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1000 tulosta hakusanalla Sidney Redner
The South Since the War, As Shown by Fourteen Weeks of Travel and Observation in Georgia and the Carolinas. by Sidney andrews.
Sidney Andrews
University of Michigan Library
2006
pokkari
Washington and His Masonic Compeers. by Sidney Hayden ... Illustrated With A Copy of A Masonic Portrait of Washington, Painted From Life, Never Before Published, With Numerous Other Engravings.
Sidney Hayden
University of Michigan Library
2006
pokkari
Washington and His Masonic Compeers. by Sidney Hayden ... Illustrated With A Copy of A Masonic Portrait of Washington, Painted From Life, Never Before Published, With Numerous Other Engravings ...
Sidney Hayden
University of Michigan Library
2006
pokkari
Sidney's Letters To William E. Channing
Daniel Kimball Whitaker
KESSINGER PUBLISHING CO
2008
pokkari
The career of Sidney Earle Smith, Dean of Law, Dalhousie University (1929-34), President of the University of Manitoba (1934-44), President of the University of Toronto (1945-59), had a variety of backgrounds which were significant in determining his impressive achievement in Canada's humanistic tradition. He was reared in the vigorous landscape and living of the Maritimes, rigorously trained in the discipline of the law whose traditions he always enjoyed and respected, challenged and stimulated by very different but equally significant administrative problems as president first of a struggling western university (Manitoba), and then of the largest and most complex in Canada (Toronto), and finally was caught up in the compelling swirl of international politics from the office of Secretary of State for External Affairs. At every stage of these activities Sidney Smith made an indelible impression on his associates. One of these, who knew him intimately in the work of the Canadian Association for Adult Education, is the author of this short but revealing biography. Mr. Corbett has carefully and vividly sketched in the backgrounds of his subject's story, has woven into the account with ingenious informality reminiscences of the man and his work by a goodly company of his colleagues, and has brought out his personality, style, methods, beliefs in a persuasive atmosphere of personal warmth and strong academic conviction. This is a book of lively charm to read, and also a valuable recording of a public servant who "left a mark upon his time and his country that the passage of the years will further illuminate." Its initial appearance in the year of the opening of Sidney Smith Hall, built to house the Faculty of Arts whose interests he had always served with sturdy devotion, is a happy association.
Sidney Lanier
The University of North Carolina Press
2017
nidottu
In the biography of Sidney Lanier there is little radically new to be learned though the author has located a number of previously unpublished letters and neglected sources of information. The emphasis is primarily one of interpreting what is known, of looking freshly at long-accepted opinions. This study is particularly strong in its detailed critical examination of the less well-known works of Lanier.Originally published in 1933.A UNC Press Enduring Edition - UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
In the first full biography of actor Sidney Poitier, Aram Goudsouzian analyzes the life and career of a Hollywood legend, from his childhood in the Bahamas to his 2002 Oscar for lifetime achievement. Poitier is a gifted actor, a great American success story, an intriguing personality, and a political symbol; his life and career illuminate America's racial history. In such films as Lilies of the Field, In the Heat of the Night, and Guess Who's Coming to Dinner, Poitier's middle-class, mannered, virtuous screen persona contradicted prevailing film stereotypes of blacks as half-wits, comic servants, or oversexed threats. His screen image and public support of nonviolent integration assuaged the fears of a broad political center, and by 1968, Poitier was voted America's favorite movie star.Through careful readings of every Poitier film, Goudsouzian shows that Poitier's characters often made sacrifices for the good of whites and rarely displayed sexuality. As the only black leading man during the civil rights era, Poitier chose roles and public positions that negotiated the struggle for dignity. By 1970, times had changed and Poitier was the target of a backlash from film critics and black radicals, as the new heroes of ""blaxploitation"" movies reversed the Poitier model. In the 1970s, Poitier shifted his considerable talents toward directing, starring in, and producing popular movies that employed many African Americans, both on and off screen. After a long hiatus, he returned to starring roles in the late 1980s. More recently, the film industry has reappraised his career, and Poitier has received numerous honors recognizing his multi-faceted work for black equality in Hollywood. As this biography affirms, Poitier remains one of American popular culture's foremost symbols of the possibilities for and limits of racial equality.