images.
Jacob's Room is the third novel by Virginia Woolf, first published on 26 October 1922. The novel centres, in a very ambiguous way, around the life story of the protagonist Jacob Flanders and is presented almost entirely through the impressions other characters have of Jacob. Thus, although it could be said that the book is primarily a character study and has little in the way of plot or background, the narrative is constructed with a void in place of the central character if, indeed, the novel can be said to have a 'protagonist' in conventional terms. Motifs of emptiness and absence haunt the novel and establish its elegiac feel. Jacob is described to us, but in such indirect terms that it would seem better to view him as an amalgam of the different perceptions of the characters and narrator. He does not exist as a concrete reality, but rather as a collection of memories and sensations. Plot summary Set in pre-war England, the novel begins in Jacob's childhood and follows him through college at Cambridge and into adulthood. The story is told mainly through the perspectives of the women in Jacob's life, including the repressed upper-middle-class Clara Durrant and the uninhibited young art student Florinda, with whom he has an affair. His time in London forms a large part of the story, though towards the end of the novel he travels to Italy and then Greece........... Adeline Virginia Woolf ( 25 January 1882 - 28 March 1941) was an English writer, who is considered one of the most important modernist 20th-century authors and a pioneer in the use of stream of consciousness as a narrative device. Virginia Stephen was born into an affluent household in South Kensington, London. She was the seventh child in a blended family of eight. Her mother, Julia Stephen, celebrated as a Pre-Raphaelite artist's model, had three children from her first marriage, her father Leslie Stephen, a notable man of letters, had one previous daughter, and four children were born in her parents' second marriage, of whom the most well known was the modernist painter Vanessa Stephen (later Vanessa Bell). While the boys in the family were educated at university, the girls were home-schooled in English classics and Victorian literature. An important influence in Virginia's early life was the summer home the family used in St Ives, Cornwall, where she first saw the Godrevy Lighthouse, which was to become iconic in her novel To the Lighthouse (1927). Virginia's childhood came to an abrupt end in 1895 with the death of her mother and her first mental breakdown. This was soon followed by the death of her stepsister and surrogate mother, Stella Duckworth, two years later. The Stephen sisters were then able to attend the Ladies' Department of King's College, where they studied classics and history (1897-1901) and came into contact with early reformers of women's higher education and the women's rights movement. Other important influences were their Cambridge-educated brothers and unfettered access to their father's vast library. Virginia's father encouraged her to become a writer and she began writing professionally in 1900. Their father's death in 1905 was a major turning point in their lives and the cause of another breakdown, following which the Stephens moved from Kensington to the more bohemian Bloomsbury, where they adopted a free-spirited lifestyle. It was there, that in conjunction with their brothers' intellectual friends, they formed the artistic and literary Bloomsbury Group. With Vanessa's marriage in 1907, Virginia became more independent, marrying Leonard Woolf in 1912. With Leonard she founded the Hogarth Press in 1917, which published much of her work. In 1910, Virginia started to feel the need to have a retreat away from London, in Sussex, and following the destruction of their London home during the war, in 1940, the Woolfs moved there permanently....
