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695 tulosta hakusanalla Cuthbert Conny-Catcher

Writing History in the Community of St Cuthbert, c.700-1130
An examination of the extraordinary texts produced by the community of St Cuthbert, showing how they were used to construct and define an identity. Historical texts of all kinds were written in the community of St Cuthbert c.700-1130, from short annals to extended narrative history, political tracts and works on the lives and miracles of saints.At the same time, scribes in the community worked to copy and procure notable classics of historiography, from Classical Antiquity down to the Norman Conquest of England. But what did these various forms of writing about past events mean to their original authors and readers? What were these texts for? This book offers a narrative of historiographical production within St Cuthbert's community from the time of its foundation on the island of Lindisfarne, through subsequent translations to Chester-le-Street and Durham, down to the vibrant intellectual revival of the Anglo-Norman period. Focusing on several watershed moments in the story of this community, it identifies political, religious, intellectual andcultural triggers for historical writing, and argues that knowledge of past events gave successive guardians of Cuthbert's cult their single most valuable tool in the continuous effort to define who they were, where they had comefrom, and what they hoped to continue to be.
Two Lives of St. Cuthbert

Two Lives of St. Cuthbert

Cambridge University Press
1985
pokkari
These two complementary lives of Cuthbert illuminate both the secular history of the golden age of Northumbria and the historic shift from Celtic to Roman ecclesiastical practice which took place after the Synod of Whitby. Cuthbert was very much in the Irish monastic tradition. He adopted Roman usages, becoming prior and eventually bishop of Lindisfarne, but the essential nature of his commitment changed little and he lived for much of his later life as a hermit on the island of Farne, with the birds as his only companions. The two lives make an interesting contrast: the earlier, anonymous Life of 698–705 is clear, concise and rich in Lindisfarne tradition, viewing Cuthbert as no more than the great saint of his own house. Bede's prose Life of 721, however, is polished, literary, more than twice as long and altogether more didactic; treating Cuthbert as a model from which to draw lessons about how to be a perfect bishop and monk. Taken together, the lives vividly evoke the character of a remarkable churchman and provide a compelling picture of early monastic life.
St. Cuthbert

St. Cuthbert

Dominic Marner

University of Toronto Press
2000
sidottu
St. Cuthbert, who died in 687 in his hermitage on Fame Island off the coast of Northumbria, became one of the most important saints of the Middle Ages and was (and indeed remains today) a key figure in the religious and political life of north-east England. A great many churches were dedicated to his memory. The Lindisfarne Gospels was produced in his honour and the exquisite Gospel of St. Cuthbert (the Stonyhurst Gospel) was placed in his coffin. Both these manuscripts are among the treasures of the British Library. So, too, is the superlative illuminated Life of St. Cuthbert, produced in Durham c.1185, certainly one of the most important examples of visual hagiography of any period or place to have survived. This manuscript forms the cornerstone of this book, and all 42 of the extant full-page miniatures are reproduced (in 4-colour plus special gold). After a preliminary chapter which places Cuthbert in his historical context, Dominic Marner then moves forward to Durham in the 1170's and 1180's, when the cult of St. Cuthbert was being fostered internationally by the community of monks and the Bishop, Hugh du Puiset, in rivalry with Canterbury where the cult of St. Thomas Becket had quickly achieved a phenomenal success. The illuminated Life is discussed in the context of the revitalisation of the cult of the saint, and the manuscript is compared with several others created in Durham at the time and described in detail. The narrative components and techniques employed in illustrating the key episodes is analysed, especially the clear motivation of the artist to portray Cuthbert in an emotional and sympathetic manner. This is a book that is intended for a wide and varied audience - those interested in medieval religious history and art, who will relish the superb colour reproductions at an affordable price, as much as a more specialist readership.
The Community of St. Cuthbert in the Late Tenth Century

The Community of St. Cuthbert in the Late Tenth Century

Karen Louise Jolly

Ohio State University Press
2020
pokkari
The Community of St. Cuthbert in the Late Tenth Century: The Chester-le-Street Additions to Durham Cathedral Library A.IV.19 reveals the dynamic role a seemingly marginalized community played during a defining period for the emergence of English religious identity. Based on her new critical edition of additions made to Durham Cathedral Library A.IV.19 and by questioning the purpose of those late tenth-century additions, Karen Louise Jolly is able to uncover much about the Chester-le-Street scribes and their tumultuous time, rife as it was with various political tensions, from Vikings and local Northumbrian nobles to an increasingly dominant West Saxon monarchy. Why, for instance, would a priest laboriously insert an Old English gloss above every Latin word in a collection of prayers intended to be performed in Latin? What motivated the same English scribe to include Irish-derived Christian materials in the manuscript, including prayers invoking the archangel Panchiel to clear birds from a field? Jolly's extensive contextual analysis includes a biography of Aldred, the priest and provost of the community primarily responsible for adding these unusual texts. Besides reinterpreting the manuscript's paleography and codicology, she investigates both the drive for reform evidenced by the added liturgical materials and the new importance of Irish-derived encyclopedic and educational materials.
St. Cuthbert's

St. Cuthbert's

Robert Edward 1868-1946 Knowles

Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
St. Cuthbert's

St. Cuthbert's

Robert Edward 1868-1946 Knowles

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Story of Saint Christopher and the Story of Saint Cuthbert
Two beautifully-written retellings of the legend of St. Christopher-which is largely allegorical-and of the real-life story of St. Cuthbert, one of the most important early Medieval Christian religious figures of northern England, by master storyteller Mary MacGregor. The legend of St. Christopher first appeared in western Europe during the ninth century, and told the story of an extraordinarily tall man named Offero who, after first serving Satan, converted to Christianity and one day unknowingly carried the young Jesus across a river. In this way he was renamed "Christopher" or the "carrier of Christ." Later martyred by pagans, Christopher was canonized by the Catholic Church, and is to this day the patron saint of travellers. There is little concrete evidence that Christopher actually existed, and the legend was most likely derived from the story of Saint Menas, a third century Egyptian in the Roman army, executed for refusing to recant his Christian faith. In addition, Christopher's river-crossing episode is most likely a retelling of the ancient Greek legend of Jason, who carried an old woman across a raging river, who was actually Hera, wife of Zeus and the goddess of woman and marriage. The story of St. Cuthbert is based on the life of an early Celtic Christian monk who, through his life and work, made famous the monasteries of Melrose and Lindisfarne in Northumbria in the Northeast of England. Famously Spartan and known for his generosity to the poor, he was accredited with the gift of healing and was known as the "Wonder Worker of Britain." He carried out missionary work all over Britain and Ireland, and founded an oratory at Dull, Scotland, which later became a monastery and then the University of St Andrews. Canonized after his death, he became the patron saint of northern England. Illustrated by Eleanor Fortescue-Brickdale.