Pre-order the enthralling story from military museum curator and medal specialist Mark Smith, about his father's missions during the Second World War
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1000 tulosta hakusanalla Mark Cochrane
Part war story, part memoir, telling the story of Mark's father's RAF flying boat crew on special duties operations in the Indian Ocean. Through the lens of his relationship with his father and the stories he would share with young Mark when they looked through his logbook together, Mark will bring to life the lives of the men he served with - including the death of his father's best friend in an attack with a Japanese fighter. It will set their story against the wider war fought by the RAF, SOE and the wider war fought by British and Commonwealth forces in the Burma theatre, while weaving in Mark's own friendships with the survivors after the war and his efforts to record and pay tribute to their service and sacrifice as part of his growing interest in medals.
The complex and fascinating life of Mark Twain, as told by a Pulitzer prizewinning biographerBorn in 1835, the man who would become America’s first, and most influential, literary celebrity spent his childhood dreaming of piloting steamboats on the Mississippi. But when the Civil War interrupted his career on the river, the young Mark Twain went west and accepted a job at the local newspaper, writing dispatches that attracted attention for their brashness and humour. It wasn’t long until the former steamboat pilot from Missouri was recognized across the country for his literary brilliance.In this rich and nuanced portrait of Twain, Ron Chernow brings his powers to bear on a man who shamelessly sought fame and fortune, and crafted his persona with meticulous care. After establishing himself as a journalist, satirist, and performer, and a family man, Twain went on to write The Adventures of Tom Sawyer and Adventures of Huckleberry Finn. He threw himself into the epicentre of American culture, emerging as the nation’s most notable political pundit and the only white author of his generation to grapple so fully with the legacy of slavery. At the same time, his madcap business ventures eventually bankrupted him and led him and his family to nine years of exile between London, France, Germany and Italy. During this time, he lost his wife and two daughters – the last stage of his life marked by heartache, political crusades, and eccentric behaviour that sometimes obscured darker forces at play.Drawing on Twain’s bountiful archives, including thousands of letters and hundreds of unpublished manuscripts, Chernow here captures the magnificent and often maddening life of one of the most original characters in literary history, reminding us why Twain’s writing continues to be read, debated and quoted over a hundred years after his passing.
Tom Wright has completed a tremendous task: to provide comprehensive guides to all the books of the New Testament, and to furnish them with his own fresh translation of the entire text. Each short passage is followed by a highly readable commentary with helpful background information. The format makes it appropriate also for daily study. Tom Wright's eye-opening comments on the gospel and what it might mean for us are combined, passage by passage, with his own fresh and involving translation. Making use of his true scholar's understanding, yet writing in an approachable and anecdotal style, Wright captures the urgency and excitement of Mark's gospel in a way few writers have.
Mark Twain's Own Autobiography
University of Wisconsin Press
2010
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Mark Twain's ""Own Autobiography"" stands as the last of Twain's great yarns. Here he tells his story in his own way, freely expressing his joys and sorrows, his affections and hatreds, his rages and reverence - ending, as always, tongue-in-cheek: 'Now, then, that is the tale. Some of it is true'. More than the story of a literary career, this memoir is anchored in the writer's relation to his family - what they meant to him as a husband, father, and artist. It also brims with many of Twain's best comic anecdotes about his rambunctious boyhood in Hannibal, his misadventures in the Nevada territory, his notorious Whittier birthday speech, his travels abroad, and more. Twain published twenty-five 'Chapters from ""My Autobiography""' in the ""North American Review"" in 1906 and 1907. 'I intend that this autobiography...shall be read and admired a good many centuries because of its form and method - form and method whereby the past and the present are constantly brought face to face, resulting in contrasts which newly fire up the interest all along, like contact of flint with steel.' For this second edition, Michael Kiskis' introduction references a wealth of critical work done on Twain since 1990. He also adds a discussion of literary domesticity, locating the autobiography within the history of Twain's literary work and within Twain's own understanding and experience of domestic concerns.
"What is the lesson of that other, newly sprung tree (the cross) in whose bark Mark has carved his Gospel (for this is a book that bleeds)? Is it that Jesus's body, grafted onto the cross, became one with it, and thus became tree, branch, book, and leaf, inscribed with letters of blood, can now at last be read, no longer an indecipherable code but an open codex? And that in its (now) re(a)d(able) ink, lately invisible, the message that was scratched into the fig tree is transcribed: outside the gates, but only just, the summer Son is shining in full strength?"--Stephen D. MooreIn this book Stephen D. Moore offers a dazzling new reading of the Gospels of Mark and Luke, applying the poststructuralist techniques of Derrida, Lacan, and Foucault to illuminate these texts in a way that no one has done before. Written with wit and a sensitivity to words--and wordplay--that is reminiscent of Moore's fellow countryman James Joyce, the book is also deeply learned, impressive in its detailed knowledge of previous scholarship as well as in the challenges it presents to that scholarship.Moore argues that whereas the language of the Gospels is concrete, pictorial, and often startling, the language of modern gospel scholarship tends to be propositional and abstract. Calling himself a New Test-what-is-meant scholar, he approaches the Gospels of Mark and Luke as though they were pictograms or dreamwork to decipher and interpret, writing a response that is no less visceral and immediate than the biblical texts themselves.
Originally published in 1998 and still in print, this quintessential volume presents an overview of Mark Rothko’s stunning corpus of paintings on canvas and panel. With all works reproduced in color, the book includes the images for which Rothko is most famous—the large, hypnotic, poignant fields of color—along with almost 400 additional paintings that are far less well known and reveal an artist who was attuned by turns to realism, expressionism, surrealism, and the avant-garde issues of his era. "Far and away the best monograph ever written on Rothko."—Yve-Alain Bois, ArtforumPublished in association with the National Gallery of Art, Washington
Although it appears second in the New Testament, Mark is generally recognized as the first Gospel to be written. Captivating nonstop narrative characterizes this earliest account of the life and teachings of Jesus. In the first installment of his two-volume commentary on Mark, New Testament scholar Joel Marcus recaptures the power of Mark’s enigmatic narrative and capitalizes on its lively pace to lead readers through familiar and not-so-familiar episodes from the ministry of Jesus. As Marcus points out, the Gospel of Mark can be understood only against the backdrop of the apocalyptic atmosphere of the Jewish rebellions of 66-73 c.e., during which the Roman army destroyed the Temple of Jerusalem (70 c.e.). While the Jewish revolutionaries believed that the war was “the beginning of the end” and that a messianic redeemer would soon appear to lead his people to victory over their human enemies (the Romans) and cosmic foes (the demons), for Mark the redeemer had already come in the person of Jesus. Paradoxically, however, Jesus had won the decisive holy-war victory when he was rejected by his own people and executed on a Roman cross. The student of two of this generation’s most respected Bible scholars and Anchor Bible authors, Raymond E. Brown and J. Louis Martyn, Marcus helps readers understand the history, social customs, economic realities, religious movements, and spiritual and personal circumstances that made Jesus who he was. The result is a Bible commentary of the quality and originality readers have come to expect of the renowned Anchor Bible series. Challenging to scholars and enlightening to laypeople, Mark 1-8 is an invaluable tool for anyone reading the Gospel story.
In the final nine chapters of the Gospel of Mark, Jesus increasingly struggles with his disciples’ incomprehension of his unique concept of suffering messiahship and with the opposition of the religious leaders of his day. The Gospel recounts the events that led to Jesus’ arrest, trial, and crucifixion by the Roman authorities, concluding with an enigmatic ending in which Jesus’ resurrection is announced but not displayed. In this volume New Testament scholar Joel Marcus offers a new translation of Mark 8–16 as well as extensive commentary and notes. He situates the narrative within the context of first-century Palestine and the larger Greco-Roman world; within the political context of the Jewish revolt against the Romans (66–73 C.E.); and within the religious context of the early church’s sometimes rancorous engagement with Judaism, pagan religion, and its own internal problems. For religious scholars, pastors, and interested lay people alike, the book provides an accessible and enlightening window on the second of the canonical Gospels.
From the prizewinning Jewish Lives series, a fascinating exploration of the life and work of Mark Rothko, one of America’s most famous and enigmatic postwar visual artists"Cohen-Solal subtly demonstrates the link between Rothko’s three outsider statuses (artist, immigrant, and Jew), his color-block canvases, and his essential Americanness.”—New Yorker“Gripping. . . . A rewarding close-up of Rothko’s . . . experience as a Jewish immigrant.”—Publishers Weekly, Starred Review Mark Rothko, one of the greatest painters of the twentieth century, was born in the Jewish Pale of Settlement in 1903. He immigrated to the United States at age ten, taking with him his Talmudic education and his memories of pogroms and persecutions in Russia. His integration into American society began with a series of painful experiences, especially as a student at Yale, where he felt marginalized for his origins and ultimately left the school. The decision to become an artist led him to a new phase in his life. Early in his career, Annie Cohen-Solal writes, “he became a major player in the social struggle of American artists, and his own metamorphosis benefited from the unique transformation of the U.S. art world during this time.” Within a few decades, he had forged his definitive artistic signature, and most critics hailed him as a pioneer. The numerous museum shows that followed in major U.S. and European institutions ensured his celebrity. But this was not enough for Rothko, who continued to innovate. Ever faithful to his habit of confronting the establishment, he devoted the last decade of his life to cultivating his new conception of art as an experience, thanks to the commission of a radical project, the Rothko Chapel in Houston, Texas. Cohen-Solal’s fascinating biography, based on considerable archival research, tells the unlikely story of how a young immigrant from Dvinsk became a crucial transforming agent of the art world—one whose legacy prevails to this day.About Jewish Lives: Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present. In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award.More praise for Jewish Lives: “Excellent.” – New York times “Exemplary.” – Wall St. Journal “Distinguished.” – New Yorker “Superb.” – The Guardian
A fascinating exploration of the life and work of one of America’s most famous and enigmatic postwar visual artists Mark Rothko, one of the greatest painters of the twentieth century, was born in the Jewish Pale of Settlement in 1903. He immigrated to the United States at age ten, taking with him his Talmudic education and his memories of pogroms and persecutions in Russia. His integration into American society began with a series of painful experiences, especially as a student at Yale, where he felt marginalized for his origins and ultimately left the school. The decision to become an artist led him to a new phase in his life. Early in his career, Annie Cohen-Solal writes, “he became a major player in the social struggle of American artists, and his own metamorphosis benefited from the unique transformation of the U.S. art world during this time.” Within a few decades, he had forged his definitive artistic signature, and most critics hailed him as a pioneer. The numerous museum shows that followed in major U.S. and European institutions ensured his celebrity. But this was not enough for Rothko, who continued to innovate. Ever faithful to his habit of confronting the establishment, he devoted the last decade of his life to cultivating his new conception of art as an experience, thanks to the commission of a radical project, the Rothko Chapel in Houston, Texas. Cohen-Solal’s fascinating biography, based on considerable archival research, tells the unlikely story of how a young immigrant from Dvinsk became a crucial transforming agent of the art world—one whose legacy prevails to this day.
A comprehensive survey of American artist Mark Dion, examining three decades of his critically engaged practice interrogating our relationship with nature The first book in two decades to consider the entire oeuvre of Mark Dion (b. 1961), this volume examines thirty years of the American artist’s pioneering inquiries into how we collect, interpret, and display nature. Part of a generation of artists expanding institutional critique in the 1990s, Dion adopted the methods of the archaeologist or the natural history museum, juxtaposing natural objects, taxidermy, books, and more to reorganize the natural and the manmade in poetic, witty ways. These sculptures, installations, and interventions offer novel approaches to questioning institutional power, which he sees as connected to the control and representation of nature. Generously illustrated, this publication introduces new insights and features more than seventy-five artworks. Essays address topics ranging from Dion’s ecological activism to his loving critique of museums. A diverse group of contributors explores his work as a teacher, his public artworks such as Neukom Vivarium in Seattle, and his intricate curiosity cabinets installed throughout the world. They reveal how Dion’s practice and formal investigations—which are rooted in history—connect to contemporary questions of disciplinary boundaries and the acquisition of knowledge in the age of the Anthropocene.Published in association with The Institute of Contemporary Art/BostonExhibition Schedule:Institute of Contemporary Art/Boston (10/04/17–01/07/18)
“The journey to understand the painting is also the journey to understand Rothko, because the work is so thoroughly suffused with the man.”—Christopher Rothko Mark Rothko (1903–1970), world-renowned icon of Abstract Expressionism, is rediscovered in this wholly original examination of his art and life written by his son. Synthesizing rigorous critique with personal anecdotes, Christopher, the younger of the artist’s two children, offers a unique perspective on this modern master. Christopher Rothko draws on an intimate knowledge of the artworks to present eighteen essays that look closely at the paintings and explore the ways in which they foster a profound connection between viewer and artist through form, color, and scale. The prominent commissions for the Rothko Chapel in Houston and the Seagram Building murals in New York receive extended treatment, as do many of the lesser-known and underappreciated aspects of Rothko’s oeuvre, including reassessments of his late dark canvases and his formidable body of works on paper. The author also discusses the artist’s writings of the 1930s and 1940s, the significance of music to the artist, and our enduring struggles with visual abstraction in the contemporary era. Finally, Christopher Rothko writes movingly about his role as the artist’s son, his commonalities with his father, and the terms of the relationship they forged during the writer’s childhood. Mark Rothko: From the Inside Out is a thoughtful reexamination of the legendary artist, serving as a passionate introduction for readers new to his work and offering a fresh perspective to those who know it well.
The Perilous Texas Adventures of Mark Dion
Mark Dion; Margaret C. Adler
Yale University Press
2020
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This dazzling volume records the artist’s travels through the Lone Star State, a grand expedition for our time Renowned artist Mark Dion (b. 1961) has a deep passion for history and the natural world. His installations mine the materials of the past to level an institutional critique in the present. Evoking the grand expeditionary journals of the 19th century, this singular volume records Dion’s latest work, produced through his crisscrossing of Texas and exploration of the Lone Star State. Dion retraces the travels of four artists and naturalists—John James Audubon, Sarah Ann Lillie Hardinge, Frederick Law Olmsted, and Charles Wright—who journeyed to the region over a century ago. Dion’s travel companions include preservationists, ranchers, botanists, a poet, a tarot card reader, and fellow artists who offer accompanying texts, while lavish illustrations feature the objects Dion made or collected during his travels alongside historical artworks and botanical specimens. The result is a stunning document of the American West, past and present.Distributed for the Amon Carter Museum of American ArtExhibition Schedule:Amon Carter Museum of American Art, Fort Worth (February 8–May 17, 2020)
A revelatory exploration of Mark Rothko’s paintings on paper that transforms our understanding of a preeminent twentieth-century artist “[A] superb catalogue.”—Charles Giuliano, Berkshire Fine Arts Mark Rothko (1903–1970) is renowned for his towering abstract paintings on canvas; joy, despair, ecstasy, and tragedy are among the themes that he sought to express in his luminous works. Despite Rothko’s prominence, few people know that he also created more than 1,000 paintings on paper over the course of his career. The artist viewed these not as preliminary studies but as finished paintings in their own right. These remarkable paintings range from early figurative subjects and surrealist works to the soft-edged rectangular fields, often realized at monumental scale, for which Rothko is best known. These works challenge our expectations about how painting is defined, as well as popular ideas about Rothko and his career. In this beautifully illustrated volume, Adam Greenhalgh traces the role these works played in the artist’s reception, reputation, and success. This book accompanies the first major exhibition dedicated to Rothko’s works on paper in forty years and brings together nearly one hundred radiant, rarely displayed examples. Building on the important research conducted by Greenhalgh and his team for the catalogue raisonné of Rothko’s works on paper, this important catalogue offers a new appreciation of an underrecognized facet of the artist’s practice. Exhibition Schedule: National Gallery of Art, Washington (November 19, 2023–March 31, 2024) The National Museum of Art, Architecture, and Design, Oslo (May 16–September 22, 2024)
This is the first and most complete collection of all 136 humorous sketches and tales that Samuel Clemens (1835-1910), a.k.a. Mark Twain, started writing as a young reporter for various newspapers and magazines and later saw fit to issue in book form. Many pieces appeared in rare, first printings, only to be dropped in subsequent editions for this reason, readers will encounter a number of yarns and tall tales unavailable elsewhere, even in the collected works. More unvarnished than his short stories or novels, and more willing to indulge in fun for its own sake, these sketches comprise a substantial share of his literary apprenticeship and legacy. As brilliant, representative nuggets of Twain's humour in its purest form, they carry the imprint of Twain's wit, imagination, and humanism, his fresh and always idiomatic prose. From 1862's "Curing a Cold" to 1904's "Italian Without a Master," this collection allows readers to share Twain's vision of life as a strange and comic affair. No one interested in American humour (or in need of a good laugh) can long remain indifferent to this uproarious book.
Mark Twain's Other Woman: The Hidden Story of His Final Years
Laura Skandera Trombley
VINTAGE
2011
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Laura Skandera Trombley, the preeminent Twain scholar at work today, reveals the never-before-read letters and daily journals of Isabel Lyon, Mark Twain s last personal secretary. For six years, Isabel Lyon was responsible for running the aging Man in White s chaotic household, nursing him through several illnesses and serving as his adoring audience. But after a dramatic breakup of their relationship, Twain ranted in personal letters that she was a liar, a forger, a thief, a hypocrite, a drunkard, a sneak, a humbug, a traitor, a conspirator, a filthy-minded and salacious slut pining for seduction. For decades, biographers omitted Isabel from the official Twain history at his decree. But now, the truth of the split is exposed at last in a story that sheds light on a lionized author s final decade."
Volumes in New Word Biblical Themes: New Testament series offer short, accessible studies of the key themes of each book of the New Testament.Each volume offers an introduction to the book, a brief exposition of the text with its basic background and a survey of its contents, an overview of its themes, and a deeper look at 3-5 key themes for understanding the book and for preaching and teaching.The Gospel of Mark provided the church with its first written narrative of Jesus's life and ministry. While often overlooked by early commentators in favor of the Gospels of Matthew and John, Mark's seemingly understated account contains a remarkably organized literary structure with a distinctive vision of Jesus's identity and mission, the in-breaking of God's Kingdom, and a theology of discipleship.In this volume, Skinner raises historical and literary questions with a view to elucidating some of Mark's important themes and his unique contributions to our understanding of Jesus of Nazareth. In the process of outlining the valuable contributions of the gospel, Skinner attempts to provide a coherent reading of Mark's themes in their broader literary context. This volume explores themes related to Jesus's mission to the Jewish and Roman worlds and his role in inaugurating of God's Kingdom, while demonstrating that Mark's understanding of Jesus Christ was foundational to what became the written gospel tradition.