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1000 tulosta hakusanalla Thomas Mackellar

Thomas Hoccleve: A Facsimile of the Autograph Verse Manuscripts

Thomas Hoccleve: A Facsimile of the Autograph Verse Manuscripts

Thomas Hoccleve

Oxford University Press
2002
sidottu
Thomas Hoccleve was a scribe in royal service from ca. 1386 to 1426, as well as a 'Chaucerian' poet who has attracted much interest, especially for his autobiographical poems. This facsimile reproduces three manuscripts containing all of his known poetry except his Regiment of Princes [of which no autograph copy survives]. It provides a rare opportunity to see how a medieval English poet presented his own work in copies which he made himself, meticulously spelled and metred. Although these manuscripts have attracted much scholarly attention, only a few pages have been previously reproduced in published studies. The Introduction includes the first full description of the contents and structure of the three volumes, with discussions of the author's handwriting, use of abbreviations and punctuations based on advances in palaeographical study and historical knowledge of Hoccleve's context. J. A. Burrow is Emeritus Professor and Senior Research Fellow at the University of Bristol. A. I. Doyle is Honorary Reader in Bibliography at the University of Durham.
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Thomas Wylton

Thomas Wylton

Oxford University Press
2010
sidottu
Thomas Wylton's Quaestio de anima intellectiva is one of the most significant medieval treatments of the intellectual soul. This edition of the Latin text is accompanied by an en face English translation by Gail Trimble. The detailed introduction guides the reader through the intricacies of the transmission of the text as well as its philosophical contents. Wylton's Quaestio presents a strong and controversial defence of Averroes' interpretation of Aristotelian psychology. In his comparison of Averroes' view with the Catholic doctrine of the human soul, as defined by the Council of Vienne, Wylton highlights the rationality of the Arabic philosopher's stance and raises strong arguments against the commonly accepted opinion of Catholic thinkers, such as Thomas Aquinas and his followers. Wylton's Quaestio had a strong influence on his contemporaries and in particular on the most eminent exponent of Latin Averroism, John of Jandun, who included long passages from Wylton's treatise in his commentary on Aristotle's On the Soul. Wylton also addresses fundamental philosophical issues: the ontological status of a subsisting form, the existence of universal things as components of individuals, and the possibility of intellectual knowledge of universals as well as singulars. This combination of polemics and engaging philosophical reflection is one of the distinguishing features of Wylton's text and makes his work of significance to historians, philosophers, and theologians.
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Thomas Hardy's 'Studies, Specimens &c.' Notebook

Thomas Hardy's 'Studies, Specimens &c.' Notebook

Thomas Hardy

Clarendon Press
1994
sidottu
Thomas Hardy's Studies, Specimens &c. notebook stands almost alone as a witness to his exertions and aspirations of the 1860s, when he was already in his middle twenties but still working in London as an architectual assistant and only tentatively feeling his way towards as yet dimly glimpsed possibilities of literary expression and employment. Because so little documentation of any kind has survived for this early period of his life and work, the notebook is of extraordinary interest as containing detailed evidence of the untutored deliberateness with which Hardy was seeking to provide himself with a poetic background, educate himself in poetic techniques, and initiate a process from which he could perhaps emerge as a practising, even a publishing, poet. In private hands until very recently, and seen by only a very few scholars, Studies, Specimens &c.' dates from 1865-68, is entirely in Hardy's own hand, and consists of eighty-eight closely written pages of working memoranda, and quotations from other poets - mostly extracts a few words long in which underlining has been used to highlight individual images and word-usages. Although no drafts of actual poems are present, there are numerous instances of Hardy's seeking to generate a poetic, and sometimes erotic, language and imagery out of materials (e.g., an architectual textbook) apparently chosen precisley for their recalcitrance to such treatment. The edition itself seeks to reproduce typographically all essential features of the original document. The introductory material describes the notebook bibliographically, sets it in its biographical context, and discusses some of its more important technical features. Included in the extensive apparatus are textual notes, explications of Hardy's occasional quotations - indicating, in most instances, the editions or actual volumes he certainly or probably used. Explanatory notes are provided for - among other things - some erased but now partly recoved memoranda of Hardy's that appear to have significant biographical implications.
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The Collected Letters of Thomas Hardy: Volume 7: 1926-1927

The Collected Letters of Thomas Hardy: Volume 7: 1926-1927

Thomas Hardy

Clarendon Press
1988
sidottu
The opening section of this seventh and final volume of the definitive edition of Thomas Hardy's letters covers the period from January 1926 to December 1927: his last letter, to Edmund Gosse, was written on Christmas Day 1927 and he died seventeen days later, on 11 January 1928. Although few of his long-standing personal correspondences were actively kept up during these last two years of his life, Hardy maintained (especially when writing to Sir Frederick Macmillan) a lively and practical interest in all aspects of his work and career; he also responded, usually with a courteous refusal, to the many requests and enquiries that his fame inevitably attracted. The second section is devoted to letters which became available too late for publication in their correct chronological sequence in earlier volumes of the edition; those now added date mostly from the nineteenth century, and include a series of letters to officials of the Duchy of Cornwall about the purchase of land on which Max Gate was built, as well as numerous individual letters of considerable interest and importance. This volume contains more than 350 letters, the great majority of them previously unpublished, which are supplemented, as before, by scrupulous annotation and extensive cross-referencing; by a chronology covering the whole of Hardy's career; and by an index of recipients of the letters included. As the concluding volume, however, it also incorporates an extensive General Index covering the texts and annotations of the entire edition.
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The Letters of Thomas Love Peacock: Volume 1

The Letters of Thomas Love Peacock: Volume 1

Thomas Love Peacock

Clarendon Press
2001
sidottu
Thomas Love Peacock (1785-1866) was a lifelong and assiduous letter-writer at a time when the familiar letter was often virtually an art-form in itself. He had a wide circle of correspondents, and was a close friend of Shelley, whom he assisted over both personal and business affairs after Shelley's abandonment of his wife Harriet and departure to Italy. Friend also of many Radicals of the early nineteenth century, his letters often display the satiric wit of his published prose works such as Headlong Hall and Crotchet Castle. In the later part of his life he rose to high position in the East India Company's service, succeeding James Mill, under whom he had worked, as Examiner. This is the first time his extensive correspondence has been gathered together and given scholarly annotation: the two-volume edition will be invaluable both to students of Romantic literature and to historians of the period.
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The Complete Poetical Works of Thomas Hardy: Volume IV: The Dynasts, Parts First and Second

The Complete Poetical Works of Thomas Hardy: Volume IV: The Dynasts, Parts First and Second

Thomas Hardy

Clarendon Press
1995
sidottu
Volumes IV and V of the Complete Poetical Works of Thomas Hardy, which complete the edition, contain all of his dramatic writing in verse. Hardy was interested in dramatic verse all his adult life; before he wrote his first novel he considered writing plays in blank verse, and during the thirty years of his novel-writing career he entered in his notebooks many schemes for a vast poetic drama of England's wars with Napoleon. But is was not until after he had turned from fiction to poetry, in the 1890s, that he actually began to work on a poetic drama. The Dynasts was written between 1902 and 1907; The Famous Tragedy of the Queen of Cornwall was begun in 1916 and completed in 1923. In addition to the two major dramas this volume includes Hardy's versions of two folk-pieces: the Mummers' Play of 'Saint George' and the rustic operetta O'Jan, O'Jan, O'Jan' (here published for the first time). Textual annotations, together with a full account of the rough draft of Part third of The Dynasts, make it possible for the reader to follow the history of the composition of Hardy's epic drama in unusual detail. Explanatory notes to each of the dramatic works describe its composition and publication, and provide supporting material from Hardy's letters and notebooks. Appendices add further information on the production and performance of these works.
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The Complete Poetical Works of Thomas Hardy: Volume V: The Dynasts, Part Third; The Famous Tragedy of the Queen of Cornwall; The Play of 'Saint George'; 'O Jan, O Jan, O Jan'

The Complete Poetical Works of Thomas Hardy: Volume V: The Dynasts, Part Third; The Famous Tragedy of the Queen of Cornwall; The Play of 'Saint George'; 'O Jan, O Jan, O Jan'

Thomas Hardy

Clarendon Press
1995
sidottu
Volumes IV and V of the Complete Poetical Works of Thomas Hardy, which complete the edition, contain all of his dramatic writing in verse. Hardy was Hardy was interested in dramatic verse all his adult life; before he wrote his first novel he considered writing plays in blank verse, and during the thirty years of his novel-writing career he entered in his notebooks many schemes for a vast poetic drama of England's wars with Napoleon. But it was not until after he had turned from fiction to poetry, in the 1890s, that he actually began to work on a poetic drama. The Dynasts was written between 1902 and 1907; the Famous Tragedy of the Queen of Cornwall was began in 1916 and completed in 1923. In addition to the two major dramas this volume includes Hardy's versions of two folk-pieces: the Mummers'Play of 'Saint George'and the rustic operetta O'Jan. O'Jan, O'Jan'(here published for the first time). Textual annotations, together with a full account of the rough draft of Part Third of The Dynasts, make it possible for the reader to follow the history of the composition of Hardy's epic drama in unusual detail. Explantory notes to each of the dramatic works describe its composition and publication, and provide supporting material from Hardy's letters and notebooks. Appendices add further information on the production and performance of these works.
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The Works of Thomas Southerne: Volume II

The Works of Thomas Southerne: Volume II

Thomas Southerne

Clarendon Press
1988
sidottu
Southerne is one of the most important dramatists of the Restoration theatre, but until now there has been no modern edition of his works. The text is based on an exhaustive study of the earliest editions, and the introduction contains the first biography of Southerne to be based on the surviving documentary records.
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