A story with a moral air about Pierre, who learned to care.
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1000 tulosta hakusanalla Pierre-Rene-Marie-Henri de la Blanchere
Pierre Board Book: A Cautionary Tale in Five Chapters and a Prologue
Maurice Sendak
Harpercollins
2017
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Pierre, along with the other three classic Nutshell Library titles (Alligators All Around, Chicken Soup with Rice, and One Was Johnny), is the first board book edition of Maurice Sendak's original work You loved Nutshell Library as a miniature collection, and these large board books make it even easier for children to share with their grown-up readers.For over fifty years, children have cared about Pierre, Maurice Sendak's story about a little boy who doesn't care about anything. And they will continue to care about this classic cautionary tale in this durable board book format.
The fraternal love that Pierre Roland feels for his younger brother Jean has always been tinged with jealousy. But when a lawyer arrives at the house of their parents, to declare that an old family friend has bequeathed his entire fortune to Jean, this envy rapidly becomes an all-consuming force. Despising himself for the hate that he feels, Pierre roams the seaport of Le Havre alone, desperate to come to terms with his brother's success. As he walks through the streets, however, one thought dominates his mind. Why was he not left a share of the friend's estate? Vivid, ironical and emotionally profound, Pierre and Jean is considered Maupassant's greatest novel - an intensely personal story of suspicion, jealousy and family love.
As an integral figure in twentieth-century music, Pierre Boulez innovated new musical ideas through extraordinary creative processes. His formative years tracked his compositional development from his confrontations with serialism to drafting one of his major works, Pli selon pli, in the early 1960s. Part biography, part survey, Pierre Boulez: The Formative Years situates Boulez and his compositions among a complex network of influences. To best understand Boulez's creative process, author Joseph R. Salem organizes the book into three parts. First, Boulez's early life, training, and education provide biographical context for his career. Salem provides a fresh, revisionist perspective of the composer's life by drawing upon a mix of primary and secondary sources. Second, the brunt of the biography situates Boulez's musical works and experimentation among a host of contextual contexts. In place of scores and complicated musical analyses, Salem employs sketches as a visual metonym. The sketches denote Boulez's continual ability to self-reform, accept feedback from his peers, mentors, and family members, and revitalize old material. Third, Boulez's legacy is associated with contemporaneous aesthetic movements and artistic challenges. While his creative processes undoubtedly influenced music today, Boulez remains a controversial, even taboo, figure among contemporary musicians and audiences. A book that both celebrates and critiques its subject, The Formative Years urges a reconsideration of narratives and discussions surrounding Boulez's life and works.
Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court
Meconi Honey
Oxford University Press
2003
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Pierre de la Rue, composer at the grande chapelle of the Habsburg-Burgundian court for nearly a quarter of a century, composed for one of the leading musical institutions of his day. Serving successive rulers Maximilian I, Philip the Fair, Juana of Castile, Marguerite of Austria, and the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy. Honey Meconi presents the first ever study in English of la Rue's life and career, exploring aspects of his compositional output and highlighting the reawakening of modern scholarship to his unique contribution. Extensive documentation of the events of his life and a complete record of the transmission of his music across Europe make this study essential for everyone studying the musical court in Europe at the turn of the 16th century.
Pierre de L'Estoile and his World in the Wars of Religion
Tom Hamilton
Oxford University Press
2017
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The Wars of Religion embroiled France in decades of faction, violence, and peacemaking in the late sixteenth century. When historians interpret these events they inevitably depend on sources of information gathered by contemporaries, none more valuable than the diaries and collection of Pierre de L'Estoile (1546-1611), who lived through the civil wars in Paris and shaped how they have been remembered ever since. Taking him out of the footnotes, and demonstrating his significance in the culture of the late Renaissance, this is the first life of L'Estoile in any language. It examines how he negotiated and commemorated the conflicts that divided France as he assembled an extraordinary collection of the relics of the troubles, a collection that he called 'the storehouse of my curiosities'. The story of his life and times is the history of the civil wars in the making. Focusing on a crucial individual for understanding Reformation Europe, this study challenges historians' assumptions about the widespread impact of confessional conflict in the sixteenth century. L'Estoile's prudent, non-confessional responses to the events he lived through and recorded were common among his milieu of Gallican Catholics. His life-writing and engagement with contemporary news, books, and pictures reveals how individuals used different genres and media to destabilise rather than fix confessional identities. Bringing together the great variety of topics in society and culture that attracted L'Estoile's curiosity, this volume rethinks his world in the Wars of Religion.
Pierre de L'Estoile and his World in the Wars of Religion
Tom Hamilton
Oxford University Press
2021
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The Wars of Religion embroiled France in decades of faction, violence, and peacemaking in the late sixteenth century. This study offers a new history of these Wars of Religion from the perspective of the period's great diarist and collector, Pierre de L'Estoile (1546-1611), telling the story of his life and times. When historians interpret these events they inevitably depend on sources of information gathered by contemporaries, none more valuable than the diaries and collection of Pierre de L'Estoile (1546-1611), who lived through the civil wars in Paris and shaped how they have been remembered ever since. Taking him out of the footnotes, and demonstrating his significance in the culture of the late Renaissance, this is the first life of L'Estoile in any language. It examines how he negotiated and commemorated the conflicts that divided France as he assembled an extraordinary collection of the relics of the troubles, a collection that he called 'the storehouse of my curiosities'. The story of his life and times is the history of the civil wars in the making. Focusing on a crucial individual for understanding Reformation Europe, this study challenges historians' assumptions about the widespread impact of confessional conflict in the sixteenth century. L'Estoile's prudent, non-confessional responses to the events he lived through and recorded were common among his milieu of Gallican Catholics. His life-writing and engagement with contemporary news, books, and pictures reveals how individuals used different genres and media to destabilise rather than fix confessional identities. Bringing together the great variety of topics in society and culture that attracted L'Estoile's curiosity, this volume rethinks his world in the Wars of Religion.
Pierre Laroque and the Welfare State in Postwar France
Eric Jabbari
Oxford University Press
2012
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Eric Jabbari examines Pierre Laroque's contribution to the rise of the French welfare state, namely his role as the architect of the social security plan which was adopted by the provisional government in 1945. The conception of the Laroque Plan was a product of his work as a civil servant and social policy expert, and it reflected the diverse combination of influences: his background in administrative law and his onetime support for the corporatist management of industrial relations. These experiences were all the more notable since they were marked by his belief in the necessity of an increased state interventionism which was mitigated by administrative decentralisation. The purpose of social policy, in his mind, was to cultivate social solidarity, a task which could best be achieved if the beneficiaries of this policy could be encouraged to participate in its implementation. These concerns remained central to his conception of the state and society long after he lost his enthusiasm for corporatism, and contributed to the shape of post-war social security.
Ce livre sur la pensee et l'influence d'un precurseur de Descartes, Pierre de La Ramee, (1515-1572), attire notre attention sur un modele de l'art du prestidigitateur du langage, ideologie qui remplace la realite du sens par des mots isoles et qui, par son obsession de clarte mathematisante comme modele de la pensee, empoisonne toute la culture moderne. Cette " hermeneutique " binaire comporte une methode de lecture - propre a ceux qui ne se donnent plus la peine de lire les textes avec l'attention qu'ils exigent - et la remplacent par la tyrannie de leur methode universelle unique. La Ramee figure en bonne place dans la lignee de ceux qui deconstruisent le langage des hommes, celle des Occam, Biel, Bacon, Descartes, Galilee, Hobbes, Spinoza, Kant et de toute la vaste tribu des passionnes du seul modele quantitatif, hermeneutique destructrice de la perception juste de l'ordre creee, qui aboutit aux maitres modernes de l'insanite : les Lacan, Foucault, Deleuze, Derrida et tutti quanti.
Pierre-Paul Marchini, homme discret, est aujourd'hui eleve au rang de maitre de l'art contemporain. Peintre distingue avec 50 artistes de toutes nationalites, il a desormais sa place dans les publications de renommee mondiale, a cote des plus grands. Ce livre vous fera decouvrir son parcours creatif, sa vision de l'art et celle que d'autres portent sur lui et ses oeuvres.
Pierre Blain D'Esnambuc
Wentworth Press
2018
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An artist of pivotal importance to the generation of post-Impressionists from Seurat and Gauguin to Matisse and Picasso, Pierre Puvis de Chavannes (1824 - 1898) played a crucial role in the history of late-19th-century French art and the development of modernism. He was an artist of great range, originality, and idiosyncratic invention who executed mural complexes, compelling easel paintings, and numerous works on paper. These two companion volumes—a critical study of the artist's life and art, and a catalogue raisonné of his paintings—introduce many of Puvis’s works for the first time, assess his contribution, and restore him to the pantheon of modern masters. Volume I situates Puvis and his work in his time. With a wealth of new documentation, it addresses the theories, forces, and events that impinged on his art. Volume II is a complete compendium of Puvis's easel paintings and mural cycles for civic buildings throughout France as well as for the Boston Public Library.
This book celebrates 40 years of work by Pierre Droulers (b. 1951), a pioneer of contemporary dance and choreographer of more than 30 works. A key figure in France and Belgium since the 1970s, Droulers was one of the first students to graduate from the Mundra School. In tune with the zeitgeist since the beginning of his career, Droulers has collaborated with singular and forward-thinking musicians, from jazz saxophonist Steve Lacy and beat poet Brion Gysin to Isreali group Minimal Compact and performance artist Winston Tong. In later years Droulers has developed fruitful artistic exchanges with visual artists, particularly Michel François and Ann Veronica Janssens. Drawing on archives for images and text, along with personal recollections and quotations, this monograph presents a three-dimensional narrative: the collisions of faces, landscapes, and words revealing Droulers’s artistic world as one of obsessions and fantasies, of light and darkness. Distributed for Mercatorfonds
An unparalleled reassessment of Pierre Bonnard, exploring his paintings, drawings, photography, and prints As one of the founders of the post-Impressionist group the Nabis, French artist Pierre Bonnard (1867–1947) is frequently seen as a transitional figure between the Impressionists and modernists. This beautifully illustrated book offers a fresh interpretation, revealing the artist’s central concern with expanding representation beyond the limits of natural vision. The result is a new understanding not only of Bonnard but of modernism itself. Exploring how Bonnard’s dazzling domestic scenes and landscapes reimagine perception, embodiment, and the passage of time, Lucy Whelan characterizes him as a painter of unusual insight in his consideration of the relationship between vision and representation. The book covers Bonnard’s paintings, drawings, photographs, and prints, with special focus on his later works from the 1920s to his death in 1947, and draws on an in-depth study of the artist’s diaries, interviews, and other written sources. A groundbreaking reassessment, Pierre Bonnard Beyond Vision presents an artist engaged in avant-garde forms of experimentation who complicated vision in innovative ways.
Pierre Culot (1938-2011) was a Belgian ceramist and sculptor who was trained by Antoine de Vinck and English master potter Bernard Leach. He is one of the ceramists of the 1950s who transformed their craft into an art form. In his work, Pierre Culot passionately expresses his desire to be in the world, to be on earth and to be in nature the sole generator of life and beauty. The clay that he molds into slabs, scratches and enamels becomes containers for daily use with majestic presence. Over his career Culot aimed at mastery of his practice, shaping his pieces in terms of size and in surface effect, by combining the raw earth in each item with luxuriant enamels that had unique variations. All of Culot’s life he remained faithful to his initial experience as a potter, evolving his ceramic works from basic forms (bowls, plates, jugs) to more daring shapes (cruciform vases, gourds, compound pots, inkwells), and even into the landscape space by sculpting garden walls. This book offers a complete overview of his unique and multi-faceted career in pottery, sculpture and landscaping. Distributed for Mercatorfonds
Now back in print, a revealing look at the visionary French furniture designer and architect, highlighting his virtuoso designs and versatile creativity “Pierre Chareau: Modern Architecture and Design adds even more depth and breadth to the architect’s deserved reputation for creative virtuosity.”—Julie V. Iovine, Wall Street Journal “[A]n exceptionally informative, readable catalog.”—Roberta Smith, New York Times The designer and architect Pierre Chareau (1883–1950) was a pivotal figure in modernism. His extraordinary Art Deco furniture is avidly collected and his visionary glass house, the Maison de Verre, is celebrated, but the breadth of his design genius has been little explored. Chareau linked architecture, fine arts, and style; designed furniture for avant-garde films and chic homes; collected artists such as Picasso and Mondrian; and was a radical innovator in the use of materials. This revealing look at the visionary French designer highlights his virtuosity and versatile creativity. Essays by leading scholars embrace the full scope of his invention, offering detailed analyses of individual projects, the interdisciplinary nature of his work, his Jewish background, his place in the avant-garde of Paris between the wars, and his more recent reception. Extensive illustrations present a rich sampling of Chareau’s furniture, architecture, interiors, fabrics, and wallpapers, as well as his own important art collection. Published in association with the Jewish Museum, New York
Pierre Rayer's Traite des Maladies des Reins et les Alterations de la Secretion Urinaire
Robert I Levy; David B Levy
Lulu.com
2018
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Translation of Rayer's major work on Kidneys and Urinary Diseases along with critical essays.