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1000 tulosta hakusanalla Colonel A J D Biddle

The Death of a Confederate Colonel

The Death of a Confederate Colonel

Pat Carr

University of Arkansas Press
2007
nidottu
Dramatically compelling and historically informed, the stories in acclaimed author Pat Carr's latest collection, The Death of a Confederate Colonel, take us into the lives of those left behind during the Civil War. These stories, all with Arkansas settings, are filled with the trauma of the killing, the dying, and the horrendous wounds of the war. They tell of a Confederate woman's care of and growing affection for a wounded Union soldier, a plantation mistress' singular love for a sick slave child, and an eight-year-old girl's fight for survival against frigid cold, injury, starvation, heartbreak, and lawlessness. Here are women showing what they're made of as they hold down the home front with heroism and loyalty, or, sometimes, with weakness and duplicity. Will a young woman remain loyal to her betrothed when he returns from the war maimed? How long can a caring nurse hold her finger on a severed artery and keep a soldier alive? And how does anyone comprehend the legacy of slavery and the brutality of war? The Death of a Confederate Colonel triumphs in its portrayal of desperate circumstances coated in the patina of the Civil War era, the complexity of ordinary people confronting situations that change them forever.
The life of Kit Carson, hunter, trapper, guide, Indian agent, and colonel U.S.A. By: Edward Sylvester Ellis (Original Version)
Edward Sylvester Ellis (April 11, 1840 - June 20, 1916) was an American author who was born in Ohio and died at Cliff Island, Maine. Ellis was a teacher, school administrator, journalist, and the author of hundreds of books and magazine articlesthat he produced by his name and by a number of noms de plume. Notable fiction stories by Ellis include The Steam Man of the Prairies and Seth Jones, or the Captives of the Frontier.Internationally, Edward S. Ellis is probably known best for his Deerfoot novels read widely by young boys until the 1950s Seth Jones was the most significant of early dime novels of publishers Beadle and Adams. During the mid-1880s, after a fiction-writing career of some thirty years, Ellis eventually began composing more serious works of biography, history, and persuasive writing. Of note was "The Life of Colonel David Crockett", which had the story of Davy Crockett giving a speech usually called "Not Yours To Give". It was a speech in opposition to awarding money to a Navy widow on the grounds that Congress had no Constitutional mandate to give charity. It was said to have been inspired by Crockett's meeting with a Horatio Bunce, a much quoted man in Libertarian circles, but one for whom historical evidence is non-existent. It is said that Seth Jones was one of Abraham Lincoln's favorite stories
Colonel Brandon's Widow and Willoughby: A Jane Austen 'Sense and Sensibility' Variant Sequel
Mrs Brandon, the former Marianne Dashwood, is now a widow, and not yet twenty-five.Her former admirer Willoughby is as unhappily married as ever, and the thought that she is free to marry again drives him to distraction. He has continued in his dissolute lifestyle, which Marianne abhors, while his wife Sophia's life has been poisoned by jealousy of Marianne. Marianne urges him that the only possibility of happiness for Willoughby and his wife is for him to give up his empty pursuit of pleasure - but now the Colonel is gone, Marianne finds that she can no longer push aside thoughts of Willoughby easily herself; she must find some way of occupying her own empty hours.Willoughby retains his rascally charm, which an older and wiser Marianne is determined to resist; Elinor and Edward are as astute as ever, while Sir John and Lady Middleton are as foolish. Mrs Jennings remains determined to marry off all her associates as before, while Sophia Willoughby is even more sour as the wife of the man she wanted, and Willoughby's friends are suitably cynical rakes.This sequel to Jane Austen's 'Sense and Sensibility' strives to emulate some of the light ironic touch of the inimitable style of Jane Austen; it is both funny and sad, and is told as dark comedy.