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1000 tulosta hakusanalla Richard Tames

Richard McNemar

Richard McNemar

Christian Goodwillie

INDIANA UNIVERSITY PRESS
2023
pokkari
The first biography of a key and complex American religious figure of the nineteenth century, considered by many to be the "father of Shaker literature." Richard McNemar (1770–1839) led a remarkable life, replete with twists and turns that influenced American religions in many ways during the early nineteenth century. Beginning as a Presbyterian minister in the Midwest, he took his preaching and the practice of his congregation in a radically different, evangelical "free will" direction during the Kentucky Revival. A cornerstone of his New Light church in Ohio was spontaneous physical movement and exhortations. After Shaker missionaries arrived, McNemar converted and soon played a prominent role in expanding and raising public awareness of their religion by founding Shaker communities in the Midwest, becoming the first Shaker published author and the most prolific composer of Shaker hymns. Split between two opposing religious traditions—an evangelical movement attracting tens of thousands and Shakerism, which drew only hundreds to its villages—Richard McNemar's life poses a challenge for any biographer. Christian Goodwillie's mastery of the archival records surrounding McNemar and the Shakers allows him to tell McNemar's story in a way that fully captures the complexity of the man and the scope of his enduring legacy in American religious history.
Richard B. Moore, Caribbean Militant in Harlem
"[This] critical edition of a selection of Richard B. Moore's essays closes one more gap in the astonishing history of twentieth-century Afro-American nationalism." —Journal of American History "This first collection of Moore's writings . . . [is] a welcome and important contribution to scholarship concerned with the political and intellectual history of African peoples in general and of African peoples in the Americas, in particular. . . . an inspiration to those who follow after to study and emulate his life and achievement." —Journal of American Ethnic History
Richard Pryor

Richard Pryor

Indiana University Press
2008
pokkari
Richard Pryor is an American icon whose name evokes irreverent humor, social critique, and a perplexing degree of self-agonized genius. This anthology captures in one volume the spirit, zest, and cultural impact of Pryor's complex artistry. Audrey Thomas McCluskey has assembled insightful essays from a broad range of scholars, social critics, writers, filmmakers, and other established and emerging commentators on American culture. Although a celebration of Pryor's genius, the book approaches the subject with a critical sensibility that provides insight into his work to reveal how he simultaneously highlighted and embodied prominent narratives of race, gender, and social conditions in America in ways that continue to enlighten and entertain.
Richard Strauss's Orchestral Music and the German Intellectual Tradition
The young Richard Strauss was almost exclusively an orchestral composer. Yet, the year 1903 brought a significant break from orchestral writing, and Strauss then shifted his focus to opera for the next four decades. In the aftermath of the Second World War he returned to orchestral music, having first served and then been summarily dismissed by the Third Reich. Despite its enduring appeal among concert audiences, and the intriguing pattern of his compositional career, Richard Strauss's orchestral music has yet to receive the scholarly consideration it deserves. Richard Strauss's Orchestral Music and the German Intellectual Tradition breaks new ground in Straussian studies. Youmans provides a provocative investigation of Strauss's private intellectual life and its impact on the brilliant music he created during the formation of his worldview. The composer's works have traditionally been viewed as a product of high German Romanticism, yet Youmans demonstrates that Strauss's entire body of orchestral music can be read as a history of his struggle with specific intellectual-historical concerns. Exploring the significant influences of Schopenhauer, Nietzsche, Goethe, and Wagner on the young composer, Youmans insightfully establishes that the cultural convictions and preconceptions which grounded the composer's artistic choices in fact provided him with the philosophical and musical materials that formed the basis of an early modernism. Through this grounding, the mature Strauss succeeded in opening up a new aesthetic frontier devoted to optimism, physicality, and the visual.
Richard Riemerschmid's Extraordinary Living Things
How Richard Riemerschmid's designs of everyday--but "extraordinary"--objects recalibrate our understanding of modernism. At the beginning of the twentieth century, German artist Richard Riemerschmid (1868-1957) was known as a symbolist painter and, by the advent of World War I, had become an important modern architect. This, however, the first English-language book on Riemerschmid, celebrates his understudied legacy as a designer of everyday objects--furniture, tableware, clothing--that were imbued with an extraordinary sense of vitality and even personality. Freyja Hartzell makes a case for the importance of Riemerschmid's designed objects in the development of modern design--and for the power of everyday things to change the way we live our lives, understand history, and design our future. Hartzell offers for the first time an interpretive history of Riemerschmid's design practice embedded in a fresh examination of modernism told by the objects themselves. Hartzell explores Riemerschmid's early drawings, paintings, and prints; his interiors and housewares, which represent a modernist shift from exclusive image to accessible object; his designs for women's clothing; his immensely popular wooden furniture; his serially produced ceramics and their appeal to German nationalism of the period; and his complex and compelling pattern designs for textiles and wallpapers, the only part of his creative practice that spanned his entire career. Riemerschmid, Hartzell writes, was at his most inventive, playful, and free when designing things for everyday use. His uniquely designed forms allow us to recognize the utilitarian object not just as a tool but as an individual being--a thing with a soul.
Richard Hamilton
Essays and articles about Richard Hamiton, "the intellectual father of Pop art."Still little-known in the United States, Richard Hamilton is a key figure in twentieth-century art. An original member of the legendary Independent Group in London in the 1950s, Hamilton organized or participated in groundbreaking exhibitions associated with the group-in particular This Is Tomorrow (1956), for which his celebrated collage Just what is it that makes today's homes so different, so appealing?, crystallizing the postwar world of consumer capitalism, was made. With his colleagues in the Independent Group, Hamilton promoted the artistic investigation of popular culture, undertaking this analysis in paintings, prints, and texts, thus setting the stage for Pop art-indeed, he is often called the intellectual father of Pop. At the same time, Hamilton was crucial to the postwar reception of Marcel Duchamp, transcribing his notes for The Large Glass and producing a reconstruction of this epochal piece for the first Duchamp retrospective in Britain, in 1966. Over the years Hamilton has continued to develop his work, in a variety of media, on subjects ranging from the Rolling Stones to the Troubles in Northern Ireland, from new commodities and technologies to the oldest genres in Western painting. True to the mission of the October Files series, this volume collects the most telling essays on Hamilton (including several hard-to-find texts by the artist), spanning the entire range of his extraordinary career.
Richard Brauer: Collected Papers

Richard Brauer: Collected Papers

Richard Brauer

MIT Press
2003
pokkari
Richard Brauer (1901-1977) was one of the leading algebraists of this century. Although he contributed to a number of mathematical fields, Brauer devoted the major share of his efforts to the study of finite groups, a subject of considerable abstract interest and one that underlies many of the more recent advances in combinatorics and finite geometries.
Richard Brauer: Collected Papers

Richard Brauer: Collected Papers

Richard Brauer

MIT Press
1980
pokkari
Richard Brauer (1901-1977) was one of the leading algebraists of this century. Although he contributed to a number of mathematical fields, Brauer devoted the major share of his efforts to the study of finite groups, a subject of considerable abstract interest and one that underlies many of the more recent advances in combinatorics and finite geometries. The 120 papers collected in this volume were first published between 1926 and 1979. Brauer's mathematical impulse was remarkably steady, and his papers are equally distributed between those written before his fiftieth year and those written thereafter, including a number of contributions that were published after his formal retirement as Perkins Professor of Mathematics as Harvard in 1971. The papers are grouped into six sections following an autobiographical preface written for this collection. The first section contains twenty papers on the theory of algebras and is introduced by Oscar Goldman. The seventy-four papers on finite groups make up the second and largest section, which spans all three volumes. The final four sections complete the third volume and represent Brauer's contribution to Lie groups, number theory, polynomials and equations, geometries and biographies of Artin and Thompson.
Richard Serra

Richard Serra

MIT Press
2000
pokkari
A critical primer on artist Richard Serra's work.Richard Serra is considered by many to be the most important sculptor of the postwar period. The essays in this volume cover the complete span of Serra's work to date-from his first experiments with materials and processes through his early films and site works to his current series of "torqued ellipses." There is a special emphasis on those moments when Serra extended aesthetic convention and/or challenged political authority, as in the famous struggle with the General Services Administration over the site-specific piece Tilted Arc. October Files October Files is a new series of inexpensive paperback books. Each book will address a body of work by an artist of the postwar period who has altered our understanding of art in significant ways and prompted a critical literature that is sophisticated and sustained. Each book will trace not only the development of an important oeuvre but also the construction of the critical discourse inspired by it. The series editors are Hal Foster, Benjamin H. D. Buchloh, Annette Michelson, Yve-Alain Bois, and Rosalind Krauss.
Richard A. McCormick and the Renewal of Moral Theology

Richard A. McCormick and the Renewal of Moral Theology

Odozor Paulinus Ikechukwu

University of Notre Dame Press
1995
sidottu
In a career that spanned the periods before, during, and after the Second Vatican Council, Richard A. McCormick, S.J. (1922–2000), was one of the major American theologians who demonstrated broad interest in Christian theological ethics and has written extensively on the issues of fundamental and special theology. When the Second Vatican Council directed that attention should be paid to the renewal of moral theology, McCormick answered that challenge. In this study Paulinus Ikechukwu Odozor, C.S.Sp., examines McCormick’s thought and work in detail and sets it against the backdrop of larger developments that have taken place within the Church and the field of moral theology. Odozor begins by establishing McCormick’s contribution to the renewal of moral theology and reconstructs McCormick’s theological program by situating him within various social, theological, and professional contexts. He then goes on to show whether and to what extent McCormick has been consistent and coherent in his moral theological discourse. To effectively pursue the aims of this study, Odozor divided it into seven chapters. The first chapter delineates the parameters of pre-Vatican II moral theology and situates McCormick and his work in a larger context by defining the historical, social, and ecclesial contexts of his formation. The next five chapters take up themes central to understanding McCormick’s work, including the nature of Christian ethics, the Church as moral teacher, proportionate reasoning, anthropology, and casuistry. In addition to his insightful analysis of McCormick’s contributions to the field, Odozor includes a sensitive treatment of the complex interactions between McCormick as an individual scholar and the world in relation to which his identity as a scholar was formed and transformed.
Richard a. McCormick and the Renewal of Moral Theology

Richard a. McCormick and the Renewal of Moral Theology

Paulinus Ikechukwu Odozor

University of Notre Dame Press
2017
nidottu
In a career that spanned the periods before, during, and after the Second Vatican Council, Richard A. McCormick, S.J. (1922–2000), was one of the major American theologians who demonstrated broad interest in Christian theological ethics and has written extensively on the issues of fundamental and special theology. When the Second Vatican Council directed that attention should be paid to the renewal of moral theology, McCormick answered that challenge. In this study Paulinus Ikechukwu Odozor, C.S.Sp., examines McCormick's thought and work in detail and sets it against the backdrop of larger developments that have taken place within the Church and the field of moral theology. Odozor begins by establishing McCormick's contribution to the renewal of moral theology and reconstructs McCormick's theological program by situating him within various social, theological, and professional contexts. He then goes on to show whether and to what extent McCormick has been consistent and coherent in his moral theological discourse. To effectively pursue the aims of this study, Odozor divided it into seven chapters. The first chapter delineates the parameters of pre-Vatican II moral theology and situates McCormick and his work in a larger context by defining the historical, social, and ecclesial contexts of his formation. The next five chapters take up themes central to understanding McCormick's work, including the nature of Christian ethics, the Church as moral teacher, proportionate reasoning, anthropology, and casuistry. In addition to his insightful analysis of McCormick's contributions to the field, Odozor includes a sensitive treatment of the complex interactions between McCormick as an individual scholar and the world in relation to which his identity as a scholar was formed and transformed.
Richard Aldington

Richard Aldington

Pennsylvania State University Press
1992
sidottu
In the most comprehensive selection of his letters ever published, Norman Gates allows Richard Aldington to tell the story of his life in his own words. Unlike Aldington's autobiography, Life for Life's Sake, published twenty years before his death, these letters include those two important decades of his life and do not depend upon memory. Gates provides an introduction to each of the book's five sections, sketching Aldington's biography during that decade, but the reader may then listen to Aldington's own voice speaking through his letters.Richard Aldington was married to the American poet H. D. and was a friend to many other writers and artists at the center of the Modern period. His comments on his colleagues and their work, his efforts to promote their literary fortunes, his passionate love for two wives and two mistresses, are all a part of these letters. So, too, are his experiences on the editorial staffs of the Egoist and the Criterion, which brought him to touch with European and American writers. For a clear picture of the literary world of this time, Aldington's letters are indispensable.
Richard Aldington

Richard Aldington

Pennsylvania State University Press
1992
pokkari
In the most comprehensive selection of his letters ever published, Norman Gates allows Richard Aldington to tell the story of his life in his own words. Unlike Aldington's autobiography, Life for Life's Sake, published twenty years before his death, these letters include those two important decades of his life and do not depend upon memory. Gates provides an introduction to each of the book's five sections, sketching Aldington's biography during that decade, but the reader may then listen to Aldington's own voice speaking through his letters.Richard Aldington was married to the American poet H. D. and was a friend to many other writers and artists at the center of the Modern period. His comments on his colleagues and their work, his efforts to promote their literary fortunes, his passionate love for two wives and two mistresses, are all a part of these letters. So, too, are his experiences on the editorial staffs of the Egoist and the Criterion, which brought him to touch with European and American writers. For a clear picture of the literary world of this time, Aldington's letters are indispensable.
Richard Wagner and Festival Theatre

Richard Wagner and Festival Theatre

Simon Williams

Praeger Publishers Inc
1994
nidottu
In contrast to most books on Richard Wagner, this biography focuses primarily on Wagner as an important figure in the development of the theatre. While his contribution to music history has been exhaustively documented and analyzed, his theatrical ventures, in particular the founding of the Bayreuth Festival, have not been the object of much research by English-speaking theatre historians. Nevertheless, the Festival was a crucial event in the development of the European theatre: while Bayreuth established the paradigm for all modern theatre and music festivals, the Festival Theatre itself has provided the most widely imitated architectural configuration in twentieth-century theatre building.
Richard Nixon, Watergate, and the Press

Richard Nixon, Watergate, and the Press

Louis W. Liebovich

Praeger Publishers Inc
2003
sidottu
It's time to revisit Watergate. In this compelling reexamination, Liebovich draws extensively from newly available sources, including recently released Nixon Oval Office tapes, FBI reports, and personal reminiscences of cover-up leader John Dean. Liebovich sheds new light on the Nixon administration's extensive foul play, zeal to battle and manipulate the press, scandalous miring, and eventual political disgrace. After detailing the nation's news media coverage of the Watergate debacle and the ensuing breakup of American politics, Liebovich recounts the scandal's long-lasting, corrosive effect on presidential and popular politics. Scholars and students of the media and latter-20th-century American political malaise will be provoked and persuaded by Liebovich's argument that much of the public's cynicism toward the press, the president, and politics stems from the bitter battles-fought in the White House, on the front pages, and on television screens-between the press and Nixon's administration. The book focuses on the fight against a press perceived as hostile to the President and charts how the nation's major newspapers and magazines covered the unfolding scandal. Newly released sources show how Nixon and his advisors immersed themselves so deeply in a maze of deception and mistrust that none involved could extricate themselves, creating a political tragedy that haunts us to this day.
Richard the Lionheart

Richard the Lionheart

Jean Flori

Praeger Publishers Inc
2007
sidottu
Richard I, the Lionheart, remains forever (and perhaps wrongly) the mythical king of England who preferred to wage war than to rule over his empire. The familiar epithet conveys all the principal features of his indomitable character: courage, valor, prowess, the pursuit of glory, the thirst for fame, generosity in war and peace, a sense of honor combined with a sort of haughty dignity made up of both arrogance and pride. In this book, Jean Flori examines both Richard's role as prince and king in history, and also analyses the different and sometimes controversial elements which, for the chroniclers of his day, helped to make Richard a true model of chivalry. Among the questions addressed are: What influences formed his character and determined his behavior, real or assumed? Why did the image of Richard as a king who was also a knight so quickly and so soon supplant all others, creating a quasi-definitive point of reference? Why did Richard deliberately, it would appear, choose to present himself in this chivalric guise and disseminate this image of himself by what we would today call a media campaign, using all the methods then at his disposal, limited perhaps but by no means ineffective? Last but not least, what is the historical and ideological significance of the choice and, even more, success of this image, which has been adopted by history and disseminated by legend, an image based on historical accounts and documents in which history and legend are sometimes inextricably interwoven? The first part of the book takes a straightforward chronological approach to Richard's life, from his birth in 1157, through conflict with his father, Henry II, and his brothers, to his coronation and his years of crusading and fighting the French; culminating in his death in battle in 1199. The second part analyses Richard's image in relation to medieval chivalry.
Richard Dawkins, C. S. Lewis and the Meaning of Life
In this pithy, entertaining guide to what really matters, Alister McGrath brings together Richard Dawkins and C.S. Lewis, two intriguing and well-known writers, in 'conversation'. The two men could hardly have more different perspectives; these arguments provide an excellent means of sharpening our own thinking on the meaning of life.
Richard Owen

Richard Owen

Nicolaas A. Rupke

Yale University Press
1994
sidottu
Richard Owen (1804-92) was, after Darwin, the leading naturalist of nineteenth-century Britain. A distinguished anatomist and paleontologist, he was influential in Victorian scientific reform and in the debate over natural selection. Leader of the nineteenth-century museum movement, he founded London's monumental Natural History Museum, wrote and published copiously, and won every professional honor. This first full-fledged biography of Owen presents the complete range of his scientific and intellectual achievements.Nicolaas Rupke discusses Owen's epic power struggles with colleagues, the most notorious of which were with Darwin and Huxley. As a renowned opponent of natural selection, Owen became the bête noire of the Darwinian evolution debate. Rupke argues, however, that Owen should no longer be judged by the evolution dispute that was only a minor part of his work yet has come to dominate his memory. Instead, Rupke emphasizes and throws new light on a wide area of Owen's other activities. In particular, he explains the central division in Owen's scientific oeuvre between the functionalism of Oxbridge natural theology and the transcendentalism of German nature philosophy. Rupke shows that this was a fundamental extension of the intellectual and political maneuvering for control of Victorian cultural institutions and an inextricable part of the rise to public authority of the most articulate proponents of the scientific study of nature.
Richard Rodgers

Richard Rodgers

William G. Hyland

Yale University Press
1998
sidottu
Richard Rodgers, a musical genius whose Broadway career spanned six successful decades, composed more than a thousand songs for the American stage. Although he reaped wealth, success, and recognition that included two shared Pulitzer Prizes, Rodgers found happiness elusive. In this first comprehensive biography of Rodgers, William G. Hyland tells the full story of the complex man and his incomparable music. Hyland’s portrait of Rodgers (1902-79) begins with his childhood in an affluent Jewish family living in the Harlem neighborhood of Manhattan. During college years at Columbia University and early work on the amateur circuit and Broadway, Rodgers entered into a historic collaboration with the lyricist Lorenz Hart. The team produced a dozen popular shows and such enduring songs as "The Lady Is a Tramp." Rodgers’ next partnership, with Oscar Hammerstein II, led to the creation of the musical play, a new and distinctively American art form. Beginning with Oklahoma! in 1943, this pair dominated Broadway for almost twenty years with a string of hits that remain beloved favorites: Carousel, South Pacific, The King and I, and The Sound of Music. When Hammerstein died in 1960, Rodgers began a new phase in his career, writing the lyrics to his own music, then joining lyricists Stephen Sondheim, Sheldon Harnick, and Martin Charnin. Despite periods of depression, excessive drinking, hypochondria, and devastating illness at different points in his life, Rodgers’ outpouring of music seemed little affected, and he continued to compose until his death at age seventy-seven. An icon of the musical theater, Rodgers left a legacy of timeless songs that audiences return to hear over and again.