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1000 tulosta hakusanalla D.H. Lawrence

Fire-bird: a Study of D.H. Lawrence

Fire-bird: a Study of D.H. Lawrence

Dallas Kenmare

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Yogi Who Missed His Way: Sex and Spirituality in D.H. Lawrence

The Yogi Who Missed His Way: Sex and Spirituality in D.H. Lawrence

D. P. Taylor

Createspace Independent Publishing Platform
2017
nidottu
SEX & SPIRITUALITY MEET IN D.H. LAWRENCE All the sex scenes, talking about sex, and thinking about it in D.H. Lawrence's Lady Chatterley's Lover amount to less than a quarter of the famous notorious novel, so what else is it about? Discover how yoga and the chakras influenced D.H. Lawrence and how the philosophy of yoga can be used to shed light on characters in novels, and persona in poetry. Australian author David P Taylor has been an English teacher at high school level for over 40 years. He has taught some of Lawrence's works, and read others with varying degrees of interest and enjoyment. He was first impelled to write about Lawrence after watching a BBC telemovie entitled The Trial Of Lady Chatterley. This was about the trial of Penguin books after they had published the first uncensored version of Lawrence's novel in the early 1960's. Having watched the programme David decided to re-read the novel, after which he then asked himself the question, if all the sex scenes, talking about sex, and thinking about it, amount to less than a quarter of the most famous novel about sex of the twentieth century, what else is it about? After beginning his research David became aware of the level of involvement Lawrence had with ideas and concepts from Yoga, particularly the chakras. David's own Ph.D thesis had been centred on the way in which a number of the philosophical aspects of Yoga could be used as an analytical tool for examining character in novels and plays and persona in poetry. The original question David asked and the focus of his Ph.D thesis have combined to produce this ground-breaking book.
The Sensuous Pedagogies of Virginia Woolf and D.H. Lawrence

The Sensuous Pedagogies of Virginia Woolf and D.H. Lawrence

Benjamin D. Hagen

LIVERPOOL UNIVERSITY PRESS
2024
nidottu
Winner of the D.H. Lawrence Society of North America’s Biennial Award for a Newly Published Scholar in Lawrence Studies Though the differences in style and politics between Virginia Woolf (1882-1941) and D.H. Lawrence (1885-1930) are many, they both had formative experiences as teachers. Between 1905 and 1907, Woolf taught history and composition courses at Morley College while Lawrence spent nearly a decade in the field of elementary education between 1902 and 1912. The Sensuous Pedagogies of Virginia Woolf and D.H. Lawrence reframes Woolf and Lawrence’s later experiments in fiction, life-writing, and literary criticism as the works of former teachers, of writers (that is) still preoccupied with pedagogy. More specifically, the book argues that across their respective writing careers they conceptualize problems of teaching and learning as problems of sensation, emotion, or intensity. But the “sensuous pedagogies” Woolf and Lawrence depict and enact are not limited to classroom spaces or strategies; rather, they pertain to non-institutional relationships, developmental narratives, spaces, and needs. Friendships and other intimate relationships in Lawrence’s fiction, for instance, often take on a pedagogical shape or texture (one person playing the student; the other, the teacher) while Woolf’s literary criticism models a novel approach to taste-training that prioritizes the individual freedom of common readers (who must learn to attend to books that give them pleasure). In addition, Sensuous Pedagogies reads Lawrence’s literary criticism as reparative, Woolf’s fiction as sustained feminist pedagogy, and their respective theories of life and love as fundamentally entangled with pedagogical concerns.
The Sensuous Pedagogies of Virginia Woolf and D.H. Lawrence

The Sensuous Pedagogies of Virginia Woolf and D.H. Lawrence

Benjamin D. Hagen

Clemson University Digital Press
2020
sidottu
Though the differences in style and politics between Virginia Woolf (1882-1941) and D.H. Lawrence (1885-1930) are many, they both had formative experiences as teachers. Between 1905 and 1907, Woolf taught history and composition courses at Morley College while Lawrence spent nearly a decade in the field of elementary education between 1902 and 1912. The Sensuous Pedagogies of Virginia Woolf and D.H. Lawrence reframes Woolf and Lawrence's later experiments in fiction, life-writing, and literary criticism as the works of former teachers, of writers (that is) still preoccupied with pedagogy. More specifically, the book argues that across their respective writing careers they conceptualize problems of teaching and learning as problems of sensation, emotion, or intensity. But the "sensuous pedagogies" Woolf and Lawrence depict and enact are not limited to classroom spaces or strategies; rather, they pertain to non-institutional relationships, developmental narratives, spaces, and needs. Friendships and other intimate relationships in Lawrence's fiction, for instance, often take on a pedagogical shape or texture (one person playing the student; the other, the teacher) while Woolf's literary criticism models a novel approach to taste-training that prioritizes the individual freedom of common readers (who must learn to attend to books that give them pleasure). In addition, Sensuous Pedagogies reads Lawrence's literary criticism as reparative, Woolf's fiction as sustained feminist pedagogy, and their respective theories of life and love as fundamentally entangled with pedagogical concerns.
Darstellung Und Deutung Der Moderne Bei D.H. Lawrence
Die Arbeit untersucht Darstellung und Deutung der Moderne bei D.H. Lawrence, um der bis heute strittigen -Verortung- seines Werks neue Anstosse zu geben. Erkennbar wird schon ab 1912 ein Existenzverstandnis, das wesentliche Zuge des Heideggerschen Denkens vorwegnimmt: die Sicht des Menschen als stimmungsgetragenes, von den Bezugen zur Welt und den Anderen untrennbares "In-der-Welt-sein," die -Kehre- zur Seinsgeschichte sowie die Kritik an Rationalismus, dem -machenschaftlichen- Umgang mit dem Lebendigen, der Technik und der modernen Kunst. Der Rang von Lawrence wird darin gesehen, -erzahlte Wirklichkeit- geliefert zu haben, die philosophisch koharent den experimentellen Anforderungen, die an die Literatur der Moderne gestellt werden, in eigener Weise gerecht wird."
The Forgotten Film Adaptations of D.H. Lawrence’s Short Stories
This book looks beyond fidelity to emphasize how each adaptation of D.H. Lawrence’s short stories functions as a creative response to a text, foregrounding the significance of its fluidity, transtextuality, and genre. The adaptations analysed range from the first to the most recent and draw attention to the fluidity of textual sources, the significance of generic conventions and space in film, the generic potentialities latent within Lawrence’s tales, and the evolving nature of adaptation. By engaging with recent advances in adaptation theory to discuss the evolving critical reception of the author’s work and the role of the reader, this book provides a fresh, forward-looking approach to Lawrence studies.
Modernist Myth: Studies in H.D., D.H. Lawrence, and Virginia Woolf
The writers in this study were living at the edge of change, in a world severely rocked by world conflict - a 'maelstrom' of upheaval of values, of community standards, and of philosophical visions. Their task was to "give [themselves and others] the power to change the world that is changing them, to make their way through the maelstrom and make it their own." Their response was not to embrace the chaos, but to move through it and re-establish limits in the broader beyond.
Sexually Balanced Relationships in the Novels of D.H. Lawrence
In this intense analysis of the thematic interplay between Lawrence's critical prose and major fiction, Leo J. Dorbad argues persuasively that artistic expression in both genres provided the necessary groundwork for the novelist's subsequent efforts to consolidate his complex views on disharmony between the sexes. Covering the major fiction from "Sons and Lovers" (1913) to "Lady Chatterley's Lover" (1928), the study demonstrates how Lawrence's answer to such strife, the need for intuitive sympathy between sexual partners, finds full-fledged implementation in his innovative approach to characterization.
Not I, But the Wind: D H. Lawrence as Seen by Mrs. D. H. Lawrence

Not I, But the Wind: D H. Lawrence as Seen by Mrs. D. H. Lawrence

Frieda Von Richthofen Lawrence

Literary Licensing, LLC
2011
sidottu
""Not I, But The Wind: D.H. Lawrence As Seen By Mrs. D.H. Lawrence"" is a biographical book written by Frieda von Richthofen Lawrence, the wife of the famous author D.H. Lawrence. The book provides a unique perspective on the life and work of D.H. Lawrence, as it is written by someone who knew him intimately and was with him during many of the important events in his life. Frieda von Richthofen Lawrence provides insights into D.H. Lawrence's creative process, his relationships with other writers and artists, and his struggles with censorship and illness. The book also explores the couple's travels around the world, including their time in Italy, Mexico, and the United States. Overall, ""Not I, But The Wind"" is a fascinating and revealing portrait of one of the most important literary figures of the 20th century, as seen through the eyes of his devoted wife.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
Not I, But the Wind: D H. Lawrence as Seen by Mrs. D. H. Lawrence

Not I, But the Wind: D H. Lawrence as Seen by Mrs. D. H. Lawrence

Frieda Von Richthofen Lawrence

Literary Licensing, LLC
2011
nidottu
Long out of print, and brought back to fill the new demand for it, Frieda Law-rence's own story places in perspective the works of the man now regarded as the greatest English novelist of the twentieth century. When Lawrence's reputation was at its lowest, in the 1930s, various memoirs by those who had known him flourished, to the detriment of his own work, for potential readers saw him in the light of a fallen prophet. In the midst of such volumes, his widow's book was valuable for its clear picture of the man who wrote so much remarkable prose and poetry. Taking her title from a line of his po-etry, Frieda Lawrence wrote ""Not I," " But the Wind.".."one of the most vivid portraits of an artist by the one who knew him best. Now that Lawrence's works are receiving increasing attention and renewed critical acclaim, this book will in itself put the man in perspective for those who want to know more about him. In his new Afterword written for this edition Harry T. Moore, the noted Law-rence scholar, has provided a valuable ac-count of Frieda and D. H. Lawrence to-gether, rounding out the story of these two unique lives.