This two-volume work encourages students, fans, and scholars to take an expansive view of Michael Jackson’s art. Focusing on his films, which it approaches as exquisite works of art as well as a theoretical framework for interpreting his other work, it demonstrates the depth and scope of his art and its far-reaching cultural significance. Specifically, it demonstrates how Jackson engaged in a sophisticated process of telling, untelling, and retelling entrenched cultural narratives that perpetuate prejudice, and how he modified affective responses to racial signifiers and other marks of difference. In this way, Jackson confronted prejudice more profoundly than any other American artist in recent memory. This work also takes a detailed look at the allegations of child sexual abuse. These were so shattering for Jackson both personally and creatively that his life and career divide into two parts – a division reflected in the two-volume structure of this work. Volume One focuses on Jackson’s early films followed by analysis of the allegations, including historical factors that may have influenced how the police, press, and public reacted. Volume Two then focuses on the art Jackson created in response, including some of the most poignant, political, and significant work of his career. Volume Two also looks at evolving perceptions of Jackson’s face and persona, approaching them as revolutionary yet deeply troubling works of art – works that became even more unsettling as Jackson wrestled with the intense emotions unleashed by the abuse allegations. It posits that popular perceptions of Jackson’s face and persona were illusions that performed critically important cultural functions, and that Jackson himself – the man behind the illusion – was a trickster artist. It concludes that Jackson was the most important American artist of our time, and that his face was his masterpiece. However, it only arrives at these conclusions after careful analysis of his films. It’s through his films that Jackson articulates his aesthetic. Therefore, it’s his films that make his face legible.
This two- volume work encourages students, fans, and scholars to take an expansive view of Michael Jackson’s art. Focusing on his films, which it approaches as exquisite works of art as well as a theoretical framework for interpreting his other work, it demonstrates the depth and scope of his art and its far- reaching cultural significance. Specifically, it demonstrates how Jackson engaged in a sophisticated process of telling, untelling, and retelling entrenched cultural narratives that perpetuate prejudice, and how he modified affective responses to racial signifiers and other marks of difference. In this way, Jackson confronted prejudice more profoundly than any other American artist in recent memory. This work also takes a detailed look at the allegations of child sexual abuse. These were so shattering for Jackson both personally and creatively that his life and career divide into two parts – a division reflected in the two- volume structure of this work. Volume One focuses on Jackson’s early films followed by analysis of the allegations, including historical factors that may have influenced how the police, press, and public reacted. Volume Two then focuses on the art Jackson created in response, including some of the most poignant, political, and significant work of his career. Volume Two also looks at evolving perceptions of Jackson’s face and persona, approaching them as revolutionary yet deeply troubling works of art – works that became even more unsettling as Jackson wrestled with the intense emotions unleashed by the abuse allegations. It posits that popular perceptions of Jackson’s face and persona were illusions that performed critically important cultural functions, and that Jackson himself – the man behind the illusion – was a trickster artist. It concludes that Jackson was the most important American artist of our time, and that his face was his masterpiece. However, it only arrives at these conclusions after careful analysis of his films. It’s through his films that Jackson articulates his aesthetic. Therefore, it’s his films that make his face legible.
Mammy wants Jackson to run for freedom. Can a thirteen-year-old slave boy and his six-year-old sister get to Canada? What will happen to them on their journey?
Charlie Joe Jackson's Guide to Not Reading by Tommy Greenwald is the hilarious story of an avid non-reader and the extreme lengths to which he'll go to get out of reading a book. Charlie Joe Jackson may be the most reluctant reader ever born. And so far, he's managed to get through life without ever reading an entire book from cover to cover. But now that he's in middle school, avoiding reading isn't as easy as it used to be. And when his friend Timmy McGibney decides that he's tired of covering for him, Charlie Joe finds himself resorting to desperate measures to keep his perfect record intact.
Charlie Joe Jackson, the most reluctant reader ever born, made it his mission in the first book to get through middle school without reading a single book from cover to cover. Now he's back--and trying desperately to get straight As in order to avoid going to academic camp for the summer. To do this, he will have to betray his friend, lose the girl of his dreams, and end up acting in a school play about the inventor of paper towels. Charlie Joe's not exactly the school play kind of guy, but desperate times call for desperate measures, in Charlie Joe Jackson's Guide to Extra Credit by Tommy Greenwald.
Charlie Joe's weekly allowance just isn't cutting it and he desperately needs money to buy a Botman, the latest gadget to sweep his middle school. Only catch is, he wants to earn the money by doing the least amount of work possible. After several failed attempts, including a near disastrous day of dog-walking, Charlie Joe hatches a plan to throw his own bar mitzvah (no gifts please--checks only) even though he's not Jewish. Hilarity ensues when throwing a fake coming-of-age party turns out to be much harder than it looks. Charlie Joe Jackson's Guide to Making Money by Tommy Greenwald is laugh out loud funny, and full of amusing illustrations that fit perfectly with the story.
This hilarious final installment in the Charlie Joe Jackson series written by Tommy Greenwald and illustrated by J. P. Coovert is infused with nostalgia and just the right amount of chaos. Yes Graduation day is finally here Charlie Joe has been waiting for this moment his entire middle school career. This might even be the best day of his life. No more teachers No more books Just make it through the ceremony and he's free. But suddenly things around him are starting to change. Words like responsibility and college prep keep popping out of his friend's mouths. What happened to words like fun and pool party? And come to think of it, doesn't high school bring more teachers and more books? Maybe this whole growing up thing isn't such a good idea after all. Actually being a kid is pretty darn fun Surely Charlie Joe can figure out a way to put the brakes on growing up-and fast With laugh-out-loud humor and quirky illustrations, this book is perfect for reluctant readers. Books in the Charlie Joe Jackson series: Charlie Joe Jackson's Guide to Not Reading Charlie Joe Jackson's Guide to Extra Credit Charlie Joe Jackson's Guide to Summer Vacation Charlie Joe Jackson's Guide to Making Money Charlie Joe Jackson's Guide to Planet Girl Charlie Joe Jackson's Guide to Not Growing Up Don't forget Charlie Joe's friends Katie Friedman Gives Up Texting (And Lives to Tell About It.) Jack Strong Takes a Stand Pete Milano's Guide to Being a Movie Star More from Tommy Greenwald: The Real Us
""The Diary of a Chaplain in Andrew Jackson's Army"" is a historical account of the experiences of the Reverend Learner Blackman, a chaplain in the United States Army during the War of 1812. The diary covers the period from December 28, 1812, to April 4, 1813, and provides a firsthand account of Blackman's travels and experiences as he accompanies General Andrew Jackson and his troops on their campaign against the Creek Indians in the southern United States.Throughout the diary, Blackman describes the challenges and hardships of life on the front lines of the war, including the physical and emotional toll of battle, the difficulty of maintaining morale in the face of adversity, and the struggles of providing spiritual guidance to soldiers in wartime. He also provides insight into the social and political climate of the era, including the tensions between the United States and Great Britain, the role of slavery in American society, and the impact of the war on the lives of ordinary citizens.Overall, ""The Diary of a Chaplain in Andrew Jackson's Army"" offers a unique perspective on the War of 1812 and the experiences of those who fought in it, as well as a glimpse into the life of a chaplain during a time of great national upheaval.From The Tennessee Historical Quarterly, V12, No. 3, September, 1953.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
The first dedicated exploration of the short fiction of Shirley Jackson for three decades, this volume takes an in-depth look at the themes and legacies of her 200-plus short stories. Recognized as the mother of contemporary horror, scholars from across the globe, and from a range of different disciplinary backgrounds, dig into the lasting impact of her work in light of its increasing relevance to contemporary critical preoccupations and the re-release of Jackson's work in 2016. Offering new methodologies to study her work, this volume calls upon ideas of intertextuality, ecocriticism and psychoanalysis to examine a broad range of themes from national identity, race, gender and class to domesticity, the occult, selfhood and mental illness. With consideration of her blockbuster works alongside later works that received much less critical attention, Shirley Jackson's Dark Tales promises a rich and dynamic expansion on previous scholarship of Jackson's oeuvre, both bringing her writing into the contemporary conversation, and ensuring her place in the canon of Horror fiction.
