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1000 tulosta hakusanalla Howard Partridge

Howard Barker: Ecstasy and Death

Howard Barker: Ecstasy and Death

D. Rabey

Palgrave Macmillan
2009
nidottu
Barker has been acclaimed as 'England's greatest living dramatist' in The Times and as 'the Shakespeare of our age' by Sarah Kane. His uniquely stylish work brings together startlingly original forms of classical discipline, moral ruthlessness and catastrophic eroticism. This study considers the full range of his theatrical achievements.
Howard Barker: Plays Twelve

Howard Barker: Plays Twelve

Howard Barker

BLOOMSBURY PUBLISHING PLC
2022
nidottu
The theatre of Howard Barker subverts myth and invents history in its pursuit of the meaning of individual integrity. Repudiating politics and asserting the primacy of the emotions, Barker’s tragedy is written in a language by turns poetic and brutally mundane. The effects are disconcerting and destabilizing, as he insists tragedy must be. The twelfth and final collection of plays from this celebrated, influential and widely-studied playwright includes:At Her Age and Hers, which uses Velázquez's painting Las Meninas to meditate on the making of a work of art, removing the figures from the frame, animating them, and assembling them again.Landscape with Cries, which invokes the savagery of the Peasants’ Revolt of fourteenth-century France to create an unlikely heroine. Womanly, a play which is alternatively dreamlike and nightmarish in its biography of Elbow, the aptly named protagonist who defies the conventional morals of her day. Four Dialogues which are small in size of cast, but ambitious in their confrontations with the ideas of faith, language, and longing. Struggling to define their needs, the characters come near to the final purpose of Barker’s dramatic endeavour – the discovery of a reason to exist.True Condition – both the title of the play and the name of an unseaworthy vessel – which tells of the final voyage of a boat crewed by criminals.
Howard Hughes and the Spruce Goose

Howard Hughes and the Spruce Goose

Simons M

PEN SWORD BOOKS LTD
2021
nidottu
Howard Hughes' life ambition was to make a significant contribution to the field of aviation development. But the monumental folly of his endeavours on the HK-I Hercules meant that he came to be known and remembered to a great extent for all the wrong reasons. The 'Spruce Goose' (a name Hughes detested) became a product of his wild fixation on perfection and scale. Once completed, it was the largest flying machine ever built. Its wingspan of 320 feet remains the largest in history. Yet it only completed one flight; flying for a mile on its maiden voyage above Long Beach Harbour, before being consigned to the history books as a failure. Experienced author Graham M. Simons turns his attention to the production process that saw this colossus take shape. In words and images, all aspects of this process are illustrated. We have shots taken during the initial design period, images of the craft under construction, and photographs taken at the test flights. In addition, Simons has been gifted access to the highly prized and rarely seen aircraft manual produced for the aircraft, content from which has been extracted and used to supplement the narrative. The book goes on to explore the political issues that sprung up as a result of Hughes' endeavours, looking into the Senate War Investigations Committee's findings which explored the extent to which government funds had been utilised in the development and construction of the flying boat, adding a whole new layer of controversy to the proceedings.
Howard Barker: Ecstasy and Death

Howard Barker: Ecstasy and Death

D. Rabey

Palgrave Macmillan
2009
sidottu
Barker has been acclaimed as 'England's greatest living dramatist' in The Times and as 'the Shakespeare of our age' by Sarah Kane. His uniquely stylish work brings together startlingly original forms of classical discipline, moral ruthlessness and catastrophic eroticism. This study considers the full range of his theatrical achievements.
Howard Barker's Theatre: Wrestling with Catastrophe
Howard Barker and The Wrestling School have been seen as marginal to the major concerns of British theatre, problematic in their staging and challenging in the ideas they explore. Yet Barker's writing career spans six decades, he is the only living writer to have been accorded an entire season with the Royal Shakespeare Company, and The Wrestling School produces theatre of such a striking quality that it earned continuous Arts Council funding for nearly 20 years.Wrestling with Catastrophe challenges existing ways of reading Barker’s theatre practice and plays and provides new ways into his work. It brings together conversations with theatre makers from in and outside The Wrestling School, with first-hand accounts of the company’s practice, and a selection of critical readings. The book’s combining of testimony from key Wrestling School practitioners with alternative practical perspectives, and with analysis by both established and emerging scholars, ensures that a spectrum of understanding emerges that is rich in both breadth and depth.In its consideration of the full range of Barker's aesthetic concerns - including text, direction, design, acting, narrative form, poetry, appropriation, painting, photography, electronic media, technology, puppetry, and theatre space - the volume makes a radical re-evaluation of Barker's theatre possible.