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L' introduction et la diffusion de la technologie du bronze en Syrie-Mésopotamie
This study looks at the introduction of bronze technology in Syria/Mesopotamia and its subsequent diffusion and social consequences for the history of the region in the second millennium BC. It uses a much fuller range of source material, both archaeological and philological than is often the case and also examines the development of a specialised artisan class. French text.
Virginia'S Western Visions

Virginia'S Western Visions

L. Scott Philyaw

University of Tennessee Press
2004
sidottu
“Once all the world was Virginia”—an exaggerated truism to be sure, but in the early eighteenth century, there seemed no limit on the Old Dominion’s possibility for growth, particularly in the eyes of the state’s Tidewater elite. Wealthy tobacco barons monopolized thousands of acres along Virginia’s frontier, and early leadership, including William Byrd, Thomas Jefferson, and George Washington, saw the generous possibilities in the expanse of lands to their west. In 1705 Virginia planter and historian Robert Beverly confidently foresaw the day when Virginia’s settlements would reach “the California Sea.”In Virginia’s Western Visions, L. Scott Philyaw examines the often tumultuous history of Virginia’s westward expansion. Land, the foundation to tobacco cultivation and slavery, obsessed early Virginians. Land acquisition was also a necessary step in dispossessing Virginia’s native inhabitants, replacing them with Europeans and Africans. The relationship between Virginia’s Tidewater elite and the hinterland was never simple, however. The backcountry’s economic potential was undeniable, as was the possibility for colonization; but elites feared the threat of Native American nations, and the western border was consistently a source of unrest. For many English colonists, the inland wilderness was terrifying, and Philyaw argues that attitudes toward the different peoples of the frontier—Native Americans, French Catholic villagers, and German and Ulster-Scot immigrants—shed light on the cultural and ethnic assumptions of the architects of the American republic.By the early nineteenth century, the optimism of the Revolutionary generation had faded. New western states competed with Virginia for markets, settlers, and investments, and wealthy planters began abandoning the Old Dominion, taking their portable slave wealth with them. As the War of Independence came to an end, an independent Virginia actually began losing territory; the war-weary and impoverished state could no longer control the western lands its leadership had worked so tirelessly to acquire. Leaders now turned to the new national government to accomplish their aims of creating a series of western states that would share Virginia’s interests. They failed, and in the antebellum era Virginia’s elite more often allied with states to the south rather than those that were once part of the Old Dominion.From the earliest settlement of the area, Virginians wrestled with both the political and cultural meaning of “Virginia.” By examining the changing attitudes toward the early West, Virginia’s Western Visions offers a fascinating glimpse into the dreams of the Old Dominion’s early leaders, the challenges that faced them, and their vision for Virginia’s future.L. Scott Philyaw is associate professor of history at Western Carolina University. He is a contributor to After the Backcountry: Rural Life in the Great Valley of Virginia, 1800–1900, and his articles and reviews have appeared in the Virginia Magazine of History and Biography, the Journal of the Early Republic, and others.
Virginia Mayo

Virginia Mayo

L C Van Savage; Virginia Mayo

Beachhouse Books
2002
pokkari
Virginia Clara Jones, born in St. Louis, Missouri, in 1920, never wanted to play the usual childhood games with her chums; she only wanted to "play show." And indeed as a child, she did appear in many shows in and around St. Louis.As Virginia grew into her teen years, she began to dream of dancing and singing at the "Muny Opera" in St. Louis, and eventually she achieved that. From there, the beautiful teenager joined a Vaudeville troupe in a very successful act called "Pansy the Horse," and it was then that Virginia Jones became Virginia Mayo.Virginia went from the Muny, to Vaudeville, to films and the stage, but it was in films where the world saw and learned to love her the most. Equally talented in all acting genres, Virginia's musicals are her most memorable and were the ones she loved, and loved to perform in, above all others.Her talent and beauty were so dazzling, the Sultan of Morocco was prompted to send a letter to the studio heads of Warner Brothers saying "Virginia Mayo is tangible proof of the existence of God.""I just put my head down and did the work. All I ever wanted in my life was to do the work." This became her show business credo. Virginia Mayo "played show," did the work and did it well.Numerous photos.
The Army of Northern Virginia

The Army of Northern Virginia

Darrell L. Collins

McFarland Co Inc
2015
pokkari
This first-of-its-kind reference book presents detailed information on the structure, composition and casualties of the Confederate Army of Northern Virginia during its entire four year history, 1861-1865. Readers will know at a glance who commanded each unit, and when. Unit strengths and casualties are given for the Army's major campaigns. Meticulously compiled from the 128 volumes of the Official Records, this reliable source provides a comprehensive record of the Army's development, from its formation to its demise.