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Alexandre Volta

Alexandre Volta

François Arago

Createspace Independent Publishing Platform
2016
nidottu
" ...Personne ne contestait l'importance de ce rapprochement. Le g nie p n trant de Volta pouvait y apercevoir les bases d'une enti re conviction; le commun des physiciens devait demander des preuves plus explicites. Ces preuves, ces d monstrations incontestables devant lesquelles toute opposition s' vanouit, Volta les trouva dans une exp rience capitale que je puis expliquer en peu de lignes. On applique exactement face face, et sans interm diaire, deux disques polis de cuivre et de zinc attach s des manches isolants. l'aide de ces m mes manches, on s pare ensuite les disques d'une mani re brusque; finalement on les pr sente, l'un apr s l'autre, au condensateur ordinaire arm d'un lectrom tre: eh bien les pailles divergent l'instant. Les moyens connus montrent d'ailleurs que les deux m taux sont dans des tats lectriques contraires; que le zinc est positif et le cuivre n gatif. En renouvelant plusieurs fois le contact des deux disques, leur s paration et l'attouchement de l'un d'eux avec le condensateur, Volta arriva, comme avec une machine ordinaire, produire de vives tincelles..."
Alexandre Dumas' The Three Musketeers for Kids

Alexandre Dumas' The Three Musketeers for Kids

Brendan P Kelso

Createspace Independent Publishing Platform
2017
pokkari
Who will you be? D'Artagnan? A Musketeer? The evil Cardinal Richelieu? The villainous Milady? The Three Musketeers like you have never experienced it before: quick, fun, and easy to understand. Designed for 7-17+ actors, kids, families, or anyone who wants to enjoy and perform Alexandre Dumas' classic story. The Three Musketeers for Kids is a play versatile enough for sibling fun, classes, drama groups, homeschool groups, or backyard performances. It's appropriate and fun for all ages Plays range from 15 to 25 minutes. What you will get: Fun 3 hilarious melodramatic play modifications for 3 group sizes: 7-12+ kids 11-14+ kids 12-17+ kids Actual lines from The Three Musketeers highlighted for easy identification Creatively funny and witty telling of the remaining story A kid who loves the Classics This mini-melodramatic masterpiece is sure to spark a love of all classics for your child. Many classic novels and plays are difficult to read in class or watch on stage, and attempting to teach these to children can be even more challenging. But, as the author states in the book, "there is no better way to learn than to have fun " Kids who have read or performed these plays continue to come back for more * *Guaranteed
Alexandre Dumas

Alexandre Dumas

Eugène de Mirecourt

Createspace Independent Publishing Platform
2017
nidottu
" Figurez-vous un voyageur qui l'on a fait la peinture d'un Eldorado d licieux, peupl de villas splendides, aux jardins toujours verts, aux pelouses toujours maill es. L , sous un ciel d'azur et par un ternel printemps, chantent sans cesse les oiseaux et la brise. Doux murmures, grands ombrages, fleurs blouissantes, tout se r unit pour charmer l'oreille et le regard. Chaque d tail est une po sie, chaque pas fait na tre un r ve. Notre voyageur prend son b ton de touriste et se dirige vers ce pays ravissant. Il arrive. spectacle affreux Les villas, les jardins, les pelouses, les ombrages, tout est ravag , tout est fl tri. Un cyclope absurde prend ses bats au milieu de la po tique r gion. Sur son passage, il ne laisse que ruine et d sastre. Le voyageur, c'est nous; l'Eldorado, c'est le domaine des lettres; le cyclope, c'est Alexandre Dumas..."
Celebrated Crimes, Vol. VI by Alexandre Dumas, Fiction, True Crime, Literary Collections
Alexandre Dumas, author of The Three Musketeers and so many sequels, all but invented the action adventure novel, and certainly he has few peers in all the years since. His stories are thrilling works of derring-do, foul deeds, close escapes, and glorious victories. In this sixth volume of Dumas's Celebrated Crimes contains, among other material, the famous "Man in the Iron Mask." This unsolved puzzle of history was later incorporated by Dumas in one of the D'Artagnan Romances a section of the Vicomte de Bragelonne, to which it gave its name. But in this later form, the true story of this singular man doomed to wear an iron visor over his features during his entire lifetime could only be treated episodically. While as a special subject in the Crimes, Dumas indulges his curiosity, and that of his reader, to the full. Hugo's unfinished tragedy, Les Jumeaux, is on the same subject; as also are others by Fournier, in French, and Zschokke, in German. This book was not written for children. Dumas has minced no words in describing the violent scenes of a violent time. In some instances facts appear distorted out of their true perspective, and in others the author makes unwarranted charges. The careful, mature reader -- for whom the books are intended -- will recognize and allow for this fact.
Celebrated Crimes, Vol. I by Alexandre Dumas, Fiction, Short Stories, Literary Collections
In this first volume of his CELEBRATED CRIMES, Dumas chronicles the annals of the Borgias and the Cenci. The "crimes" of the Borgias are legend; the name of the noted and notorious Florentine family has become a synonym for intrigue and violence, and yet the Borgias have not been without stanch defenders in history. The Cenci are nearly as ill-famed. The beautiful Beatrice Cenci -- celebrated in the painting of Guido, the sixteenth century romance of Guerrazi, and the poetic tragedy of Shelley, not to mention numerous succeeding works inspired by her hapless fate -- will always remain a shadowy figure and one of infinite pathos.
Alexandre Hogue

Alexandre Hogue

Susie Kalil

Texas A M University Press
2010
sidottu
Presenting the unique vision of an American original . . . Alexandre Hogue, a renowned artist whose career spanned from the 1920s to his death in 1994, inherited the view of an America that imagined itself as filled with limitless potential for improvement, that considered high art and great ideas accessible to ordinary working people, and that saw no reason for an intellectual chasm between a learned elite and the masses. He always viewed himself as a radical, yet his passion stemmed from a deeply conservative idea: that art, culture, and nature should form a central force in the life of every human being. His well-known Dust Bowl series labeled him as a regionalist painter, but Hogue never accepted that identity. His work reveals the spirit of Texas and the Southwest as he experienced it for nearly a century. In his later years Hogue worked in forms of crisply rendered nonobjective and calligraphic one-liner paintings. Bringing to light new information regarding the Erosion and Oil Industry series, this book gives special attention to lesser known, post-1945 works, in addition to the awe-inspiring Moon Shot and final Big Bend series. Each series—from the hauntingly beautiful Taos landscapes and prophetic canvases of a dust-covered Southwest to his depictions of the fierce geological phenomena of the Big Bend—serves as a paean to the awesomeness of nature. Houston-based curator and critic Susie Kalil grew close to Hogue from 1986 to 1994, a time during which she interviewed him, considered his oeuvre with him, and came to share his vision of the nature and purposes of art. In Alexandre Hogue she reveals Hogue as he presented himself and his work to her. Collections with Alexandre Hogue's paintings: Musee National D'Art Moderne, Pompidou, Paris DallasMuseum of Art Museum of Fine Arts, Houston The GilcreaseMuseum, Tulsa The Philbrook Museum of Art, Tulsa University of Tulsa Tulsa Performing ArtsCenter Smithsonian Institution (NationalMuseum of American Art), Washington, DC OklahomaMuseum of Art, Okla City The SheldonMuseum of Art, University of Nebraska, Lincoln PhoenixArt Museum University of Arizona, Tucson Art Museum of SouthTexas, Corpus Christi Panhandle Plains Historical Museum, Canyon, Tx. StarkMuseum, Orange, Tx Southern MethodistUniversity, Dallas SpringfieldArt Museum, Springfield, Missouri WeatherspoonArt Museum, University of North Carolina at Greensboro The Federal Reserve Bank, Dallas The Williams Companies, Tulsa