Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Bridget McCray
#MeToo: Bridget Lewis Survives Child Abuse: A Teenage Girl Moves On - A Screenplay
Brenda Loew
Independently Published
2019
nidottu
During the Women's Liberation Movement of the 1960s, women challenged restrictions placed on them by traditional moral and family values, government restrictions on interpersonal and private behavior and women's roles in the work environment...However, engaging in predatory sexual behaviors has always been illegal. "Sexual misconduct" refers to a category of crimes that are sexual in nature: "...any act that a person engages in for the purpose of sexual gratification, which is either against the other person's will, or without his or her consent." These include: -Rape-Sexual harassment-Unwanted touching-Exposing oneself-Engaging in sexual acts in public-Forcing someone to engage in an unwanted sexual act. Set in the 1960's, #MeToo: Bridget Lewis Survives Child Abuse, A Teenage Girl Moves On addresses these issues. It was not until 2017, that the phrase, MeToo, protesting sexual harassment, sexual assault and sexual abuse of women and underage girls by men, developed into #MeToo, a national survivors healing movement.
Title: Mistress Bridget: a novel.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Yolland, E.; 1898. 264 p.; 8 . 012623.g.50.
The Prophecies and Revelations of Saint Bridget (Birgitta) of Sweden: Volume 1
Saint Bridget
Createspace Independent Publishing Platform
2014
nidottu
The Prophecies and Revelations of Saint Bridget (Birgitta) of Sweden: Volume 2
Saint Bridget
Createspace Independent Publishing Platform
2014
nidottu
The Book of Questions of Saint Bridget
Saint Bridget
Createspace Independent Publishing Platform
2014
nidottu
The Prophecies and Revelations of Saint Bridget (Birgitta) of Sweden: Volume 4
Saint Bridget
Createspace Independent Publishing Platform
2014
nidottu
The Life and Prayers of Saint Bridget
Saint Bridget
Createspace Independent Publishing Platform
2014
nidottu
Lady Bridget in the Never Land
Rosa Campbell Praed
Createspace Independent Publishing Platform
2015
nidottu
Beguiling Bridget
Rachel Van Dyken; Leah Sanders
Createspace Independent Publishing Platform
2015
pokkari
Driven to distraction by the redhead across the room, Anthony Benson barely hears the terms of his brother's challenge before agreeing to them.No matter. It will be easy. Viscount Maddox has never had any problem impressing the ladies. And four weeks is more than enough time to win over this so obviously neglected wallflower.But things are never as easy as they seem.The lady has lofty aspirations. And not one of them includes love or marriage. Especially not with an arrogant and self-assured playboy like the viscount. No matter how attractive he may be.
Dear Bridget, Diary of My Dreams and Hopes: A Girl's Thoughts
Hope Faith
Independently Published
2018
nidottu
Every girl should believe in her bright future See that girl always dreaming and imagining her happy-ever-after life in adulthood? She's gonna LOVE her personal copy from this Preserve the Memories series, created especially for young dreamers between 9 and 14 years of age.Hope Faith has created this book as an 8.5 by 11 inch, perfect journal book form. Plenty of pages to explore her ideas as well as loads of room to keep track of her progress.There is even space for special lists which makes the sky the limit when it comes to sparking positive action towards future goals.This book is perfect for: encouraging your future selfremembering your dreams to reach forcaptivating the momentcherishing the magic of all possibilityParents love the Preserve the Memories series for these reasons: helps speech developmentincreases literacydevelops a sense of sequencecreates confidencedevelops an appreciation for life and self directionboots creativityOnce you get this book, notice how handy it is - perfect journal size means it's easy to write in and frustration free. All you need is your pencil and ink pen Can't wait to she has been inspried by her Dear Me book
It is seventeenth century England, a country divided in the aftermath of the English Civil War, and paranoia and superstition are rife throughout the land. In the village of Rithycombe in Somerset, Bridget Conyngham, the squire's beautiful young daughter, is abandoned to the mercy of lawless soldiers and paranoid villagers. Matthew Hopkins, Witchfinder General, is going about the country torturing anyone he doesn't like the look of, and the villagers of Rithycombe, suspicious of Bridget's healing abilities, are determined to save Hopkins the trouble of burning their witch. The novel 'Mistress Bridget' was originally published in 1898. This volume also includes all seven of E. Yolland's incredibly rare short stories.Before now, not a single fact, not even the tiniest tidbit of information, had been discovered to shed light on the identity of E. Yolland. There was no clue to the writer's full name or sex, let alone anything more substantial. However, in the introduction to this volume, Gina R. Collia reveals the true identity of E. Yolland and paints a full and vivid picture of this forgotten Victorian author's life.
Is the story of a little girl who can't stop fidgeting in class and is told by her Great Aunt that she has "ants in her pants". One night, The Anthill Mob - a gang of giant ants - emerge from her pants drawer, kidnap her, and take her away to an anthill deep in the forest, where she works as a slave for the enormously fat Queen Ant, who happens to bear an uncanny resemblance to her Great Aunt. Befriended by two smaller-than-average ants (Ant and Dick) a hilarious and darling rescue ensues to get Bridget back home.
About Bridget Riley
Ridinghouse
2017
nidottu
The essays range from biographical and career overviews to detailed analysis of specific aspects or themes that occur throughout Riley’s career. The selection reflects a rich body of work, which sustains the interest of important authors, as evidenced by multiple pieces by Éric de Chassey, Lynne Cooke, Robert Kudielka, Paul Moorhouse and Richard Shiff. Together, this volume of essays tells the story of an artist whose art has continuously evolved over nearly six decades. Most of the critical texts have been written in close consultation with the artist, the result of long conversations, studio visits and archive access. Largely commissioned on the occasion of particular exhibitions, these essays track and trace Riley’s focus and influences at different moments in time. Each essay builds upon the next, with more recent authors clearly responding and referencing earlier discourse. The result is a collection of great breadth and cohesion. An important resource, About Bridget Riley represents a monumental body of research and analysis by some of the most important art historians of today. It also offers the opportunity for the reader and the viewer to approach Riley from a plethora of perspectives to form their own view, much reflecting Riley’s own particular approach to art history. As John Elderfield puts it: ‘Effectively, Riley makes a pact with the viewer, through the medium of the painting, that they will collaborate in eliciting from a particular painting a particular sort of mobile visual array. And, when the viewer stops looking at the painting, it will therefore be as if leaving something that continues to go on.’